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Best Famous Swarthy Poems

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Written by Anne Kingsmill Finch | Create an image from this poem

A Nocturnal Reverie

In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.


Written by Gwendolyn Brooks | Create an image from this poem

The Lovers of the Poor

 arrive.
The Ladies from the Ladies' Betterment League Arrive in the afternoon, the late light slanting In diluted gold bars across the boulevard brag Of proud, seamed faces with mercy and murder hinting Here, there, interrupting, all deep and debonair, The pink paint on the innocence of fear; Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care, Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel! You had better not throw stones upon the wrens! Herein they kiss and coddle and assault Anew and dearly in the innocence With which they baffle nature.
Who are full, Sleek, tender-clad, fit, fiftyish, a-glow, all Sweetly abortive, hinting at fat fruit, Judge it high time that fiftyish fingers felt Beneath the lovelier planes of enterprise.
To resurrect.
To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor.
The very very worthy And beautiful poor.
Perhaps just not too swarthy? Perhaps just not too dirty nor too dim Nor--passionate.
In truth, what they could wish Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze! God shield them sharply from the beggar-bold! The noxious needy ones whose battle's bald Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans, Dead porridges of assorted dusty grains, The old smoke, heavy diapers, and, they're told, Something called chitterlings.
The darkness.
Drawn Darkness, or dirty light.
The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness.
Old Wood.
Old marble.
Old tile.
Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic, There is no quiet drama, no rubbed glaze, no Unkillable infirmity of such A tasteful turn as lately they have left, Glencoe, Lake Forest, and to which their cars Must presently restore them.
When they're done With dullards and distortions of this fistic Patience of the poor and put-upon.
They've never seen such a make-do-ness as Newspaper rugs before! In this, this "flat," Their hostess is gathering up the oozed, the rich Rugs of the morning (tattered! the bespattered .
.
.
), Readies to spread clean rugs for afternoon.
Here is a scene for you.
The Ladies look, In horror, behind a substantial citizeness Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor And tortured thereover, potato peelings, soft- Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put Their money collected from delicate rose-fingers Tipped with their hundred flawless rose-nails seems .
.
.
They own Spode, Lowestoft, candelabra, Mantels, and hostess gowns, and sunburst clocks, Turtle soup, Chippendale, red satin "hangings," Aubussons and Hattie Carnegie.
They Winter In Palm Beach; cross the Water in June; attend, When suitable, the nice Art Institute; Buy the right books in the best bindings; saunter On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre With fissures everywhere! Why, what are bringings Of loathe-love largesse? What shall peril hungers So old old, what shall flatter the desolate? Tin can, blocked fire escape and chitterling And swaggering seeking youth and the puzzled wreckage Of the middle passage, and urine and stale shames And, again, the porridges of the underslung And children children children.
Heavens! That Was a rat, surely, off there, in the shadows? Long And long-tailed? Gray? The Ladies from the Ladies' Betterment League agree it will be better To achieve the outer air that rights and steadies, To hie to a house that does not holler, to ring Bells elsetime, better presently to cater To no more Possibilities, to get Away.
Perhaps the money can be posted.
Perhaps they two may choose another Slum! Some serious sooty half-unhappy home!-- Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center Of the hall as they walk down the hysterical hall, They allow their lovely skirts to graze no wall, Are off at what they manage of a canter, And, resuming all the clues of what they were, Try to avoid inhaling the laden air.
Written by Alfred Lord Tennyson | Create an image from this poem

