Get Your Premium Membership

Best Famous Workings Poems

Here is a collection of the all-time best famous Workings poems. This is a select list of the best famous Workings poetry. Reading, writing, and enjoying famous Workings poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of workings poems.

Search and read the best famous Workings poems, articles about Workings poems, poetry blogs, or anything else Workings poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Henry Wadsworth Longfellow | Create an image from this poem

Flowers

 Spake full well, in language quaint and olden,
One who dwelleth by the castled Rhine,
When he called the flowers, so blue and golden,
Stars, that in earth's firmament do shine.
Stars they are, wherein we read our history, As astrologers and seers of eld; Yet not wrapped about with awful mystery, Like the burning stars, which they beheld.
Wondrous truths, and manifold as wondrous, God hath written in those stars above; But not less in the bright flowerets under us Stands the revelation of his love.
Bright and glorious is that revelation, Written all over this great world of ours; Making evident our own creation, In these stars of earth, these golden flowers.
And the Poet, faithful and far-seeing, Sees, alike in stars and flowers, a part Of the self-same, universal being, Which is throbbing in his brain and heart.
Gorgeous flowerets in the sunlight shining, Blossoms flaunting in the eye of day, Tremulous leaves, with soft and silver lining, Buds that open only to decay; Brilliant hopes, all woven in gorgeous tissues, Flaunting gayly in the golden light; Large desires, with most uncertain issues, Tender wishes, blossoming at night! These in flowers and men are more than seeming; Workings are they of the self-same powers, Which the Poet, in no idle dreaming, Seeth in himself and in the flowers.
Everywhere about us are they glowing, Some like stars, to tell us Spring is born; Others, their blue eyes with tears o'er-flowing, Stand like Ruth amid the golden corn; Not alone in Spring's armorial bearing, And in Summer's green-emblazoned field, But in arms of brave old Autumn's wearing, In the centre of his brazen shield; Not alone in meadows and green alleys, On the mountain-top, and by the brink Of sequestered pools in woodland valleys, Where the slaves of nature stoop to drink; Not alone in her vast dome of glory, Not on graves of bird and beast alone, But in old cathedrals, high and hoary, On the tombs of heroes, carved in stone; In the cottage of the rudest peasant, In ancestral homes, whose crumbling towers, Speaking of the Past unto the Present, Tell us of the ancient Games of Flowers; In all places, then, and in all seasons, Flowers expand their light and soul-like wings, Teaching us, by most persuasive reasons, How akin they are to human things.
And with childlike, credulous affection We behold their tender buds expand; Emblems of our own great resurrection, Emblems of the bright and better land.


Written by Walt Whitman | Create an image from this poem

I Sit and Look Out

 I SIT and look out upon all the sorrows of the world, and upon all oppression and shame; 
I hear secret convulsive sobs from young men, at anguish with themselves, remorseful after
 deeds
 done; 
I see, in low life, the mother misused by her children, dying, neglected, gaunt,
 desperate; 
I see the wife misused by her husband—I see the treacherous seducer of young women; 
I mark the ranklings of jealousy and unrequited love, attempted to be hid—I see these
 sights on
 the earth;
I see the workings of battle, pestilence, tyranny—I see martyrs and prisoners; 
I observe a famine at sea—I observe the sailors casting lots who shall be
 kill’d, to
 preserve the lives of the rest; 
I observe the slights and degradations cast by arrogant persons upon laborers, the poor,
 and
 upon
 *******, and the like; 
All these—All the meanness and agony without end, I sitting, look out upon, 
See, hear, and am silent.
Written by Jorge Luis Borges | Create an image from this poem

To A Cat

 Mirrors are not more silent
nor the creeping dawn more secretive;
in the moonlight, you are that panther
we catch sight of from afar.
By the inexplicable workings of a divine law, we look for you in vain; More remote, even, than the Ganges or the setting sun, yours is the solitude, yours the secret.
Your haunch allows the lingering caress of my hand.
You have accepted, since that long forgotten past, the love of the distrustful hand.
You belong to another time.
You are lord of a place bounded like a dream.
Written by Walt Whitman | Create an image from this poem

