by
Aleister Crowley
For Margot
Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless
lust
Ablaze to annihilate Will, to crumble my being to dust,
To calcine the dust to an ash, to burn up the ash to an air,
To abolish the air with a flash of the final, the fulminant
flare.
All this I have done, and dissolved the primordial germ
of my thought;
I have rolled myself up, and revolved the wheel of my
being to Naught.
Is there even the memory left? That I was, that I am?
It is lost.
As I utter the Word, I am cleft by the last swift spear of
the frost.
Snow! I am nothing at last; I sit, and am utterly still;
They are perished, the phantoms, and past; they were
born of my weariness-will
When I craved, craved being and form, when the con-
sciousness-cloud was a mist
Precurser of stupor and storm, when I and my shadow
had kissed,
And brought into life all the shapes that confused the
clear space with their marks,
Vain spectres whose vapour escapes, a whirlwind of
ruinous sparks,
No substance have any of these; I have dreamed them in
sickness of lust,
Delirium born of disease-ah, whence was the master,
the "must"
Imposed on the All? is it true, then, that
something in me
Is subject to fate? Are there two, after all,
that can be?
I have brought all that is to an end; for myself am suffic-
ient and sole.
Do I trick myself now? Shall I rend once again this
homologous Whole?
I have stripped every garment from space; I have
strangled the secre of Time,
All being is fled from my face, with Motion's inhibited
rime.
Stiller and stiller I sit, till even Infinity fades;
'Tis an idol-'tis weakness of wit that breeds, in inanity,
shades!
Yet the fullness of Naught I become, the deepest and
steadiest Naught,
Contains in its nature the sum of the functions of being
and thought.
Still as I sit, and destroy all possible trace of the past,
All germ of the future, nor joy nor knowledge alive at the
last,
It is vain, for the Silence is dowered with a nature, the
seed of a name:
Necessity, fearfully flowered with the blossom of possible
Aim.
I am Necessity? Scry Necessity mother of Fate!
And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest
star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and
of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare
to exist-
I have made the Voyage of Thought, the Voyage of Vision,
I swam
To the heart of the Ocean of Naught from the source of
the Spring of I am:
I know myself wholly the brother alike of the All and the
One;
I know that all things are each other, that their sum and
their substance is None;
But the knowledge itself can excel, its fulness hath broken
its bond;
All's Truth, and all's falsehood as well, and-what of the
region beyond?
So, still though I sit, as for ever, I stab to the heart of my
spine;
I destroy the last seed of endeavour to seal up my soul
in the shrine
Of Silence, Eternity, Peace; I abandon the Here and the
Now;
I cease from the effort to cease; I absolve the dead I from
its Vow,
I am wholly content to be dust, whether that be a mote
or a star,
To live and to love and to lust, acknowledge what seem
for what are,
Not to care what I am, if I be, whence I came, whither go,
how I thrive,
If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough. I am part of a glorious
game.
Am I cast for madness or love? I am cast to esteem them
the same.
Am I only a dream in the sleep of some butterfly?
Phantom of fright
Conceived, who knows how, or how deep, in the measure-
less womb of the night?
I imagine impossible thought, metaphysical voids that
beget
Ideas intagible wrought to things less conceivable yet.
It may be. Little I reck -but, assume the existence of
earth.
Am I born to be hanged by the neck, a curse from the
hour of my birth?
Am I born to abolish man's guilt? His horrible heritage,
awe?
Or a seed in his wantoness spilt by a jester? I care not
a straw,
For I understand Do what thou wilt; and that is the whole
of the Law.
|
by
Gerard Manley Hopkins
The shepherd's brow, fronting forked lightning, owns
The horror and the havoc and the glory
Of it. Angels fall, they are towers, from heaven—a story
Of just, majestical, and giant groans.
But man—we, scaffold of score brittle bones;
Who breathe, from groundlong babyhood to hoary
Age gasp; whose breath is our memento mori—
What bass is our viol for tragic tones?
He! Hand to mouth he lives, and voids with shame;
And, blazoned in however bold the name,
Man Jack the man is, just; his mate a hussy.
And I that die these deaths, that feed this flame,
That … in smooth spoons spy life’s masque mirrored: tame
My tempests there, my fire and fever fussy.
|
by
Mihai Eminescu
Two candles, tall sentry, beside an earth mound,
A dream with wings broken that trail to the ground,
Loud flung from the belfry calamitous chime...
