Written by
Gary Snyder |
At Tower Peak
Every tan rolling meadow will turn into housing
Freeways are clogged all day
Academies packed with scholars writing papers
City people lean and dark
This land most real
As its western-tending golden slopes
And bird-entangled central valley swamps
Sea-lion, urchin coasts
Southerly salmon-probes
Into the aromatic almost-Mexican hills
Along a range of granite peaks
The names forgotten,
An eastward running river that ends out in desert
The chipping ground-squirrels in the tumbled blocks
The gloss of glacier ghost on slab
Where we wake refreshed from ten hours sleep
After a long day's walking
Packing burdens to the snow
Wake to the same old world of no names,
No things, new as ever, rock and water,
Cool dawn birdcalls, high jet contrails.
A day or two or million, breathing
A few steps back from what goes down
In the current realm.
A kind of ice age, spreading, filling valleys
Shaving soils, paving fields, you can walk in it
Live in it, drive through it then
It melts away
For whatever sprouts
After the age of
Frozen hearts. Flesh-carved rock
And gusts on the summit,
Smoke from forest fires is white,
The haze above the distant valley like a dusk.
It's just one world, this spine of rock and streams
And snow, and the wash of gravels, silts
Sands, bunchgrasses, saltbrush, bee-fields,
Twenty million human people, downstream, here below.
|
Written by
Charles Baudelaire |
My impoverished muse, alas! What have you for me this morning?
Your empty eyes are stocked with nocturnal visions,
In your cheek's cold and taciturn reflection,
I see insanity and horror forming.
The green succubus and the red urchin,
Have they poured you fear and love from their urns?
The nightmare of a mutinous fist that despotically turns,
Does it drown you at the bottom of a loch beyond searching?
I wish that your breast exhaled the scent of sanity,
That your womb of thought was not a tomb more frequently
And that your Christian blood flowed around a buoy that was rhythmical,
Like the numberless sounds of antique syllables,
Where reigns in turn the father of songs,
Phoebus, and the great Pan, the harvest sovereign.
|
Written by
Christopher Smart |
In ev'ry age, and each profession,
Men err the most by prepossession;
But when the thing is clearly shown,
And fairly stated, fully known,
We soon applaud what we deride,
And penitence succeeds to pride.--
A certain Baron on a day
Having a mind to show away,
Invited all the wits and wags,
Foot, Massey, Shuter, Yates, and Skeggs,
And built a large commodious stage,
For the Choice Spirits of the age;
But above all, among the rest,
There came a Genius who profess'd
To have a curious trick in store,
Which never was perform'd before.
Thro' all the town this soon got air,
And the whole house was like a fair;
But soon his entry as he made,
Without a prompter, or parade,
'Twas all expectance, all suspense,
And silence gagg'd the audience.
He hid his head behind his wig,
With with such truth took off* a Pig, [imitated]
All swore 'twas serious, and no joke,
For doubtless underneath his cloak,
He had conceal'd some grunting elf,
Or was a real hog himself.
A search was made, no pig was found--
With thund'ring claps the seats resound,
And pit and box and galleries roar,
With--"O rare! bravo!" and "Encore!"
Old Roger Grouse, a country clown,
Who yet knew something of the town,
Beheld the mimic and his whim,
And on the morrow challeng'd him.
Declaring to each beau and bunter
That he'd out-grunt th'egregious grunter.
The morrow came--the crowd was greater--
But prejudice and rank ill-nature
Usurp'd the minds of men and wenches,
Who came to hiss, and break the benches.
The mimic took his usual station,
And squeak'd with general approbation.
"Again, encore! encore!" they cry--
'Twas quite the thing--'twas very high;
Old Grouse conceal'd, amidst the racket,
A real Pig berneath his jacket--
Then forth he came--and with his nail
He pinch'd the urchin by the tail.
The tortur'd Pig from out his throat,
Produc'd the genuine nat'ral note.
All bellow'd out--"'Twas very sad!
Sure never stuff was half so bad!
That like a Pig!"--each cry'd in scoff,
"Pshaw! Nonsense! Blockhead! Off! Off! Off!"
The mimic was extoll'd, and Grouse
Was hiss'd and catcall'd from the house.--
"Soft ye, a word before I go,"
Quoth honest Hodge--and stooping low
Produc'd the Pig, and thus aloud
Bespoke the stupid, partial crowd:
"Behold, and learn from this poor creature,
How much you Critics know of Nature."
|
Written by
Pablo Neruda |
From bristly foliage
you fell
complete, polished wood, gleaming mahogany,
as perfect
as a violin newly
born of the treetops,
that falling
offers its sealed-in gifts,
the hidden sweetness
that grew in secret
amid birds and leaves,
a model of form,
kin to wood and flour,
an oval instrument
that holds within it
intact delight, an edible rose.
