by
Ogden Nash
One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts,
Can't seem just to say that anything is the thing it is but have to
go out of their way to say that it is like something else.
What does it mean when we are told
That that Assyrian came down like a wolf on the fold?
In the first place, George Gordon Byron had enough experience
To know that it probably wasn't just one Assyrian, it was a lot of
Assyrians.
However, as too many arguments are apt to induce apoplexy and
thus hinder longevity.
We'll let it pass as one Assyrian for the sake of brevity.
Now then, this particular Assyrian, the one whose cohorts were
gleaming in purple and gold,
Just what does the poet mean when he says he came down like a
wold on the fold?
In heaven and earth more than is dreamed of in our philosophy
there are great many things.
But I don't imagine that among them there is a wolf with purple
and gold cohorts or purple and gold anythings.
No, no, Lord Byron, before I'll believe that this Assyrian was
actually like a wolf I must have some kind of proof;
Did he run on all fours and did he have a hairy tail and a big red
mouth and big white teeth and did he say Woof Woof?
Frankly I think it is very unlikely, and all you were entitled to say,
at the very most,
Was that the Assyrian cohorts came down like a lot of Assyrian
cohorts about to destroy the Hebrew host.
But that wasn't fancy enough for Lord Byron, oh dear me no, he
had to invent a lot of figures of speech and then interpolate them,
With the result that whenever you mention Old Testament soldiers
to people they say Oh yes, they're the ones that a lot of
wolves dressed up in gold and purple ate them.
That's the kind of thing that's being done all the time by poets,
from Homer to Tennyson;
They're always comparing ladies to lilies and veal to venison,
And they always say things like that the snow is a white blanket
after a winter storm.
Oh it is, is it, all right then, you sleep under a six-inch blanket of
snow and I'll sleep under a half-inch blanket of unpoetical
blanket material and we'll see which one keeps warm,
And after that maybe you'll begin to comprehend dimly
What I mean by too much metaphor and simile.
|
by
Roger McGough
A millionbillionwillion miles from home
Waiting for the bell to go. (To go where?)
Why are they all so big, other children?
So noisy? So much at home they
Must have been born in uniform
Lived all their lives in playgrounds
Spent the years inventing games
That don't let me in. Games
That are rough, that swallow you up.
And the railings.
All around, the railings.
Are they to keep out wolves and monsters?
Things that carry off and eat children?
Things you don't take sweets from?
Perhaps they're to stop us getting out
Running away from the lessins. Lessin.
What does a lessin look like?
Sounds small and slimy.
They keep them in the glassrooms.
Whole rooms made out of glass. Imagine.
I wish I could remember my name
Mummy said it would come in useful.
Like wellies. When there's puddles.
Yellowwellies. I wish she was here.
I think my name is sewn on somewhere
Perhaps the teacher will read it for me.
Tea-cher. The one who makes the tea.
|
by
Eavan Boland
After the wolves and before the elms
the bardic order ended in Ireland.
Only a few remained to continue
a dead art in a dying land:
This is a man
on the road from Youghal to Cahirmoyle.
He has no comfort, no food and no future.
He has no fire to recite his friendless measures by.
His riddles and flatteries will have no reward.
His patrons sheath their swords in Flanders and Madrid.
Reader of poems, lover of poetry—
in case you thought this was a gentle art
follow this man on a moonless night
to the wretched bed he will have to make:
The Gaelic world stretches out under a hawthorn tree
and burns in the rain. This is its home,
its last frail shelter. All of it—
Limerick, the Wild Geese and what went before—
falters into cadence before he sleeps:
He shuts his eyes. Darkness falls on it.
|
by
William Blake
THE sun descending in the west
The evening star does shine;
The birds are silent in their nest.
And I must seek for mine.
The moon like a flower 5
In heaven's high bower
With silent delight
Sits and smiles on the night.
Farewell green fields and happy grove
Where flocks have took delight: 10
Where lambs have nibbled silent move
The feet of angels bright;
Unseen they pour blessing
And joy without ceasing
On each bud and blossom 15
And each sleeping bosom.
They look in every thoughtless nest
Where birds are cover'd warm;
They visit caves of every beast
To keep them all from harm: 20
If they see any weeping
That should have been sleeping
They pour sleep on their head
And sit down by their bed.
When wolves and tigers howl for prey 25
They pitying stand and weep
Seeking to drive their thirst away
And keep them from the sheep.