The Talking Oak

 Once more the gate behind me falls; 
Once more before my face 
I see the moulder'd Abbey-walls, 
That stand within the chace.
Beyond the lodge the city lies, Beneath its drift of smoke; And ah! with what delighted eyes I turn to yonder oak.
For when my passion first began, Ere that, which in me burn'd, The love, that makes me thrice a man, Could hope itself return'd; To yonder oak within the field I spoke without restraint, And with a larger faith appeal'd Than Papist unto Saint.
For oft I talk'd with him apart And told him of my choice, Until he plagiarized a heart, And answer'd with a voice.
Tho' what he whisper'd under Heaven None else could understand; I found him garrulously given, A babbler in the land.
But since I heard him make reply Is many a weary hour; 'Twere well to question him, and try If yet he keeps the power.
Hail, hidden to the knees in fern, Broad Oak of Sumner-chace, Whose topmost branches can discern The roofs of Sumner-place! Say thou, whereon I carved her name, If ever maid or spouse, As fair as my Olivia, came To rest beneath thy boughs.
--- "O Walter, I have shelter'd here Whatever maiden grace The good old Summers, year by year Made ripe in Sumner-chace: "Old Summers, when the monk was fat, And, issuing shorn and sleek, Would twist his girdle tight, and pat The girls upon the cheek, "Ere yet, in scorn of Peter's-pence, And number'd bead, and shrift, Bluff Harry broke into the spence And turn'd the cowls adrift: "And I have seen some score of those Fresh faces that would thrive When his man-minded offset rose To chase the deer at five; "And all that from the town would stroll, Till that wild wind made work In which the gloomy brewer's soul Went by me, like a stork: "The slight she-slips of royal blood, And others, passing praise, Straight-laced, but all-too-full in bud For puritanic stays: "And I have shadow'd many a group Of beauties, that were born In teacup-times of hood and hoop, Or while the patch was worn; "And, leg and arm with love-knots gay About me leap'd and laugh'd The modish Cupid of the day, And shrill'd his tinsel shaft.
"I swear (and else may insects prick Each leaf into a gall) This girl, for whom your heart is sick, Is three times worth them all.
"For those and theirs, by Nature's law, Have faded long ago; But in these latter springs I saw Your own Olivia blow, "From when she gamboll'd on the greens A baby-germ, to when The maiden blossoms of her teens Could number five from ten.
"I swear, by leaf, and wind, and rain, (And hear me with thine ears,) That, tho' I circle in the grain Five hundred rings of years--- "Yet, since I first could cast a shade, Did never creature pass So slightly, musically made, So light upon the grass: "For as to fairies, that will flit To make the greensward fresh, I hold them exquisitely knit, But far too spare of flesh.
" Oh, hide thy knotted knees in fern, And overlook the chace; And from thy topmost branch discern The roofs of Sumner-place.
But thou, whereon I carved her name, That oft hast heard my vows, Declare when last Olivia came To sport beneath thy boughs.
"O yesterday, you know, the fair Was holden at the town; Her father left his good arm-chair, And rode his hunter down.
"And with him Albert came on his.
I look'd at him with joy: As cowslip unto oxlip is, So seems she to the boy.
"An hour had past---and, sitting straight Within the low-wheel'd chaise, Her mother trundled to the gate Behind the dappled grays.
"But as for her, she stay'd at home, And on the roof she went, And down the way you use to come, She look'd with discontent.
"She left the novel half-uncut Upon the rosewood shelf; She left the new piano shut: She could not please herseif "Then ran she, gamesome as the colt, And livelier than a lark She sent her voice thro' all the holt Before her, and the park.
"A light wind chased her on the wing, And in the chase grew wild, As close as might be would he cling About the darling child: "But light as any wind that blows So fleetly did she stir, The flower, she touch'd on, dipt and rose, And turn'd to look at her.
"And here she came, and round me play'd, And sang to me the whole Of those three stanzas that you made About my Ôgiant bole;' "And in a fit of frolic mirth She strove to span my waist: Alas, I was so broad of girth, I could not be embraced.
"I wish'd myself the fair young beech That here beside me stands, That round me, clasping each in each, She might have lock'd her hands.
"Yet seem'd the pressure thrice as sweet As woodbine's fragile hold, Or when I feel about my feet The berried briony fold.
" O muffle round thy knees with fern, And shadow Sumner-chace! Long may thy topmost branch discern The roofs of Sumner-place! But tell me, did she read the name I carved with many vows When last with throbbing heart I came To rest beneath thy boughs? "O yes, she wander'd round and round These knotted knees of mine, And found, and kiss'd the name she found, And sweetly murmur'd thine.
"A teardrop trembled from its source, And down my surface crept.
My sense of touch is something coarse, But I believe she wept.
"Then flush'd her cheek with rosy light, She glanced across the plain; But not a creature was in sight: She kiss'd me once again.
"Her kisses were so close and kind, That, trust me on my word, Hard wood I am, and wrinkled rind, But yet my sap was stirr'd: "And even into my inmost ring A pleasure I discern'd, Like those blind motions of the Spring, That show the year is turn'd.
"Thrice-happy he that may caress The ringlet's waving balm--- The cushions of whose touch may press The maiden's tender palm.
"I, rooted here among the groves But languidly adjust My vapid vegetable loves With anthers and with dust: "For ah! my friend, the days were brief Whereof the poets talk, When that, which breathes within the leaf, Could slip its bark and walk.
"But could I, as in times foregone, From spray, and branch, and stem, Have suck'd and gather'd into one The life that spreads in them, "She had not found me so remiss; But lightly issuing thro', I would have paid her kiss for kiss, With usury thereto.
" O flourish high, with leafy towers, And overlook the lea, Pursue thy loves among the bowers But leave thou mine to me.
O flourish, hidden deep in fern, Old oak, I love thee well; A thousand thanks for what I learn And what remains to tell.
" ÔTis little more: the day was warm; At last, tired out with play, She sank her head upon her arm And at my feet she lay.
"Her eyelids dropp'd their silken eaves I breathed upon her eyes Thro' all the summer of my leaves A welcome mix'd with sighs.
"I took the swarming sound of life--- The music from the town--- The murmurs of the drum and fife And lull'd them in my own.
"Sometimes I let a sunbeam slip, To light her shaded eye; A second flutter'd round her lip Like a golden butterfly; "A third would glimmer on her neck To make the necklace shine; Another slid, a sunny fleck, From head to ankle fine, "Then close and dark my arms I spread, And shadow'd all her rest--- Dropt dews upon her golden head, An acorn in her breast.
"But in a pet she started up, And pluck'd it out, and drew My little oakling from the cup, And flung him in the dew.
"And yet it was a graceful gift--- I felt a pang within As when I see the woodman lift His axe to slay my kin.
"I shook him down because he was The finest on the tree.
He lies beside thee on the grass.
O kiss him once for me.
"O kiss him twice and thrice for me, That have no lips to kiss, For never yet was oak on lea Shall grow so fair as this.
' Step deeper yet in herb and fern, Look further thro' the chace, Spread upward till thy boughs discern The front of Sumner-place.
This fruit of thine by Love is blest, That but a moment lay Where fairer fruit of Love may rest Some happy future day.
I kiss it twice, I kiss it thrice, The warmth it thence shall win To riper life may magnetise The baby-oak within.
But thou, while kingdoms overset, Or lapse from hand to hand, Thy leaf shall never fail, nor yet Thine acorn in the land.
May never saw dismember thee, Nor wielded axe disjoint, That art the fairest-spoken tree From here to Lizard-point.
O rock upon thy towery-top All throats that gurgle sweet! All starry culmination drop Balm-dews to bathe thy feet! All grass of silky feather grow--- And while he sinks or swells The full south-breeze around thee blow The sound of minster bells.
The fat earth feed thy branchy root, That under deeply strikes! The northern morning o'er thee shoot, High up, in silver spikes! Nor ever lightning char thy grain, But, rolling as in sleep, Low thunders bring the mellow rain, That makes thee broad and deep! And hear me swear a solemn oath, That only by thy side Will I to Olive plight my troth, And gain her for my bride.
And when my marriage morn may fall, She, Dryad-like, shall wear Alternate leaf and acorn-ball In wreath about her hair.
And I will work in prose and rhyme, And praise thee more in both Than bard has honour'd beech or lime, Or that Thessalian growth, In which the swarthy ringdove sat, And mystic sentence spoke; And more than England honours that, Thy famous brother-oak, Wherein the younger Charles abode Till all the paths were dim, And far below the Roundhead rode, And humm'd a surly hymn.
Written by Edgar Allan Poe | Create an image from this poem