Brother of All with Generous Hand

 1
BROTHER of all, with generous hand, 
Of thee, pondering on thee, as o’er thy tomb, I and my Soul, 
A thought to launch in memory of thee, 
A burial verse for thee.
What may we chant, O thou within this tomb? What tablets, pictures, hang for thee, O millionaire? —The life thou lived’st we know not, But that thou walk’dst thy years in barter, ’mid the haunts of brokers; Nor heroism thine, nor war, nor glory.
Yet lingering, yearning, joining soul with thine, If not thy past we chant, we chant the future, Select, adorn the future.
2 Lo, Soul, the graves of heroes! The pride of lands—the gratitudes of men, The statues of the manifold famous dead, Old World and New, The kings, inventors, generals, poets, (stretch wide thy vision, Soul,) The excellent rulers of the races, great discoverers, sailors, Marble and brass select from them, with pictures, scenes, (The histories of the lands, the races, bodied there, In what they’ve built for, graced and graved, Monuments to their heroes.
) 3 Silent, my Soul, With drooping lids, as waiting, ponder’d, Turning from all the samples, all the monuments of heroes.
While through the interior vistas, Noiseless uprose, phantasmic (as, by night, Auroras of the North,) Lambent tableaux, prophetic, bodiless scenes, Spiritual projections.
In one, among the city streets, a laborer’s home appear’d, After his day’s work done, cleanly, sweet-air’d, the gaslight burning, The carpet swept, and a fire in the cheerful stove.
In one, the sacred parturition scene, A happy, painless mother birth’d a perfect child.
In one, at a bounteous morning meal, Sat peaceful parents, with contented sons.
In one, by twos and threes, young people, Hundreds concentering, walk’d the paths and streets and roads, Toward a tall-domed school.
In one a trio, beautiful, Grandmother, loving daughter, loving daughter’s daughter, sat, Chatting and sewing.
In one, along a suite of noble rooms, ’Mid plenteous books and journals, paintings on the walls, fine statuettes, Were groups of friendly journeymen, mechanics, young and old, Reading, conversing.
All, all the shows of laboring life, City and country, women’s, men’s and children’s, Their wants provided for, hued in the sun, and tinged for once with joy, Marriage, the street, the factory, farm, the house-room, lodging-room, Labor and toil, the bath, gymnasium, play-ground, library, college, The student, boy or girl, led forward to be taught; The sick cared for, the shoeless shod—the orphan father’d and mother’d, The hungry fed, the houseless housed; (The intentions perfect and divine, The workings, details, haply human.
) 4 O thou within this tomb, From thee, such scenes—thou stintless, lavish Giver, Tallying the gifts of Earth—large as the Earth, Thy name an Earth, with mountains, fields and rivers.
Nor by your streams alone, you rivers, By you, your banks, Connecticut, By you, and all your teeming life, Old Thames, By you, Potomac, laving the ground Washington trod—by you Patapsco, You, Hudson—you, endless Mississippi—not by you alone, But to the high seas launch, my thought, his memory.
5 Lo, Soul, by this tomb’s lambency, The darkness of the arrogant standards of the world, With all its flaunting aims, ambitions, pleasures.
(Old, commonplace, and rusty saws, The rich, the gay, the supercilious, smiled at long, Now, piercing to the marrow in my bones, Fused with each drop my heart’s blood jets, Swim in ineffable meaning.
) Lo, Soul, the sphere requireth, portioneth, To each his share, his measure, The moderate to the moderate, the ample to the ample.
Lo, Soul, see’st thou not, plain as the sun, The only real wealth of wealth in generosity, The only life of life in goodness?
Written by Linda Pastan | Create an image from this poem

Jump Cabling

 When our cars touched
When you lifted the hood of mine
To see the intimate workings underneath,
When we were bound together
By a pulse of pure energy,
When my car like the princess
In the tale woke with a start, 
I thought why not ride the rest of the way together.


