Written by
Dejan Stojanovic |
To find the hidden place
Longing freely to explore
Break obstacles and recognize
Invisible sparks emanating
From the deserved discovery
Of nothing between us
Shining longing only
Wakening stars in the Garden
Witnessing the birth of new landscapes,
Future cities and temples
Hearing new stories, falling
From the fountains of the secret art
All old sounds and colors reviving
And you, blindingly bright,
Into new senses are melting me
And into the core I grow
With invisible roots piercing
Touching the core of fire
Traveling far to the place, before
Space and time, and coming back
To this Garden to find you
To see the real you swimming
And flying ahead of the light
To find you where the light never was
And to learn that you are its source
|
Written by
Christina Rossetti |
Come to me in the silence of the night;
Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished years.
O dream how sweet, too sweet, too bitter sweet,
Whose wakening should have been in Paradise,
Where souls brimfull of love abide and meet;
Where thirsting longing eyes
Watch the slow door
That opening, letting in, lets out no more.
Yet come to me in dreams, that I may live
My very life again though cold in death:
Come back to me in dreams, that I may give
Pulse for pulse, breath for breath:
Speak low, lean low
As long ago, my love, how long ago.
|
Written by
Emma Lazarus |
I
A dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof
Of the entangling waltz.
Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow
Of branching lights sets off the changeful charms
Of glancing gems, rich stuffs, the dazzling snow
Of necks unkerchieft, and bare, clinging arms.
Hark to the music! How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,
The pulse-beat of the poet's heart that throbs.
So yearns, though all the dancing waves rejoice,
The troubled sea's disconsolate, deep voice.
II
Who shall proclaim the golden fable false
Of Orpheus' miracles? This subtle strain
Above our prose-world's sordid loss and gain
Lightly uplifts us.
With the rhythmic waltz,
The lyric prelude, the nocturnal song
Of love and languor, varied visions rise,
That melt and blend to our enchanted eyes.
The Polish poet who sleeps silenced long,
The seraph-souled musician, breathes again
Eternal eloquence, immortal pain.
Revived the exalted face we know so well,
The illuminated eyes, the fragile frame,
Slowly consuming with its inward flame,
We stir not, speak not, lest we break the spell.
III
A voice was needed, sweet and true and fine
As the sad spirit of the evening breeze,
Throbbing with human passion, yet devine
As the wild bird's untutored melodies.
A voice for him 'neath twilight heavens dim,
Who mourneth for his dead, while round him fall
The wan and noiseless leaves.
A voice for him
Who sees the first green sprout, who hears the call
Of the first robin on the first spring day.
A voice for all whom Fate hath set apart,
Who, still misprized, must perish by the way,
Longing with love, for that they lack the art
Of their own soul's expression.
For all these
Sing the unspoken hope, the vague, sad reveries.
IV
Then Nature shaped a poet's heart--a lyre
From out whose chords the lightest breeze that blows
Drew trembling music, wakening sweet desire.
How shall she cherish him? Behold! she throws
This precious, fragile treasure in the whirl
Of seething passions; he is scourged and stung,
Must dive in storm-vext seas, if but one pearl
Of art or beauty therefrom may be wrung.
No pure-browed pensive nymph his Muse shall be,
An amazon of thought with sovereign eyes,
Whose kiss was poison, man-brained, worldy-wise,
Inspired that elfin, delicate harmony.
Rich gain for us! But with him is it well?
The poet who must sound earth, heaven, and hell!
|
Written by
Philip Levine |
THE DREAM
This has nothing to do with war
or the end of the world.
She
dreams there are gray starlings
on the winter lawn and the buds
of next year's oranges alongside
this year's oranges, and the sun
is still up, a watery circle
of fire settling into the sky
at dinner time, but there's no
flame racing through the house
or threatening the bed.
When she
wakens the phone is ringing
in a distant room, but she
doesn't go to answer it.
No
one is home with her, and the cars
passing before the house hiss
in the rain.
"My children!" she
almost says, but there are no
longer children at home, there
are no longer those who would
turn to her, their faces running
with tears, and ask her forgiveness.
THE WAR
The Michigan Central Terminal
the day after victory.
