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Best Famous Tripping Poems

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Written by Robert Herrick | Create an image from this poem

The Country Life:

 TO THE HONOURED MR ENDYMION PORTER, GROOM OF
THE BED-CHAMBER TO HIS MAJESTY

Sweet country life, to such unknown,
Whose lives are others', not their own!
But serving courts and cities, be
Less happy, less enjoying thee.
Thou never plough'st the ocean's foam
To seek and bring rough pepper home:
Nor to the Eastern Ind dost rove
To bring from thence the scorched clove:
Nor, with the loss of thy loved rest,
Bring'st home the ingot from the West.
No, thy ambition's master-piece
Flies no thought higher than a fleece:
Or how to pay thy hinds, and clear
All scores: and so to end the year:
But walk'st about thine own dear bounds,
Not envying others' larger grounds:
For well thou know'st, 'tis not th' extent
Of land makes life, but sweet content.
When now the cock (the ploughman's horn)
Calls forth the lily-wristed morn;
Then to thy corn-fields thou dost go,
Which though well soil'd, yet thou dost know
That the best compost for the lands
Is the wise master's feet, and hands.
There at the plough thou find'st thy team,
With a hind whistling there to them:
And cheer'st them up, by singing how
The kingdom's portion is the plough.
This done, then to th' enamell'd meads
Thou go'st; and as thy foot there treads,
Thou seest a present God-like power
Imprinted in each herb and flower:
And smell'st the breath of great-eyed kine,
Sweet as the blossoms of the vine.
Here thou behold'st thy large sleek neat
Unto the dew-laps up in meat:
And, as thou look'st, the wanton steer,
The heifer, cow, and ox draw near,
To make a pleasing pastime there.
These seen, thou go'st to view thy flocks
Of sheep, safe from the wolf and fox,
And find'st their bellies there as full
Of short sweet grass, as backs with wool:
And leav'st them, as they feed and fill,
A shepherd piping on a hill.

For sports, for pageantry, and plays,
Thou hast thy eves, and holydays:
On which the young men and maids meet,
To exercise their dancing feet:
Tripping the comely country Round,
With daffadils and daisies crown'd.
Thy wakes, thy quintels, here thou hast,
Thy May-poles too with garlands graced;
Thy Morris-dance; thy Whitsun-ale;
Thy shearing-feast, which never fail.
Thy harvest home; thy wassail bowl,
That's toss'd up after Fox i' th' hole:
Thy mummeries; thy Twelve-tide kings
And queens; thy Christmas revellings:
Thy nut-brown mirth, thy russet wit,
And no man pays too dear for it.--
To these, thou hast thy times to go
And trace the hare i' th' treacherous snow:
Thy witty wiles to draw, and get
The lark into the trammel net:
Thou hast thy cockrood, and thy glade
To take the precious pheasant made:
Thy lime-twigs, snares, and pit-falls then
To catch the pilfering birds, not men.

--O happy life! if that their good
The husbandmen but understood!
Who all the day themselves do please,
And younglings, with such sports as these:
And lying down, have nought t' affright
Sweet Sleep, that makes more short the night.
CAETERA DESUNT--


Written by Rudyard Kipling | Create an image from this poem

Cleared

 Help for a patriot distressed, a spotless spirit hurt,
Help for an honourable clan sore trampled in the dirt!
From Queenstown Bay to Donegal, O listen to my song,
The honourable gentlemen have suffered grievous wrong.

Their noble names were mentioned -- O the burning black disgrace! --
By a brutal Saxon paper in an Irish shooting-case;
They sat upon it for a year, then steeled their heart to brave it,
And "coruscating innocence" the learned Judges gave it.

Bear witness, Heaven, of that grim crime beneath the surgeon's knife,
The honourable gentlemen deplored the loss of life!
Bear witness of those chanting choirs that burk and shirk and snigger,
No man laid hand upon the knife or finger to the trigger!