But if they rush dreadful
The angels most heedful 30
Receive each mild spirit
New worlds to inherit.
And there the lion's ruddy eyes
Shall flow with tears of gold:
And pitying the tender cries 35
And walking round the fold:
Saying 'Wrath by His meekness
And by His health sickness
Are driven away
From our immortal day. 40
'And now beside thee bleating lamb
I can lie down and sleep
Or think on Him who bore thy name
Graze after thee and weep.
For wash'd in life's river 45
My bright mane for ever
Shall shine like the gold
As I guard o'er the fold.'
|
by
William Allingham
O English mother, in the ruddy glow
Hugging your baby closer when outside
You see the silent, soft, and cruel snow
Falling again, and think what ills betide
Unshelter'd creatures,--your sad thoughts may go
Where War and Winter now, two spectre-wolves,
Hunt in the freezing vapour that involves
Those Asian peaks of ice and gulfs below.
Does this young Soldier heed the snow that fills
His mouth and open eyes? or mind, in truth,
To-night, his mother's parting syllables?
Ha! is't a red coat?--Merely blood. Keep ruth
For others; this is but an Afghan youth
Shot by the stranger on his native hills.
|
by
Vachel Lindsay
A Song in Chinese Tapestries
"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"
"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack."
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"
And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face....
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.
The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten....
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown....
"When all the world was drinking blood
From the skulls of men and bulls
And all the world had swords and clubs of stone,
We drank our tea in China beneath the sacred spice-trees,
And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring,
With a bright-bronze breast and a bronze-brown wing,
Captured the world with his carolling.
Do you remember, ages after,
At last the world we were born to own?
You were the heir of the yellow throne—
The world was the field of the Chinese man
And we were the pride of the Sons of Han?
We copied deep books and we carved in jade,
And wove blue silks in the mulberry shade...."
"I remember, I remember
That Spring came on forever,
That Spring came on forever,"
Said the Chinese nightingale.
My heart was filled with marvel and dream,
Though I saw the western street-lamps gleam,
Though dawn was bringing the western day,
Though Chang was a laundryman ironing away....
Mingled there with the streets and alleys,
The railroad-yard and the clock-tower bright,
Demon clouds crossed ancient valleys;
Across wide lotus-ponds of light
I marked a giant firefly's flight.
And the lady, rosy-red,
Flourished her fan, her shimmering fan,
Stretched her hand toward Chang, and said:
"Do you remember,
Ages after,
Our palace of heart-red stone?
Do you remember
The little doll-faced children
With their lanterns full of moon-fire,
That came from all the empire
Honoring the throne?—
The loveliest fête and carnival
Our world had ever known?
The sages sat about us
With their heads bowed in their beards,
With proper meditation on the sight.
Confucius was not born;
We lived in those great days
Confucius later said were lived aright....
And this gray bird, on that day of spring,
With a bright bronze breast, and a bronze-brown wing,
Captured the world with his carolling.
Late at night his tune was spent.
Peasants,
Sages,
Children,
Homeward went,
And then the bronze bird sang for you and me.
We walked alone. Our hearts were high and free.
I had a silvery name, I had a silvery name,
I had a silvery name — do you remember
The name you cried beside the tumbling sea?"
Chang turned not to the lady slim—
He bent to his work, ironing away;
But she was arch, and knowing and glowing,
And the bird on his shoulder spoke for him.
"Darling . . . darling . . . darling . . . darling . . ."
Said the Chinese nightingale.
The great gray joss on a rustic shelf,
Rakish and shrewd, with his collar awry,
Sang impolitely, as though by himself,
Drowning with his bellowing the nightingale's cry:
"Back through a hundred, hundred years
Hear the waves as they climb the piers,
Hear the howl of the silver seas,
Hear the thunder.
Hear the gongs of holy China
How the waves and tunes combine
In a rhythmic clashing wonder,
Incantation old and fine:
`Dragons, dragons, Chinese dragons,
Red fire-crackers, and green fire-crackers,
And dragons, dragons, Chinese dragons.'"
Then the lady, rosy-red,
Turned to her lover Chang and said:
"Dare you forget that turquoise dawn
When we stood in our mist-hung velvet lawn,
And worked a spell this great joss taught
Till a God of the Dragons was charmed and caught?
From the flag high over our palace home
He flew to our feet in rainbow-foam —
A king of beauty and tempest and thunder
Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave
With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains,
We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions
Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang;
The old rhymes rang in the sunlit mist
That we this hour regain —
Song-fire for the brain.
