Written by
Robert William Service |
Beyond the Rocking Bridge it lies, the burg of evil fame,
The huts where hive and swarm and thrive the sisterhood of shame.
Through all the night each cabin light goes out and then goes in,
A blood-red heliograph of lust, a semaphore of sin.
From Dawson Town, soft skulking down, each lewdster seeks his mate;
And glad and bad, kimono clad, the wanton women wait.
The Klondike gossips to the moon, and sinners o'er its bars;
Each silent hill is dark and chill, and chill the patient stars.
Yet hark! upon the Rocking Bridge a bacchanalian step;
A whispered: "Come," the skirl of some hell-raking demirep...
* * * * * * * * * * *
They gave a dance in Lousetown, and the Tenderloin was there,
The girls were fresh and frolicsome, and nearly all were fair.
They flaunted on their back the spoil of half-a-dozen towns;
And some they blazed in gems of price, and some wore Paris gowns.
The voting was divided as to who might be the belle;
But all opined, the winsomest was Touch-the-Button Nell.
Among the merry mob of men was one who did not dance,
But watched the "light fantastic" with a sour sullen glance.
They saw his white teeth gleam, they saw his thick lips twitch;
They knew him for the giant Slav, one Riley Dooleyvitch.
"Oh Riley Dooleyvitch, come forth," quoth Touch-the-Button Nell,
"And dance a step or two with me - the music's simply swell,"
He crushed her in his mighty arms, a meek, beguiling witch,
"With you, oh Nell, I'd dance to hell," said Riley Dooleyvitch.
He waltzed her up, he waltzed her down, he waltzed her round the hall;
His heart was putty in her hands, his very soul was thrall.
As Antony of old succumbed to Cleopatra's spell,
So Riley Dooleyvitch bowed down to Touch-the-Button Nell.
"And do you love me true?" she cried. "I love you as my life."
"How can you prove your love?" she sighed. "I beg you be my wife.
I stake big pay up Hunker way; some day I be so rich;
I make you shine in satins fine," said Riley Dooleyvitch.
"Some day you'll be so rich," she mocked; "that old pipe-dream don't go.
Who gets an option on this kid must have some coin to show.
You work your ground. When Spring comes round, our wedding bells will ring.
I'm on the square, and I'll take care of all the gold you bring."
So Riley Dooleyvitch went back and worked upon his claim;
He ditched and drifted, sunk and stoped, with one unswerving aim;
And when his poke of raw moose-hide with dust began to swell,
He bought and laid it at the feet of Touch-the-Button Nell.
* * * * * * * * * * *
Now like all others of her ilk, the lady had a friend,
And what she made my way of trade, she gave to him to spend;
To stake him in a poker game, or pay his bar-room score;
He was a pimp from Paris. and his name was Lew Lamore.
And so as Dooleyvitch went forth and worked as he was bid,
And wrested from the frozen muck the yellow stuff it hid,
And brought it to his Lady Nell, she gave him love galore -
But handed over all her gains to festive Lew Lamore.
* * * * * * * * * * *
A year had gone, a weary year of strain and bloody sweat;
Of pain and hurt in dark and dirt, of fear that she forget.
He sought once more her cabin door: "I've laboured like a beast;
But now, dear one, the time has come to go before the priest.
"I've brought you gold - a hundred fold I'll bring you bye and bye;
But oh I want you, want you bad; I want you till I die.
Come, quit this life with evil rife - we'll joy while yet we can..."
"I may not wed with you," she said; "I love another man.
"I love him and I hate him so. He holds me in a spell.
He beats me - see my bruisèd brest; he makes my life a hell.
He bleeds me, as by sin and shame I earn my daily bread:
Oh cruel Fate, I cannot mate till Lew Lamore is dead!"
* * * * * * * * * * *
The long lean flume streaked down the hill, five hundred feet of fall;
The waters in the dam above chafed at their prison wall;
They surged and swept, they churned and leapt, with savage glee and strife;
With spray and spume the dizzy flume thrilled like a thing of life.