The Coliseum

 Type of the antique Rome! Rich reliquary 
Of lofty contemplation left to Time 
By buried centuries of pomp and power! 
At length- at length- after so many days 
Of weary pilgrimage and burning thirst, 
(Thirst for the springs of lore that in thee lie,) 
I kneel, an altered and an humble man, 
Amid thy shadows, and so drink within 
My very soul thy grandeur, gloom, and glory! 
Vastness! and Age! and Memories of Eld! 
Silence! and Desolation! and dim Night! 
I feel ye now- I feel ye in your strength- 
O spells more sure than e'er Judaean king 
Taught in the gardens of Gethsemane! 
O charms more potent than the rapt Chaldee 
Ever drew down from out the quiet stars! 

Here, where a hero fell, a column falls! 
Here, where the mimic eagle glared in gold, 
A midnight vigil holds the swarthy bat! 
Here, where the dames of Rome their gilded hair 
Waved to the wind, now wave the reed and thistle! 
Here, where on golden throne the monarch lolled, 
Glides, spectre-like, unto his marble home, 
Lit by the wan light of the horned moon, 
The swift and silent lizard of the stones! 

But stay! these walls- these ivy-clad arcades- 
These moldering plinths- these sad and blackened shafts- 
These vague entablatures- this crumbling frieze- 
These shattered cornices- this wreck- this ruin- 
These stones- alas! these grey stones- are they all- 
All of the famed, and the colossal left 
By the corrosive Hours to Fate and me? 

"Not all"- the Echoes answer me- "not all! 
Prophetic sounds and loud, arise forever 
From us, and from all Ruin, unto the wise, 
As melody from Memnon to the Sun.
We rule the hearts of mightiest men- we rule With a despotic sway all giant minds.
We are not impotent- we pallid stones.
Not all our power is gone- not all our fame- Not all the magic of our high renown- Not all the wonder that encircles us- Not all the mysteries that in us lie- Not all the memories that hang upon And cling around about us as a garment, Clothing us in a robe of more than glory.
"
Written by Victor Hugo | Create an image from this poem

ANGEL OR DEMON

 ("Tu domines notre âge; ange ou démon, qu'importe!") 
 
 {I. vii.} 


 Angel or demon! thou,—whether of light 
 The minister, or darkness—still dost sway 
 This age of ours; thine eagle's soaring flight 
 Bears us, all breathless, after it away. 
 The eye that from thy presence fain would stray, 
 Shuns thee in vain; thy mighty shadow thrown 
 Rests on all pictures of the living day, 
 And on the threshold of our time alone, 
 Dazzling, yet sombre, stands thy form, Napoleon! 
 
 Thus, when the admiring stranger's steps explore 
 The subject-lands that 'neath Vesuvius be, 
 Whether he wind along the enchanting shore 
 To Portici from fair Parthenope, 
 Or, lingering long in dreamy reverie, 
 O'er loveliest Ischia's od'rous isle he stray, 
 Wooed by whose breath the soft and am'rous sea 
 Seems like some languishing sultana's lay, 
 A voice for very sweets that scarce can win its way. 
 
