Written by
Walt Whitman |
1
TO think of time—of all that retrospection!
To think of to-day, and the ages continued henceforward!
Have you guess’d you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear’d the future would be nothing to you?
Is to-day nothing? Is the beginningless past nothing?
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive!
that
everything was alive!
To think that you and I did not see, feel, think, nor bear our part!
To think that we are now here, and bear our part!
2
Not a day passes—not a minute or second, without an accouchement!
Not a day passes—not a minute or second, without a corpse!
The dull nights go over, and the dull days also,
The soreness of lying so much in bed goes over,
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for,
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,)
The faithful hand of the living does not desert the hand of the dying,
The twitching lips press lightly on the forehead of the dying,
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it,
It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight,
But without eye-sight lingers a different living, and looks curiously on the corpse.
3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
others as
upon us now—yet not act upon us!
To think of all these wonders of city and country, and others taking great interest in
them—and we taking no interest in them!
To think how eager we are in building our houses!
To think others shall be just as eager, and we quite indifferent!
(I see one building the house that serves him a few years, or seventy or eighty years at
most,
I see one building the house that serves him longer than that.
)
Slow-moving and black lines creep over the whole earth—they never cease—they are
the
burial lines,
He that was President was buried, and he that is now President shall surely be buried.
4
A reminiscence of the vulgar fate,
A frequent sample of the life and death of workmen,
Each after his kind:
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
the
streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month,
A hearse and stages—other vehicles give place—the funeral of an old Broadway
stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
new-dug grave is halted at, the living alight, the hearse uncloses,
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
the
earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence,
A minute—no one moves or speaks—it is done,
He is decently put away—is there anything more?
He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
take his
own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
women,
gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
toward
the last, sicken’d, was help’d by a contribution, died, aged forty-one
years—and
that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
on
somebody, headway, man before and man behind, good day’s work, bad day’s work,
pet
stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
interest in them!
5
The markets, the government, the working-man’s wages—to think what account they
are
through our nights and days!
To think that other working-men will make just as great account of them—yet we make
little
or no account!
The vulgar and the refined—what you call sin, and what you call goodness—to
think how
wide a difference!
To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is!
Have you pleasure from looking at the sky? have you pleasure from poems?
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
election? or with your wife and family?
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?
—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are!
To think there will still be farms, profits, crops—yet for you, of what avail?
6
What will be, will be well—for what is, is well,
To take interest is well, and not to take interest shall be well.
The sky continues beautiful,
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
nor
the pleasure from poems,
The domestic joys, the daily housework or business, the building of houses—these are
not
phantasms—they have weight, form, location;
Farms, profits, crops, markets, wages, government, are none of them phantasms,
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself;
Yourself! Yourself! Yourself, forever and ever!
7
It is not to diffuse you that you were born of your mother and father—it is to
identify
you;
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you,
You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is
systematic.
The preparations have every one been justified,
The orchestra have sufficiently tuned their instruments—the baton has given the
signal.
The guest that was coming—he waited long, for reasons—he is now housed,
He is one of those who are beautiful and happy—he is one of those that to look upon
and be
with is enough.
The law of the past cannot be eluded,
The law of the present and future cannot be eluded,
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded,
The law of heroes and good-doers cannot be eluded,
The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8
Slow moving and black lines go ceaselessly over the earth,
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
they
on the Pacific, and they between, and all through the Mississippi country, and all over
the
earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well,
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
be
well,
But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing,
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing,
The infected in the immigrant hospital are not nothing—the murderer or mean person is
not
nothing,
The perpetual successions of shallow people are not nothing as they go,
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
goes.
9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed,
I have dream’d that heroes and good-doers shall be under the present and past law,
And that murderers, drunkards, liars, shall be under the present and past law,
For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d!
Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now,
Do you think I could walk pleasantly and well-suited toward annihilation?
10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good,
The whole universe indicates that it is good,
The past and the present indicate that it is good.
