10 Best Famous Undoubtedly Poems

Here is a collection of the top 10 all-time best famous Undoubtedly poems. This is a select list of the best famous Undoubtedly poetry. Reading, writing, and enjoying famous Undoubtedly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of undoubtedly poems.

• All Famous Undoubtedly Poems

 Genius, like gold and precious stones, 
is chiefly prized because of its rarity. 

Geniuses are people who dash of weird, wild, 
incomprehensible poems with astonishing facility, 
and get booming drunk and sleep in the gutter. 

Genius elevates its possessor to ineffable spheres 
far above the vulgar world and fills his soul 
with regal contempt for the gross and sordid things of earth. 

It is probably on account of this 
that people who have genius 
do not pay their board, as a general thing. 

Geniuses are very singular. 

If you see a young man who has frowsy hair 
and distraught look, and affects eccentricity in dress, 
you may set him down for a genius. 

If he sings about the degeneracy of a world 
which courts vulgar opulence 
and neglects brains, 
he is undoubtedly a genius. 

If he is too proud to accept assistance, 
and spurns it with a lordly air 
at the very same time 
that he knows he can't make a living to save his life, 
he is most certainly a genius. 

If he hangs on and sticks to poetry, 
notwithstanding sawing wood comes handier to him, 
he is a true genius. 

If he throws away every opportunity in life 
and crushes the affection and the patience of his friends 
and then protests in sickly rhymes of his hard lot, 
and finally persists, 
in spite of the sound advice of persons who have got sense 
but not any genius, 
persists in going up some infamous back alley 
dying in rags and dirt, 
he is beyond all question a genius. 

But above all things, 
to deftly throw the incoherent ravings of insanity into verse 
and then rush off and get booming drunk, 
is the surest of all the different signs 
of genius.

 Far from me and like the stars, the sea and all the trappings of poetic myth,
Far from me but here all the same without your knowing,
Far from me and even more silent because I imagine you endlessly.
Far from me, my lovely mirage and eternal dream, you cannot know.
If you only knew.
Far from me and even farther yet from being unaware of me and still unaware.
Far from me because you undoubtedly do not love me or, what amounts to the
same thing, that I doubt you do.
Far from me because you consciously ignore my passionate desires.
Far from me because you are cruel.
If you only knew.
Far from me, joyful as a flower dancing in the river at the tip of its aquatic stem,
sad as seven p.m. in a mushroom bed.
Far from me yet silent in my presence and still joyful like a stork-shaped hour
falling from on high.
Far from me at the moment when the stills are singing, at the moment when the
silent and loud sea curls up on its white pillows.
If you only knew.
Far from me, o my ever-present torment, far from me in the magnificent noise of
oyster shells crushed by a night owl passing a restaurant at first light.
If you only knew.
Far from me, willed, physical mirage.
Far from me there's an island that turns aside when ships pass.
Far from me a calm herd of cattle takes the wrong path, pulls up stubbornly at the
edge of a steep cliff, far from me, cruel woman.
Far from me, a shooting star falls into the poet's nightly bottle.
He corks it right away and from then on watches the star enclosed in the glass, the
constellations born on its walls, far from me, you are so far from me.
If you only knew.
Far from me a house has just been built.
A bricklayer in white coveralls at the top of the scaffolding sings a very sad little
song and, suddenly, in the tray full of mortar, the future of the house appears:
lovers' kisses and double suicides nakedness in the bedrooms strange beautiful
women
and their midnight dreams, voluptuous secrets caught in the act by the parquet
floors.
Far from me, If you only knew.
If you only knew how I love you and, though you do not love me, how happy I
am, how strong and proud I am, with your image in my mind,
to leave the universe.
How happy I am to die for it.
If you only knew how the world has yielded to me.
And you, beautiful unyielding woman, how you too are my prisoner.
O you, far-from-me, who I yield to.
If you only knew.