Cleared in the face of all mankind beneath the winking skies,
Like ph]oenixes from Ph]oenix Park (and what lay there) they rise!
Go shout it to the emerald seas -- give word to Erin now,
Her honourable gentlemen are cleared -- and this is how: --

They only paid the Moonlighter his cattle-hocking price,
They only helped the murderer with counsel's best advice,
But -- sure it keeps their honour white -- the learned Court believes
They never gave a piece of plate to murderers and thieves.

They never told the ramping crowd to card a woman's hide,
They never marked a man for death -- what fault of theirs he died? --
They only said "intimidate", and talked and went away --
By God, the boys that did the work were braver men than they!

Their sin it was that fed the fire -- small blame to them that heard --
The "bhoys" get drunk on rhetoric, and madden at a word --
They knew whom they were talking at, if they were Irish too,
The gentlemen that lied in Court, they knew, and well they knew.

They only took the Judas-gold from Fenians out of jail,
They only fawned for dollars on the blood-dyed Clanna-Gael.
If black is black or white is white, in black and white it's down,
They're only traitors to the Queen and rebels to the Crown.

"Cleared", honourable gentlemen! Be thankful it's no more: --
The widow's curse is on your house, the dead are at your door.
On you the shame of open shame, on you from North to South
The hand of every honest man flat-heeled across your mouth.

"Less black than we were painted"? -- Faith, no word of black was said;
The lightest touch was human blood, and that, you know, runs red.
It's sticking to your fist to-day for all your sneer and scoff,
And by the Judge's well-weighed word you cannot wipe it off.

Hold up those hands of innocence -- go, scare your sheep together,
The blundering, tripping tups that bleat behind the old bell-wether;
And if they snuff the taint and break to find another pen,
Tell them it's tar that glistens so, and daub them yours again!

"The charge is old"? -- As old as Cain -- as fresh as yesterday;
Old as the Ten Commandments -- have ye talked those laws away?
If words are words, or death is death, or powder sends the ball,
You spoke the words that sped the shot -- the curse be on you all.

"Our friends believe"? -- Of course they do -- as sheltered women may;
But have they seen the shrieking soul ripped from the quivering clay?
They! -- If their own front door is shut,
 they'll swear the whole world's warm;
What do they know of dread of death or hanging fear of harm?

The secret half a county keeps, the whisper in the lane,
The shriek that tells the shot went home behind the broken pane,
The dry blood crisping in the sun that scares the honest bees,
And shows the "bhoys" have heard your talk -- what do they know of these?

But you -- you know -- ay, ten times more; the secrets of the dead,
Black terror on the country-side by word and whisper bred,
The mangled stallion's scream at night, the tail-cropped heifer's low.
Who set the whisper going first? You know, and well you know!

My soul! I'd sooner lie in jail for murder plain and straight,
Pure crime I'd done with my own hand for money, lust, or hate,
Than take a seat in Parliament by fellow-felons cheered,
While one of those "not provens" proved me cleared as you are cleared.

Cleared -- you that "lost" the League accounts -- go, guard our honour still,
Go, help to make our country's laws that broke God's law at will --
One hand stuck out behind the back, to signal "strike again";
The other on your dress-shirt-front to show your heart is clane.

If black is black or white is white, in black and white it's down,
You're only traitors to the Queen and rebels to the Crown.
If print is print or words are words, the learned Court perpends: --
We are not ruled by murderers, but only -- by their friends.
Written by W. E. B. Du Bois | Create an image from this poem