In the heights you abandoned
the sea-urchin burr
that parted its spines
in the light of the chestnut tree;
through that slit
you glimpsed the world,
birds
bursting with syllables,
starry
dew
below,
the heads of boys
and girls,
grasses stirring restlessly,
smoke rising, rising.
You made your decision,
chestnut, and leaped to earth,
burnished and ready,
firm and smooth
as the small breasts
of the islands of America.
You fell,
you struck
the ground,
but
nothing happened,
the grass
still stirred, the old
chestnut sighed with the mouths
of a forest of trees,
a red leaf of autumn fell,
resolutely, the hours marched on
across the earth.
Because you are
only
a seed,
chestnut tree, autumn, earth,
water, heights, silence
prepared the germ,
the floury density,
the maternal eyelids
that buried will again
open toward the heights
the simple majesty of foliage,
the dark damp plan
of new roots,
the ancient but new dimensions
of another chestnut tree in the earth.
|
Written by
Dylan Thomas |
If I were tickled by the rub of love,
A rooking girl who stole me for her side,
Broke through her straws, breaking my bandaged string,
If the red tickle as the cattle calve
Still set to scratch a laughter from my lung,
I would not fear the apple nor the flood
Nor the bad blood of spring.
Shall it be male or female? say the cells,
And drop the plum like fire from the flesh.
If I were tickled by the hatching hair,
The winging bone that sprouted in the heels,
The itch of man upon the baby's thigh,
I would not fear the gallows nor the axe
Nor the crossed sticks of war.
Shall it be male or female? say the fingers
That chalk the walls with greet girls and their men.
I would not fear the muscling-in of love
If I were tickled by the urchin hungers
Rehearsing heat upon a raw-edged nerve.
I would not fear the devil in the loin
Nor the outspoken grave.
If I were tickled by the lovers' rub
That wipes away not crow's-foot nor the lock
Of sick old manhood on the fallen jaws,
Time and the crabs and the sweethearting crib
Would leave me cold as butter for the flies
The sea of scums could drown me as it broke
Dead on the sweethearts' toes.
This world is half the devil's and my own,
Daft with the drug that's smoking in a girl
And curling round the bud that forks her eye.
An old man's shank one-marrowed with my bone,
And all the herrings smelling in the sea,
I sit and watch the worm beneath my nail
Wearing the quick away.
And that's the rub, the only rub that tickles.
The knobbly ape that swings along his sex
From damp love-darkness and the nurse's twist
Can never raise the midnight of a chuckle,
Nor when he finds a beauty in the breast
Of lover, mother, lovers, or his six
Feet in the rubbing dust.
And what's the rub? Death's feather on the nerve?
Your mouth, my love, the thistle in the kiss?
My Jack of Christ born thorny on the tree?
The words of death are dryer than his stiff,
My wordy wounds are printed with your hair.
I would be tickled by the rub that is:
Man be my metaphor.
|
Written by
Mary Darby Robinson |
I.
Ah! wherefore by the Church-yard side,
Poor little LORN ONE, dost thou stray?
Thy wavy locks but thinly hide
The tears that dim thy blue-eye's ray;
And wherefore dost thou sigh, and moan,
And weep, that thou art left alone?
II.
Thou art not left alone, poor boy,
The Trav'ller stops to hear thy tale;
No heart, so hard, would thee annoy!
For tho' thy mother's cheek is pale
And withers under yon grave stone,
Thou art not, Urchin, left alone.
III.
I know thee well ! thy yellow hair
In silky waves I oft have seen;
Thy dimpled face, so fresh and fair,
Thy roguish smile, thy playful mien
Were all to me, poor Orphan, known,
Ere Fate had left thee--all alone!
IV.
Thy russet coat is scant, and torn,
Thy cheek is now grown deathly pale!
Thy eyes are dim, thy looks forlorn,
And bare thy bosom meets the gale;
And oft I hear thee deeply groan,
That thou, poor boy, art left alone.
V.
Thy naked feet are wounded sore
With thorns, that cross thy daily road;
The winter winds around thee roar,
The church-yard is thy bleak abode;
Thy pillow now, a cold grave stone--
And there thou lov'st to grieve--alone!
VI.
