by
Thomas Hardy
AS evening shaped I found me on a moor
Which sight could scarce sustain:
The black lean land, of featureless contour,
Was like a tract in pain.
"This scene, like my own life," I said, "is one
Where many glooms abide;
Toned by its fortune to a deadly dun--
Lightless on every side.
I glanced aloft and halted, pleasure-caught
To see the contrast there:
The ray-lit clouds gleamed glory; and I thought,
"There's solace everywhere!"
Then bitter self-reproaches as I stood
I dealt me silently
As one perverse--misrepresenting Good
In graceless mutiny.
Against the horizon's dim-descern?d wheel
A form rose, strange of mould:
That he was hideous, hopeless, I could feel
Rather than could behold.
"'Tis a dead spot, where even the light lies spent
To darkness!" croaked the Thing.
"Not if you look aloft!" said I, intent
On my new reasoning.
"Yea--but await awhile!" he cried. "Ho-ho!--
Look now aloft and see!"
I looked. There, too, sat night: Heaven's radiant show
Had gone. Then chuckled he.
|
by
Robert William Service
You want me to tell you a story, a yarn of the firin' line,
Of our thin red kharki 'eroes, out there where the bullets whine;
Out there where the bombs are bustin',
and the cannons like 'ell-doors slam --
Just order another drink, boys, and I'll tell you of Soulful Sam.
Oh, Sam, he was never 'ilarious, though I've 'ad some mates as was wus;
He 'adn't C. B. on his programme, he never was known to cuss.
For a card or a skirt or a beer-mug he 'adn't a friendly word;
But when it came down to Scriptures, say! Wasn't he just a bird!
He always 'ad tracts in his pocket, the which he would haste to present,
And though the fellers would use them in ways that they never was meant,
I used to read 'em religious, and frequent I've been impressed
By some of them bundles of 'oly dope he carried around in his vest.
For I -- and oh, 'ow I shudder at the 'orror the word conveys!
'Ave been -- let me whisper it 'oarsely -- a gambler 'alf of me days;
A gambler, you 'ear -- a gambler. It makes me wishful to weep,
And yet 'ow it's true, my brethren! -- I'd rather gamble than sleep.
I've gambled the 'ole world over, from Monte Carlo to Maine;
From Dawson City to Dover, from San Francisco to Spain.
Cards! They 'ave been me ruin. They've taken me pride and me pelf,
And when I'd no one to play with -- why, I'd go and I'd play by meself.
And Sam 'e would sit and watch me, as I shuffled a greasy deck,
And 'e'd say: "You're bound to Perdition,"
And I'd answer: "Git off me neck!"
And that's 'ow we came to get friendly, though built on a different plan,
Me wot's a desprite gambler, 'im sich a good young man.
But on to me tale. Just imagine . . . Darkness! The battle-front!
The furious 'Uns attackin'! Us ones a-bearin' the brunt!
Me crouchin' be'ind a sandbag, tryin' 'ard to keep calm,
When I 'ears someone singin' a 'ymn toon; be'old! it is Soulful Sam.
Yes; right in the crash of the combat, in the fury of flash and flame,
'E was shootin' and singin' serenely as if 'e enjoyed the same.
And there in the 'eat of the battle, as the 'ordes of demons attacked,
He dipped down into 'is tunic, and 'e 'anded me out a tract.
Then a star-shell flared, and I read it: Oh, Flee From the Wrath to Come!
Nice cheerful subject, I tell yer, when you're 'earin' the bullets 'um.
And before I 'ad time to thank 'im, just one of them bits of lead
Comes slingin' along in a 'urry, and it 'its my partner. . . . Dead?
No, siree! not by a long sight! For it plugged 'im 'ard on the chest,
Just where 'e'd tracts for a army corps stowed away in 'is vest.
On its mission of death that bullet 'ustled along, and it caved
A 'ole in them tracts to 'is 'ide, boys -- but the life o' me pal was saved.
And there as 'e showed me in triumph, and 'orror was chokin' me breath,
On came another bullet on its 'orrible mission of death;
On through the night it cavorted, seekin' its 'aven of rest,
And it zipped through a crack in the sandbags, and it wolloped me bang on the breast.
