Who Put the Pace in Peyton Place?
Since humans surfaced from the slime,
our art has always turned on time,
on measurement, and not on rhyme –
so Solon says (I’m with him):
the heart of art is rhythm.
You want to waltz? You need three-four.
And verse that’s truly free’s a bore!
The drumkit forms rock music’s core,
and Rhapsody in Blue has
wrought classical anew (jazz).
Our architecture, uninspired,
was looking – feeling – somewhat tired.
Then Frank Lloyd Wright, completely wired,
transformed it, not for profit
– have you seen his soffits?
The painter had become a monkey,
just reproducing portraits (clunky)
and soulless seascapes. Things got funky:
what stirred the stiff Sargasso?
A samba called Picasso!
Those Western movies grew so dull,
the steers were ready for a cull:
Italians dispelled the lull,
while Hollywood said, smugly,
“no-one wants good, bad, ugly!”
So, whether you sculpt or you sing,
you groove to The Beatles or Bing,
you think Nat or Elvis is King,
it don’t mean a thing
if it ain’t got that swing!
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