 Him, whether Paestum's solemn fane detain, 
 Shrouding his soul with meditation's power; 
 Or at Pozzuoli, to the sprightly strain 
 Of tarantella danced 'neath Tuscan tower, 
 Listening, he while away the evening hour; 
 Or wake the echoes, mournful, lone and deep, 
 Of that sad city, in its dreaming bower 
 By the volcano seized, where mansions keep 
 The likeness which they wore at that last fatal sleep; 
 
 Or be his bark at Posillippo laid, 
 While as the swarthy boatman at his side 
 Chants Tasso's lays to Virgil's pleased shade, 
 Ever he sees, throughout that circuit wide, 
 From shaded nook or sunny lawn espied, 
 From rocky headland viewed, or flow'ry shore, 
 From sea, and spreading mead alike descried, 
 The Giant Mount, tow'ring all objects o'er, 
 And black'ning with its breath th' horizon evermore! 
 
 Fraser's Magazine 


 






Written by Alan Seeger | Create an image from this poem

The Torture of Cuauhtemoc

 Their strength had fed on this when Death's white arms 
Came sleeved in vapors and miasmal dew, 
Curling across the jungle's ferny floor, 
Becking each fevered brain.
On bleak divides, Where Sleep grew niggardly for nipping cold That twinged blue lips into a mouthed curse, Not back to Seville and its sunny plains Winged their brief-biding dreams, but once again, Lords of a palace in Tenochtitlan, They guarded Montezuma's treasure-hoard.
Gold, like some finny harvest of the sea, Poured out knee deep around the rifted floors, Shiny and sparkling, -- arms and crowns and rings: Gold, sweet to toy with as beloved hair, -- To plunge the lustful, crawling fingers down, Arms elbow deep, and draw them out again, And watch the glinting metal trickle off, Even as at night some fisherman, home bound With speckled cargo in his hollow keel Caught off Campeche or the Isle of Pines, Dips in his paddle, lifts it forth again, And laughs to see the luminous white drops Fall back in flakes of fire.
.
.
.
Gold was the dream That cheered that desperate enterprise.
And now? .
.
.
Victory waited on the arms of Spain, Fallen was the lovely city by the lake, The sunny Venice of the western world; There many corpses, rotting in the wind, Poked up stiff limbs, but in the leprous rags No jewel caught the sun, no tawny chain Gleamed, as the prying halberds raked them o'er.
Pillage that ran red-handed through the streets Came railing home at evening empty-palmed; And they, on that sad night a twelvemonth gone, Who, ounce by ounce, dear as their own life's blood Retreating, cast the cumbrous load away: They, when brown foemen lopped the bridges down, Who tipped thonged chests into the stream below And over wealth that might have ransomed kings Passed on to safety; -- cheated, guerdonless -- Found (through their fingers the bright booty slipped) A city naked, of that golden dream Shorn in one moment like a sunset sky.
Deep in a chamber that no cheerful ray Purged of damp air, where in unbroken night Black scorpions nested in the sooty beams, Helpless and manacled they led him down -- Cuauhtemotzin -- and other lords beside -- All chieftains of the people, heroes all -- And stripped their feathered robes and bound them there On short stone settles sloping to the head, But where the feet projected, underneath Heaped the red coals.
Their swarthy fronts illumed, The bearded Spaniards, helmed and haubergeoned, Paced up and down beneath the lurid vault.
Some kneeling fanned the glowing braziers; some Stood at the sufferers' heads and all the while Hissed in their ears: "The gold .
.
.
the gold .
.
.
the gold.
Where have ye hidden it -- the chested gold? Speak -- and the torments cease!" They answered not.
Past those proud lips whose key their sovereign claimed No accent fell to chide or to betray, Only it chanced that bound beside the king Lay one whom Nature, more than other men Framing for delicate and perfumed ease, Not yet, along the happy ways of Youth, Had weaned from gentle usages so far To teach that fortitude that warriors feel And glory in the proof.
He answered not, But writhing with intolerable pain, Convulsed in every limb, and all his face Wrought to distortion with the agony, Turned on his lord a look of wild appeal, The secret half atremble on his lips, Livid and quivering, that waited yet For leave -- for leave to utter it -- one sign -- One word -- one little word -- to ease his pain.
As one reclining in the banquet hall, Propped on an elbow, garlanded with flowers, Saw lust and greed and boisterous revelry Surge round him on the tides of wine, but he, Staunch in the ethic of an antique school -- Stoic or Cynic or of Pyrrho's mind -- With steady eyes surveyed the unbridled scene, Himself impassive, silent, self-contained: So sat the Indian prince, with brow unblanched, Amid the tortured and the torturers.
He who had seen his hopes made desolate, His realm despoiled, his early crown deprived him, And watched while Pestilence and Famine piled His stricken people in their reeking doors, Whence glassy eyes looked out and lean brown arms Stretched up to greet him in one last farewell As back and forth he paced along the streets With words of hopeless comfort -- what was this That one should weaken now? He weakened not.
Whate'er was in his heart, he neither dealt In pity nor in scorn, but, turning round, Met that racked visage with his own unmoved, Bent on the sufferer his mild calm eyes, And while the pangs smote sharper, in a voice, As who would speak not all in gentleness Nor all disdain, said: "Yes! And am -I- then Upon a bed of roses?" Stung with shame -- Shame bitterer than his anguish -- to betray Such cowardice before the man he loved, And merit such rebuke, the boy grew calm; And stilled his struggling limbs and moaning cries, And shook away his tears, and strove to smile, And turned his face against the wall -- and died.
Written by Paul Laurence Dunbar | Create an image from this poem