Was I killed, do you ask? Oh no, boys. Why am I sittin' 'ere
Gazin' with mournful vision at a mug long empty of beer?
With a throat as dry as a -- oh, thanky! I don't much mind if I do.
Beer with a dash of 'ollands, that's my particular brew.
Yes, that was a terrible moment. It 'ammered me 'ard o'er the 'eart;
It bowled me down like a nine-pin, and I looked for the gore to start;
And I saw in the flash of a moment, in that thunder of hate and strife,
Me wretched past like a pitchur -- the sins of a gambler's life.
For I 'ad no tracts to save me, to thwart that mad missile's doom;
I 'ad no pious pamphlets to 'elp me to cheat the tomb;
I 'ad no 'oly leaflets to baffle a bullet's aim;
I'd only -- a deck of cards, boys, but . . . it seemed to do just the same.
|
by
Robert Browning
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare,
If at his council I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed: neither pride
Nor hope rekindling at the end descried,
So much as gladness that some end might be.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring, -
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bid the other go, draw breath
Freelier outside, ('since all is o'er,' he saith,
'And the blow fallen no grieving can amend';)
While some discuss if near the other graves
Be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves:
And still the man hears all, and only craves
He may not shame such tender love and stay.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' - to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
So, quiet as despair, I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
For mark! no sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backward a last view
O'er the safe road, 'twas gone; grey plain all round:
Nothing but plain to the horizon's bound.
I might go on; naught else remained to do.
So, on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind, with none to awe,
You'd think: a burr had been a treasure-trove.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
'It nothing skills: I cannot help my case:
'Tis the Last Judgement's fire must cure this place,
Calcine its clods and set my prisoners free.'
If there pushed any ragged thistle-stalk
Above its mates, the head was chopped; the bents
Were jealous else. What made those holes and rents
In the dock's harsh swarth leaves, bruised as to balk
All hope of greeness? 'tis a brute must walk
Pushing their life out, with a brute's intents.
As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupefied, however he came there:
Thrust out past service from the devil's stud!
Alive? he might be dead for aught I know,
With that red gaunt and colloped neck a-strain,
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.
I shut my eyes and turned them on my heart.
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards - this soldier's art:
One taste of the old time sets all to rights.
Not it! I fancied Cuthbert's reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm in mine to fix me to the place,
That way he used. Alas, one night's disgrace!
Out went my heart's new fire and left it cold.
Giles then, the soul of honour - there he stands
Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman-hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!
Better this present than a past like that;
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.
A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend's glowing hoof - to see the wrath
Of its black eddy bespate with flakes and spumes.
So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of mute despair, a suicidal throng:
The river which had done them all the wrong,
Whate'er that was, rolled by, deterred no whit.
Which, while I forded, - good saints, how I feared
To set my foot upon a dead man's cheek,
Each step, or feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
- It may have been a water-rat I speared,
But, ugh! it sounded like a baby's shriek.
Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
Soil to a plash? Toads in a poisoned tank,
Or wild cats in a red-hot iron cage -
The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose?
No foot-print leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? with all the air
Of Tophet's tool, on earth left unaware,
Or brought to sharpen its rusty teeth of steel.
Then came a bit of stubbed ground, once a wood,
Next a marsh, it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand and stark black dearth.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom-friend,
Sailed past, not beat his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
For, looking up, aware I somehow grew,
'Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me, - solve it, you!
How to get from then was no clearer case.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, the,
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den!
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left, a tall scalped mountain...Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
Not see? because of night perhaps? - why, day
Came back again for that! before it left,
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
'Now stab and end the creature - to the heft!'
Not hear? when noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers my peers, -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
There they stood, ranged along the hill-sides, met
To view the last of me, a living frame
For one more picture! in a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.'
|
by
Robert Browning
Si credere dignum est.--Virgil, Georgics, III, 390
Oh, worthy of belief I hold it was,
Virgil, your legend in those strange three lines!