Her brother
home from Europe after years
of her mother's terror, and he still
so young but now with the dark
shadow of a beard, holding her
tightly among all the others
calling for their wives or girls.
That night in the front room
crowded with family and neighbors --
he was first back on the block --
he sat cross-legged on the floor
still in his wool uniform, smoking
and drinking as he spoke of passing
high over the dark cities she'd
only read about.
He'd wanted to
go back again and again.
He'd wanted
to do this for the country,
for this -- a small house with upstairs
bedrooms -- so he'd asked to go
on raid after raid as though
he hungered to kill or be killed.
THE PRESIDENT
Today on television men
will enter space and return,
men she cannot imagine.
Lost in gigantic paper suits,
they move like sea creatures.
A voice will crackle from out
there where no voices are
speaking of the great theater
of conquest, of advancing
beyond the simple miracles
of flight, the small ventures
of birds and beasts.
The President
will answer with words she
cannot remember having
spoken ever to anyone.
THE PHONE CALL
She calls Chicago, but no one
is home.
The operator asks
for another number but still
no one answers.
Together
they try twenty-one numbers,
and at each no one is ever home.
"Can I call Baltimore?" she asks.
She can, but she knows no one
in Baltimore, no one in
St.
Louis, Boston, Washington.
She imagines herself standing
before the glass wall high
over Lake Shore Drive, the cars
below fanning into the city.
East she can see all the way
to Gary and the great gray clouds
of exhaustion rolling over
the lake where her vision ends.
This is where her brother lives.
At such height there's nothing,
no birds, no growing, no noise.
She leans her sweating forehead
against the cold glass, shudders,
and puts down the receiver.
THE GARDEN
Wherever she turns her garden
is alive and growing.
The thin
spears of wild asparagus, shaft
of tulip and flag, green stain
of berry buds along the vines,
even in the eaten leaf of
pepper plants and clipped stalk
of snap bean.
Mid-afternoon
and already the grass is dry
under the low sun.
Bluejay
and dark capped juncos hidden
in dense foliage waiting
the sun's early fall, when she
returns alone to hear them
call and call back, and finally
in the long shadows settle
down to rest and to silence
in the sudden rising chill.
THE GAME
Two boys are playing ball
in the backyard, throwing it
back and forth in the afternoon's
bright sunshine as a black mongrel
big as a shepherd races
from one to the other.
She
hides behind the heavy drapes
in her dining room and listens,
but they're too far.
Who are
they? They move about her yard
as though it were theirs.
Are they
the sons of her sons? They've
taken off their shirts, and she
sees they're not boys at all --
a dark smudge of hair rises
along the belly of one --, and now
they have the dog down thrashing
on his back, snarling and flashing
his teeth, and they're laughing.
AFTER DINNER
She's eaten dinner talking
back to the television, she's
had coffee and brandy, done
the dishes and drifted into
and out of sleep over a book
she found beside the couch.
It's
time for bed, but she goes
instead to the front door, unlocks
it, and steps onto the porch.
Behind her she can hear only
the silence of the house.
The lights
throw her shadow down the stairs
and onto the lawn, and she walks
carefully to meet it.
Now she's
standing in the huge, whispering
arena of night, hearing her
own breath tearing out of her
like the cries of an animal.
She could keep going into
whatever the darkness brings,
she could find a presence there
her shaking hands could hold
instead of each other.
SLEEP
A dark sister lies beside her
all night, whispering
that it's not a dream, that fire
has entered the spaces between
one face and another.
There will be no wakening.
When she wakens, she can't
catch her own breath, so she yells
for help.
It comes in the form
of sleep.
They whisper
back and forth, using new words
that have no meaning
to anyone.
The aspen shreds
itself against her window.
The oranges she saw that day
in her yard explode
in circles of oil, the few stars
quiet and darken.
They go on,
two little girls up long past
their hour, playing in bed.
|
Written by
Pablo Neruda |
Lost in the forest, I broke off a dark twig
and lifted its whisper to my thirsty lips:
maybe it was the voice of the rain crying,
a cracked bell, or a torn heart.
Something from far off it seemed
deep and secret to me, hidden by the earth,
a shout muffled by huge autumns,
by the moist half-open darkness of the leaves.