"We must be free," the waters cried, and scurried down the slope;
"No power can hold us back," they roared, and hurried in their hope.
Into a mighty pipe they plunged, like maddened steers they ran,
And crashed out through a shard of steel - to serve the will of Man.
And there, by hydraulicking his ground beside a bedrock ditch,
With eye aflame and savage aim was Riley Dooleyvitch.
In long hip-boots and overalls, and dingy denim shirt,
Behind a giant monitor he pounded at the dirt.
A steely shaft of water shot, and smote the face of clay;
It burrowed in the frozen muck, and scooped the dirt away;
It gored the gravel from its bed, it bellowed like a bull;
It hurled the heavy rock aloft like heaps of fleecy wool.
Strength of a hundred men was there, resistess might and skill,
And only Riley Dooleyvitch to swing it at his will.
He played it up, he played it down, nigh deafened by its roar,
'Til suddenly he raised his eyes, and there stood Lew Lamore.
Pig-eyed and heavy jowled he stood and puffed a big cigar;
As cool as though he ruled the roost in some Montmartre bar.
He seemed to say, "I've got a cinch, a double diamond hitch:
I'll skin this Muscovitish oaf, this Riley Dooleyvitch.
He shouted: "Stop ze water gun; it stun me... Sacré damn!
I like to make one beezness deal; you know ze man I am.
Zat leetle girl, she loves me so - I tell you what I do:
You geeve to me zees claim... Jeecrize! I geeve zat girl to you."
"I'll see you damned," says Dooleyvitch; but e'er he checked his tongue,
(It may have been an accident) the little Giant swung;
Swift as a lightning flash it swung, until it plumply bore
And met with an obstruction in the shape of Lew lamore.
It caught him up, and spun him round, and tossed him like a ball;
It played and pawed him in the air, before it let him fall.
Then just to show what it could do, with savage rend and thud,
It ripped the entrails from his spine, and dropped him in the mud.
They gathered up the broken bones, and sadly in a sack,
They bore to town the last remains of Lew Lamore, the macque.
And would you hear the full details of how it all befell,
Ask Missis Riley Dooleyvitch (late Touch-the-Button Nell).
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Written by
Paul Laurence Dunbar |
My muvver's ist the nicest one
'At ever lived wiz folks;
She lets you have ze mostes' fun,
An' laffs at all your jokes.
I got a ol' maid auntie, too,
The worst you ever saw;
Her eyes ist bore you through and through,—
She ain't a bit like ma.
She's ist as slim, as slim can be,
An' when you want to slide
Down on ze balusters, w'y she
Says 'at she's harrified.
She ain't as nice as Uncle Ben,
What says 'at little boys
Won't never grow to be big men
Unless they're fond of noise.
But muvver's nicer zan 'em all,
She calls you, "precious lamb,"
An' let's you roll your ten-pin ball,
An' spreads your bread wiz jam.
An' when you're bad, she ist looks sad,
You fink she's goin' to cry;
An' when she don't you're awful glad,
[Pg 248]An' den you're good, Oh, my!
At night, she takes ze softest hand,
An' lays it on your head,
An' says "Be off to Sleepy-Land
By way o' trundle-bed."
So when you fink what muvver knows
An' aunts an' uncle tan't,
It skeers a feller; ist suppose
His muvver 'd been a aunt.
|
Written by
Robert William Service |
I've sung of Violet de Vere, that slinky, minky dame,
Of Gertie of the Diamond Tooth, and Touch-the-Button Nell,
And Maye Lamore,--at eighty-four I oughta blush wi' shame
That in my wild and wooly youth I knew them ladies well.
And Klondike Kit, and Gumboot Sue, and many I've forgot;
They had their faults, as I recall, the same as you and me;
But come to take them all in all, the daisy of the lot,
The glamour queen of dance-hall dames was Montreal Maree.