No question, that adventure came to pass
One black night in Arcadia: yes, the pines,
Mountains and valleys mingling made one mass
Of black with void black heaven: the earth's confines,
The sky's embrace,--below, above, around,
All hardened into black without a bound.
Fill up a swart stone chalice to the brim
With fresh-squeezed yet fast-thickening poppy-juice:
See how the sluggish jelly, late a-swim,
Turns marble to the touch of who would loose
The solid smooth, grown jet from rim to rim,
By turning round the bowl! So night can fuse
Earth with her all-comprising sky. No less,
Light, the least spark, shows air and emptiness.
And thus it proved when--diving into space,
Stript of all vapor, from each web of mist,
Utterly film-free--entered on her race
The naked Moon, full-orbed antagonist
Of night and dark, night's dowry: peak to base,
Upstarted mountains, and each valley, kissed
To sudden life, lay silver-bright: in air
Flew she revealed, Maid-Moon with limbs all bare.
Still as she fled, each depth,--where refuge seemed--
Opening a lone pale chamber, left distinct
Those limbs: mid still-retreating blue, she teemed
Herself with whiteness,--virginal, uncinct
By any halo save what finely gleamed
To outline not disguise her: heavenwas linked
In one accord with earth to quaff the joy,
Drain beauty to the dregs without alloy.
Whereof she grew aware. What help? When, lo,
A succorable cloud with sleep lay dense:
Some pinetree-top had caught it sailing slow,
And tethered for a prize: in evidence
Captive lay fleece on fleece of piled-up snow
Drowsily patient: flake-heaped how or whence,
The structure of that succorable cloud,
What matter? Shamed she plunged into its shroud.
Orbed--so the woman-figure poets call
Because of rounds on rounds--that apple-shaped
Head which its hair binds close into a ball
Each side the curving ears--that pure undraped
Pout of the sister paps--that . . . once for all,
Say--her consummate circle thus escaped
With its innumerous circlets, sank absorbed,
Safe in the cloud--O naked Moon full-orbed!
But what means this? The downy swathes combine,
Conglobe, the smothery coy-caressing stuff
Curdles about her! Vain each twist and twine
Those lithe limbs try, encroached on by a fluff
Fitting as close as fits the dented spine
Its flexible ivory outside-flesh: enough!
The plumy drifts contract, condense, constringe,
Till she is swallowed by the feathery springe.
As when a pearl slips lost in the thin foam
Churned on a sea-shore, and, o'er-frothed, conceits
Herself safe-housed in Amphitrite's dome,--
If, through the bladdery wave-worked yeast, she meets
What most she loathes and leaps from,--elf from gnome
No gladlier,--finds that safest of retreats
Bubble about a treacherous hand wide ope
To grasp her--(divers who pick pearls so grope)--
So lay this Maid-Moon clasped around and caught
By rough red Pan, the god of all that tract:
He it was schemed the snare thus subtly wrought
With simulated earth-breath,--wool-tufts packed
Into a billowy wrappage. Sheep far-sought
For spotless shearings yield such: take the fact
As learned Virgil gives it,--how the breed
Whitens itself forever: yes, indeed!
If one forefather ram, though pure as chalk
From tinge on fleece, should still display a tongue
Black 'neath the beast's moist palate, prompt men balk
The propagating plague: he gets no young:
They rather slay him,--sell his hide to calk
Ships with, first steeped with pitch,--nor hands are wrung
In sorrow for his fate: protected thus,
The purity we loved is gained for us. So did girl-Moon, by just her attribute
Of unmatched modesty betrayed, lie trapped,
Bruised to the breast of Pan, half god half brute,
Raked by his bristly boar-sward while he lapped
--Never say, kissed her! that were to pollute
Love's language--which moreover proves unapt
To tell how she recoiled--as who finds thorns
Where she sought flowers--when, feeling, she touched--horns!
Then--does the legend say?--first moon-eclipse
Happened, first swooning-fit which puzzled sore
The early sages? Is that why she dips
Into the dark, a minute and no more,
Only so long as serves her while she rips
The cloud's womb through and, faultless as before,
Pursues her way? No lesson for a maid
Left she, a maid herself thus trapped, betrayed?