The rain has drench'd thee, all night long;
The nipping frost thy bosom froze;
And still, the yewtree-shades among,
I heard thee sigh thy artless woes;
I heard thee, till the day-star shone
In darkness weep--and weep alone!
VII.
Oft have I seen thee, little boy,
Upon thy lovely mother's knee;
For when she liv'd--thou wert her joy,
Though now a mourner thou must be!
For she lies low, where yon grave-stone
Proclaims, that thou art left alone.
VIII.
Weep, weep no more; on yonder hill
The village bells are ringing, gay;
The merry reed, and brawling rill
Call thee to rustic sports away.
Then wherefore weep, and sigh, and moan,
A truant from the throng--alone?
IX.
"I cannot the green hill ascend,
"I cannot pace the upland mead;
"I cannot in the vale attend,
"To hear the merry-sounding reed:
"For all is still, beneath yon stone,
"Where my poor mother's left alone!
X.
"I cannot gather gaudy flowers
"To dress the scene of revels loud--
"I cannot pass the ev'ning hours
"Among the noisy village croud--
"For, all in darkness, and alone
"My mother sleeps, beneath yon stone.
XI.
"See how the stars begin to gleam
"The sheep-dog barks, 'tis time to go;--
"The night-fly hums, the moonlight beam
"Peeps through the yew-tree's shadowy row--
"It falls upon the white grave-stone,
"Where my dear mother sleeps alone.--
XII.
"O stay me not, for I must go
"The upland path in haste to tread;
"For there the pale primroses grow
"They grow to dress my mother's bed.--
"They must, ere peep of day, be strown,
"Where she lies mould'ring all alone.
XIII.
"My father o'er the stormy sea
"To distant lands was borne away,
"And still my mother stay'd with me
"And wept by night and toil'd by day.
"And shall I ever quit the stone
"Where she is, left, to sleep alone.
XIV.
"My father died; and still I found
"My mother fond and kind to me;
"I felt her breast with rapture bound
"When first I prattled on her knee--
"And then she blest my infant tone
"And little thought of yon grave-stone.
XV.
"No more her gentle voice I hear,
"No more her smile of fondness see;
"Then wonder not I shed the tear
"She would have DIED, to follow me!
"And yet she sleeps beneath yon stone
"And I STILL LIVE--to weep alone.
XVI.
"The playful kid, she lov'd so well
"From yon high clift was seen to fall;
"I heard, afar, his tink'ling bell--
"Which seem'd in vain for aid to call--
"I heard the harmless suff'rer moan,
"And grieved that he was left alone.
XVII.
"Our faithful dog grew mad, and died,
"The lightning smote our cottage low--
"We had no resting-place beside
"And knew not whither we should go,--
"For we were poor,--and hearts of stone
"Will never throb at mis'ry's groan.
XVIII.
"My mother still surviv'd for me,
"She led me to the mountain's brow,
"She watch'd me, while at yonder tree
"I sat, and wove the ozier bough;
"And oft she cried, "fear not, MINE OWN!
"Thou shalt not, BOY, be left ALONE."
XXI.
"The blast blew strong, the torrent rose
"And bore our shatter'd cot away;
"And, where the clear brook swiftly flows--
"Upon the turf at dawn of day,
"When bright the sun's full lustre shone,
"I wander'd, FRIENDLESS--and ALONE!"
XX.
Thou art not, boy, for I have seen
Thy tiny footsteps print the dew,
And while the morning sky serene
Spread o'er the hill a yellow hue,
I heard thy sad and plaintive moan,
Beside the cold sepulchral stone.
XXI.
And when the summer noontide hours
With scorching rays the landscape spread,
I mark'd thee, weaving fragrant flow'rs
To deck thy mother's silent bed!
Nor, at the church-yard's simple stone,
Wert, thou, poor Urchin, left alone.
XXII.
I follow'd thee, along the dale
And up the woodland's shad'wy way:
I heard thee tell thy mournful tale
As slowly sunk the star of day:
Nor, when its twinkling light had flown,
Wert thou a wand'rer, all alone.
XXIII.
"O! yes, I was! and still shall be
"A wand'rer, mourning and forlorn;
"For what is all the world to me--
"What are the dews and buds of morn?
"Since she, who left me sad, alone
"In darkness sleeps, beneath yon stone!
XXIV.
"No brother's tear shall fall for me,
"For I no brother ever knew;
"No friend shall weep my destiny
"For friends are scarce, and tears are few;
"None do I see, save on this stone
"Where I will stay, and weep alone!