How beautiful and perfect are the animals!
How perfect the earth, and the minutest thing upon it!
What is called good is perfect, and what is called bad is just as perfect,
The vegetables and minerals are all perfect, and the imponderable fluids are perfect;
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
on.
11
I swear I think now that everything without exception has an eternal Soul!
The trees have, rooted in the ground! the weeds of the sea have! the animals!
I swear I think there is nothing but immortality!
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
for
it;
And all preparation is for it! and identity is for it! and life and materials are
altogether
for it
|
Written by
David Lehman |
Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old
neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their
lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude
them by running away.
They were happy just to see him run
away.
The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their
secret faith died.
No one would ever have known if not for the bones that turned up
on the dig.
A disaster.
How could it have happened to them?
They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last!
They are free to marry other Jews, and divorce them, and intermarry
with Gentiles, God forbid.
They are model citizens, clever and thrifty.
They debate the issues.
They fire off earnest letters to the editor.
They vote.
They are resented for being clever and thrifty.
They buy houses in the suburbs and agree not to talk so loud.
They look like everyone else, drive the same cars as everyone else,
yet in their hearts they know they're different.
In every minyan there are always two or three, hated by
the others, who give life to one ugly stereotype or another:
The grasping Jew with the hooked nose or the Ivy League Bolshevik
who thinks he is the agent of world history.
But most of them are neither ostentatiously pious nor
excessively avaricious.
How I envy them! They believe.
How I envy them their annual family reunion on Passover,
anniversary of the Exodus, when all the uncles and aunts and
cousins get together.
They wonder about the heritage of Judaism they are passing along
to their children.
Have they done as much as they could to keep the old embers
burning?
Others lead more dramatic lives.
A few go to Israel.
One of them calls Israel "the ultimate concentration camp.
"
He tells Jewish jokes.
On the plane he gets tipsy, tries to seduce the stewardess.
People in the Midwest keep telling him reminds them of Woody
Allen.
He wonders what that means.
I'm funny? A sort of nervous
intellectual type from New York? A Jew?
Around this time somebody accuses him of not being Jewish enough.
It is said by resentful colleagues that his parents changed their
name from something that sounded more Jewish.
Everything he publishes is scrutinized with reference to "the
Jewish question.
"
It is no longer clear what is meant by that phrase.
He has already forgotten all the Yiddish he used to know, and
the people of that era are dying out one after another.
The number of witnesses keeps diminishing.
Soon there will be no one left to remind the others and their
children.
That is why he came to this dry place where the bones have come
to life.
To live in a state of perpetual war puts a tremendous burden on the
population.
As a visitor he felt he had to share that burden.
With his gift for codes and ciphers, he joined the counter-
terrorism unit of army intelligence.
Contrary to what the spook novels say, he found it possible to
avoid betraying either his country or his lover.
This was the life: strange bedrooms, the perfume of other men's
wives.
As a spy he has a unique mission: to get his name on the front
page of the nation's newspaper of record.
Only by doing that
would he get the message through to his immediate superior.
If he goes to jail, he will do so proudly; if they're going to
hang him anyway, he'll do something worth hanging for.
In time he may get used to being the center of attention, but
this was incredible:
To talk his way into being the chief suspect in the most
flamboyant murder case in years!
And he was innocent!
He could prove it!
And what a book he would write when they free him from this prison:
A novel, obliquely autobiographical, set in Vienna in the twilight
of the Hapsburg Empire, in the year that his mother was born.
|
Written by
Emily Dickinson |
A Lady red -- amid the Hill
Her annual secret keeps!
A Lady white, within the Field
In placid Lily sleeps!
The tidy Breezes, with their Brooms --
Sweep vale -- and hill -- and tree!
Prithee, My pretty Housewives!
Who may expected be?
The Neighbors do not yet suspect!
The Woods exchange a smile!
Orchard, and Buttercup, and Bird --
In such a little while!
And yet, how still the Landscape stands!