 professor piebald
(the oldest man in the home) was meek
at the same time ribald
he clothed his matter (so to speak)
in latin and (was it) greek
it caused no great offence
to nobody did it make sense
to make a rude joke
in languages nobody spoke

once he'd changed the word agenda
at a home's committee meeting to pudenda
this sort of thing was tolerated by the other
inmates (except his younger brother -
a dustman all his life
who'd robbed the professor of his wife
and treated him now with disdainful anger
but to everyone piebald was a stranger)
well agenda/pudenda hardly ranked as humour
but there was rumour
piebald was said to have his eye on
nelly (frail and pretty in a feathery fashion
the sort perhaps to rouse a meek man's passion)
she wouldn't talk to him without a tie on

one such occasion burst the bubble
he spoke (no tie on) she demurred
refusing one further word
and so the trouble
piebald went white all over
muttered about being her lover
then shouted in a rage
(nelly whispered be your age)
i - two headed janus -
now pingo your anus
(less janus - i should have thought - than mars)
and pinched the dear frail lady on the ****
who died a second then exploded
swung a punch so loaded
poor old piebald eared it to the floor
the other old ones in the room
(more excited now than when the flowers came out in bloom)
were rushing pushing to the door

the brother stood across the fallen man
in total icy disdain
you academic lily-livered piss of a gnat
he hissed - and spat
into the piebald twitching face
drew back a pace
when wham - a seething body like a flung cat
lifted upwards into space

the younger brother was butted in the belly
(who staggered back hit head and made a dying fall
leaving a small red zigzag down the wall)
then this sizzling flesh-ball
fell on fluttering nelly
tore at her skirt
ripped other clothes apart
began kissing her fervently on her agenda
te amo te amo te amo te amo
(repeating it as though
it was the finest latin phrase he'd learned by heart)
crying abasing himself to her most wanted gender

she more dazed than hurt
clutching the virgin fragments of her skirt
a simpering victim in the rising clamour
old people now outraged beyond controlling
through the swing doors pushing tumbling rolling
armed with saucepans pokers knives
playing the greatest game in all their lives
attacked without compunction
the frenzied lover at his unction
a poker struck him once across the head
and professor piebald
once meek but ribald
dropped down undoubtedly dead

and even when the horror had subsided
and the arms of justice with their maker were abided
nelly stood rocking in her room
weeping for the heart-ache in her womb
that till then had hardly ever fluttered
and (only occasionally) muttered
if you have your eye on
me - my dear man - put your tie on

the home itself was closed a few days after
the house is riddled still by ribald laughter

 AY, 'twas here, on this spot,
In that summer of yore,
Atalanta did not
Vote my presence a bore,
Nor reply to my tenderest talk "She had
heard all that nonsense before." 

She'd the brooch I had bought
And the necklace and sash on,
And her heart, as I thought,
Was alive to my passion;
And she'd done up her hair in the style that
the Empress had brought into fashion. 

I had been to the play
With my pearl of a Peri -
But, for all I could say,
She declared she was weary,
That "the place was so crowded and hot, and
she couldn't abide that Dundreary." 

Then I thought "Lucky boy!
'Tis for YOU that she whimpers!"
And I noted with joy
Those sensational simpers:
And I said "This is scrumptious!" - a
phrase I had learned from the Devonshire shrimpers. 

And I vowed "'Twill be said
I'm a fortunate fellow,
When the breakfast is spread,
When the topers are mellow,
When the foam of the bride-cake is white,
and the fierce orange-blossoms are yellow!" 

O that languishing yawn!
O those eloquent eyes!
I was drunk with the dawn
Of a splendid surmise -
I was stung by a look, I was slain by a tear,
by a tempest of sighs. 

Then I whispered "I see
The sweet secret thou keepest.
And the yearning for ME
That thou wistfully weepest!
And the question is 'License or Banns?',
though undoubtedly Banns are the cheapest." 

"Be my Hero," said I,
"And let ME be Leander!"
But I lost her reply -
Something ending with "gander" -
For the omnibus rattled so loud that no
mortal could quite understand her.

 My banks are all furnished with rags,
So thick, even Freddy can't thin 'em;
I've torn up my old money-bags,
Having little or nought to put in 'em.
My tradesman are smashing by dozens,
But this is all nothing, they say;
For bankrupts, since Adam, are cousins,
So, it's all in the family way.


