10 Best Famous Surcease Poems

Here is a collection of the top 10 all-time best famous Surcease poems. This is a select list of the best famous Surcease poetry. Reading, writing, and enjoying famous Surcease poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of surcease poems.

• All Famous Surcease Poems

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

 There is no magic any more,
 We meet as other people do,
You work no miracle for me
 Nor I for you.

You were the wind and I the sea --
 There is no splendor any more,
I have grown listless as the pool
 Beside the shore.

But though the pool is safe from storm
 And from the tide has found surcease,
It grows more bitter than the sea,
 For all its peace.

 UPON a noon I pilgrimed through
A pasture, mile by mile,
Unto the place where I last saw
My dead Love's living smile.

And sorrowing I lay me down
Upon the heated sod:
It seemed as if my body pressed
The very ground she trod.

I lay, and thought; and in a trance
She came and stood me by--
The same, even to the marvellous ray
That used to light her eye.

"You draw me, and I come to you,
My faithful one," she said,
In voice that had the moving tone
It bore in maidenhead.

She said: "'Tis seven years since I died:
Few now remember me;
My husband clasps another bride;
My children mothers she.

My brethren, sisters, and my friends
Care not to meet my sprite:
Who prized me most I did not know
Till I passed down from sight."

I said: "My days are lonely here;
I need thy smile alway:
I'll use this night my ball or blade,
And join thee ere the day."

A tremor stirred her tender lips,
Which parted to dissuade:
"That cannot be, O friend," she cried;
"Think, I am but a Shade!

"A Shade but in its mindful ones
Has immortality;
By living, me you keep alive,
By dying you slay me.

"In you resides my single power
Of sweet continuance here;
On your fidelity I count
Through many a coming year."

--I started through me at her plight,
So suddenly confessed:
Dismissing late distaste for life,
I craved its bleak unrest.

"I will not die, my One of all!--
To lengthen out thy days
I'll guard me from minutest harms
That may invest my ways!"

She smiled and went. Since then she comes
Oft when her birth-moon climbs,
Or at the seasons' ingresses
Or anniversary times;

But grows my grief. When I surcease,
Through whom alone lives she,
Ceases my Love, her words, her ways,
Never again to be!

Males perverse, schooled to condemn
Women by your witless laws,
Though forsooth you are prime cause
Of that which you blame in them:

If with unexampled care
You solicit their disdain,
Will your fair words ease their pain,
When you ruthless set the snare?

Their resistance you impugn,
Then maintain with gravity
That it was mere levity
Made you dare to importune.

What more elevating sight
Than of man with logic crass,
Who with hot breath fogs the glass,
Then laments it is not bright!

Scorn and favor, favor, scorn,
What you will, result the same,
Treat you ill, and earn your blame,
Love you well, be left forlorn.

Scant regard will she possess
Who with caution wends her way,—
Is held thankless for her “nay,”
And as wanton for her “yes.”

What must be the rare caprice
Of the quarry you engage:
If she flees, she wakes your rage,
If she yields, her charms surcease.

Who shall bear the heavier blame,
When remorse the twain enthralls,
She, who for the asking, falls,
He who, asking, brings to shame?

Whose the guilt, where to begin,
Though both yield to passion's sway,
She who weakly sins for pay,
He who, strong, yet pays for Sin?

Then why stare ye, if we prove
That the guilt lies at your gate?
Either love those you create,
Or create those you can love.

To solicitation truce,—
Then, sire, with some show of right
You may mock the hapless plight
Or the creatures of your use! 

 Inscribed to the Memory of John Keats.