XXV.
"My Father never will return,
"He rests beneath the sea-green wave;
"I have no kindred left, to mourn
"When I am hid in yonder grave!
"Not one ! to dress with flow'rs the stone;--
"Then--surely , I AM LEFT ALONE!"
|
Written by
Wystan Hugh (W H) Auden |
She looked over his shoulderFor vines and olive trees,Marble well-governed citiesAnd ships upon untamed seas,But there on the shining metalHis hands had put insteadAn artificial wildernessAnd a sky like lead. A plain without a feature, bare and brown,No blade of grass, no sign of neighborhood,Nothing to eat and nowhere to sit down,Yet, congregated on its blankness, stoodAn unintelligible multitude,A million eyes, a million boots in line,Without expression, waiting for a sign. Out of the air a voice without a faceProved by statistics that some cause was justIn tones as dry and level as the place:No one was cheered and nothing was discussed;Column by column in a cloud of dustThey marched away enduring a beliefWhose logic brought them, somewhere else, to grief.She looked over his shoulderFor ritual pieties,White flower-garlanded heifers,Libation and sacrifice,But there on the shining metalWhere the altar should have been,She saw by his flickering forge-lightQuite another scene. Barbed wire enclosed an arbitrary spotWhere bored officials lounged (one cracked a joke)And sentries sweated for the day was hot:A crowd of ordinary decent folkWatched from without and neither moved nor spokeAs three pale figures were led forth and boundTo three posts driven upright in the ground. The mass and majesty of this world, allThat carries weight and always weighs the sameLay in the hands of others; they were smallAnd could not hope for help and no help came:What their foes like to do was done, their shameWas all the worst could wish; they lost their prideAnd died as men before their bodies died.She looked over his shoulderFor athletes at their games,Men and women in a danceMoving their sweet limbsQuick, quick, to music,But there on the shining shieldHis hands had set no dancing-floorBut a weed-choked field. A ragged urchin, aimless and alone,Loitered about that vacancy; a birdFlew up to safety from his well-aimed stone:That girls are raped, that two boys knife a third,Were axioms to him, who'd never heardOf any world where promises were kept,Or one could weep because another wept.The thin-lipped armorer,Hephaestos, hobbled away,Thetis of the shining breastsCried out in dismayAt what the god had wroughtTo please her son, the strongIron-hearted man-slaying AchillesWho would not live long.
|
Written by
Henry Lawson |
It was pleasant up the country, City Bushman, where you went,
For you sought the greener patches and you travelled like a gent;
And you curse the trams and buses and the turmoil and the push,
Though you know the squalid city needn't keep you from the bush;
But we lately heard you singing of the `plains where shade is not',
And you mentioned it was dusty -- `all was dry and all was hot'.
True, the bush `hath moods and changes' -- and the bushman hath 'em, too,
For he's not a poet's dummy -- he's a man, the same as you;
But his back is growing rounder -- slaving for the absentee --
And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet
Should have made a greater contrast to the faces in the street;
And, in short, we think the bushman's being driven to the wall,
And it's doubtful if his spirit will be `loyal thro' it all'.
Though the bush has been romantic and it's nice to sing about,
There's a lot of patriotism that the land could do without --
Sort of BRITISH WORKMAN nonsense that shall perish in the scorn
Of the drover who is driven and the shearer who is shorn,
Of the struggling western farmers who have little time for rest,
And are ruined on selections in the sheep-infested West;
Droving songs are very pretty, but they merit little thanks
From the people of a country in possession of the Banks.
And the `rise and fall of seasons' suits the rise and fall of rhyme,
But we know that western seasons do not run on schedule time;
For the drought will go on drying while there's anything to dry,
Then it rains until you'd fancy it would bleach the sunny sky --
Then it pelters out of reason, for the downpour day and night
Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best,
But it's doubtful if you ever saw a season in the West;
There are years without an autumn or a winter or a spring,
There are broiling Junes, and summers when it rains like anything.
In the bush my ears were opened to the singing of the bird,
But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true,
But I only heard him asking, `Who the blanky blank are you?'
And the bell-bird in the ranges -- but his `silver chime' is harsh
When it's heard beside the solo of the curlew in the marsh.