Wakening from the dreaming forest there, the hazel-sprig
sang under my tongue, its drifting fragrance
climbed up through my conscious mind
as if suddenly the roots I had left behind
cried out to me, the land I had lost with my childhood---
and I stopped, wounded by the wandering scent
|
Written by
T S (Thomas Stearns) Eliot |
THE READERS of the Boston Evening Transcript
Sway in the wind like a field of ripe corn.
When evening quickens faintly in the street,
Wakening the appetites of life in some
And to others bringing the Boston Evening Transcript,
I mount the steps and ring the bell, turning
Wearily, as one would turn to nod good-bye to Rochefoucauld,
If the street were time and he at the end of the street,
And I say, “Cousin Harriet, here is the Boston Evening Transcript.
|
Written by
Sarojini Naidu |
Rise, brothers, rise; the wakening skies pray to the morning light,
The wind lies asleep in the arms of the dawn like a child that has cried all night.
Come, let us gather our nets from the shore and set our catamarans free,
To capture the leaping wealth of the tide, for we are the kings of the sea!
No longer delay, let us hasten away in the track of the sea gull's call,
The sea is our mother, the cloud is our brother, the waves are our comrades all.
What though we toss at the fall of the sun where the hand of the sea-god drives?
He who holds the storm by the hair, will hide in his breast our lives.
Sweet is the shade of the cocoanut glade, and the scent of the mango grove,
And sweet are the sands at the full o' the moon with the sound of the voices we love;
But sweeter, O brothers, the kiss of the spray and the dance of the wild foam's glee;
Row, brothers, row to the edge of the verge, where the low sky mates with the sea.
|
Written by
Francesco Petrarch |
SESTINA I.
A qualunque animale alberga in terra.
NIGHT BRINGS HIM NO REST.
HE IS THE PREY OF DESPAIR.
To every animal that dwells on earth,
Except to those which have in hate the sun,
Their time of labour is while lasts the day;
But when high heaven relumes its thousand stars,
This seeks his hut, and that its native wood,
Each finds repose, at least until the dawn.
But I, when fresh and fair begins the dawn
To chase the lingering shades that cloak'd the earth,
Wakening the animals in every wood,
No truce to sorrow find while rolls the sun;
And, when again I see the glistening stars,
Still wander, weeping, wishing for the day.
When sober evening chases the bright day,
And this our darkness makes for others dawn,
Pensive I look upon the cruel stars
Which framed me of such pliant passionate earth,
And curse the day that e'er I saw the sun,
Which makes me native seem of wildest wood.
And yet methinks was ne'er in any wood,
So wild a denizen, by night or day,
As she whom thus I blame in shade and sun:
Me night's first sleep o'ercomes not, nor the dawn,
For though in mortal coil I tread the earth,
My firm and fond desire is from the stars.
Ere up to you I turn, O lustrous stars,
Or downwards in love's labyrinthine wood,
Leaving my fleshly frame in mouldering earth,
Could I but pity find in her, one day
[Pg 19]Would many years redeem, and to the dawn
With bliss enrich me from the setting sun!
Oh! might I be with her where sinks the sun,
No other eyes upon us but the stars,
Alone, one sweet night, ended by no dawn,
Nor she again transfigured in green wood,
To cheat my clasping arms, as on the day,
When Phœbus vainly follow'd her on earth.
I shall lie low in earth, in crumbling wood.
And clustering stars shall gem the noon of day,
Ere on so sweet a dawn shall rise that sun.
Macgregor.
Each creature on whose wakeful eyes
The bright sun pours his golden fire,
By day a destined toil pursues;
And, when heaven's lamps illume the skies,
All to some haunt for rest retire,
Till a fresh dawn that toil renews.
But I, when a new morn doth rise,
Chasing from earth its murky shades,
While ring the forests with delight,
Find no remission of my sighs;
And, soon as night her mantle spreads,
I weep, and wish returning light
Again when eve bids day retreat,
O'er other climes to dart its rays;
Pensive those cruel stars I view,
Which influence thus my amorous fate;
And imprecate that beauty's blaze,
Which o'er my form such wildness threw.
No forest surely in its glooms
Nurtures a savage so unkind
As she who bids these sorrows flow:
Me, nor the dawn nor sleep o'ercomes;
For, though of mortal mould, my mind
Feels more than passion's mortal glow.