Written by George (Lord) Byron | Create an image from this poem

Epistle To Augusta

 My sister! my sweet sister! if a name
Dearer and purer were, it should be thine;
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same— 
A loved regret which I would not resign.
There yet are two things in my destiny,— A world to roam through, and a home with thee.
The first were nothing—had I still the last, It were the haven of my happiness; But other claims and other ties thou hast, And mine is not the wish to make them less.
A strange doom is thy father's sons's, and past Recalling, as it lies beyond redress; Reversed for him our grandsire's fate of yore,— He had no rest at sea, nor I on shore.
If my inheritance of storms hath been In other elements, and on the rocks Of perils, overlooked or unforeseen, I have sustained my share of worldly shocks, The fault was mine; nor do I seek to screen My errors with defensive paradox; I have been cunning in mine overthrow, The careful pilot of my proper woe.
Mine were my faults, and mine be their reward, My whole life was a contest, since the day That gave me being, gave me that which marred The gift,—a fate, or will, that walked astray; And I at times have found the struggle hard, And thought of shaking off my bonds of clay: But now I fain would for a time survive, If but to see what next can well arrive.
Kingdoms and empires in my little day I have outlived, and yet I am not old; And when I look on this, the petty spray Of my own years of trouble, which have rolled Like a wild bay of breakers, melts away: Something—I know not what—does still uphold A spirit of slight patience;—not in vain, Even for its own sake, do we purchase pain.
Perhaps the workings of defiance stir Within me,—or perhaps of cold despair, Brought on when ills habitually recur,— Perhaps a kinder clime, or purer air, (For even to this may change of soul refer, And with light armour we may learn to bear,) Have taught me a strange quiet, which was not The chief companion of a calmer lot.
I feel almost at times as I have felt In happy childhood; trees, and flowers, and brooks, Which do remember me of where I dwelt, Ere my young mind was sacrificed to books, Come as of yore upon me, and can melt My heart with recognition of their looks; And even at moments I could think I see Some living thing to love—but none like thee.
Here are the Alpine landscapes which create A fund for contemplation;—to admire Is a brief feeling of a trivial date; But something worthier do such scenes inspire.
Here to be lonely is not desolate, For much I view which I could most desire, And, above all, a lake I can behold Lovelier, not dearer, than our own of old.
Oh that thou wert but with me!—but I grow The fool of my own wishes, and forget The solitude which I have vaunted so Has lost its praise is this but one regret; There may be others which I less may show,— I am not of the plaintive mood, and yet I feel an ebb in my philosophy, And the tide rising in my altered eye.
I did remind thee of our own dear Lake, By the old Hall which may be mine no more.
Leman's is fair; but think not I forsake The sweet remembrance of a dearer shore; Sad havoc Time must with my memory make, Ere that or thou can fade these eyes before; Though, like all things which I have loved, they are Resigned for ever, or divided far.
The world is all before me; I but ask Of Nature that with which she will comply— It is but in her summer's sun to bask, To mingle with the quiet of her sky, To see her gentle face without a mask And never gaze on it with apathy.
She was my early friend, and now shall be My sister—till I look again on thee.
I can reduce all feelings but this one; And that I would not;—for at length I see Such scenes as those wherein my life begun.
The earliest—even the only paths for me— Had I but sooner learnt the crowd to shun, I had been better than I now can be; The passions which have torn me would have slept: I had not suffered, and thou hadst not wept.
With false Ambition what had I to do? Little with Love, and least of all with Fame! And yet they came unsought, and with me grew, And made me all which they can make—a name.
Yet this was not the end I did pursue; Surely I once beheld a nobler aim.
But all is over—I am one the more To baffled millions which have gone before.
And for the future, this world's future may From me demand but little of my care; I have outlived myself by many a day: Having survived so many things that were; My years have been no slumber, but the prey Of ceaseless vigils; for I had the share Of life which might have filled a century, Before its fourth in time had passed me by.
And for the remnant which may be to come, I am content; and for the past I feel Not thankless,—for within the crowded sum Of struggles, happiness at times would steal, And for the present, I would not benumb My feelings farther.
—Nor shall I conceal That with all this I still can look around, And worship Nature with a thought profound.
For thee, my own sweet sister, in thy heart I know myself secure, as thou in mine; We were and are—I am, even as thou art— Beings who ne'er each other can resign; It is the same, together or apart, From life's commencement to its slow decline We are entwined—let death come slow or fast, The tie which bound the first endures the last!
Written by Robert Burns | Create an image from this poem