Children of the Moon

I am dead;
Yet somehow, somewhere,
In Time's weird contradiction, I
May tell of that dread deed, wherewith
I brought to Children of the Moon
Freedom and vast salvation.
I was a woman born,
And trod the streaming street,
That ebbs and flows from Harlem's hills,
Through caves and cañons limned in light,
Down to the twisting sea.
That night of nights,
I stood alone and at the End,
Until the sudden highway to the moon,
Golden in splendor,
Became too real to doubt.
Dimly I set foot upon the air,
I fled, I flew, through the thrills of light,
With all about, above, below, the whirring
Of almighty wings.
I found a twilight land,
Where, hardly hid, the sun
Sent softly-saddened rays of
Red and brown to burn the iron soil
And bathe the snow-white peaks
In mighty splendor.
Black were the men,
Hard-haired and silent-slow,
Moving as shadows,
Bending with face of fear to earthward;
And women there were none.
"Woman, woman, woman!"
I cried in mounting terror.
"Woman and Child!"
And the cry sang back
Through heaven, with the
Whirring of almighty wings.
Wings, wings, endless wings,—
Heaven and earth are wings;
Wings that flutter, furl, and fold,
Always folding and unfolding,
Ever folding yet again;
Wings, veiling some vast
And veiléd face,
In blazing blackness,
Behind the folding and unfolding,
The rolling and unrolling of
Almighty wings!
I saw the black men huddle,
Fumed in fear, falling face downward;
Vainly I clutched and clawed,
Dumbly they cringed and cowered,
Moaning in mournful monotone:
O Freedom, O Freedom,
O Freedom over me;
Before I'll be a slave,
I'll be buried in my grave,
And go home to my God,
And be free.
It was angel-music
From the dead,
And ever, as they sang,
Some wingéd thing of wings, filling all heaven,
Folding and unfolding, and folding yet again,
Tore out their blood and entrails,
'Til I screamed in utter terror;
And a silence came—
A silence and the wailing of a babe.
Then, at last, I saw and shamed;
I knew how these dumb, dark, and dusky things
Had given blood and life,
To fend the caves of underground,
The great black caves of utter night,
Where earth lay full of mothers
And their babes.
Little children sobbing in darkness,
Little children crying in silent pain,
Little mothers rocking and groping and struggling,
Digging and delving and groveling,
Amid the dying-dead and dead-in-life
And drip and dripping of warm, wet blood,
Far, far beneath the wings,—
The folding and unfolding of almighty wings.
I bent with tears and pitying hands,
Above these dusky star-eyed children,—
Crinkly-haired, with sweet-sad baby voices,
Pleading low for light and love and living—
And I crooned:
"Little children weeping there,
God shall find your faces fair;
Guerdon for your deep distress,
He shall send His tenderness;
For the tripping of your feet
Make a mystic music sweet
In the darkness of your hair;
Light and laughter in the air—
Little children weeping there,
God shall find your faces fair!"
I strode above the stricken, bleeding men,
The rampart 'ranged against the skies,
And shouted:
"Up, I say, build and slay;
Fight face foremost, force a way,
Unloose, unfetter, and unbind;
Be men and free!"
Dumbly they shrank,
Muttering they pointed toward that peak,
Than vastness vaster,
Whereon a darkness brooded,
"Who shall look and live," they sighed;
And I sensed
The folding and unfolding of almighty wings.
Yet did we build of iron, bricks, and blood;
We built a day, a year, a thousand years,
Blood was the mortar,—blood and tears,
And, ah, the Thing, the Thing of wings,
The wingéd, folding Wing of Things
Did furnish much mad mortar
For that tower.
Slow and ever slower rose the towering task,
And with it rose the sun,
Until at last on one wild day,
Wind-whirled, cloud-swept and terrible
I stood beneath the burning shadow
Of the peak,
Beneath the whirring of almighty wings,
While downward from my feet
Streamed the long line of dusky faces
And the wail of little children sobbing under earth.
Alone, aloft,
I saw through firmaments on high
The drama of Almighty God,
With all its flaming suns and stars.
"Freedom!" I cried.
"Freedom!" cried heaven, earth, and stars;
And a Voice near-far,
Amid the folding and unfolding of almighty wings,
Answered, "I am Freedom—
Who sees my face is free—
He and his."
I dared not look;
Downward I glanced on deep-bowed heads and closed eyes,
Outward I gazed on flecked and flaming blue—
But ever onward, upward flew
The sobbing of small voices,—
Down, down, far down into the night.
Slowly I lifted livid limbs aloft;
Upward I strove: the face! the face!
Onward I reeled: the face! the face!
To beauty wonderful as sudden death,
Or horror horrible as endless life—
Up! Up! the blood-built way;
(Shadow grow vaster!
Terror come faster!)
Up! Up! to the blazing blackness
Of one veiléd face.
And endless folding and unfolding,
Rolling and unrolling of almighty wings.
The last step stood!
The last dim cry of pain
Fluttered across the stars,
And then—
Wings, wings, triumphant wings,
Lifting and lowering, waxing and waning,
Swinging and swaying, twirling and whirling,
Whispering and screaming, streaming and gleaming,
Spreading and sweeping and shading and flaming—
Wings, wings, eternal wings,
'Til the hot, red blood,
Flood fleeing flood,
Thundered through heaven and mine ears,
While all across a purple sky,
The last vast pinion.
Trembled to unfold.
I rose upon the Mountain of the Moon,—
I felt the blazing glory of the Sun;
I heard the Song of Children crying, "Free!"
I saw the face of Freedom—
And I died.
Written by Robert Burns | Create an image from this poem