How nonchalant the Hedge!
As if the "Resurrection"
Were nothing very strange!
|
Written by
Sir Walter Raleigh |
I was a Poet!
But I did not know it,
Neither did my Mother,
Nor my Sister nor my Brother.
The Rich were not aware of it;
The Poor took no care of it.
The Reverend Mr.
Drewitt
Never knew it.
The High did not suspect it;
The Low could not detect it.
Aunt Sue
Said it was obviously untrue.
Uncle Ned
Said I was off my head:
(This from a Colonial
Was really a good testimonial.
)
Still everybody seemed to think
That genius owes a good deal to drink.
So that is how
I am not a poet now,
And why
My inspiration has run dry.
It is no sort of use
To cultivate the Muse
If vulgar people
Can't tell a village pump from a church steeple.
I am merely apologizing
For the lack of the surprising
In what I write
To-night.
I am quite well-meaning,
But a lot of things are always intervening
Between
What I mean
And what it is said
I had in my head.
It is all very puzzling.
Uncle Ned
Says Poets need muzzling.
He might
Be right.
Good-night!
|
Written by
William Shakespeare |
Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.
Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other.
"
This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.
And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.
By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.
For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.
This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.
Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;
Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.
A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.
Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.
When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.
Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.
"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?
"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.
"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.
"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour.
"
Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.
O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.
Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.
By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.
Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.
O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.
Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.
"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.
"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit.
"
Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.
"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.
"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves.
"
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.
As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;
Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:
Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,
Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;
And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.
This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.
|
Written by
Anne Sexton |
If you danced from midnight
to six A.
M.
who would understand?
The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.
The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing "That ole Ace down in the hole,"
would understand.
The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.
The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.
The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.
M.
and then lets you sit
holding the phone while he vomits
(he calls it "The Night of the Long Knives")
getting his kicks out of the death call,
would understand.
The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.
The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you "we"
and keeps vigil like a ballistic missile,
would understand.
Once
this king had twelve daughters,
each more beautiful than the other.
They slept together, bed by bed
in a kind of girls' dormitory.
At night the king locked and bolted the door
.
How could they possibly escape?
Yet each morning their shoes
were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation
that anyone who could discover
where the princesses did their dancing
could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried,
each sitting outside the dormitory,
the door ajar so he could observe
what enchantment came over the shoes.
But each time the twelve dancing princesses
gave the snoopy man a Mickey Finn
and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier
heard about these strange goings on
and decided to give it a try.
On his way to the castle
he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine
and gave him a cloak that would make
him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine
but he fastened a sponge beneath his chin,
looking the opposite of Andy Gump.
The sponge soaked up the wine,
and thus he stayed awake.
He feigned sleep however
and the princesses sprang out of their beds
and fussed around like a Miss America Contest.
Then the eldest went to her bed
and knocked upon it and it sank into the earth.
They descended down the opening
one after the other.
They crafty soldier
put on his invisisble cloak and followed.
Yikes, said the youngest daughter,
something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees,
each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break
and said, Oof! Who goes there?
But the oldest said, Those are
the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell
and the youngest said: Wait up! He is here!
But the oldest said: Trumpets, my dear.
Next they came to a lake where lay
twelve boats with twelve enchanted princes
waiting to row them to the underground castle.
The soldier sat in the youngest's boat
and the boat was as heavy as if an icebox
had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland
as if those tickets would run right out.
They were painted in kisses with their secret hair
and though the soldier drank from their cups
they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up
naked and angry and so they returned
by the same strange route.
The soldier
went forward through the dormitory and into
his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery
like blood in a wound, his purpose brutal
as if facing a battle, hurried with his answer
as if to the Sphinx.
The shoes! The shoes!
The soldier told.
He brought forth
the silver leaf, the diamond the size of a plum.
He had won.
The dancing shoes would dance
no more.
The princesses were torn from
their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes
and sagged like old sweatshirts.
