Mao I
(After an ink drawing by Mao I, Song dynasty, c. 1100
in the Freer Gallery of Oriental Art)
Faded, brown, discrete, as flowers pressed
in some antique book or magazine suggest
an intimate mood--fleeting, flown,
perennial, between timeless print grown
meaningless, his femur sausage-linked
bamboo or supple joint-less trout, lightly inked,
survived the arson and the coup d'etats.
We find no window-sized Madonna
or noble in fluffed moustache
winking across the room at a burgher
winking back.
Here on a silk pane, light-boned swallows
toss in the wind-sifted willows,
While at wind-arrested edge of flight one flies
caught forever turning in his almond eyes.
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