242. The Poet's Progress

 THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
 The peopled fold thy kindly care have found,
The hornèd bull, tremendous, spurns the ground;
The lordly lion has enough and more,
The forest trembles at his very roar;
Thou giv’st the ass his hide, the snail his shell,
The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour,
In all th’ omnipotence of rule and power:
Foxes and statesmen subtle wiles ensure;
The cit and polecat stink, and are secure:
Toads with their poison, doctors with their drug,
The priest and hedgehog, in their robes, are snug:
E’en silly women have defensive arts,
Their eyes, their tongues—and nameless other parts.
 But O thou cruel stepmother and hard,
To thy poor fenceless, naked child, the Bard!
A thing unteachable in worldly skill,
And half an idiot too, more helpless still:
No heels to bear him from the op’ning dun,
No claws to dig, his hated sight to shun:
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea’s horn:
No nerves olfact’ry, true to Mammon’s foot,
Or grunting, grub sagacious, evil’s root:
The silly sheep that wanders wild astray,
Is not more friendless, is not more a prey;
Vampyre-booksellers drain him to the heart,
And viper-critics cureless venom dart.
 Critics! appll’d I venture on the name,
Those cut-throat bandits in the paths of fame,
Bloody dissectors, worse than ten Monroes,
He hacks to teach, they mangle to expose:
By blockhead’s daring into madness stung,
His heart by wanton, causeless malice wrung,
His well-won ways-than life itself more dear—
By miscreants torn who ne’er one sprig must wear;
Foil’d, bleeding, tortur’d in th’ unequal strife,
The hapless Poet flounces on through life,
Till, fled each hope that once his bosom fired,
And fled each Muse that glorious once inspir’d,
Low-sunk in squalid, unprotected age,
Dead even resentment for his injur’d page,
He heeds no more the ruthless critics’ rage.
 So by some hedge the generous steed deceas’d,
For half-starv’d, snarling curs a dainty feast;
By toil and famine worn to skin and bone,
Lies, senseless of each tugging *****’s son.
 · · · · · · A little upright, pert, tart, tripping wight,
And still his precious self his dear delight;
Who loves his own smart shadow in the streets,
Better than e’er the fairest she he meets;
Much specious lore, but little understood,
(Veneering oft outshines the solid wood),
His solid sense, by inches you must tell,
But mete his cunning by the Scottish ell!
A man of fashion too, he made his tour,
Learn’d “vive la bagatelle et vive l’amour;”
So travell’d monkeys their grimace improve,
Polish their grin-nay, sigh for ladies’ love!
His meddling vanity, a busy fiend,
Still making work his selfish craft must mend.
 · · · · · · · · · · · · · · · Crochallan came,
The old cock’d hat, the brown surtout—the same;
His grisly beard just bristling in its might—
’Twas four long nights and days from shaving-night;
His uncomb’d, hoary locks, wild-staring, thatch’d
A head, for thought profound and clear, unmatch’d;
Yet, tho’ his caustic wit was biting-rude,
His heart was warm, benevolent and good.
 · · · · · · O Dulness, portion of the truly blest!
Calm, shelter’d haven of eternal rest!
Thy sons ne’er madden in the fierce extremes
Of Fortune’s polar frost, or torrid beams;
If mantling high she fills the golden cup,
With sober, selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder “some folks” do not starve!
The grave, sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope,
When, thro’ disastrous night, they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that “fools are Fortune’s care:”
So, heavy, passive to the tempest’s shocks,
Strong on the sign-post stands the stupid ox.
 Not so the idle Muses’ mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heaven, or vaulted hell!
Written by William Cullen Bryant | Create an image from this poem