242. The Poet's Progress

 THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
The peopled fold thy kindly care have found, The hornèd bull, tremendous, spurns the ground; The lordly lion has enough and more, The forest trembles at his very roar; Thou giv’st the ass his hide, the snail his shell, The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour, In all th’ omnipotence of rule and power: Foxes and statesmen subtle wiles ensure; The cit and polecat stink, and are secure: Toads with their poison, doctors with their drug, The priest and hedgehog, in their robes, are snug: E’en silly women have defensive arts, Their eyes, their tongues—and nameless other parts.
But O thou cruel stepmother and hard, To thy poor fenceless, naked child, the Bard! A thing unteachable in worldly skill, And half an idiot too, more helpless still: No heels to bear him from the op’ning dun, No claws to dig, his hated sight to shun: No horns, but those by luckless Hymen worn, And those, alas! not Amalthea’s horn: No nerves olfact’ry, true to Mammon’s foot, Or grunting, grub sagacious, evil’s root: The silly sheep that wanders wild astray, Is not more friendless, is not more a prey; Vampyre-booksellers drain him to the heart, And viper-critics cureless venom dart.
Critics! appll’d I venture on the name, Those cut-throat bandits in the paths of fame, Bloody dissectors, worse than ten Monroes, He hacks to teach, they mangle to expose: By blockhead’s daring into madness stung, His heart by wanton, causeless malice wrung, His well-won ways-than life itself more dear— By miscreants torn who ne’er one sprig must wear; Foil’d, bleeding, tortur’d in th’ unequal strife, The hapless Poet flounces on through life, Till, fled each hope that once his bosom fired, And fled each Muse that glorious once inspir’d, Low-sunk in squalid, unprotected age, Dead even resentment for his injur’d page, He heeds no more the ruthless critics’ rage.
So by some hedge the generous steed deceas’d, For half-starv’d, snarling curs a dainty feast; By toil and famine worn to skin and bone, Lies, senseless of each tugging *****’s son.
· · · · · · A little upright, pert, tart, tripping wight, And still his precious self his dear delight; Who loves his own smart shadow in the streets, Better than e’er the fairest she he meets; Much specious lore, but little understood, (Veneering oft outshines the solid wood), His solid sense, by inches you must tell, But mete his cunning by the Scottish ell! A man of fashion too, he made his tour, Learn’d “vive la bagatelle et vive l’amour;” So travell’d monkeys their grimace improve, Polish their grin-nay, sigh for ladies’ love! His meddling vanity, a busy fiend, Still making work his selfish craft must mend.
· · · · · · · · · · · · · · · Crochallan came, The old cock’d hat, the brown surtout—the same; His grisly beard just bristling in its might— ’Twas four long nights and days from shaving-night; His uncomb’d, hoary locks, wild-staring, thatch’d A head, for thought profound and clear, unmatch’d; Yet, tho’ his caustic wit was biting-rude, His heart was warm, benevolent and good.
· · · · · · O Dulness, portion of the truly blest! Calm, shelter’d haven of eternal rest! Thy sons ne’er madden in the fierce extremes Of Fortune’s polar frost, or torrid beams; If mantling high she fills the golden cup, With sober, selfish ease they sip it up; Conscious the bounteous meed they well deserve, They only wonder “some folks” do not starve! The grave, sage hern thus easy picks his frog, And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope, When, thro’ disastrous night, they darkling grope, With deaf endurance sluggishly they bear, And just conclude that “fools are Fortune’s care:” So, heavy, passive to the tempest’s shocks, Strong on the sign-post stands the stupid ox.
Not so the idle Muses’ mad-cap train, Not such the workings of their moon-struck brain; In equanimity they never dwell, By turns in soaring heaven, or vaulted hell!
Written by Louise Gluck | Create an image from this poem