Dear uplands, Chester's favorable fields,
My large unjealous Loves, many yet one --
A grave good-morrow to your Graces, all,
Fair tilth and fruitful seasons!
Lo, how still!
The midmorn empties you of men, save me;
Speak to your lover, meadows! None can hear.
I lie as lies yon placid Brandywine,
Holding the hills and heavens in my heart
For contemplation.
'Tis a perfect hour.
From founts of dawn the fluent autumn day
Has rippled as a brook right pleasantly
Half-way to noon; but now with widening turn
Makes pause, in lucent meditation locked,
And rounds into a silver pool of morn,
Bottom'd with clover-fields. My heart just hears
Eight lingering strokes of some far village-bell,
That speak the hour so inward-voiced, meseems
Time's conscience has but whispered him eight hints
Of revolution. Reigns that mild surcease
That stills the middle of each rural morn --
When nimble noises that with sunrise ran
About the farms have sunk again to rest;
When Tom no more across the horse-lot calls
To sleepy Dick, nor Dick husk-voiced upbraids
The sway-back'd roan for stamping on his foot
With sulphurous oath and kick in flank, what time
The cart-chain clinks across the slanting shaft,
And, kitchenward, the rattling bucket plumps
Souse down the well, where quivering ducks quack loud,
And Susan Cook is singing.
Up the sky
The hesitating moon slow trembles on,
Faint as a new-washed soul but lately up
From out a buried body. Far about,
A hundred slopes in hundred fantasies
Most ravishingly run, so smooth of curve
That I but seem to see the fluent plain
Rise toward a rain of clover-blooms, as lakes
Pout gentle mounds of plashment up to meet
Big shower-drops. Now the little winds, as bees,
Bowing the blooms come wandering where I lie
Mixt soul and body with the clover-tufts,
Light on my spirit, give from wing and thigh
Rich pollens and divine sweet irritants
To every nerve, and freshly make report
Of inmost Nature's secret autumn-thought
Unto some soul of sense within my frame
That owns each cognizance of the outlying five,
And sees, hears, tastes, smells, touches, all in one.

Tell me, dear Clover (since my soul is thine,
Since I am fain give study all the day,
To make thy ways my ways, thy service mine,
To seek me out thy God, my God to be,
And die from out myself to live in thee) --
Now, Cousin Clover, tell me in mine ear:
Go'st thou to market with thy pink and green?
Of what avail, this color and this grace?
Wert thou but squat of stem and brindle-brown,
Still careless herds would feed. A poet, thou:
What worth, what worth, the whole of all thine art?
Three-Leaves, instruct me! I am sick of price.
Framed in the arching of two clover-stems
Where-through I gaze from off my hill, afar,
The spacious fields from me to Heaven take on
Tremors of change and new significance
To th' eye, as to the ear a simple tale
Begins to hint a parable's sense beneath.
The prospect widens, cuts all bounds of blue
Where horizontal limits bend, and spreads
Into a curious-hill'd and curious-valley'd Vast,
Endless before, behind, around; which seems
Th' incalculable Up-and-Down of Time
Made plain before mine eyes. The clover-stems
Still cover all the space; but now they bear,
For clover-blooms, fair, stately heads of men
With poets' faces heartsome, dear and pale --
Sweet visages of all the souls of time
Whose loving service to the world has been
In the artist's way expressed and bodied. Oh,
In arms' reach, here be Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha (sweetest masters! Let me lay
These arms this once, this humble once, about
Your reverend necks -- the most containing clasp,
For all in all, this world e'er saw!) and there,
Yet further on, bright throngs unnamable
Of workers worshipful, nobilities
In the Court of Gentle Service, silent men,
Dwellers in woods, brooders on helpful art,
And all the press of them, the fair, the large,
That wrought with beauty.
Lo, what bulk is here?
Now comes the Course-of-things, shaped like an Ox,
Slow browsing, o'er my hillside, ponderously --
The huge-brawned, tame, and workful Course-of-things,
That hath his grass, if earth be round or flat,
And hath his grass, if empires plunge in pain
Or faiths flash out. This cool, unasking Ox
Comes browsing o'er my hills and vales of Time,
And thrusts me out his tongue, and curls it, sharp,
And sicklewise, about my poets' heads,
And twists them in, all -- Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha, in one sheaf -- and champs and chews,
With slantly-churning jaws, and swallows down;
Then slowly plants a mighty forefoot out,
And makes advance to futureward, one inch.
So: they have played their part.
And to this end?
This, God? This, troublous-breeding Earth? This, Sun
Of hot, quick pains? To this no-end that ends,
These Masters wrought, and wept, and sweated blood,
And burned, and loved, and ached with public shame,
And found no friends to breathe their loves to, save
Woods and wet pillows? This was all? This Ox?
"Nay," quoth a sum of voices in mine ear,
"God's clover, we, and feed His Course-of-things;
The pasture is God's pasture; systems strange
Of food and fiberment He hath, whereby
The general brawn is built for plans of His
To quality precise. Kinsman, learn this:
The artist's market is the heart of man;
The artist's price, some little good of man.
Tease not thy vision with vain search for ends.
The End of Means is art that works by love.
The End of Ends . . . in God's Beginning's lost."

 Lolling on a bank of thyme
Drunk with Spring I made this rhyme. . . .