Inscription for the Entrance to a Wood

 Stranger, if thou hast learned a truth which needs 
No school of long experience, that the world 
Is full of guilt and misery, and hast seen 
Enough of all its sorrows, crimes, and cares, 
To tire thee of it, enter this wild wood 
And view the haunts of nature. The calm shade 
Shall bring a kindred calm, and the sweet breeze 
That makes the green leaves dance, shall waft a balm 
To thy sick heart. Thou wilt find nothing here 
Of all that pained thee in the haunts of men, 
And made thee loathe thy life. The primal curse 
Fell, it is true, upon the unsinning earth, 
But not in vengance. God hath yoked to guilt 
Her pale tormentor, Misery. Hence these shades 
Are still the abode of gladness; the thick roof 
Of green and stirring branches is alive 
And musical with birds, that sing and sport 
In wantonness of spirit; while below 
The squirrel, with raised paws and form erect, 
Chirps merrily. Throngs of insects in the shade 
Try their thin wings and dance in the warm beam. 
That waked them into life. Even the green trees 
Partake the deep contentment; as they bend 
To the soft winds, the sun from the blue sky 
Looks in and sheds a blessing on the scene. 
Scarce less the cleft-born wildflower seems to enjoy 
Existence, than the winged plunderer 
That sucks its sweets. The mossy rocks themselves, 
And the old and ponderous trunks of prostrate trees 
That lead from knoll to knoll a causeway rude, 
Or bridge the sunken brook, and their dark roots, 
With all their roots upon them, twisting high, 
Breathe fixed tranquility. The rivulet 
Sends forth glad sounds, and tripping o'er its bed 
Of pebbly sands, or leaping down the rocks 
Seems, with continuous laughter, to rejoice 
In its own being. Softly tread the marge, 
Lest from her midway perch thou scare the wren 
That dips her bill in water. The cool wind, 
That stirs the stream in play, shall come to thee, 
Like one that loves thee nor will let thee pass 
Ungreeted, and shall give its light embrace.


Written by Paul Laurence Dunbar | Create an image from this poem

My Little March Girl

 Come to the pane, draw the curtain apart, 
There she is passing, the girl of my heart; 
See where she walks like a queen in the street, 
Weather-defying, calm, placid and sweet.
Tripping along with impetuous grace, 
Joy of her life beaming out of her face, 
Tresses all truant-like, curl upon curl, 
Wind-blown and rosy, my little March girl.

Hint of the violet's delicate bloom, 
Hint of the rose's pervading perfume! 
How can the wind help from kissing her face,—
Wrapping her round in his stormy embrace? 
But still serenely she laughs at his rout, 
She is the victor who wins in the bout. 
So may life's passions about her soul swirl, 
Leaving it placid,—my little March girl.

What self-possession looks out of her eyes! 
What are the wild winds, and what are the skies, 
Frowning and glooming when, brimming with life, 
Cometh the little maid ripe for the strife? 
Ah! Wind, and bah! Wind, what might have you now? 
What can you do with that innocent brow? 
Blow, Wind, and grow, Wind, and eddy and swirl, 
But bring to me, Wind,—my little March girl.
Written by Amy Lowell | Create an image from this poem

Spring Day

 Bath
The day is fresh-washed and fair, and there is 
a smell of tulips and narcissus
in the air.
The sunshine pours in at the bath-room window and 
bores through the water
in the bath-tub in lathes and planes of greenish-white. It 
cleaves the water
into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of 
the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir 
of my finger
sets them whirring, reeling. I move a foot, and the planes 
of light
in the water jar. I lie back and laugh, and let the green-white 
water,
the sun-flawed beryl water, flow over me. The day is 
almost
too bright to bear, the green water covers me from the too bright 
day.
I will lie here awhile and play with the water and the sun spots.
The sky is blue and high. A crow flaps 
by the window, and there is
a whiff of tulips and narcissus in the air.