Now the runaways would run no more and never
again would their hair be tangled into diamonds,
never again their shoes worn down to a laugh,
never the bed falling down into purgatory
to let them climb in after
with their Lucifer kicking.
|
Written by
Robert Frost |
"You ought to have seen what I saw on my way
To the village, through Mortenson's pasture to-day:
Blueberries as big as the end of your thumb,
Real sky-blue, and heavy, and ready to drum
In the cavernous pail of the first one to come!
And all ripe together, not some of them green
And some of them ripe! You ought to have seen!"
"I don't know what part of the pasture you mean.
"
"You know where they cut off the woods--let me see--
It was two years ago--or no!--can it be
No longer than that?--and the following fall
The fire ran and burned it all up but the wall.
"
"Why, there hasn't been time for the bushes to grow.
That's always the way with the blueberries, though:
There may not have been the ghost of a sign
Of them anywhere under the shade of the pine,
But get the pine out of the way, you may burn
The pasture all over until not a fern
Or grass-blade is left, not to mention a stick,
And presto, they're up all around you as thick
And hard to explain as a conjuror's trick.
"
"It must be on charcoal they fatten their fruit.
I taste in them sometimes the flavour of soot.
And after all really they're ebony skinned:
The blue's but a mist from the breath of the wind,
A tarnish that goes at a touch of the hand,
And less than the tan with which pickers are tanned.
"
"Does Mortenson know what he has, do you think?"
"He may and not care and so leave the chewink
To gather them for him--you know what he is.
He won't make the fact that they're rightfully his
An excuse for keeping us other folk out.
"
"I wonder you didn't see Loren about.
"
"The best of it was that I did.
Do you know,
I was just getting through what the field had to show
And over the wall and into the road,
When who should come by, with a democrat-load
Of all the young chattering Lorens alive,
But Loren, the fatherly, out for a drive.
"
"He saw you, then? What did he do? Did he frown?"
"He just kept nodding his head up and down.
You know how politely he always goes by.
But he thought a big thought--I could tell by his eye--
Which being expressed, might be this in effect:
'I have left those there berries, I shrewdly suspect,
To ripen too long.
I am greatly to blame.
'"
"He's a thriftier person than some I could name.
"
"He seems to be thrifty; and hasn't he need,
With the mouths of all those young Lorens to feed?
He has brought them all up on wild berries, they say,
Like birds.
They store a great many away.
They eat them the year round, and those they don't eat
They sell in the store and buy shoes for their feet.
"
"Who cares what they say? It's a nice way to live,
Just taking what Nature is willing to give,
Not forcing her hand with harrow and plow.
"
"I wish you had seen his perpetual bow--
And the air of the youngsters! Not one of them turned,
And they looked so solemn-absurdly concerned.
"
"I wish I knew half what the flock of them know
Of where all the berries and other things grow,
Cranberries in bogs and raspberries on top
Of the boulder-strewn mountain, and when they will crop.
I met them one day and each had a flower
Stuck into his berries as fresh as a shower;
Some strange kind--they told me it hadn't a name.
"
"I've told you how once not long after we came,
I almost provoked poor Loren to mirth
By going to him of all people on earth
To ask if he knew any fruit to be had
For the picking.
The rascal, he said he'd be glad
To tell if he knew.
But the year had been bad.
There had been some berries--but those were all gone.
He didn't say where they had been.
He went on:
'I'm sure--I'm sure'--as polite as could be.
He spoke to his wife in the door, 'Let me see,
Mame, we don't know any good berrying place?'
It was all he could do to keep a straight face.
"If he thinks all the fruit that grows wild is for him,
He'll find he's mistaken.
See here, for a whim,
We'll pick in the Mortensons' pasture this year.
We'll go in the morning, that is, if it's clear,
And the sun shines out warm: the vines must be wet.
It's so long since I picked I almost forget
How we used to pick berries: we took one look round,
Then sank out of sight like trolls underground,
And saw nothing more of each other, or heard,
Unless when you said I was keeping a bird
Away from its nest, and I said it was you.