Though peoples perish in defeat,
And races suffer to survive,
The sunshine never was so sweet,
So vast he joy to be alive;
The laughing leaves, the glowing grass
Proclaim how good it is to be;
The pines are lyric as I pass,
The hills hosannas sing to me.

Pink roses ring yon placid palm,
Soft shines the blossom of the peach;
The sapphire sea is satin calm,
With bell-like tinkle on the beach;
A lizard lazes in the sun,
A bee is bumbling to my hand;
Shy breezes whisper: "You are one
With us because you understand."

Yea, I am one with all I see,
With wind and wave, with pine and palm;
Their very elements in me
Are fused to make me what I am.
Through me their common life-stream flows,
And when I yield this human breath,
In leaf and blossom, bud and rose,
Live on I will . . . There is no Death.

Oh, let me flee from woeful things,
And listen to the linnet's song;
To solitude my spirit clings,
To sunny woodlands I belong.
O foolish men! Yourselves destroy.
But I from pain would win surcease. . . .
O Earth, grant me eternal joy!
O Nature - everlasting peace!

 Amen.

 Achievin' sech distinction with his moddel tabble dote
Ez to make his Red Hoss Mountain restauraw a place uv note,
Our old friend Casey innovated somewhat round the place,
In hopes he would ameliorate the sufferin's uv the race;
'Nd uv the many features Casey managed to import
The most important wuz a Steenway gran' pianny-fort,
An' bein' there wuz nobody could play upon the same,
He telegraffed to Denver, 'nd a real perfesser came,--
The last an' crownin' glory uv the Casey restauraw
Wuz that tenderfoot musicianer, Perfesser Vere de Blaw!

His hair wuz long an' dishybill, an' he had a yaller skin,
An' the absence uv a collar made his neck look powerful thin:
A sorry man he wuz to see, az mebby you'd surmise,
But the fire uv inspiration wuz a-blazin' in his eyes!
His name wuz Blanc, wich same is Blaw (for that's what Casey said,
An' Casey passed the French ez well ez any Frenchie bred);
But no one ever reckoned that it really wuz his name,
An' no one ever asked him how or why or whence he came,--
Your ancient history is a thing the Coloradan hates,
An' no one asks another what his name wuz in the States!

At evenin', when the work wuz done, an' the miners rounded up
At Casey's, to indulge in keerds or linger with the cup,
Or dally with the tabble dote in all its native glory,
Perfessor Vere de Blaw discoursed his music repertory
Upon the Steenway gran' piannyfort, the wich wuz sot
In the hallway near the kitchen (a warm but quiet spot),
An' when De Blaw's environments induced the proper pride,--
Wich gen'rally wuz whiskey straight, with seltzer on the side,--
He throwed his soulful bein' into opry airs 'nd things
Wich bounded to the ceilin' like he'd mesmerized the strings.

Oh, you that live in cities where the gran' piannies grow,
An' primy donnies round up, it's little that you know
Uv the hungerin' an' the yearnin' wich us miners an' the rest
Feel for the songs we used to hear before we moved out West.
Yes, memory is a pleasant thing, but it weakens mighty quick;
It kind uv dries an' withers, like the windin' mountain crick,
That, beautiful, an' singin' songs, goes dancin' to the plains,
So long ez it is fed by snows an' watered by the rains;
But, uv that grace uv lovin' rains 'nd mountain snows bereft,
Its bleachin' rocks, like dummy ghosts, is all its memory left.

The toons wich the perfesser would perform with sech eclaw
Would melt the toughest mountain gentleman I ever saw,--
Sech touchin' opry music ez the Trovytory sort,
The sollum "Mizer Reery," an' the thrillin' "Keely Mort;"
Or, sometimes, from "Lee Grond Dooshess" a trifle he would play,
Or morsoze from a' opry boof, to drive dull care away;
Or, feelin' kind uv serious, he'd discourse somewhat in C,--
The wich he called a' opus (whatever that may be);
But the toons that fetched the likker from the critics in the crowd
Wuz not the high-toned ones, Perfesser Vere de Blaw allowed.

'T wuz "Dearest May," an' "Bonnie Doon," an' the ballard uv "Ben Bolt,"
Ez wuz regarded by all odds ez Vere de Blaw's best holt;
Then there wuz "Darlin' Nellie Gray," an' "Settin' on the Stile,"
An' "Seein' Nellie Home," an' "Nancy Lee," 'nd "Annie Lisle,"
An' "Silver Threads among the Gold," an' "The Gal that Winked at Me,"
An' "Gentle Annie," "Nancy Till," an' "The Cot beside the Sea."
Your opry airs is good enough for them ez likes to pay
Their money for the truck ez can't be got no other way;
But opry to a miner is a thin an' holler thing,--The
music that he pines for is the songs he used to sing.