Breakfast Table
In the fresh-washed sunlight, the breakfast table 
is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over 
its side,
draped and wide. Wheels of white glitter in the silver 
coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl -- 
and my eyes
begin to smart, the little white, dazzling wheels prick them like 
darts.
Placid and peaceful, the rolls of bread spread themselves in the 
sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white, 
scream,
flutter, call: "Yellow! Yellow! Yellow!" Coffee 
steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the 
sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin 
spiral
up the high blue sky. A crow flies by and croaks at the 
coffee steam.
The day is new and fair with good smells in the air.

Walk
Over the street the white clouds meet, and sheer 
away without touching.
On the sidewalks, boys are playing marbles. Glass 
marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red 
striped agates.
The glass marbles spit crimson when they are hit, and slip into 
the gutters
under rushing brown water. I smell tulips and narcissus 
in the air,
but there are no flowers anywhere, only white dust whipping up the 
street,
and a girl with a gay Spring hat and blowing skirts. The 
dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap, 
tap,
the little heels pat the pavement, and the wind rustles among the 
flowers
on her hat.
A water-cart crawls slowly on the other side of 
the way. It is green and gay
with new paint, and rumbles contentedly, sprinkling clear water 
over
the white dust. Clear zigzagging water, which smells 
of tulips and narcissus.
The thickening branches make a pink `grisaille' 
against the blue sky.
Whoop! The clouds go dashing at each 
other and sheer away just in time.
Whoop! And a man's hat careers down the street in front 
of the white dust,
leaps into the branches of a tree, veers away and trundles ahead 
of the wind,
jarring the sunlight into spokes of rose-colour and green.
A motor-car cuts a swathe through the bright air, 
sharp-beaked, irresistible,
shouting to the wind to make way. A glare of dust and 
sunshine
tosses together behind it, and settles down. The sky 
is quiet and high,
and the morning is fair with fresh-washed air.

Midday and Afternoon
Swirl of crowded streets. Shock and 
recoil of traffic. The stock-still
brick facade of an old church, against which the waves of people
lurch and withdraw. Flare of sunshine down side-streets. Eddies 
of light
in the windows of chemists' shops, with their blue, gold, purple 
jars,
darting colours far into the crowd. Loud bangs and tremors,
murmurings out of high windows, whirring of machine belts,
blurring of horses and motors. A quick spin and shudder 
of brakes
on an electric car, and the jar of a church-bell knocking against
the metal blue of the sky. I am a piece of the town, 
a bit of blown dust,
thrust along with the crowd. Proud to feel the pavement 
under me,
reeling with feet. Feet tripping, skipping, lagging, 
dragging,
plodding doggedly, or springing up and advancing on firm elastic 
insteps.
A boy is selling papers, I smell them clean and new from the press.
They are fresh like the air, and pungent as tulips and narcissus.
The blue sky pales to lemon, and great tongues 
of gold blind the shop-windows,
putting out their contents in a flood of flame.