My Debt not a penny takes from me,
As sages the matter explain; --
Bob owes it to Tom and then Tommy
Just owes it to Bob back again.
Since all have thus taken to owing,
There's nobody left that can pay;
And this is the way to keep going, --
All quite in the family way.


My senators vote away millions,
To put in Prosperity's budget;
And though it were billions or trillions,
The generous rogues wouldn't grudge it.
'Tis all but a family hop,
'Twas Pitt began dancing the hay;
Hands round! -- why the deuce should we stop?
'Tis all in the family way.


My labourers used to eat mutton,
As any great man of the State does;
And now the poor devils are put on
Small rations of tea and potatoes.
But cheer up John, Sawney and Paddy,
The King is your father, they say;
So ev'n if you starve for your Daddy,
'Tis all in the family way.


My rich manufacturers tumble,
My poor ones have nothing to chew;
And, even if themselves do not grumble,
Their stomachs undoubtedly do.
But coolly to fast en famille,
Is as good for the soul as to pray;
And famine itself is genteel,
When one starves in a family way.


I have found out a secret for Freddy,
A secret for next Budget day;
Though, perhaps he may know it already,
As he, too, 's a sage in his way.
When next for the Treasury scene he
Announces "the Devil to pay",
Let him write on the bills, "Nota bene,
'Tis all in the family way."

 The trees along this city street,
Save for the traffic and the trains,
Would make a sound as thin and sweet
As trees in country lanes.

And people standing in their shade
Out of a shower, undoubtedly
Would hear such music as is made
Upon a country tree.

Oh, little leaves that are so dumb
Against the shrieking city air,
I watch you when the wind has come,—
I know what sound is there.

 Through the forest, followed, Henry made his silky way,
No chickadee was troubled, small moss smiled 
on his swift passage.
But there were those ahead when at midday
they met in a clearing and lookt at each other awhile.
To kill was not the message.

He only could go with them-”odds? 20 to one-and-a-half;
pointless. Besides, palaver with the High Chief
might advance THE CAUSE.
Undoubtedly down they sat and they did talk
and one did balk & stuck but one did stalk
a creation of new laws.

He smoked the pipe of peace-”the sceen? tepees,
wigwams, papooses, buffalo hides, a high fire-”
with everyone,
even that abnormally scrubbed & powerful one,
shivering with power, held together with wires,
his worst enemy.

 O hapless day! O wretched day!
I hoped you'd pass me by--
Alas, the years have sneaked away
And all is changed but I!
Had I the power, I would remand
You to a gloom condign,
But here you've crept upon me and
I--I am thirty-nine!

Now, were I thirty-five, I could
Assume a flippant guise;
Or, were I forty years, I should
Undoubtedly look wise;
For forty years are said to bring
Sedateness superfine;
But thirty-nine don't mean a thing--
À bas with thirty-nine!

You healthy, hulking girls and boys,--
What makes you grow so fast?
Oh, I'll survive your lusty noise--
I'm tough and bound to last!
No, no--I'm old and withered too--
I feel my powers decline
(Yet none believes this can be true
Of one at thirty-nine).

And you, dear girl with velvet eyes,
I wonder what you mean
Through all our keen anxieties
By keeping sweet sixteen.
With your dear love to warm my heart,
Wretch were I to repine;
I was but jesting at the start--
I'm glad I'm thirty-nine!

So, little children, roar and race
As blithely as you can,
And, sweetheart, let your tender grace
Exalt the Day and Man;
For then these factors (I'll engage)
All subtly shall combine
To make both juvenile and sage
The one who's thirty-nine!

Yes, after all, I'm free to say
I would much rather be
Standing as I do stand to-day,
'Twixt devil and deep sea;
For though my face be dark with care
Or with a grimace shine,
Each haply falls unto my share,
For I am thirty-nine!

'Tis passing meet to make good cheer
And lord it like a king,
Since only once we catch the year
That doesn't mean a thing.
O happy day! O gracious day!
I pledge thee in this wine--
Come, let us journey on our way
A year, good Thirty-Nine!