Ha, Virgil? Tell the rest, you! "To the deep
Of his domain the wildwood, Pan forthwith
Called her, and so she followed"--in her sleep,
Surely?--"by no means spurning him." The myth
Explain who may! Let all else go, I keep
--As of a ruin just a monolith--
Thus much, one verse of five words, each a boon:
Arcadia, night, a cloud, Pan, and the moon.
|
by
Matthew Arnold
A wanderer is man from his birth.
He was born in a ship
On the breast of the river of Time;
Brimming with wonder and joy
He spreads out his arms to the light,
Rivets his gaze on the banks of the stream.
As what he sees is, so have his thoughts been.
Whether he wakes,
Where the snowy mountainous pass,
Echoing the screams of the eagles,
Hems in its gorges the bed
Of the new-born clear-flowing stream;
Whether he first sees light
Where the river in gleaming rings
Sluggishly winds through the plain;
Whether in sound of the swallowing sea—
As is the world on the banks,
So is the mind of the man.
Vainly does each, as he glides,
Fable and dream
Of the lands which the river of Time
Had left ere he woke on its breast,
Or shall reach when his eyes have been closed.
Only the tract where he sails
He wots of; only the thoughts,
Raised by the objects he passes, are his.
Who can see the green earth any more
As she was by the sources of Time?
Who imagines her fields as they lay
In the sunshine, unworn by the plough?
Who thinks as they thought,
The tribes who then roamed on her breast,
Her vigorous, primitive sons?
What girl
Now reads in her bosom as clear
As Rebekah read, when she sate
At eve by the palm-shaded well?
Who guards in her breast
As deep, as pellucid a spring
Of feeling, as tranquil, as sure?
What bard,
At the height of his vision, can deem
Of God, of the world, of the soul,
With a plainness as near,
As flashing as Moses felt
When he lay in the night by his flock
On the starlit Arabian waste?
Can rise and obey
The beck of the Spirit like him?
This tract which the river of Time
Now flows through with us, is the plain.
Gone is the calm of its earlier shore.
Bordered by cities and hoarse
With a thousand cries is its stream.
And we on its breast, our minds
Are confused as the cries which we hear,
Changing and shot as the sights which we see.
And we say that repose has fled
For ever the course of the river of Time.
That cities will crowd to its edge
In a blacker, incessanter line;
That the din will be more on its banks,
Denser the trade on its stream,
Flatter the plain where it flows,
Fiercer the sun overhead;
That never will those on its breast
See an ennobling sight,
Drink of the feeling of quiet again.
But what was before us we know not,
And we know not what shall succeed.
Haply, the river of Time—
As it grows, as the towns on its marge
Fling their wavering lights
On a wider, statlier stream—
May acquire, if not the calm
Of its early mountainous shore,
Yet a solemn peace of its own.
And the width of the waters, the hush
Of the grey expanse where he floats,
Freshening its current and spotted with foam
As it draws to the Ocean, amy strike
Peace to the soul of the man on its breast—
As the pale waste widens around him,
As the banks fade dimmer away,
As the stars come out, and the night-wind
Brings up the stream
Murmurs and scents of the infinite sea.
|
by
Sylvia Plath
From my rented attic with no earth
To call my own except the air-motes,
I malign the leaden perspective
Of identical gray brick houses,
Orange roof-tiles, orange chimney pots,
And see that first house, as if between
Mirrors, engendering a spectral
Corridor of inane replicas,
Flimsily peopled.
But landowners
Own thier cabbage roots, a space of stars,
Indigenous peace. Such substance makes
My eyeful of reflections a ghost's
Eyeful, which, envious,would define
Death as striking root on one land-tract;
Life, its own vaporous wayfarings.
|
by
Matthew Arnold
Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.
The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.
Swift rush the spectral vapours white
Past limestone scars with ragged pines,
Showing--then blotting from our sight!--
Halt--through the cloud-drift something shines!