Night and Sleep
The day takes her ease in slippered yellow. Electric 
signs gleam out
along the shop fronts, following each other. They grow, 
and grow,
and blow into patterns of fire-flowers as the sky fades. Trades 
scream
in spots of light at the unruffled night. Twinkle, jab, 
snap, that means
a new play; and over the way: plop, drop, quiver, is 
the sidelong
sliver of a watchmaker's sign with its length on another street.
A gigantic mug of beer effervesces to the atmosphere over a tall 
building,
but the sky is high and has her own stars, why should she heed ours?
I leave the city with speed. Wheels 
whirl to take me back to my trees
and my quietness. The breeze which blows with me is fresh-washed 
and clean,
it has come but recently from the high sky. There are 
no flowers
in bloom yet, but the earth of my garden smells of tulips and narcissus.
My room is tranquil and friendly. Out 
of the window I can see
the distant city, a band of twinkling gems, little flower-heads 
with no stems.
I cannot see the beer-glass, nor the letters of the restaurants 
and shops
I passed, now the signs blur and all together make the city,
glowing on a night of fine weather, like a garden stirring and blowing
for the Spring.
The night is fresh-washed and fair and there is 
a whiff of flowers in the air.
Wrap me close, sheets of lavender. Pour 
your blue and purple dreams
into my ears. The breeze whispers at the shutters and 
mutters
***** tales of old days, and cobbled streets, and youths leaping 
their horses
down marble stairways. Pale blue lavender, you are the 
colour of the sky
when it is fresh-washed and fair . . . I smell the stars . . . they 
are like
tulips and narcissus . . . I smell them in the air.
Written by Seamus Heaney | Create an image from this poem

Follower

 My father worked with a horse-plough,
His shoulders globed like a full sail strung
Between the shafts and the furrow.
The horse strained at his clicking tongue. 

An expert. He would set the wing
And fit the bright steel-pointed sock.
The sod rolled over without breaking.
At the headrig, with a single pluck 

Of reins, the sweating team turned round
And back into the land. His eye
Narrowed and angled at the ground,
Mapping the furrow exactly. 

I stumbled in his hob-nailed wake,
Fell sometimes on the polished sod;
Sometimes he rode me on his back
Dipping and rising to his plod. 

I wanted to grow up and plough,
To close one eye, stiffen my arm.
All I ever did was follow
In his broad shadow round the farm. 

I was a nuisance, tripping, falling,
Yapping always. But today 
It is my father who keeps stumbling
Behind me, and will not go away.
Written by Johann Wolfgang von Goethe | Create an image from this poem

Lilys Menagerie

 [Goethe describes this much-admired Poem, which 
he wrote in honour of his love Lily, as being "designed to change 
his surrender of her into despair, by drolly-fretful images."]

THERE'S no menagerie, I vow,

Excels my Lily's at this minute;

She keeps the strangest creatures in it,
And catches them, she knows not how.

Oh, how they hop, and run, and rave,
And their clipp'd pinions wildly wave,--
Poor princes, who must all endure
The pangs of love that nought can cure.

What is the fairy's name?--Is't Lily?--Ask not me!
Give thanks to Heaven if she's unknown to thee.

Oh what a cackling, what a shrieking,

When near the door she takes her stand,

With her food-basket in her hand!
Oh what a croaking, what a squeaking!
Alive all the trees and the bushes appear,
While to her feet whole troops draw near;
The very fish within, the water clear
Splash with impatience and their heads protrude;
And then she throws around the food
With such a look!--the very gods delighting
(To say nought of beasts). There begins, then, a biting,
A picking, a pecking, a sipping,
And each o'er the legs of another is tripping,
And pushing, and pressing, and flapping,
And chasing, and fuming, and snapping,
And all for one small piece of bread,
To which, though dry, her fair hands give a taste,
As though it in ambrosia had been plac'd.

And then her look! the tone

With which she calls: Pipi! Pipi!
Would draw Jove's eagle from his throne;
Yes, Venus' turtle doves, I wean,
And the vain peacock e'en,
Would come, I swear,
Soon as that tone had reach'd them through the air.

E'en from a forest dark had she

Enticed a bear, unlick'd, ill-bred,

And, by her wiles alluring, led
To join the gentle company,
Until as tame as they was he:
(Up to a certain point, be't understood!)
How fair, and, ah, how good
She seem'd to be! I would have drain'd my blood
To water e'en her flow'rets sweet.

"Thou sayest: I! Who? How? And where?"--
Well, to be plain, good Sirs--I am the bear;

 In a net-apron, caught, alas!

Chain'd by a silk-thread at her feet.