When my hands and my hair and my feet you kissed,
When you cried for your heart's new pain,
What was my name in the dragon-mist,
In the rings of rainbowed rain?"
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
And now the joss broke in with his song:
"Dying ember, bird of Chang,
Soul of Chang, do you remember? —
Ere you returned to the shining harbor
There were pirates by ten thousand
Descended on the town
In vessels mountain-high and red and brown,
Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest;
I stood upon the sand;
With lifted hand I looked upon them
And sunk their vessels with my wizard eyes,
And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray,
Embalmed in amber every pirate lies,
Embalmed in amber every pirate lies."
Then this did the noble lady say:
"Bird, do you dream of our home-coming day
When you flew like a courier on before
From the dragon-peak to our palace-door,
And we drove the steed in your singing path—
The ramping dragon of laughter and wrath:
And found our city all aglow,
And knighted this joss that decked it so?
There were golden fishes in the purple river
And silver fishes and rainbow fishes.
There were golden junks in the laughing river,
And silver junks and rainbow junks:
There were golden lilies by the bay and river,
And silver lilies and tiger-lilies,
And tinkling wind-bells in the gardens of the town
By the black-lacquer gate
Where walked in state
The kind king Chang
And his sweet-heart mate....
With his flag-born dragon
And his crown of pearl...and...jade,
And his nightingale reigning in the mulberry shade,
And sailors and soldiers on the sea-sands brown,
And priests who bowed them down to your song—
By the city called Han, the peacock town,
By the city called Han, the nightingale town,
The nightingale town."
Then sang the bird, so strangely gay,
Fluttering, fluttering, ghostly and gray,
A vague, unravelling, final tune,
Like a long unwinding silk cocoon;
Sang as though for the soul of him
Who ironed away in that bower dim: —
"I have forgotten
Your dragons great,
Merry and mad and friendly and bold.
Dim is your proud lost palace-gate.
I vaguely know
There were heroes of old,
Troubles more than the heart could hold,
There were wolves in the woods
Yet lambs in the fold,
Nests in the top of the almond tree....
The evergreen tree... and the mulberry tree...
Life and hurry and joy forgotten,
Years on years I but half-remember...
Man is a torch, then ashes soon,
May and June, then dead December,
Dead December, then again June.
Who shall end my dream's confusion?
Life is a loom, weaving illusion...
I remember, I remember
There were ghostly veils and laces...
In the shadowy bowery places...
With lovers' ardent faces
Bending to one another,
Speaking each his part.
They infinitely echo
In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.'
They said to one another.
They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember:
Spring came on forever,
Spring came on forever,"
Said the Chinese nightingale.
|
by
Carl Sandburg
MAKE war songs out of these;
Make chants that repeat and weave.
Make rhythms up to the ragtime chatter of the machine guns;
Make slow-booming psalms up to the boom of the big guns.
Make a marching song of swinging arms and swinging legs,
Going along,
Going along,
On the roads from San Antonio to Athens, from Seattle to Bagdad—
The boys and men in winding lines of khaki, the circling squares of bayonet points.
Cowpunchers, cornhuskers, shopmen, ready in khaki;
Ballplayers, lumberjacks, ironworkers, ready in khaki;
A million, ten million, singing, “I am ready.”
This the sun looks on between two seaboards,
In the land of Lincoln, in the land of Grant and Lee.
I heard one say, “I am ready to be killed.”
I heard another say, “I am ready to be killed.”
O sunburned clear-eyed boys!
I stand on sidewalks and you go by with drums and guns and bugles,
You—and the flag!
And my heart tightens, a fist of something feels my throat
When you go by,
You on the kaiser hunt, you and your faces saying, “I am ready to be killed.”
They are hunting death,
Death for the one-armed mastoid kaiser.
They are after a Hohenzollern head:
There is no man-hunt of men remembered like this.
The four big brothers are out to kill.
France, Russia, Britain, America—
The four republics are sworn brothers to kill the kaiser.
Yes, this is the great man-hunt;
And the sun has never seen till now
Such a line of toothed and tusked man-killers,
In the blue of the upper sky,
In the green of the undersea,
In the red of winter dawns.
Eating to kill,
Sleeping to kill,
Asked by their mothers to kill,
Wished by four-fifths of the world to kill—
To cut the kaiser’s throat,
To hack the kaiser’s head,
To hang the kaiser on a high-horizon gibbet.
And is it nothing else than this?