The Untrustworthy Speaker

 Don't listen to me; my heart's been broken.
I don't see anything objectively.
I know myself; I've learned to hear like a psychiatrist.
When I speak passionately, That's when I'm least to be trusted.
It's very sad, really: all my life I've been praised For my intelligence, my powers of language, of insight- In the end they're wasted- I never see myself.
Standing on the front steps.
Holding my sisters hand.
That's why I can't account For the bruises on her arm where the sleeve ends .
.
.
In my own mind, I'm invisible: that's why I'm dangerous.
People like me, who seem selfless.
We're the cripples, the liars: We're the ones who should be factored out In the interest of truth.
When I'm quiet, that's when the truth emerges.
A clear sky, the clouds like white fibers.
Underneath, a little gray house.
The azaleas Red and bright pink.
If you want the truth, you have to close yourself To the older sister, block her out: When I living thing is hurt like that In its deepest workings, All function is altered.
That's why I'm not to be trusted.
Because a wound to the heart Is also a wound to the mind.
Written by Jean Ingelow | Create an image from this poem

HONORS - PART I

A Scholar is musing on his want of success.)

To strive—and fail. Yes, I did strive and fail;
  I set mine eyes upon a certain night
To find a certain star—and could not hail
      With them its deep-set light.
Fool that I was! I will rehearse my fault:
  I, wingless, thought myself on high to lift
Among the winged—I set these feet that halt
      To run against the swift.
And yet this man, that loved me so, can write—
  That loves me, I would say, can let me see;
Or fain would have me think he counts but light
      These Honors lost to me.
         (The letter of his friend.)
"What are they? that old house of yours which gave
  Such welcome oft to me, the sunbeams fall
Yet, down the squares of blue and white which pave
      Its hospitable hall.
"A brave old house! a garden full of bees,
  Large dropping poppies, and Queen hollyhocks,
With butterflies for crowns—tree peonies
      And pinks and goldilocks.
"Go, when the shadow of your house is long
  Upon the garden—when some new-waked bird.
Pecking and fluttering, chirps a sudden song,
      And not a leaf is stirred;
"But every one drops dew from either edge
  Upon its fellow, while an amber ray
Slants up among the tree-tops like a wedge
      Of liquid gold—to play
"Over and under them, and so to fall
  Upon that lane of water lying below—
That piece of sky let in, that you do call
      A pond, but which I know
"To be a deep and wondrous world; for I
  Have seen the trees within it—marvellous things
So thick no bird betwixt their leaves could fly
      But she would smite her wings;—
"Go there, I say; stand at the water's brink,
  And shoals of spotted barbel you shall see
Basking between the shadows—look, and think
      'This beauty is for me;
"'For me this freshness in the morning hours,
  For me the water's clear tranquillity;
For me the soft descent of chestnut flowers;
      The cushat's cry for me.
"'The lovely laughter of the wind-swayed wheat
  The easy slope of yonder pastoral hill;
The sedgy brook whereby the red kine meet
      And wade and drink their fill.'
"Then saunter down that terrace whence the sea
  All fair with wing-like sails you may discern;
Be glad, and say 'This beauty is for me—
      A thing to love and learn.
"'For me the bounding in of tides; for me
  The laying bare of sands when they retreat;
The purple flush of calms, the sparkling glee
      When waves and sunshine meet.'
"So, after gazing, homeward turn, and mount
  To that long chamber in the roof; there tell
Your heart the laid-up lore it holds to count
      And prize and ponder well.
"The lookings onward of the race before
  It had a past to make it look behind;
Its reverent wonder, and its doubting sore,
      Its adoration blind.
"The thunder of its war-songs, and the glow
  Of chants to freedom by the old world sung;
The sweet love cadences that long ago
      Dropped from the old-world tongue.
"And then this new-world lore that takes account
  Of tangled star-dust; maps the triple whirl
Of blue and red and argent worlds that mount
      And greet the IRISH EARL;
"Or float across the tube that HERSCHEL sways,
  Like pale-rose chaplets, or like sapphire mist;
Or hang or droop along the heavenly ways,
      Like scarves of amethyst.
"O strange it is and wide the new-world lore,
  For next it treateth of our native dust!
Must dig out buried monsters, and explore
      The green earth's fruitful crust;
"Must write the story of her seething youth—
  How lizards paddled in her lukewarm seas;
Must show the cones she ripened, and forsooth
      Count seasons on her trees;
"Must know her weight, and pry into her age,
  Count her old beach lines by their tidal swell;
Her sunken mountains name, her craters gauge,
      Her cold volcanoes tell;
"And treat her as a ball, that one might pass
  From this hand to the other—such a ball