 But how this wonder came to pass
I'll tell some day, if ye are curious;
Just now, my temper's much too furious.

Ah, when I'm in the corner plac'd,

And hear afar the creatures snapping,

And see the flipping and the flapping,

 I turn around

 With growling sound,

And backward run a step in haste,

 And look around

 With growling sound.

Then run again a step in haste,
And to my former post go round.

But suddenly my anger grows,
A mighty spirit fills my nose,
My inward feelings all revolt.
A creature such as thou! a dolt!
Pipi, a squirrel able nuts to crack!
I bristle up my shaggy back
Unused a slave to be.
I'm laughed at by each trim and upstart tree
To scorn. The bowling-green I fly,

With neatly-mown and well-kept grass:

The box makes faces as I pass,--
Into the darkest thicket hasten I,
Hoping to 'scape from the ring,
Over the palings to spring!
Vainly I leap and climb;

I feel a leaden spell.

That pinions me as well,
And when I'm fully wearied out in time,
I lay me down beside some mock-cascade,

And roll myself half dead, and foam, and cry,

And, ah! no Oreads hear my sigh,
Excepting those of china made!

But, ah, with sudden power

In all my members blissful feelings reign!
'Tis she who singeth yonder in her bower!

I hear that darling, darling voice again.
The air is warm, and teems with fragrance clear,
Sings she perchance for me alone to hear?

I haste, and trample down the shrubs amain;
The trees make way, the bushes all retreat,
And so--the beast is lying at her feet.

She looks at him: "The monster's droll enough!

He's, for a bear, too mild,

Yet, for a dog, too wild,
So shaggy, clumsy, rough!"
Upon his back she gently strokes her foot;

He thinks himself in Paradise.
What feelings through his seven senses shoot!

But she looks on with careless eyes.
I lick her soles, and kiss her shoes,

As gently as a bear well may;
Softly I rise, and with a clever ruse

Leap on her knee.--On a propitious day
She suffers it; my ears then tickles she,

And hits me a hard blow in wanton play;
I growl with new-born ecstasy;
Then speaks she in a sweet vain jest, I wot
"Allons lout doux! eh! la menotte!
Et faites serviteur
Comme un joli seigneur."
Thus she proceeds with sport and glee;

Hope fills the oft-deluded beast;
Yet if one moment he would lazy be,

Her fondness all at once hath ceas'd.

She doth a flask of balsam-fire possess,

Sweeter than honey bees can make,

One drop of which she'll on her finger take,
When soften'd by his love and faithfulness,

Wherewith her monster's raging thirst to slake;
Then leaves me to myself, and flies at last,
And I, unbound, yet prison'd fast
By magic, follow in her train,
Seek for her, tremble, fly again.
The hapless creature thus tormenteth she,

Regardless of his pleasure or his woe;
Ha! oft half-open'd does she leave the door for me,

And sideways looks to learn if I will fly or no.
And I--Oh gods! your hands alone
Can end the spell that's o'er me thrown;
Free me, and gratitude my heart will fill;

And yet from heaven ye send me down no aid--

Not quite in vain doth life my limbs pervade:
I feel it! Strength is left me still.

 1775.
Written by John Milton | Create an image from this poem

At A Vacation Exercise In The Colledge Part Latin Part English. The Latin Speeches Ended The English Thus Began

 Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad'st imperfect words with childish tripps,
Half unpronounc't, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee: 
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv'd up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight, 
But cull those richest Robes, and gay'st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck't them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly's ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use, 
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav'ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th'touch of golden wires, while Hebe brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire, 
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey'd Neptune raves,
In Heav'ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero's old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest 
Are held with his melodious harmonie
In willing chains and sweet captivitie.
But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know'st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos'd business come,
That to the next I may resign my Roome

Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.

Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc't upon the hearth; 
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should'st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O're all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them; 
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot? 

The next Quantity and Quality, spake in Prose, then Relation
was call'd by his Name.

Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,
Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.

Book: Radiant Verses: A Journey Through Inspiring Poetry