Three times ten million men thirsting the blood
Of a half-cracked one-armed child of the German kings?
Three times ten million men asking the blood
Of a child born with his head wrong-shaped,
The blood of rotted kings in his veins?
If this were all, O God,
I would go to the far timbers
And look on the gray wolves
Tearing the throats of moose:
I would ask a wilder drunk of blood.
Look! It is four brothers in joined hands together.
The people of bleeding France,
The people of bleeding Russia,
The people of Britain, the people of America—
These are the four brothers, these are the four republics.
At first I said it in anger as one who clenches his fist in wrath to fling his knuckles into the face of some one taunting;
Now I say it calmly as one who has thought it over and over again at night, among the mountains, by the seacombers in storm.
I say now, by God, only fighters to-day will save the world, nothing but fighters will keep alive the names of those who left red prints of bleeding feet at Valley Forge in Christmas snow.
On the cross of Jesus, the sword of Napoleon, the skull of Shakespeare, the pen of Tom Jefferson, the ashes of Abraham Lincoln, or any sign of the red and running life poured out by the mothers of the world,
By the God of morning glories climbing blue the doors of quiet homes, by the God of tall hollyhocks laughing glad to children in peaceful valleys, by the God of new mothers wishing peace to sit at windows nursing babies,
I swear only reckless men, ready to throw away their lives by hunger, deprivation, desperate clinging to a single purpose imperturbable and undaunted, men with the primitive guts of rebellion,
Only fighters gaunt with the red brand of labor’s sorrow on their brows and labor’s terrible pride in their blood, men with souls asking danger—only these will save and keep the four big brothers.
Good-night is the word, good-night to the kings, to the czars,
Good-night to the kaiser.
The breakdown and the fade-away begins.
The shadow of a great broom, ready to sweep out the trash, is here.
One finger is raised that counts the czar,
The ghost who beckoned men who come no more—
The czar gone to the winds on God’s great dustpan,
The czar a pinch of nothing,
The last of the gibbering Romanoffs.
Out and good-night—
The ghosts of the summer palaces
And the ghosts of the winter palaces!
Out and out, good-night to the kings, the czars, the kaisers.
Another finger will speak,
And the kaiser, the ghost who gestures a hundred million sleeping-waking ghosts,
The kaiser will go onto God’s great dustpan—
The last of the gibbering Hohenzollerns.
Look! God pities this trash, God waits with a broom and a dustpan,
God knows a finger will speak and count them out.
It is written in the stars;
It is spoken on the walls;
It clicks in the fire-white zigzag of the Atlantic wireless;
It mutters in the bastions of thousand-mile continents;
It sings in a whistle on the midnight winds from Walla Walla to Mesopotamia:
Out and good-night.
The millions slow in khaki,
The millions learning Turkey in the Straw and John Brown’s Body,
The millions remembering windrows of dead at Gettysburg, Chickamauga, and Spottsylvania Court House,
The millions dreaming of the morning star of Appomattox,
The millions easy and calm with guns and steel, planes and prows:
There is a hammering, drumming hell to come.
The killing gangs are on the way.
God takes one year for a job.
God takes ten years or a million.
God knows when a doom is written.
God knows this job will be done and the words spoken:
Out and good-night.
The red tubes will run,
And the great price be paid,
And the homes empty,
And the wives wishing,
And the mothers wishing.
There is only one way now, only the way of the red tubes and the great price.
Well…
Maybe the morning sun is a five-cent yellow balloon,
And the evening stars the joke of a God gone crazy.
Maybe the mothers of the world,
And the life that pours from their torsal folds—
Maybe it’s all a lie sworn by liars,
And a God with a cackling laughter says:
“I, the Almighty God,
I have made all this,
I have made it for kaisers, czars, and kings.”
Three times ten million men say: No.
Three times ten million men say:
God is a God of the People.
And the God who made the world
And fixed the morning sun,
And flung the evening stars,
And shaped the baby hands of life,
This is the God of the Four Brothers;
This is the God of bleeding France and bleeding Russia;
This is the God of the people of Britain and America.
The graves from the Irish Sea to the Caucasus peaks are ten times a million.
The stubs and stumps of arms and legs, the eyesockets empty, the cripples, ten times a million.
The crimson thumb-print of this anathema is on the door panels of a hundred million homes.
Cows gone, mothers on sick-beds, children cry a hunger and no milk comes in the noon-time or at night.