And yet her heart was bigger than a barn, the boys would say;
Always the first to help the weak, and so with words of woe,
She put me wise that Lipstick Lou was in the family way:
"An' who ze baby's fazzaire ees, only ze bon Dieu know."
Then on a black and bitter night passed on poor Lipstick Lou;
And by her bedside, midwife wise, wi' tears aflowin' free,
A holdin' out the newly born,--an' by gosh! there was two:
"Helas! I am zere mossaire now," said Montreal Maree.
Said One-eyed Mike: "In Lucky Strike we've never yet had twins,"
As darin' inundation he held one upon each knee.
"Say, boys, ain't they a purty sight, as like's a pair o' pins--
We gotta hold a christinin' wi' Father Tim McGee."
"I aim to be their Godpa," bellowed Black Moran from Nome.
"The guy wot don't love childer is a blasted S.O.B.:
So long as I can tot a gun them kids won't lack a home."
"I sink zey creep into my heart," said Montreal Maree.
'Twas hectic in the Nugget Bar, the hooch was flowin' free,
An' Lousetown Liz was singin' of how someone done her wrong,
Wi' sixty seeded sourdoughs all ahollerin' their glee,
When One-eyed Mike uprose an' called suspension of the song.
Says he: "Aloodin' to them twins, their age in months is two,
An' I propose wi' Christmas close, we offer them a tree.
'Twill sure be mighty pleasin' to the ghost o' Lipstick Lou . . ."
"Zen you will be ze Père Noël," said Montreal Maree.
The dance hall of the Nugget Bar erupted joy an' light,
An' set upon the stage them twins was elegant to see,
Like angel cherubs in their robes of pure baptismal white,
Abaskin' in the sunny smile o' Father tim McGee.
Then on the bar stood Santa Claus, says he: "We'll form a Trust;
So all you sourdoughs heft your pokes an' hang 'em on the Tree.
To give them kids a chance in life we'll raise enough or bust!"
"For zem I pray ze Lord to bless," said Montreal Maree.
You never saw a Christmas Tree so swell as that, I vow,
Wi' sixty sweaty sourdoughs ringin' round them infants two;
Their solid pokes o' virgin gold aweighin' down each bough,
All singin' Christ Is Risen, for the soul o' Lipstick Lou,
"Lo! Death is a deliverer, the purger of our sins,
And Motherhood leads up to God," said Father Tim McGee.
Then all the Ladies of the Line bent down to kiss them twins,
Clasped to the breast, Madonna-like, of Montreal Maree.
Sure 'tis the love of childer makes for savin' of the soul,
And in Maternity the hope of humankind we see;
So though she wears no halo, headin' out for Heaven's goal,
Awheelin' of a double pram,--bless Montreal Maree!
|
Written by
Robert William Service |
In Mike Maloney's Nugget bar the hooch was flowin' free,
An' One-eyed Mike was shakin' dice wi' Montreal Maree,
An roarin' rageful warning when the boys got overwild,
When peekin' through the double door he spied a tiny child.
Then Mike Maloney muttered: "Hell! Now ain't that jest too bad;
It's Dud McClusky's orphen Nell a-lookin' for her dad.
An' him in back, a-lushin' wine wi' Violet de Vere-
Three times I've told the lousy swine to keep away from here."
"Pore leetle sing! He leaves her lone, so he go on ze spree:
I feex her yet, zat Violet," said Montreal Maree.
Now I'm accommodatin' when it comes to scented sin
But when I saw that innocent step in our drunken din,
I felt that I would like to crawl an' hide my head in shame.
An' judgin' by their features all them sourdoughs felt the same.
For there they stood like chunks o' wood, forgettin' how to swear,
An' every glass o' likker was suspended in the air.
For with her hair of sunny silk, and big, blue pansy eyes
She looked jest like an angel child stepped outa paradise.