High in the valley, wet and drear,
The huts of Courrerie appear.
Strike leftward! cries our guide; and higher
Mounts up the stony forest-way.
At last the encircling trees retire;
Look! through the showery twilight grey
What pointed roofs are these advance?--
A palace of the Kings of France?
Approach, for what we seek is here!
Alight, and sparely sup, and wait
For rest in this outbuilding near;
Then cross the sward and reach that gate.
Knock; pass the wicket! Thou art come
To the Carthusians' world-famed home.
The silent courts, where night and day
Into their stone-carved basins cold
The splashing icy fountains play--
The humid corridors behold!
Where, ghostlike in the deepening night,
Cowl'd forms brush by in gleaming white.
The chapel, where no organ's peal
Invests the stern and naked prayer--
With penitential cries they kneel
And wrestle; rising then, with bare
And white uplifted faces stand,
Passing the Host from hand to hand;
Each takes, and then his visage wan
Is buried in his cowl once more.
The cells!--the suffering Son of Man
Upon the wall--the knee-worn floor--
And where they sleep, that wooden bed,
Which shall their coffin be, when dead!
The library, where tract and tome
Not to feed priestly pride are there,
To hymn the conquering march of Rome,
Nor yet to amuse, as ours are!
They paint of souls the inner strife,
Their drops of blood, their death in life.
The garden, overgrown--yet mild,
See, fragrant herbs are flowering there!
Strong children of the Alpine wild
Whose culture is the brethren's care;
Of human tasks their only one,
And cheerful works beneath the sun.
Those halls, too, destined to contain
Each its own pilgrim-host of old,
From England, Germany, or Spain--
All are before me! I behold
The House, the Brotherhood austere!
--And what am I, that I am here?
For rigorous teachers seized my youth,
And purged its faith, and trimm'd its fire,
Show'd me the high, white star of Truth,
There bade me gaze, and there aspire.
Even now their whispers pierce the gloom:
What dost thou in this living tomb?
Forgive me, masters of the mind!
At whose behest I long ago
So much unlearnt, so much resign'd--
I come not here to be your foe!
I seek these anchorites, not in ruth,
To curse and to deny your truth;
Not as their friend, or child, I speak!
But as, on some far northern strand,
Thinking of his own Gods, a Greek
In pity and mournful awe might stand
Before some fallen Runic stone--
For both were faiths, and both are gone.
Wandering between two worlds, one dead,
The other powerless to be born,
With nowhere yet to rest my head,
Like these, on earth I wait forlorn.
Their faith, my tears, the world deride--
I come to shed them at their side.
Oh, hide me in your gloom profound,
Ye solemn seats of holy pain!
Take me, cowl'd forms, and fence me round,
Till I possess my soul again;
Till free my thoughts before me roll,
Not chafed by hourly false control!
For the world cries your faith is now
But a dead time's exploded dream;
My melancholy, sciolists say,
Is a pass'd mode, an outworn theme--
As if the world had ever had
A faith, or sciolists been sad!
Ah, if it be pass'd, take away,
At least, the restlessness, the pain;
Be man henceforth no more a prey
To these out-dated stings again!
The nobleness of grief is gone
Ah, leave us not the fret alone!
But--if you cannot give us ease--
Last of the race of them who grieve
Here leave us to die out with these
Last of the people who believe!
Silent, while years engrave the brow;
Silent--the best are silent now.
Achilles ponders in his tent,
The kings of modern thought are dumb,
Silent they are though not content,
And wait to see the future come.
They have the grief men had of yore,
But they contend and cry no more.
Our fathers water'd with their tears
This sea of time whereon we sail,
Their voices were in all men's ears
We pass'd within their puissant hail.
Still the same ocean round us raves,
But we stand mute, and watch the waves.
For what avail'd it, all the noise
And outcry of the former men?--
Say, have their sons achieved more joys,
Say, is life lighter now than then?
The sufferers died, they left their pain--
The pangs which tortured them remain.
What helps it now, that Byron bore,
With haughty scorn which mock'd the smart,
Through Europe to the ?tolian shore
The pageant of his bleeding heart?