As he could measure with a blade of grass,
      And say it was but small!
"Honors! O friend, I pray you bear with me:
  The grass hath time to grow in meadow lands,
And leisurely the opal murmuring sea
      Breaks on her yellow sands;
"And leisurely the ring-dove on her nest
  Broods till her tender chick will peck the shell
And leisurely down fall from ferny crest
      The dew-drops on the well;
"And leisurely your life and spirit grew,
  With yet the time to grow and ripen free:
No judgment past withdraws that boon from you,
      Nor granteth it to me.
"Still must I plod, and still in cities moil;
  From precious leisure, learned leisure far,
Dull my best self with handling common soil;
      Yet mine those honors are.
"Mine they are called; they are a name which means,
  'This man had steady pulses, tranquil nerves:
Here, as in other fields, the most he gleans
      Who works and never swerves.
"We measure not his mind; we cannot tell
  What lieth under, over, or beside
The test we put him to; he doth excel,
    We know, where he is tried;
"But, if he boast some farther excellence—
  Mind to create as well as to attain;
To sway his peers by golden eloquence,
    As wind doth shift a fane;
"'To sing among the poets—we are nought:
  We cannot drop a line into that sea
And read its fathoms off, nor gauge a thought,
    Nor map a simile.
"'It may be of all voices sublunar
  The only one he echoes we did try;
We may have come upon the only star
    That twinkles in his sky,'
"And so it was with me."
                         O false my friend!
  False, false, a random charge, a blame undue;
Wrest not fair reasoning to a crooked end:
    False, false, as you are true!
But I read on: "And so it was with me;
  Your golden constellations lying apart
They neither hailed nor greeted heartily,
    Nor noted on their chart.
"And yet to you and not to me belong
  Those finer instincts that, like second sight
And hearing, catch creation's undersong,
      And see by inner light.
"You are a well, whereon I, gazing, see
  Reflections of the upper heavens—a well
From whence come deep, deep echoes up to me—
      Some underwave's low swell.
"I cannot soar into the heights you show,
  Nor dive among the deeps that you reveal;
But it is much that high things ARE to know,
      That deep things ARE to feel.
"'Tis yours, not mine, to pluck out of your breast
  Some human truth, whose workings recondite
Were unattired in words, and manifest
      And hold it forth to light
"And cry, 'Behold this thing that I have found,'
  And though they knew not of it till that day,
Nor should have done with no man to expound
      Its meaning, yet they say,
"'We do accept it: lower than the shoals
  We skim, this diver went, nor did create,
But find it for us deeper in our souls
      Than we can penetrate.'
"You were to me the world's interpreter,
  The man that taught me Nature's unknown tongue,
And to the notes of her wild dulcimer
      First set sweet words, and sung.
"And what am I to you? A steady hand
  To hold, a steadfast heart to trust withal;
Merely a man that loves you, and will stand
      By you, whatever befall.
"But need we praise his tendance tutelar
  Who feeds a flame that warms him? Yet 'tis true
I love you for the sake of what you are,
      And not of what you do:—
"As heaven's high twins, whereof in Tyrian blue
  The one revolveth: through his course immense
Might love his fellow of the damask hue,
      For like, and difference.
"For different pathways evermore decreed
  To intersect, but not to interfere;
For common goal, two aspects, and one speed,
      One centre and one year;
"For deep affinities, for drawings strong,
  That by their nature each must needs exert;
For loved alliance, and for union long,
      That stands before desert.
"And yet desert makes brighter not the less,
  For nearest his own star he shall not fail
To think those rays unmatched for nobleness,
      That distance counts but pale.
"Be pale afar, since still to me you shine,
  And must while Nature's eldest law shall hold;"—
Ah, there's the thought which makes his random line
      Dear as refinèd gold!
Then shall I drink this draft of oxymel,
  Part sweet, part sharp? Myself o'erprized to know
Is sharp; the cause is sweet, and truth to tell
      Few would that cause forego,
Which is, that this of all the men on earth
  Doth love me well enough to count me great—
To think my soul and his of equal girth—
      O liberal estimate!
And yet it is so; he is bound to me,
  For human love makes aliens near of kin;
By it I rise, there is equality:
      I rise to thee, my twin.
"Take courage"—courage! ay, my purple peer
  I will take courage; for thy Tyrian rays
Refresh me to the heart, and strangely dear
      And healing is thy praise.
"Take courage," quoth he, "and respect the mind
  Your Maker gave, for good your fate fulfil;
The fate round many hearts your own to wind."
      Twin soul, I will! I will!
Written by Anne Bronte | Create an image from this poem