The death-yells of it all, the torn throats of men in ditches calling for water, the shadows and the hacking lungs in dugouts, the steel paws that clutch and squeeze a scarlet drain day by day—the storm of it is hell.
But look! child! the storm is blowing for a clean air.
Look! the four brothers march
And hurl their big shoulders
And swear the job shall be done.
Out of the wild finger-writing north and south, east and west, over the blood-crossed, blood-dusty ball of earth,
Out of it all a God who knows is sweeping clean,
Out of it all a God who sees and pierces through, is breaking and cleaning out an old thousand years, is making ready for a new thousand years.
The four brothers shall be five and more.
Under the chimneys of the winter time the children of the world shall sing new songs.
Among the rocking restless cradles the mothers of the world shall sing new sleepy-time songs.
|
by
Jorge Luis Borges
Throughout the course of the generations
men constructed the night.
At first she was blindness;
thorns raking bare feet,
fear of wolves.
We shall never know who forged the word
for the interval of shadow
dividing the two twilights;
we shall never know in what age it came to mean
the starry hours.
Others created the myth.
They made her the mother of the unruffled Fates
that spin our destiny,
they sacrificed black ewes to her, and the cock
who crows his own death.
The Chaldeans assigned to her twelve houses;
to Zeno, infinite words.
She took shape from Latin hexameters
and the terror of Pascal.
Luis de Leon saw in her the homeland
of his stricken soul.
Now we feel her to be inexhaustible
like an ancient wine
and no one can gaze on her without vertigo
and time has charged her with eternity.
And to think that she wouldn't exist
except for those fragile instruments, the eyes.
|
by
Henry Wadsworth Longfellow
In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary,
Often said to Chibiabos,
"O my brother! do not leave me,
Lest the Evil Spirits harm you!"
Chibiabos, young and heedless,
Laughing shook his coal-black tresses,
Answered ever sweet and childlike,
"Do not fear for me, O brother!
Harm and evil come not near me!"
Once when Peboan, the Winter,
Roofed with ice the Big-Sea-Water,
When the snow-flakes, whirling downward,
Hissed among the withered oak-leaves,
Changed the pine-trees into wigwams,
Covered all the earth with silence,
Armed with arrows, shod with snow-shoes,
Heeding not his brother's warning,
Fearing not the Evil Spirits,
Forth to hunt the deer with antlers
All alone went Chibiabos.
Right across the Big-Sea-Water
Sprang with speed the deer before him.
With the wind and snow he followed,
O'er the treacherous ice he followed,
Wild with all the fierce commotion
And the rapture of the hunting.
But beneath, the Evil Spirits
Lay in ambush, waiting for him,
Broke the treacherous ice beneath him,
Dragged him downward to the bottom,
Buried in the sand his body.
Unktahee, the god of water,
He the god of the Dacotahs,
Drowned him in the deep abysses
Of the lake of Gitche Gumee.
From the headlands Hiawatha
Sent forth such a wail of anguish,
Such a fearful lamentation,
That the bison paused to listen,
And the wolves howled from the prairies,
And the thunder in the distance
Starting answered "Baim-wawa!"
Then his face with black he painted,
With his robe his head he covered,
In his wigwam sat lamenting,
Seven long weeks he sat lamenting,
Uttering still this moan of sorrow:
"He is dead, the sweet musician!
He the sweetest of all singers!
He has gone from us forever,
He has moved a little nearer
To the Master of all music,
To the Master of all singing!
O my brother, Chibiabos!"
And the melancholy fir-trees
Waved their dark green fans above him,
Waved their purple cones above him,
Sighing with him to console him,
Mingling with his lamentation
Their complaining, their lamenting.
Came the Spring, and all the forest
Looked in vain for Chibiabos;
Sighed the rivulet, Sebowisha,
Sighed the rushes in the meadow.
From the tree-tops sang the bluebird,
Sang the bluebird, the Owaissa,
"Chibiabos! Chibiabos!
He is dead, the sweet musician!"
From the wigwam sang the robin,
Sang the robin, the Opechee,
"Chibiabos! Chibiabos!
He is dead, the sweetest singer!"
And at night through all the forest
Went the whippoorwill complaining,
Wailing went the Wawonaissa,
"Chibiabos! Chibiabos!
He is dead, the sweet musician!
He the sweetest of all singers!"