That thousands counted every groan,
And Europe made his woe her own?
What boots it, Shelley! that the breeze
Carried thy lovely wail away,
Musical through Italian trees
Which fringe thy soft blue Spezzian bay?
Inheritors of thy distress
Have restless hearts one throb the less?
Or are we easier, to have read,
O Obermann! the sad, stern page,
Which tells us how thou hidd'st thy head
From the fierce tempest of thine age
In the lone brakes of Fontainebleau,
Or chalets near the Alpine snow?
Ye slumber in your silent grave!--
The world, which for an idle day
Grace to your mood of sadness gave,
Long since hath flung her weeds away.
The eternal trifler breaks your spell;
But we--we learned your lore too well!
Years hence, perhaps, may dawn an age,
More fortunate, alas! than we,
Which without hardness will be sage,
And gay without frivolity.
Sons of the world, oh, speed those years;
But, while we wait, allow our tears!
Allow them! We admire with awe
The exulting thunder of your race;
You give the universe your law,
You triumph over time and space!
Your pride of life, your tireless powers,
We laud them, but they are not ours.
We are like children rear'd in shade
Beneath some old-world abbey wall,
Forgotten in a forest-glade,
And secret from the eyes of all.
Deep, deep the greenwood round them waves,
Their abbey, and its close of graves!
But, where the road runs near the stream,
Oft through the trees they catch a glance
Of passing troops in the sun's beam--
Pennon, and plume, and flashing lance!
Forth to the world those soldiers fare,
To life, to cities, and to war!
And through the wood, another way,
Faint bugle-notes from far are borne,
Where hunters gather, staghounds bay,
Round some fair forest-lodge at morn.
Gay dames are there, in sylvan green;
Laughter and cries--those notes between!
The banners flashing through the trees
Make their blood dance and chain their eyes;
That bugle-music on the breeze
Arrests them with a charm'd surprise.
Banner by turns and bugle woo:
Ye shy recluses, follow too!
O children, what do ye reply?--
'Action and pleasure, will ye roam
Through these secluded dells to cry
And call us?--but too late ye come!
Too late for us your call ye blow,
Whose bent was taken long ago.
'Long since we pace this shadow'd nave;
We watch those yellow tapers shine,
Emblems of hope over the grave,
In the high altar's depth divine;
The organ carries to our ear
Its accents of another sphere.
'Fenced early in this cloistral round
Of reverie, of shade, of prayer,
How should we grow in other ground?
How can we flower in foreign air?
--Pass, banners, pass, and bugles, cease;
And leave our desert to its peace!'
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by
Rainer Maria Rilke
Dedication
These to His Memory--since he held them dear,
Perchance as finding there unconsciously
Some image of himself--I dedicate,
I dedicate, I consecrate with tears--
These Idylls.
And indeed He seems to me
Scarce other than my king's ideal knight,
`Who reverenced his conscience as his king;
Whose glory was, redressing human wrong;
Who spake no slander, no, nor listened to it;
Who loved one only and who clave to her--'
Her--over all whose realms to their last isle,
Commingled with the gloom of imminent war,
The shadow of His loss drew like eclipse,
Darkening the world. We have lost him: he is gone:
We know him now: all narrow jealousies
Are silent; and we see him as he moved,
How modest, kindly, all-accomplished, wise,
With what sublime repression of himself,
And in what limits, and how tenderly;
Not swaying to this faction or to that;
Not making his high place the lawless perch
Of winged ambitions, nor a vantage-ground
For pleasure; but through all this tract of years
Wearing the white flower of a blameless life,
Before a thousand peering littlenesses,
In that fierce light which beats upon a throne,
And blackens every blot: for where is he,
Who dares foreshadow for an only son
A lovelier life, a more unstained, than his?
Or how should England dreaming of HIS sons
Hope more for these than some inheritance
Of such a life, a heart, a mind as thine,
Thou noble Father of her Kings to be,
Laborious for her people and her poor--
Voice in the rich dawn of an ampler day--
Far-sighted summoner of War and Waste
To fruitful strifes and rivalries of peace--
Sweet nature gilded by the gracious gleam
Of letters, dear to Science, dear to Art,
Dear to thy land and ours, a Prince indeed,
Beyond all titles, and a household name,
Hereafter, through all times, Albert the Good.