ODE TO ETHIOPIA

O Mother Race! to thee I bring
This pledge of faith unwavering,
This tribute to thy glory.
I know the pangs which thou didst feel,
When Slavery crushed thee with its heel,
With thy dear blood all gory.
Sad days were those—ah, sad indeed!
But through the land the fruitful seed
Of better times was growing.
The plant of freedom upward sprung,
And spread its leaves so fresh and young—
Its blossoms now are blowing.
On every hand in this fair land,
Proud Ethiope's swarthy children stand
Beside their fairer neighbor;
The forests flee before their stroke,
Their hammers ring, their forges smoke,—
They stir in honest labour.
They tread the fields where honour calls;
Their voices sound through senate halls
In majesty and power.
To right they cling; the hymns they sing
Up to the skies in beauty ring,
And bolder grow each hour.
Be proud, my Race, in mind and soul;
Thy name is writ on Glory's scroll
In characters of fire.
High 'mid the clouds of Fame's bright sky
Thy banner's blazoned folds now fly,
And truth shall lift them higher.
Thou hast the right to noble pride,
Whose spotless robes were purified
By blood's severe baptism.
Upon thy brow the cross was laid,[Pg 16]
And labour's painful sweat-beads made
A consecrating chrism.
No other race, or white or black,
When bound as thou wert, to the rack,
So seldom stooped to grieving;
No other race, when free again,
Forgot the past and proved them men
So noble in forgiving.
Go on and up! Our souls and eyes
Shall follow thy continuous rise;
Our ears shall list thy story
From bards who from thy root shall spring,
And proudly tune their lyres to sing
Of Ethiopia's glory.
Written by Amy Levy | Create an image from this poem