Ere up to you, bright orbs, I fly,
Or to Love's bower speed down my way,
While here my mouldering limbs remain;
Let me her pity once espy;
Thus, rich in bliss, one little day
Shall recompense whole years of pain.
[Pg 20]Be Laura mine at set of sun;
Let heaven's fires only mark our loves,
And the day ne'er its light renew;
My fond embrace may she not shun;
Nor Phœbus-like, through laurel groves,
May I a nymph transform'd pursue!
But I shall cast this mortal veil on earth,
And stars shall gild the noon, ere such bright scenes have birth.
Nott.
|
Written by
Victor Hugo |
("Je suis la Charité.")
{February, 1837.}
"Lo! I am Charity," she cries,
"Who waketh up before the day;
While yet asleep all nature lies,
God bids me rise and go my way."
How fair her glorious features shine,
Whereon the hand of God hath set
An angel's attributes divine,
With all a woman's sweetness met.
Above the old man's couch of woe
She bows her forehead, pure and even.
There's nothing fairer here below,
There's nothing grander up in heaven,
Than when caressingly she stands
(The cold hearts wakening 'gain their beat),
And holds within her holy hands
The little children's naked feet.
To every den of want and toil
She goes, and leaves the poorest fed;
Leaves wine and bread, and genial oil,
And hopes that blossom in her tread,
And fire, too, beautiful bright fire,
That mocks the glowing dawn begun,
Where, having set the blind old sire,
He dreams he's sitting in the sun.
Then, over all the earth she runs,
And seeks, in the cold mists of life,
Those poor forsaken little ones
Who droop and weary in the strife.
Ah, most her heart is stirred for them,
Whose foreheads, wrapped in mists obscure,
Still wear a triple diadem—
The young, the innocent, the poor.
And they are better far than we,
And she bestows a worthier meed;
For, with the loaf of charity,
She gives the kiss that children need.
She gives, and while they wondering eat
The tear-steeped bread by love supplied,
She stretches round them in the street
Her arm that passers push aside.
If, with raised head and step alert,
She sees the rich man stalking by,
She touches his embroidered skirt,
And gently shows them where they lie.
She begs for them of careless crowd,
Of earnest brows and narrow hearts,
That when it hears her cry aloud,
Turns like the ebb-tide and departs.
O miserable he who sings
Some strain impure, whose numbers fall
Along the cruel wind that brings
Death to some child beneath his wall.
O strange and sad and fatal thing,
When, in the rich man's gorgeous hall,
The huge fire on the hearth doth fling
A light on some great festival,
To see the drunkard smile in state,
In purple wrapt, with myrtle crowned,
While Jesus lieth at the gate
With only rags to wrap him round.
Dublin University Magazine
|
Written by
Oliver Wendell Holmes |
Oh, there are times
When all this fret and tumult that we hear
Do seem more stale than to the sexton's ear
His own dull chimes.
Ding dong! ding dong!
The world is in a simmer like a sea
Over a pent volcano, -- woe is me
All the day long!
From crib to shroud!
Nurse o'er our cradles screameth lullaby,
And friends in boots tramp round us as we die,
Snuffling aloud.
At morning's call
The small-voiced pug-dog welcomes in the sun,
And flea-bit mongrels, wakening one by one,
Give answer all.
When evening dim
Draws round us, then the lonely caterwaul,
Tart solo, sour duet, and general squall, --
These are our hymn.
Women, with tongues
Like polar needles, ever on the jar;
Men, plugless word-spouts, whose deep fountains are
Within their lungs.
Children, with drums
Strapped round them by the fond paternal ass;
Peripatetics with a blade of grass
Between their thumbs.
Vagrants, whose arts
Have caged some devil in their mad machine,
Which grinding, squeaks, with husky groans between,
Come out by starts.
Cockneys that kill
Thin horses of a Sunday, -- men, with clams,
Hoarse as young bisons roaring for their dams
From hill to hill.
Soldiers, with guns,
Making a nuisance of the blessed air,
Child-crying bellman, children in despair,
Screeching for buns.
Storms, thunders, waves!
Howl, crash, and bellow till ye get your fill;
Ye sometimes rest; men never can be still
But in their graves.
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