Then the Medicine-men, the Medas,
The magicians, the Wabenos,
And the Jossakeeds, the Prophets,
Came to visit Hiawatha;
Built a Sacred Lodge beside him,
To appease him, to console him,
Walked in silent, grave procession,
Bearing each a pouch of healing,
Skin of beaver, lynx, or otter,
Filled with magic roots and simples,
Filled with very potent medicines.
When he heard their steps approaching~,
Hiawatha ceased lamenting,
Called no more on Chibiabos;
Naught he questioned, naught he answered,
But his mournful head uncovered,
From his face the mourning colors
Washed he slowly and in silence,
Slowly and in silence followed
Onward to the Sacred Wigwam.
There a magic drink they gave him,
Made of Nahma-wusk, the spearmint,
And Wabeno-wusk, the yarrow,
Roots of power, and herbs of healing;
Beat their drums, and shook their rattles;
Chanted singly and in chorus,
Mystic songs like these, they chanted.
"I myself, myself! behold me!
`T Is the great Gray Eagle talking;
Come, ye white crows, come and hear him!
The loud-speaking thunder helps me;
All the unseen spirits help me;
I can hear their voices calling,
All around the sky I hear them!
I can blow you strong, my brother,
I can heal you, Hiawatha!"
"Hi-au-ha!" replied the chorus,
"Wayha-way!" the mystic chorus.
Friends of mine are all the serpents!
Hear me shake my skin of hen-hawk!
Mahng, the white loon, I can kill him;
I can shoot your heart and kill it!
I can blow you strong, my brother,
I can heal you, Hiawatha !"
"Hi-au-ha!" replied the chorus,
"Wayhaway!" the mystic chorus.
"I myself, myself! the prophet!
When I speak the wigwam trembles,
Shakes the Sacred Lodge with terror,
Hands unseen begin to shake it!
When I walk, the sky I tread on
Bends and makes a noise beneath me!
I can blow you strong, my brother!
Rise and speak, O Hiawatha!"
"Hi-au-ha!" replied the chorus,
"Way-ha-way!" the mystic chorus.
Then they shook their medicine-pouches
O'er the head of Hiawatha,
Danced their medicine-dance around him;
And upstarting wild and haggard,
Like a man from dreams awakened,
He was healed of all his madness.
As the clouds are swept from heaven,
Straightway from his brain departed
All his moody melancholy;
As the ice is swept from rivers,
Straightway from his heart departed
All his sorrow and affliction.
Then they summoned Chibiabos
From his grave beneath the waters,
From the sands of Gitche Gumee
Summoned Hiawatha's brother.
And so mighty was the magic
Of that cry and invocation,
That he heard it as he lay there
Underneath the Big-Sea-Water;
From the sand he rose and listened,
Heard the music and the singing,
Came, obedient to the summons,
To the doorway of the wigwam,
But to enter they forbade him.
Through a chink a coal they gave him,
Through the door a burning fire-brand;
Ruler in the Land of Spirits,
Ruler o'er the dead, they made him,
Telling him a fire to kindle
For all those that died thereafter,
Camp-fires for their night encampments
On their solitary journey
To the kingdom of Ponemah,
To the land of the Hereafter.
From the village of his childhood,
From the homes of those who knew him,
Passing silent through the forest,
Like a smoke-wreath wafted sideways,
Slowly vanished Chibiabos!
Where he passed, the branches moved not,
Where he trod, the grasses bent not,
And the fallen leaves of last year
Made no sound beneath his footstep.
Four whole days he journeyed onward
Down the pathway of the dead men;
On the dead-man's strawberry feasted,
Crossed the melancholy river,
On the swinging log he crossed it,
Came unto the Lake of Silver,
In the Stone Canoe was carried
To the Islands of the Blessed,
To the land of ghosts and shadows.
On that journey, moving slowly,
Many weary spirits saw he,
Panting under heavy burdens,
Laden with war-clubs, bows and arrows,
Robes of fur, and pots and kettles,
And with food that friends had given
For that solitary journey.
"Ay! why do the living," said they,
"Lay such heavy burdens on us!
Better were it to go naked,
Better were it to go fasting,
Than to bear such heavy burdens
On our long and weary journey!"
Forth then issued Hiawatha,
Wandered eastward, wandered westward,
Teaching men the use of simples
And the antidotes for poisons,
And the cure of all diseases.
Thus was first made known to mortals
All the mystery of Medamin,
All the sacred art of healing.
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by
Ralph Waldo Emerson
Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.
God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.
Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.
Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.
Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white breasts which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime."
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for bloody whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.
Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.
Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his bosom's door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.
And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.
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