'Tis thus that you passed o'er the bound'ries of time.
Gone by are the hours when the heavens entire
Flowed rivers of milk and grew flowers of fire,
When the thunderous clouds were but castles erect
Which the moon like a queen each in turn did inspect.
I see you a shadow bright silver transcending,
With wings high uplifted to heaven ascending,
I see you slow climbing through the sky's scaffold bars
Midst a tempest of light and a snowstorm of stars;
While the witches the sound of their spinning prolong,
Exalted in sunshine, swept up by a song,
O'er your breast like a saint you white arms crossed in prayer,
And gold on the water, and silver in the air.
I see your soul's parting, its flight I behold;
Then glaze at the clay that remains ... mute and cold,
At the winding-sheet clung to the coffin's rude sill,
At your smile sweet and candid, that seems alive still.
And i ask times unending my soul torn with doubt,
O why, pallid angel, your light has gone out,
For were you not blameless and wonderfully fair ?
Have you gone to rekindle a star in despair ?
I fancy on high there are wings without name,
Broad rivers of fire spanned by bridges of flame,
Strange castles that spires till the zenith up fling,
With stairways of incense and flowers that sing.
And you wonder among them, a worshipful queen,
With hair of bright starlight and eyes vespertine,
In a tunic of turquoise bespattered with gold,
While a wreath of green laurels does your forehead enfold.
O, death is a chaos, an ocean of stars gleaming,
While life is a quagmire of doubts and of dreaming,
Oh, death is an aeon of sun-blazoned spheres,
While life but a legend of wailing and tears.
Trough my head beats a whirlwind, a clamorous wrangle
Of thoughts and of dreams that despair does entangle;
For when suns are extinguished and meteors fail
The whole universe seems to mean nothing at all.
Maybe that one day the arched heavens will sunder,
And down through their break all the emptiness thunder,
Void's night o'er the earth its vast nothing extending,
The loot of an instant of death without ending.
If so, then forever your flame did succumb,
And forever your voice from today will be dumb.
If so, then hereafter can bring no rebirth.
If so, then this angel was nothing but earth.
And thus, lovely soil that breath has departed,
I stand by your coffin alone broken-hearted;
And yet i don't weep, rather praise for its fleeing
Your ray softly crept from this chaos of being.
For who shell declare which is ill and which well,
The is, or the isn't ? Can anyone tell ?
For he who is not, even grief can't destroy,
And oft is the grieving, and seldom the joy.
To exist! O, what nonsense, what foolish conceit;
Our eyes but deceive us, our ears but cheat,
What this age discovers, the next will deny,
For better just nothing than naught a lie.
I see dreams in men's clothing that after dreams chase,
But that tumble in tombs ere the end of the race,
And i search in may soul how this horror to fly,
To laugh like a madman ? To curse ? Or to cry ?
O, what is the meaning ? What sense does agree ?
The end of such beauty, had that what to be ?
Sweet seraph of clay where still lingers life's smile,
Just in order to die did you live for a while ?
O, tell me the meaning. This angel or clod ?
I find on her forehead no witness of God.
English version by Corneliu M. Popescu
Transcribed by Ana- Maria Ene
School No. 10, Focsani, Romania
|
by
Dylan Thomas
I
I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
There in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.
These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
The signal moon is zero in their voids.
I see the summer children in their mothers
Split up the brawned womb's weathers,
Divide the night and day with fairy thumbs;
There in the deep with quartered shades
Of sun and moon they paint their dams
As sunlight paints the shelling of their heads.
I see that from these boys shall men of nothing
Stature by seedy shifting,
Or lame the air with leaping from its hearts;
There from their hearts the dogdayed pulse
Of love and light bursts in their throats.
O see the pulse of summer in the ice.
II
But seasons must be challenged or they totter
Into a chiming quarter
Where, punctual as death, we ring the stars;
There, in his night, the black-tongued bells
The sleepy man of winter pulls,
Nor blows back moon-and-midnight as she blows.
We are the dark derniers let us summon
Death from a summer woman,
A muscling life from lovers in their cramp
From the fair dead who flush the sea
The bright-eyed worm on Davy's lamp
And from the planted womb the man of straw.
We summer boys in this four-winded spinning,
Green of the seaweeds' iron
Hold up the noisy sea and drop her birds,
Pick the world's ball of wave and froth
To choke the deserts with her tides,
And comb the county gardens for a wreath.