Break not, O woman's-heart, but still endure;
Break not, for thou art Royal, but endure,
Remembering all the beauty of that star
Which shone so close beside Thee that ye made
One light together, but has past and leaves
The Crown a lonely splendour.
May all love,
His love, unseen but felt, o'ershadow Thee,
The love of all Thy sons encompass Thee,
The love of all Thy daughters cherish Thee,
The love of all Thy people comfort Thee,
Till God's love set Thee at his side again!
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by
Charles Webb
He's had the chest pains for weeks,
but doctors don't make house
calls to the North Pole,
he's let his Blue Cross lapse,
blood tests make him faint,
hospital gown always flap
open, waiting rooms upset
his stomach, and it's only
indigestion anyway, he thinks,
until, feeding the reindeer,
he feels as if a monster fist
has grabbed his heart and won't
stop squeezing. He can't
breathe, and the beautiful white
world he loves goes black,
and he drops on his jelly belly
in the snow and Mrs. Claus
tears out of the toy factory
wailing, and the elves wring
their little hands, and Rudolph's
nose blinks like a sad ambulance
light, and in a tract house
in Houston, Texas, I'm 8,
telling my mom that stupid
kids at school say Santa's a big
fake, and she sits with me
on our purple-flowered couch,
and takes my hand, tears
in her throat, the terrible
news rising in her eyes.
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by
Robert Browning
Among these latter busts we count by scores,
Half-emperors and quarter-emperors,
Each with his bay-leaf fillet, loose-thonged vest,
Loricand low-browed Gorgon on the breast,---
One loves a baby face, with violets there,
Violets instead of laurel in the hair,
As those were all the little locks could bear.
Now read here. ``Protus ends a period
``Of empery beginning with a god;
``Born in the porphyry chamber at Byzant,
``Queens by his cradle, proud and ministrant:
``And if he quickened breath there, 'twould like fire
``Pantingly through the dim vast realm transpire.
``A fame that he was missing spread afar:
``The world from its four corners, rose in war,
``Till he was borne out on a balcony
``To pacify the world when it should see.
``The captains ranged before him, one, his hand
``Made baby points at, gained the chief command.
``And day by day more beautiful he grew
``In shape, all said, in feature and in hue,
``While young Greek sculptors, gazing on the child,
``Because with old Greek sculptore reconciled.
``Already sages laboured to condense
``In easy tomes a life's experience:
``And artists took grave counsel to impart
``In one breath and one hand-sweep, all their art---
``To make his graces prompt as blossoming
``Of plentifully-watered palms in spring:
``Since well beseems it, whoso mounts the throne,
``For beauty, knowledge, strength, should stand alone,
``And mortals love the letters of his name.''
---Stop! Have you turned two pages? Still the same.
New reign, same date. The scribe goes on to say
How that same year, on such a month and day,
``John the Pannonian, groundedly believed
``A Blacksmith's bastard, whose hard hand reprieved
``The Empire from its fate the year before,---
``Came, had a mind to take the crown, and wore
``The same for six years (during which the Huns
``Kept off their fingers from us), till his sons
``Put something in his liquor''---and so forth.
Then a new reign. Stay---``Take at its just worth''
(Subjoins an annotator) ``what I give
``As hearsay. Some think, John let Protus live
``And slip away. 'Tis said, he reached man's age
``At some blind northern court; made, first a page,
``Then tutor to the children; last, of use
``About the hunting-stables. I deduce
``He wrote the little tract `On worming dogs,'
``Whereof the name in sundry catalogues
``Is extant yet. A Protus of the race
``Is rumoured to have died a monk in Thrace,---
``And if the same, he reached senility.''
Here's John the Smith's rough-hammered head. Great eye,
Gross jaw and griped lips do what granite can
To give you the crown-grasper. What a man!
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