Run to Death

 A True Incident of Pre-Revolutionary French History.
Now the lovely autumn morning breathes its freshness in earth's face, In the crowned castle courtyard the blithe horn proclaims the chase; And the ladies on the terrace smile adieux with rosy lips To the huntsmen disappearing down the cedar-shaded groves, Wafting delicate aromas from their scented finger tips, And the gallants wave in answer, with their gold-embroidered gloves.
On they rode, past bush and bramble, on they rode, past elm and oak; And the hounds, with anxious nostril, sniffed the heather-scented air, Till at last, within his stirrups, up Lord Gaston rose, and spoke-- He, the boldest and the bravest of the wealthy nobles there : 'Friends,' quoth he, 'the time hangs heavy, for it is not as we thought, And these woods, tho' fair and shady, will afford, I fear, no sport.
Shall we hence, then, worthy kinsmen, and desert the hunter's track For the chateau, where the wine cup and the dice cup tempt us back?' 'Ay,' the nobles shout in chorus ; 'Ay,' the powder'd lacquey cries; Then they stop with eager movement, reining in quite suddenly; Peering down with half contemptuous, half with wonder-opened eyes At a 'something' which is crawling, with slow step, from tree to tree.
Is't some shadow phantom ghastly ? No, a woman and a child, Swarthy woman, with the 'gipsy' written clear upon her face; Gazing round her with her wide eyes dark, and shadow-fringed, and wild, With the cowed suspicious glances of a persecuted race.
Then they all, with unasked question, in each other's faces peer, For a common thought has struck them, one their lips dare scarcely say,-- Till Lord Gaston cries, impatient, 'Why regret the stately deer When such sport as yonder offers? quick ! unleash the dogs--away!' Then they breath'd a shout of cheering, grey-haired man and stripling boy, And the gipsy, roused to terror, stayed her step, and turned her head-- Saw the faces of those huntsmen, lit with keenest cruel joy-- Sent a cry of grief to Heaven, closer clasped her child, and fled! * * * * * * * O ye nobles of the palace! O ye gallant-hearted lords! Who would stoop for Leila's kerchief, or for Clementina's gloves, Who would rise up all indignant, with your shining sheathless swords, At the breathing of dishonour to your languid lady loves! O, I tell you, daring nobles, with your beauty-loving stare, Who ne'er long the coy coquetting of the courtly dames withstood, Tho' a woman be the lowest, and the basest, and least fair, In your manliness forget not to respect her womanhood, And thou, gipsy, that hast often the pursuer fled before, That hast felt ere this the shadow of dark death upon thy brow, That hast hid among the mountains, that hast roamed the forest o'er, Bred to hiding, watching, fleeing, may thy speed avail thee now! * * * * * * * Still she flees, and ever fiercer tear the hungry hounds behind, Still she flees, and ever faster follow there the huntsmen on, Still she flees, her black hair streaming in a fury to the wind, Still she flees, tho' all the glimmer of a happy hope is gone.
'Eh? what? baffled by a woman! Ah, sapristi! she can run! Should she 'scape us, it would crown us with dishonour and disgrace; It is time' (Lord Gaston shouted) 'such a paltry chase were done!' And the fleeter grew her footsteps, so the hotter grew the chase-- Ha! at last! the dogs are on her! will she struggle ere she dies? See! she holds her child above her, all forgetful of her pain, While a hundred thousand curses shoot out darkly from her eyes, And a hundred thousand glances of the bitterest disdain.
Ha! the dogs are pressing closer! they have flung her to the ground; Yet her proud lips never open with the dying sinner's cry-- Till at last, unto the Heavens, just two fearful shrieks resound, When the soul is all forgotten in the body's agony! Let them rest there, child and mother, in the shadow of the oak, On the tender mother-bosom of that earth from which they came.
As they slow rode back those huntsmen neither laughed, nor sang, nor spoke, Hap, there lurked unowned within them throbbings of a secret shame.
But before the flow'ry terrace, where the ladies smiling sat, With their graceful nothings trifling all the weary time away, Low Lord Gaston bowed, and raising high his richly 'broider'd hat, 'Fairest ladies, give us welcome! 'Twas a famous hunt to-day.
'
Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore From door to door; So many treasures lure The curious mind.
What histories obscure They must immure! I hardly know which room I care for best; This fronting west, With the strange hills in view, Where the great sun goes,—where I may go too, When my lease is through,— Or this one for the morning and the east, Where a man may feast His eyes on looming sails, And be the first to catch their foreign hails Or spy their bales Then the pale summer twilights towards the pole! It thrills my soul With wonder and delight, When gold-green shadows walk the world at night, So still, so bright.
There at the window many a time of year, Strange faces peer, Solemn though not unkind, Their wits in search of something left behind Time out of mind; As if they once had lived here, and stole back To the window crack For a peep which seems to say, "Good fortune, brother, in your house of clay!" And then, "Good day!" I hear their footsteps on the gravel walk, Their scraps of talk, And hurrying after, reach Only the crazy sea-drone of the beach In endless speech.
And often when the autumn noons are still, By swale and hill I see their gipsy signs, Trespassing somewhere on my border lines; With what designs? I forth afoot; but when I reach the place, Hardly a trace, Save the soft purple haze Of smouldering camp-fires, any hint betrays Who went these ways.
Or tatters of pale aster blue, descried By the roadside, Reveal whither they fled; Or the swamp maples, here and there a shred Of Indian red.
But most of all, the marvellous tapestry Engrosses me, Where such strange things are rife, Fancies of beasts and flowers, and love and strife, Woven to the life; Degraded shapes and splendid seraph forms, And teeming swarms Of creatures gauzy dim That cloud the dusk, and painted fish that swim, At the weaver's whim; And wonderful birds that wheel and hang in the air; And beings with hair, And moving eyes in the face, And white bone teeth and hideous grins, who race From place to place; They build great temples to their John-a-nod, And fume and plod To deck themselves with gold, And paint themselves like chattels to be sold, Then turn to mould.
Sometimes they seem almost as real as I; I hear them sigh; I see them bow with grief, Or dance for joy like any aspen leaf; But that is brief.