Yes, I heard the shearers singing `William Riley', out of tune,
Saw 'em fighting round a shanty on a Sunday afternoon,
But the bushman isn't always `trapping brumbies in the night',
Nor is he for ever riding when `the morn is fresh and bright',
And he isn't always singing in the humpies on the run --
And the camp-fire's `cheery blazes' are a trifle overdone;
We have grumbled with the bushmen round the fire on rainy days,
When the smoke would blind a bullock and there wasn't any blaze,
Save the blazes of our language, for we cursed the fire in turn
Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags,
And we saw the sugar leaking through the bottoms of the bags,
And we couldn't raise a chorus, for the toothache and the cramp,
While we spent the hours of darkness draining puddles round the camp.
Would you like to change with Clancy -- go a-droving? tell us true,
For we rather think that Clancy would be glad to change with you,
And be something in the city; but 'twould give your muse a shock
To be losing time and money through the foot-rot in the flock,
And you wouldn't mind the beauties underneath the starry dome
If you had a wife and children and a lot of bills at home.
Did you ever guard the cattle when the night was inky-black,
And it rained, and icy water trickled gently down your back
Till your saddle-weary backbone fell a-aching to the roots
And you almost felt the croaking of the bull-frog in your boots --
Sit and shiver in the saddle, curse the restless stock and cough
Till a squatter's irate dummy cantered up to warn you off?
Did you fight the drought and pleuro when the `seasons' were asleep,
Felling sheoaks all the morning for a flock of starving sheep,
Drinking mud instead of water -- climbing trees and lopping boughs
For the broken-hearted bullocks and the dry and dusty cows?
Do you think the bush was better in the `good old droving days',
When the squatter ruled supremely as the king of western ways,
When you got a slip of paper for the little you could earn,
But were forced to take provisions from the station in return --
When you couldn't keep a chicken at your humpy on the run,
For the squatter wouldn't let you -- and your work was never done;
When you had to leave the missus in a lonely hut forlorn
While you `rose up Willy Riley' -- in the days ere you were born?
Ah! we read about the drovers and the shearers and the like
Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest
Ere they raise a just rebellion in the over-written West?
Where the simple-minded bushman gets a meal and bed and rum
Just by riding round reporting phantom flocks that never come;
Where the scalper -- never troubled by the `war-whoop of the push' --
Has a quiet little billet -- breeding rabbits in the bush;
Where the idle shanty-keeper never fails to make a draw,
And the dummy gets his tucker through provisions in the law;
Where the labour-agitator -- when the shearers rise in might --
Makes his money sacrificing all his substance for The Right;
Where the squatter makes his fortune, and `the seasons rise and fall',
And the poor and honest bushman has to suffer for it all;
Where the drovers and the shearers and the bushmen and the rest
Never reach the Eldorado of the poets of the West.
And you think the bush is purer and that life is better there,
But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse,
Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat,
And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage?
Did you hear the gods in chorus when `Ri-tooral' held the stage?
Did you catch a ring of sorrow in the city urchin's voice
When he yelled for Billy Elton, when he thumped the floor for Royce?
Do the bushmen, down on pleasure, miss the everlasting stars
When they drink and flirt and so on in the glow of private bars?
You've a down on `trams and buses', or the `roar' of 'em, you said,
And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been?
For the struggling needlewoman mostly keeps her attic clean.)
But you'll find it very jolly with the cuff-and-collar push,
And the city seems to suit you, while you rave about the bush.
. . . . .
You'll admit that Up-the Country, more especially in drought,
Isn't quite the Eldorado that the poets rave about,
Yet at times we long to gallop where the reckless bushman rides
In the wake of startled brumbies that are flying for their hides;
Long to feel the saddle tremble once again between our knees
And to hear the stockwhips rattle just like rifles in the trees!
Long to feel the bridle-leather tugging strongly in the hand
And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes
Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live,
Try to understand each other while we reckon up the div.
|
Written by
Mary Darby Robinson |
When SUPERSTITION rul'd the land
And Priestcraft shackled Reason,
At GODSTOW dwelt a goodly band,
Grey monks they were, and but to say
They were not always giv'n to pray,
Would have been construed Treason.
Yet some did scoff, and some believ'd
That sinners were themselves deceiv'd;
And taking Monks for more than men
They prov'd themselves, nine out of ten,
Mere dupes of these Old Fathers hoary;
But read--and mark the story.
Near, in a little Farm, there liv'd
A buxom Dame of twenty three;
And by the neighbours 'twas believ'd
A very Saint was She!
Yet, ev'ry week, for some transgression,
She went to sigh devout confession.
For ev'ry trifle seem'd to make
Her self-reproving Conscience ache;
And Conscience, waken'd, 'tis well known,
Will never let the Soul alone.
At GODSTOW, 'mid the holy band,
Old FATHER PETER held command.
