10 Best Famous Tapes Poems

Here is a collection of the top 10 all-time best famous Tapes poems. This is a select list of the best famous Tapes poetry. Reading, writing, and enjoying famous Tapes poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tapes poems.

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Written by Robert Frost | Create an image from this poem

Our Singing Strength

 It snowed in spring on earth so dry and warm
The flakes could find no landing place to form.
Hordes spent themselves to make it wet and cold,
And still they failed of any lasting hold.
They made no white impression on the black.
They disappeared as if earth sent them back.
Not till from separate flakes they changed at night
To almost strips and tapes of ragged white
Did grass and garden ground confess it snowed,
And all go back to winter but the road.
Next day the scene was piled and puffed and dead.
The grass lay flattened under one great tread.
Borne down until the end almost took root,
The rangey bough anticipated fruit
With snowball cupped in every opening bud.
The road alone maintained itself in mud,
Whatever its secret was of greater heat
From inward fires or brush of passing feet.

In spring more mortal singers than belong
To any one place cover us with song.
Thrush, bluebird, blackbird, sparrow, and robin throng;
Some to go further north to Hudson's Bay,
Some that have come too far north back away,
Really a very few to build and stay.
Now was seen how these liked belated snow.
the field had nowhere left for them to go;
They'd soon exhausted all there was in flying;
The trees they'd had enough of with once trying
And setting off their heavy powder load.
They could find nothing open but the road.
Sot there they let their lives be narrowed in
By thousands the bad weather made akin.
The road became a channel running flocks
Of glossy birds like ripples over rocks.
I drove them under foot in bits of flight
That kept the ground. almost disputing right
Of way with me from apathy of wing,
A talking twitter all they had to sing.
A few I must have driven to despair
Made quick asides, but having done in air
A whir among white branches great and small
As in some too much carven marble hall
Where one false wing beat would have brought down all,
Came tamely back in front of me, the Drover,
To suffer the same driven nightmare over.
One such storm in a lifetime couldn't teach them
That back behind pursuit it couldn't reach them;
None flew behind me to be left alone.

Well, something for a snowstorm to have shown
The country's singing strength thus brought together,
the thought repressed and moody with the weather
Was none the less there ready to be freed
And sing the wildflowers up from root and seed.

Written by Henry Lawson | Create an image from this poem

Here Died

 There's many a schoolboy's bat and ball that are gathering dust at home, 
For he hears a voice in the future call, and he trains for the war to come; 
A serious light in his eyes is seen as he comes from the schoolhouse gate; 
He keeps his kit and his rifle clean, and he sees that his back is straight. 

But straight or crooked, or round, or lame – you may let these words take root; 
As the time draws near for the sterner game, all boys should learn to shoot, 
From the beardless youth to the grim grey-beard, let Australians ne'er forget, 
A lame limb never interfered with a brave man's shooting yet. 

Over and over and over again, to you and our friends and me, 
The warning of danger has sounded plain – like the thud of a gun at sea. 
The rich man turns to his wine once more, and the gay to their worldly joys, 
The "statesman" laughs at a hint of war – but something has told the boys. 

The schoolboy scouts of the White Man's Land are out on the hills to-day; 
They trace the tracks from the sea-beach sand and sea-cliffs grim and grey; 
They take the range for a likely shot by every cape and head, 
And they spy the lay of each lonely spot where an enemy's foot might tread. 

In the cooling breeze of the coastal streams, or out where the townships bake, 
They march in fancy, and fight in dreams, and die for Australia's sake. 
They hold the fort till relief arrives, when the landing parties storm, 
And they take the pride of their fresh young lives in the set of a uniform. 

Where never a loaded shell was hurled, nor a rifle fired to kill, 
The schoolboy scouts of the Southern World are choosing their Battery Hill. 
They run the tapes on the flats and fells by roads that the guns might sweep, 
They are fixing in memory obstacles where the firing lines shall creep. 

They read and they study the gunnery - they ask till the meaning's plain, 
But the craft of the scout is a simple thing to the young Australian brain. 
They blaze the track for a forward run, where the scrub is everywhere, 
And they mark positions for every gun and every unit there. 

They trace the track for a quick retreat – and the track for the other way round, 
And they mark the spot in the summer heat where the water is always found. 
They note the chances of cliff and tide, and where they can move, and when, 
And every point where a man might hide in the days when they'll fight as men. 

When silent men with their rifles lie by many a ferny dell; 
And turn their heads when a scout goes by, with a cheery growl "All's well"; 
And scouts shall climb by the fisherman's ways, and watch for a sign of ships, 
With stern eyes fixed on the threatening haze where the blue horizon dips. 

When men shall camp in the dark and damp by the bough-marked battery, 
Between the forts and the open ports where the miners watch the sea; 
And talk perhaps of their boy-scout days, as they sit in their shelters rude, 
While motors race to the distant bays with ammunition and food. 

When the city alight shall wait by night for news from a far-out post, 
And men ride down from the farming town to patrol the lonely coast – 
Till they hear the thud of a distant gun, or the distant rifles crack, 
And Australians spring to their arms as one to drive the invaders back. 

There'll be no music or martial noise, save the guns to help you through, 
For a plain and shirt-sleeve job, my boys, is the job that we'll have to do. 
And many of those who had learned to shoot – and in learning learned to teach – 
To the last three men, and the last galoot, shall die on some lonely beach. 

But they'll waste their breath in no empty boast, and they'll prove to the world their worth, 
When the shearers rush to the Eastern Coast, and the miners rush to Perth. 
And the man who fights in a Queenscliff fort, or up by Keppel Bay, 
Will know that his mates at Bunbury are doing their share that day. 

There was never a land so great and wide, where the foreign fathers came, 
That has bred her children so much alike, with their hearts so much the same. 
And sons shall fight by the mangrove creeks that lie on the lone East Coast, 
Who never shall know (or not for weeks) if the rest of Australia's lost. 

And far in the future (I see it well, and born of such days as these), 
There lies an Australia invincible, and mistress of all her seas; 
With monuments standing on hill and head, where her sons shall point with pride 
To the names of Australia's bravest dead, carved under the words "Here died."
Written by Jorie Graham | Create an image from this poem

To A Friend Going Blind

 Today, because I couldn't find the shortcut through,
I had to walk this town's entire inner
perimeter to find
where the medieval walls break open
in an eighteenth century
arch. The yellow valley flickered on and off
through cracks and the gaps
for guns. Bruna is teaching me
to cut a pattern.
Saturdays we buy the cloth.
She takes it in her hands
like a good idea, feeling
for texture, grain, the built-in 
limits. It's only as an afterthought she asks
and do you think it's beautiful?
Her measuring tapes hang down, corn-blond and endless,
from her neck.
When I look at her
I think Rapunzel,
how one could climb that measuring,
that love. But I was saying,
I wandered all along the street that hugs the walls,
a needle floating
on its cloth. Once
I shut my eyes and felt my way
along the stone. Outside
is the cashcrop, sunflowers, as far as one can see. Listen,
the wind rattles in them,
a loose worship
seeking an object,
an interruption. Sara,
the walls are beautiful. They block the view.
And it feels rich to be
inside their grasp.
When Bruna finishes her dress
it is the shape of what has come
to rescue her. She puts it on.
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