I leaned heavily into the voice and imagery from the the old testiment book of Song of Solomon, and specifically from the Elizabethen nomenclature of the 1611 King James Version of the Bible. Another title for the O.T. text is "Song of Songs" which comes from the Hebrew to express the absolute superlative, or the most beautiful. So beautiful in fact that Jewish boys were not allowed to read it until they came of age. I've also included a paraphrased easter egg from Carl Orff's Carmina Burana which is a classic musical treatise based on a 13th century Bavarian monk's poems with the same sacred/profane theme. If you can spot it I'll throw you a doggy chew!
If we move into a spiritually non-religius understanding of the Song of Solomon, sexuality suddenly becomes as sacred and inclusive as it is sullied and exclusive within the four walls of the major religious constructs, to whom I gave over 25 of my most virile years.
FYI - I've posted a piece of prose explaining Aioue