And lusty was the pious man,
As any of his crafty clan:
And rosy was his cheek, and sly
The wand'rings of his keen grey eye;
Yet all the Farmers wives confest
The wond'rous pow'r this Monk possess'd;
Pow'r to rub out the score of sin,
Which SATAN chalk'd upon his Tally;
To give fresh licence to begin,--
And for new scenes of frolic, rally.
For abstinence was not his way--
He lov'd to live --as well as pray ;
To prove his gratitude to Heav'n
By taking freely all its favors,--
And keeping his account still even,
Still mark'd his best endeavours:
That is to say, He took pure Ore
For benedictions,--and was known,
While Reason op'd her golden store,--
Not to unlock his own.--
And often to his cell went he
With the gay Dame of twenty-three:
His Cell was sacred, and the fair
Well knew, that none could enter there,
Who, (such was PETER'S sage decree,)
To Paradise ne'er bought a key.
It happen'd that this Farmer's wife
(Call MISTRESS TWYFORD--alias BRIDGET,)
Led her poor spouse a weary life--
Keeping him, in an endless fidget!
Yet ev'ry week she sought the cell
Where Holy FATHER PETER stay'd,
And there did ev'ry secret tell,--
And there, at Sun-rise, knelt and pray'd.
For near, there liv'd a civil friend,
Than FARMER TWYFORD somewhat stouter,
And he would oft his counsel lend,
And pass the wintry hours away
In harmless play;
But MISTRESS BRIDGET was so chaste,
So much with pious manners grac'd,
That none could doubt her!
One night, or rather morn, 'tis said
The wily neighbour chose to roam,
And (FARMER TWYFORD far from home),
He thought he might supply his place;
And, void of ev'ry spark of grace,
Upon HIS pillow, rest his head.
The night was cold, and FATHER PETER,
Sent his young neighbour to entreat her,
That she would make confession free--
To Him,--his saintly deputy.
Now, so it happen'd, to annoy
The merry pair, a little boy
The only Son of lovely Bridget,
And, like his daddy , giv'n to fidget,
Enquir'd who this same neighbour was
That took the place his father left--
A most unworthy, shameless theft,--
A sacrilege on marriage laws!
The dame was somewhat disconcerted--
For, all that she could say or do,--
The boy his question would renew,
Nor from his purpose be diverted.
At length, the matter to decide,
"'Tis FATHER PETER" she replied.
"He's come to pray." The child gave o'er,
When a loud thumping at the door
Proclaim'd the Husband coming! Lo!
Where could the wily neighbour go?
Where hide his recreant, guilty head--
But underneath the Farmer's bed?--
NOW MASTER TWYFORD kiss'd his child;
And straight the cunning urchin smil'd :
"Hush father ! hush ! 'tis break of day--
"And FATHER PETER'S come to pray!
"You must not speak," the infant cries--
"For underneath the bed he lies."
Now MISTRESS TWYFORD shriek'd, and fainted,
And the sly neighbour found, too late,
The FARMER, than his wife less sainted,
For with his cudgel he repaid--
The kindness of his faithless mate,
And fiercely on his blows he laid,
'Till her young lover, vanquish'd, swore
He'd play THE CONFESSOR no more !
Tho' fraud is ever sure to find
Its scorpion in the guilty mind:
Yet, PIOUS FRAUD, the DEVIL'S treasure,
Is always paid, in TENFOLD MEASURE.
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Written by
Victor Hugo |
("Les Turcs ont passés là.")
{XVIII., June 10, 1828.}
All is a ruin where rage knew no bounds:
Chio is levelled, and loathed by the hounds,
For shivered yest'reen was her lance;
Sulphurous vapors envenom the place
Where her true beauties of Beauty's true race
Were lately linked close in the dance.
Dark is the desert, with one single soul;
Cerulean eyes! whence the burning tears roll
In anguish of uttermost shame,
Under the shadow of one shrub of May,
Splashed still with ruddy drops, bent in decay
Where fiercely the hand of Lust came.
"Soft and sweet urchin, still red with the lash
Of rein and of scabbard of wild Kuzzilbash,
What lack you for changing your sob—
If not unto laughter beseeming a child—
To utterance milder, though they have defiled
The graves which they shrank not to rob?
"Would'st thou a trinket, a flower, or scarf,
Would'st thou have silver? I'm ready with half
These sequins a-shine in the sun!
Still more have I money—if you'll but speak!"
He spoke: and furious the cry of the Greek,
"Oh, give me your dagger and gun!"
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