So then Big Mike, paternal like, took her upon his knee.
"Ze pauv' petite! She ees so sweet," said Montreal Maree.
The kid was mighty scared, we saw, an' peaked an' pale an' sad;
She nestled up to One-eyed Mike jest like he was her dad.
Then he got strokin' of her hair an' she began to sob,
An' there was anger in the air of all that plastered mob,
When in a hush so stark an' strained it seemed to stab the ear,
We heard the lush, plunk-parlour laugh o' Violet de Vere.
Then Montreal Maree arose an' vanished from our sight,
An' soon we heard the sound o' blows suggestin' female fight.
An' when she joined the gang again dishevelly was she:
"Jeezecrize! I fix zat Violet," said Montreal Maree.
Then Barman Bill cam forward with what seemed a glass o' milk:
"It's jest an egg-nog Missy, but it's slick an' smooth as silk."
An' as the kiddy slowly sipped wi' gaze o' glad surprise,
Them fifty sozzled sourdoughs uttered fifty happy sighs.
Then Ragtime Joe swung on his stool an' soft began to play
A liltin' tune that made ye think o' daffydills in May;
An' Gumboot Jones in solemn tones said: "You should hear her sing;
They've got the cabin next to mine, an like a bird in Spring,
She fills that tumble-down old shack wi' simple melodee."
"Maybe she sing a song for us," said Montreal Maree.
Now I don't hold wi' mushy stuff, tear-jerkin' ain't my line,
Yet somehow that kid's singin' sent the shivers down my spine;
An' all them salted sourdoughs sighed, an' every eye was dim
For what she sang upon the bar was just a simple hymn;
Somethin' about "Abide with me, fast falls the eventide,"
My Mother used to sing it - say, I listened bleary-eyed.
That childish treble was so sweet, so clear, so tender true,
It seemed to grip you by the heart an' did ***** things to you.
It made me think o' childhood days from sin an' sorrow free:
"Zat child, she make me want to cry," said Montreal Maree.
Then up spoke One-eyed Mike: "What can't with us let her abide;
For her dear Mother's sake we gotta send that kid outside.
Ye know this camp's a den o' sin, ye know that Dud's no dice -
Let's stake her to a convent school, an' have her brought up nice."
An' so them bearded sourdoughs crowded round an' on an' all,
Dug down an' flung upon the bar their nuggets great and small.
"I guess we got a thousand bucks," exulted One-eyed Mike;
"You bastards are a credit to the camp of Lucky Strike."
"You see zis leetle silver cross my mozzaire give to me -
Look, boys, I hang it on zee gosse," said Montreal Maree.
Time marches on; that little Nell is now a famous star,
An' yet she got her singin' start on Mike Maloney's bar.
Aye it was back in ninety-eight she made her first dayboo,
An' of that audience to-day are left but only two.
For all them bibulous sourdoughs have bravely passed away.
An' Lucky Strike is jest another ghost town to-day.
But Nell now sings in opera, we saw her in Boheem;
'Twas at a high-toned matinay, an' say! she was a dream.
So also thought the white-haired dame a-sittin' down by me -
My lovin' spouse that once was known as Montreal Maree.
|
Written by
Robert William Service |
'Twas in a village in Lorraine
Whose name I quite forget,
I found I needfully was fain
To buy a serviette.
I sought a shop wherein they sell
Such articles as these,
And told a smiling mademoiselle;
'I want a towel, please.'
'Of kinds,' said she, 'I've only two,'
And took the bundles down;
And one was coloured azure blue,
And one was khaki brown.
With doubt I scratched my hoary head;
The quality was right;
The size too, yet I gravely said:
'Too bad you haven't white.'
That pretty maid had sunny hair,
Her gaze was free from guile,
And while I hesitated there
She watched me with a smile.
Then as I went to take the blue
She said 'Non' meaning no.
'Ze khaki ones are best, M'sieu:
Ze dirts zey do not show.'
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