Self-Congratulation

 Ellen, you were thoughtless once
Of beauty or of grace,
Simple and homely in attire,
Careless of form and face;
Then whence this change? and wherefore now
So often smooth your hair?
And wherefore deck your youthful form 
With such unwearied care? 
Tell us -­ and cease to tire our ears
With that familiar strain -­
Why will you play those simple tunes
So often, o'er again?
'Indeed, dear friends, I can but say
That childhood's thoughts are gone;
Each year its own new feelings brings,
And years move swiftly on: 

'And for these little simple airs --
I love to play them o'er
So much -­ I dare not promise, now,
To play them never more.
' I answered -­ and it was enough; They turned them to depart; They could not read my secret thoughts, Nor see my throbbing heart.
I've noticed many a youthful form, Upon whose changeful face The inmost workings of the soul The gazer well might trace; The speaking eye, the changing lip, The ready blushing cheek, The smiling, or beclouded brow, Their different feelings speak.
But, thank God! you might gaze on mine For hours, and never know The secret changes of my soul From joy to keenest woe.
Last night, as we sat round the fire Conversing merrily, We heard, without, approaching steps Of one well known to me! There was no trembling in my voice, No blush upon my cheek, No lustrous sparkle in my eyes, Of hope, or joy, to speak; But, oh! my spirit burned within, My heart beat full and fast! He came not nigh -­ he went away -­ And then my joy was past.
And yet my comrades marked it not: My voice was still the same; They saw me smile, and o'er my face No signs of sadness came.
They little knew my hidden thoughts; And they will never know The aching anguish of my heart, The bitter burning woe!

Book: Shattered Sighs