They have mad wars and phantom marriages; Nor seem to guess There are dimensions still, Beyond thought's reach, though not beyond love's will, For soul to fill.
And some I call my friends, and make believe Their spirits grieve, Brood, and rejoice with mine; I talk to them in phrases quaint and fine Over the wine; I tell them all my secrets; touch their hands; One understands Perhaps.
How hard he tries To speak! And yet those glorious mild eyes, His best replies! I even have my cronies, one or two, My cherished few.
But ah, they do not stay! For the sun fades them and they pass away, As I grow gray.
Yet while they last how actual they seem! Their faces beam; I give them all their names, Bertram and Gilbert, Louis, Frank and James, Each with his aims; One thinks he is a poet, and writes verse His friends rehearse; Another is full of law; A third sees pictures which his hand can draw Without a flaw.
Strangest of all, they never rest.
Day long They shift and throng, Moved by invisible will, Like a great breath which puffs across my sill, And then is still; It shakes my lovely manikins on the wall; Squall after squall, Gust upon crowding gust, It sweeps them willy nilly like blown dust With glory or lust.
It is the world-ghost, the time-spirit, come None knows wherefrom, The viewless draughty tide And wash of being.
I hear it yaw and glide, And then subside, Along these ghostly corridors and halls Like faint footfalls; The hangings stir in the air; And when I start and challenge, "Who goes there?" It answers, "Where?" The wail and sob and moan of the sea's dirge, Its plangor and surge; The awful biting sough Of drifted snows along some arctic bluff, That veer and luff, And have the vacant boding human cry, As they go by;— Is it a banished soul Dredging the dark like a distracted mole Under a knoll? Like some invisible henchman old and gray, Day after day I hear it come and go, With stealthy swift unmeaning to and fro, Muttering low, Ceaseless and daft and terrible and blind, Like a lost mind.
I often chill with fear When I bethink me, What if it should peer At my shoulder here! Perchance he drives the merry-go-round whose track Is the zodiac; His name is No-man's-friend; And his gabbling parrot-talk has neither trend, Beginning, nor end.
A prince of madness too, I'd cry, "A rat!" And lunge thereat,— Let out at one swift thrust The cunning arch-delusion of the dust I so mistrust, But that I fear I should disclose a face Wearing the trace Of my own human guise, Piteous, unharmful, loving, sad, and wise With the speaking eyes.
I would the house were rid of his grim pranks, Moaning from banks Of pine trees in the moon, Startling the silence like a demoniac loon At dead of noon.
Or whispering his fool-talk to the leaves About my eaves.
And yet how can I know 'T is not a happy Ariel masking so In mocking woe? Then with a little broken laugh I say, Snatching away The curtain where he grinned (My feverish sight thought) like a sin unsinned, "Only the wind!" Yet often too he steals so softly by.
With half a sigh, I deem he must be mild, Fair as a woman, gentle as a child, And forest wild.
Passing the door where an old wind-harp swings, With its five strings, Contrived long years ago By my first predecessor bent to show His handcraft so, He lay his fingers on the aeolian wire, As a core of fire Is laid upon the blast To kindle and glow and fill the purple vast Of dark at last.
Weird wise, and low, piercing and keen and glad, Or dim and sad As a forgotten strain Born when the broken legions of the rain Swept through the plain— He plays, like some dread veiled mysteriarch, Lighting the dark, Bidding the spring grow warm, The gendering merge and loosing of spirit in form, Peace out of storm.
For music is the sacrament of love; He broods above The virgin silence, till She yields for rapture shuddering, yearning still To his sweet will.
I hear him sing, "Your harp is like a mesh, Woven of flesh And spread within the shoal Of life, where runs the tide-race of the soul In my control.
"Though my wild way may ruin what it bends, It makes amends To the frail downy clocks, Telling their seed a secret that unlocks The granite rocks.
"The womb of silence to the crave of sound Is heaven unfound, Till I, to soothe and slake Being's most utter and imperious ache, Bid rhythm awake.
"If with such agonies of bliss, my kin, I enter in Your prison house of sense, With what a joyous freed intelligence I shall go hence.
" I need no more to guess the weaver's name, Nor ask his aim, Who hung each hall and room With swarthy-tinged vermilion upon gloom; I know that loom.
Give me a little space and time enough, From ravelings rough I could revive, reweave, A fabric of beauty art might well believe Were past retrieve.
O men and women in that rich design, Sleep-soft, sun-fine, Dew-tenuous and free, A tone of the infinite wind-themes of the sea, Borne in to me, Reveals how you were woven to the might Of shadow and light.
You are the dream of One Who loves to haunt and yet appears to shun My door in the sun; As the white roving sea tern fleck and skim The morning's rim; Or the dark thrushes clear Their flutes of music leisurely and sheer, Then hush to hear.
I know him when the last red brands of day Smoulder away, And when the vernal showers Bring back the heart to all my valley flowers In the soft hours.
O hand of mine and brain of mine, be yours, While time endures, To acquiesce and learn! For what we best may dare and drudge and yearn, Let soul discern.
So, fellows, we shall reach the gusty gate, Early or late, And part without remorse, A cadence dying down unto its source In music's course; You to the perfect rhythms of flowers and birds, Colors and words, The heart-beats of the earth, To be remoulded always of one worth From birth to birth; I to the broken rhythm of thought and man, The sweep and span Of memory and hope About the orbit where they still must grope For wider scope, To be through thousand springs restored, renewed, With love imbrued, With increments of will Made strong, perceiving unattainment still From each new skill.
Always the flawless beauty, always the chord Of the Overword, Dominant, pleading, sure, No truth too small to save and make endure.
No good too poor! And since no mortal can at last disdain That sweet refrain, But lets go strife and care, Borne like a strain of bird notes on the air, The wind knows where; Some quiet April evening soft and strange, When comes the change No spirit can deplore, I shall be one with all I was before, In death once more.
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 3