'Well, one of us is.
' For complaining it flew
Around and around us.
And then for a while
We picked, till I feared you had wandered a mile,
And I thought I had lost you.
I lifted a shout
Too loud for the distance you were, it turned out,
For when you made answer, your voice was as low
As talking--you stood up beside me, you know.
"
"We sha'n't have the place to ourselves to enjoy--
Not likely, when all the young Lorens deploy.
They'll be there to-morrow, or even to-night.
They won't be too friendly--they may be polite--
To people they look on as having no right
To pick where they're picking.
But we won't complain.
You ought to have seen how it looked in the rain,
The fruit mixed with water in layers of leaves,
Like two kinds of jewels, a vision for thieves.
"
|
Written by
Emily Dickinson |
A loss of something ever felt I --
The first that I could recollect
Bereft I was -- of what I knew not
Too young that any should suspect
A Mourner walked among the children
I notwithstanding went about
As one bemoaning a Dominion
Itself the only Prince cast out --
Elder, Today, a session wiser
And fainter, too, as Wiseness is --
I find myself still softly searching
For my Delinguent Palaces --
And a Suspicion, like a Finger
Touches my Forehead now and then
That I am looking oppositely
For the site of the Kingdom of Heaven --
|
Written by
Ben Jonson |
XIII.
— EPISTLE TO KATHARINE LADY AUBIGNY.
As what they have lost t' expect, they dare deride.
So both the prais'd and praisers suffer ; yet,
For others ill ought none their good forget.
I therefore, who profess myself in love
With every virtue, wheresoe'er it move,
And howsoever ; as I am at feudBy arts, and practice of the vicious,
Such as suspect themselves, and think it fit,
For their own capital crimes, to indict my wit ;
I that have suffer'd this ; and though forsook
Of fortune, have not alter'd yet my look,
Or so myself abandon'd, as because
Men are not just, or keep no holy laws
Of nature and society, I should faint ;If it may stand with your soft blush, to hear
Yourself but told unto yourself, and see
In my character what your features be,
You will not from the paper slightly pass :
No lady, but at some time loves her glass.
And this shall be no false one, but as much
Remov'd, as you from need to have it such.
Look then, and see your self — I will not sayIt perfect, proper, pure, and natural,
Not taken up o' the doctors, but as well
As I, can say and see it doth excel ;
That asks but to be censured by the eyes :
And in those outward forms, all fools are wise.
Nor that your beauty wanted not a dower,
Do I reflect.
Some alderman has power,
Or cozening farmer of the customs, soAnd raise not virtue ; they may vice enhance.
My mirror is more subtle, clear, refined,
And.
takes and gives the beauties of the mind ;
Though it reject not those of fortune : such
As blood, and match.
Wherein, how more than much
Are you engaged to your happy fate,
For such a lot ! that mixt you with a state
Of so great title, birth, but virtue most,For he that once is good, is ever great.
Wherewith then, madam, can you better pay
This blessing of your stars, than by that way
Of virtue, which you tread ? What if alone,
Without companions ? 'tis safe to have none.
In single paths dangers with ease are watch'd ;
Contagion in the press is soonest catch'd.
This makes, that wisely you decline your lifeNot looking by, or back, like those that wait
Times and occasions, to start forth, and seem.
Which though the turning world may disesteem,
Because that studies spectacles and shows,
And after varied, as fresh objects, goes,
Giddy with change, and therefore cannot see
Right, the right way ; yet must your comfort be
Your conscience, and not wonder if none asksMaintain their liegers forth for foreign wires,
Melt down their husbands land, to pour away
On the close groom and page, on new-year's day,
And almost all days after, while they live ;
They find it both so witty, and safe to give.
Let them on powders, oils, and paintings spend,
Till that no usurer, nor his bawds dare lend
Them or their officers ; and no man know,When their own parasites laugh at their fall,
May they have nothing left, whereof they can
Boast, but how oft they have gone wrong to man,
And call it their brave sin : for such there be
That do sin only for the infamy ;
And never think, how vice doth every hour
Eat on her clients, and some one devour.