In spring we cross our foreheads with the holly,
Heigh ho the blood and berry,
And nail the merry squires to the trees;
Here love's damp muscle dries and dies
Here break a kiss in no love's quarry,
O see the poles of promise in the boys.
III
I see you boys of summer in your ruin.
Man in his maggots barren.
And boys are full and foreign to the pouch.
I am the man your father was.
We are the sons of flint and pitch.
O see the poles are kissing as they cross.
|
by
Louise Gluck
This poem is not addressed to you.
You may come into it briefly,
But no one will find you here, no one.
You will have changed before the poem will.
Even while you sit there, unmovable,
You have begun to vanish. And it does no matter.
The poem will go on without you.
It has the spurious glamor of certain voids.
It is not sad, really, only empty.
Once perhaps it was sad, no one knows why.
It prefers to remember nothing.
Nostalgias were peeled from it long ago.
Your type of beauty has no place here.
Night is the sky over this poem.
It is too black for stars.
And do not look for any illumination.
You neither can nor should understand what it means.
Listen, it comes with out guitar,
Neither in rags nor any purple fashion.
And there is nothing in it to comfort you.
Close your eyes, yawn. It will be over soon.
You will forge the poem, but not before
It has forgotten you. And it does not matter.
It has been most beautiful in its erasures.
O bleached mirrors! Oceans of the drowned!
Nor is one silence equal to another.
And it does not matter what you think.
This poem is not addressed to you.
|
by
Rg Gregory
a nearby field provides the plants
sometimes with a wild profusion
(organisation seems a long way off)
it takes an eye used to ink or paint
to confront such a rich confusion
and draw it inwards to a proof
that pattern too within constraints
has room for a wild fling - passion's
best rendered when the heart's aloof
images creep up through the vents
seeding voids with light explosions
chaos must come before the truth
art is nature (filtered) sucking sense
from unimaginable delusions
nowhere-to-go-to finds its path
out of thin air a formal dance
of paint or ink has reached conclusion
and in a nutshell cosmos coughs
|
by
Edward Hirsch
Lay these words into the dead man's grave
next to the almonds and black cherries---
tiny skulls and flowering blood-drops, eyes,
and Thou, O bitterness that pillows his head.
Lay these words on the dead man's eyelids
like eyebrights, like medieval trumpet flowers
that will flourish, this time, in the shade.
Let the beheaded tulips glisten with rain.
Lay these words on his drowned eyelids
like coins or stars, ancillary eyes.
Canopy the swollen sky with sunspots
while thunder addresses the ground.
Syllable by syllable, clawed and handled,
the words have united in grief.
It is the ghostly hour of lamentation,
the void's turn, mournful and absolute.
Lay these words on the dead man's lips
like burning tongs, a tongue of flame.
A scouring eagle wheels and shrieks.
Let God pray to us for this man.
|
by
Edgar Lee Masters
When I went to the city, Mary McNeely,
I meant to return for you, yes I did.
But Laura, my landlady's daughter,
Stole into my life somehow, and won me away.
Then after some years whom should I meet
But Georgine Miner from Niles -- a sprout
Of the free love, Fourierist gardens that flourished
Before the war all over Ohio.
Her dilettante lover had tired of her,
And she turned to me for strength and solace.
She was some kind of a crying thing
One takes in one's arms, and all at once
It slimes your face with its running nose,
And voids its essence all over you;
Then bites your hand and springs away.
And there you stand bleeding and smelling to heaven!
Why, Mary McNeely, I was not worthy
To kiss the hem of your robe!
|
by
Dylan Thomas
Where once the waters of your face
Spun to my screws, your dry ghost blows,
The dead turns up its eye;
Where once the mermen through your ice
Pushed up their hair, the dry wind steers
Through salt and root and roe.
Where once your green knots sank their splice
Into the tided cord, there goes
The green unraveller,
His scissors oiled, his knife hung loose
To cut the channels at their source
And lay the wet fruits low.
Invisible, your clocking tides
Break on the lovebeds of the weeds;
The weed of love's left dry;
There round about your stones the shades
Of children go who, from their voids,
Cry to the dolphined sea.
Dry as a tomb, your coloured lids
Shall not be latched while magic glides
Sage on the earth and sky;
There shall be corals in your beds
There shall be serpents in your tides,
Till all our sea-faiths die.
|