 Close by those meads, for ever crown'd with flow'rs, 
Where Thames with pride surveys his rising tow'rs,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom Of foreign tyrants and of nymphs at home; Here thou, great Anna! whom three realms obey, Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court; In various talk th' instructive hours they pass'd, Who gave the ball, or paid the visit last; One speaks the glory of the British queen, And one describes a charming Indian screen; A third interprets motions, looks, and eyes; At ev'ry word a reputation dies.
Snuff, or the fan, supply each pause of chat, With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day, The sun obliquely shoots his burning ray; The hungry judges soon the sentence sign, And wretches hang that jury-men may dine; The merchant from th' Exchange returns in peace, And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites, Burns to encounter two adventrous knights, At ombre singly to decide their doom; And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join, Each band the number of the sacred nine.
Soon as she spreads her hand, th' aerial guard Descend, and sit on each important card: First Ariel perch'd upon a Matadore, Then each, according to the rank they bore; For Sylphs, yet mindful of their ancient race, Are, as when women, wondrous fond of place.
Behold, four Kings in majesty rever'd, With hoary whiskers and a forky beard; And four fair Queens whose hands sustain a flow'r, Th' expressive emblem of their softer pow'r; Four Knaves in garbs succinct, a trusty band, Caps on their heads, and halberds in their hand; And parti-colour'd troops, a shining train, Draw forth to combat on the velvet plain.
The skilful nymph reviews her force with care: "Let Spades be trumps!" she said, and trumps they were.
Now move to war her sable Matadores, In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord! Led off two captive trumps, and swept the board.
As many more Manillio forc'd to yield, And march'd a victor from the verdant field.
Him Basto follow'd, but his fate more hard Gain'd but one trump and one plebeian card.
With his broad sabre next, a chief in years, The hoary Majesty of Spades appears; Puts forth one manly leg, to sight reveal'd; The rest, his many-colour'd robe conceal'd.
The rebel Knave, who dares his prince engage, Proves the just victim of his royal rage.
Ev'n mighty Pam, that kings and queens o'erthrew And mow'd down armies in the fights of loo, Sad chance of war! now destitute of aid, Falls undistinguish'd by the victor Spade! Thus far both armies to Belinda yield; Now to the baron fate inclines the field.
His warlike Amazon her host invades, Th' imperial consort of the crown of Spades.
The Club's black tyrant first her victim died, Spite of his haughty mien, and barb'rous pride: What boots the regal circle on his head, His giant limbs, in state unwieldy spread; That long behind he trails his pompous robe, And of all monarchs, only grasps the globe? The baron now his diamonds pours apace; Th' embroider'd King who shows but half his face, And his refulgent Queen, with pow'rs combin'd Of broken troops an easy conquest find.
Clubs, Diamonds, Hearts, in wild disorder seen, With throngs promiscuous strow the level green.
Thus when dispers'd a routed army runs, Of Asia's troops, and Afric's sable sons, With like confusion diff'rent nations fly, Of various habit, and of various dye, The pierc'd battalions disunited fall.
In heaps on heaps; one fate o'erwhelms them all.
The Knave of Diamonds tries his wily arts, And wins (oh shameful chance!) the Queen of Hearts.
At this, the blood the virgin's cheek forsook, A livid paleness spreads o'er all her look; She sees, and trembles at th' approaching ill, Just in the jaws of ruin, and codille.
And now (as oft in some distemper'd state) On one nice trick depends the gen'ral fate.
An Ace of Hearts steps forth: The King unseen Lurk'd in her hand, and mourn'd his captive Queen: He springs to vengeance with an eager pace, And falls like thunder on the prostrate Ace.
The nymph exulting fills with shouts the sky; The walls, the woods, and long canals reply.
Oh thoughtless mortals! ever blind to fate, Too soon dejected, and too soon elate! Sudden, these honours shall be snatch'd away, And curs'd for ever this victorious day.
For lo! the board with cups and spoons is crown'd, The berries crackle, and the mill turns round.
On shining altars of Japan they raise The silver lamp; the fiery spirits blaze.
From silver spouts the grateful liquors glide, While China's earth receives the smoking tide.
At once they gratify their scent and taste, And frequent cups prolong the rich repast.
Straight hover round the fair her airy band; Some, as she sipp'd, the fuming liquor fann'd, Some o'er her lap their careful plumes display'd, Trembling, and conscious of the rich brocade.
Coffee, (which makes the politician wise, And see through all things with his half-shut eyes) Sent up in vapours to the baron's brain New stratagems, the radiant lock to gain.
Ah cease, rash youth! desist ere 'tis too late, Fear the just gods, and think of Scylla's fate! Chang'd to a bird, and sent to flit in air, She dearly pays for Nisus' injur'd hair! But when to mischief mortals bend their will, How soon they find fit instruments of ill! Just then, Clarissa drew with tempting grace A two-edg'd weapon from her shining case; So ladies in romance assist their knight Present the spear, and arm him for the fight.
He takes the gift with rev'rence, and extends The little engine on his fingers' ends; This just behind Belinda's neck he spread, As o'er the fragrant steams she bends her head.
Swift to the lock a thousand sprites repair, A thousand wings, by turns, blow back the hair, And thrice they twitch'd the diamond in her ear, Thrice she look'd back, and thrice the foe drew near.
Just in that instant, anxious Ariel sought The close recesses of the virgin's thought; As on the nosegay in her breast reclin'd, He watch'd th' ideas rising in her mind, Sudden he view'd, in spite of all her art, An earthly lover lurking at her heart.
Amaz'd, confus'd, he found his pow'r expir'd, Resign'd to fate, and with a sigh retir'd.
The peer now spreads the glitt'ring forfex wide, T' inclose the lock; now joins it, to divide.
Ev'n then, before the fatal engine clos'd, A wretched Sylph too fondly interpos'd; Fate urg'd the shears, and cut the Sylph in twain, (But airy substance soon unites again).
The meeting points the sacred hair dissever From the fair head, for ever, and for ever! Then flash'd the living lightning from her eyes, And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying Heav'n are cast, When husbands or when lap-dogs breathe their last, Or when rich China vessels, fall'n from high, In glitt'ring dust and painted fragments lie! "Let wreaths of triumph now my temples twine," The victor cried, "the glorious prize is mine! While fish in streams, or birds delight in air, Or in a coach and six the British fair, As long at Atalantis shall be read, Or the small pillow grace a lady's bed, While visits shall be paid on solemn days, When num'rous wax-lights in bright order blaze, While nymphs take treats, or assignations give, So long my honour, name, and praise shall live! What time would spare, from steel receives its date, And monuments, like men, submit to fate! Steel could the labour of the gods destroy, And strike to dust th' imperial tow'rs of Troy; Steel could the works of mortal pride confound, And hew triumphal arches to the ground.
What wonder then, fair nymph! thy hairs should feel The conqu'ring force of unresisted steel?"

Book: Reflection on the Important Things