You, madam, young have learn'd to shun these shelves,Into your harbor, and all passage shut
'Gainst storms or pirates, that might charge your peace ;
For which you worthy are the glad increase
Of your blest womb, made fruitful from above,
To pay your lord the pledges of chaste love ;
And raise a noble stem, to give the fame
To Clifton's blood, that is denied their name.
Grow, grow, fair tree ! and as thy branches shoot,Before the moons have fill'd their triple trine,
To crown the burden which you go withal,
It shall a ripe and timely issue fall,
T' expect the honors of great AUBIGNY ;
And greater rites, yet writ in mystery,
But which the fates forbid me to reveal.
Only thus much out of a ravish'd zeal
Unto your name, and goodness of your life,What your tried manners are, what theirs should be ;
How you love one, and him you should, how still
You are depending on his word and will ;
Not fashion'd for the court, or strangers' eyes ;
But to please him, who is the dearer prize
Unto himself, by being so dear to you.
This makes, that your affections still be new,
And that your souls conspire, as they were goneMadam, be bold to use this truest glass ;
Wherein your form you still the same shall find ;
Because nor it can change, nor such a mind.
Of any good mind, now ; there are so few.
The bad, by number, are so fortified,
As what they have lost t' expect, they dare deride.
So both the prais'd and praisers suffer ; yet,
For others ill ought none their good forget.
I therefore, who profess myself in love
With every virtue, wheresoe'er it move,
And howsoever ; as I am at feud
|
Written by
Edward Taylor |
The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch
and the lunatics were stacked up on their shelves,
quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they
should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew
he produced one without a moment's hesitation.
And it was a corkscrew of the finest craftsmanship,
very shiny and bright not unlike the doctor himself.
"We'll be conducting our picnic under the great oak
beginning in just a few minutes, and if you'd care
to join us we'd be most honored.
However, I understand
you have your obligations and responsibilities,
and if you would prefer to simply visit with us
from time to time, between patients, our invitation
is nothing if not flexible.
And, we shan't be the least slighted
or offended in any way if, due to your heavy load,
we are altogether deprived of the pleasure
of exchanging a few anecdotes, regarding the mentally ill,
depraved, diseased, the purely knavish, you in your bughouse,
if you'll pardon my vernacular, O yes, and we in our crackbrain
daily rounds, there are so many gone potty everywhere we roam,
not to mention in one's own home, dead moonstruck.
Well, well, indeed we would have many notes to compare
if you could find the time to join us after your injections.
"
My invitation was spoken in the evenest tones,
but midway though it I began to suspect I was addressing
an imposter.
I returned the corkscrew in a nonthreatening manner.
What, for instance, I asked myself, would a doctor, a doctor of the mind,
be doing with a cordscrew in his pocket?
This was a very sick man, one might even say dangerous.
I began moving away cautiously, never taking my eyes off of him.
His right eyelid was twitching guiltily, or at least anxiously,
and his smock flapping slightly in the wind.
Several members of our party were mingling with the nurses
down by the duck pond, and my grip on the situation
was loosening, the planks in my picnic platform were rotting.
I was thinking about the potato salad in an unstable environment.
A weeping spell was about to overtake me.
I was very close to howling and gnashing the gladiola.
I noticed the great calm of the clouds overhead.
And below, several nurses appeared to me in need of nursing.
The psychopaths were stirring from their naps,
I should say, their postprandial slumbers.
They were lumbering through the pines like inordinately sad moose.
Who could eat liverwurst at a time like this?
But, then again, what's a picnic without pathos?
Lacking a way home, I adjusted the flap in my head and duck-walked
down to the pond and into the pond and began gliding
around in circles, quacking, quacking like a scarf.
Inside the belly of that image I began
recycling like a sorry whim, sincerest regrets
are always best.
|