One evenin' down at Casey's De Blaw wuz at his best,
With four-fingers uv old Wilier-run concealed beneath his vest;
The boys wuz settin' all around, discussin' folks an' things,
'Nd I had drawed the necessary keerds to fill on kings;
Three-fingered Hoover kind uv leaned acrosst the bar to say
If Casey'd liquidate right off, he'd liquidate next day;
A sperrit uv contentment wuz a-broodin' all around
(Onlike the other sperrits wich in restauraws abound),
When, suddenly, we heerd from yonder kitchen-entry rise
A toon each ornery galoot appeared to recognize.

Perfesser Vere de Blaw for once eschewed his opry ways,
An' the remnants uv his mind went back to earlier, happier days,
An' grappled like an' wrassled with a' old familiar air
The wich we all uv us had heern, ez you have, everywhere!
Stock still we stopped,--some in their talk uv politics an' things,
I in my unobtrusive attempt to fill on kings,
'Nd Hoover leanin' on the bar, an' Casey at the till,--
We all stopped short an' held our breaths (ez a feller sometimes will),
An' sot there more like bumps on logs than healthy, husky men,
Ez the memories uv that old, old toon come sneakin' back again.

You've guessed it? No, you hav n't; for it wuzn't that there song
Uv the home we'd been away from an' had hankered for so long,--
No, sir; it wuzn't "Home, Sweet Home," though it's always heard around
Sech neighborhoods in wich the home that is "sweet home" is found.
And, ez for me, I seemed to see the past come back again,
And hear the deep-drawed sigh my sister Lucy uttered when
Her mother asked her if she 'd practised her two hours that day,
Wich, if she hadn't, she must go an' do it right away!
The homestead in the States 'nd all its memories seemed to come
A-floatin' round about me with that magic lumty-tum.

And then uprose a stranger wich had struck the camp that night;
His eyes wuz sot an' fireless, 'nd his face wuz spookish white,
'Nd he sez: "Oh, how I suffer there is nobody kin say,
Onless, like me, he's wrenched himself from home an' friends away
To seek surcease from sorrer in a fur, seclooded spot,
Only to find--alars, too late!--the wich surcease is not!
Only to find that there air things that, somehow, seem to live
For nothin' in the world but jest the misery they give!
I've travelled eighteen hundred miles, but that toon has got here first;
I'm done,--I'm blowed,--I welcome death, an' bid it do its worst!"

Then, like a man whose mind wuz sot on yieldin' to his fate,
He waltzed up to the counter an' demanded whiskey straight,
Wich havin' got outside uv,--both the likker and the door,--
We never seen that stranger in the bloom uv health no more!
But some months later, what the birds had left uv him wuz found
Associated with a tree, some distance from the ground;
And Husky Sam, the coroner, that set upon him, said
That two things wuz apparent, namely: first, deceast wuz dead;
And, second, previously had got involved beyond all hope
In a knotty complication with a yard or two uv rope!

 Night in the unslumbering forest! From the free,
Vast pinelands by the foot of man untrod,
Blows the wild wind, roaming rejoicingly
This wilderness of God;
And the tall firs that all day long have flung
Balsamic odors where the sunshine burned,
Chant to its harping primal epics learned
When this old world was young. 

Beyond the lake, white, girdling peaks uplift
Untroubled brows to virgin skies afar,
And o'er the uncertain water glimmers drift
Of fitful cloud and star.
Sure never day such mystic beauty held
As sylvan midnight here in this surcease
Of toil, when the kind darkness gives us peace
Garnered from years of eld. 

Lo! Hearken to the mountain waterfall
Laughing adown its pathway to the glen
And nearer, in the cedars, the low call
Of brook to brook again;
Voices that garish daytime may not know
Wander at will along the bosky steeps,
And silent, silver-footed moonlight creeps
Through the dim glades below. 

Oh, it is well to waken with the woods
And feel, as those who wait with God alone,
The forest's heart in these rare solitudes
Beating against our own.
Close-shut behind us are the gates of care,
Divinity enfolds us, prone to bless,
And our souls kneel. Night in the wilderness
Is one great prayer.

 APRILL: Ægloga QuartaTHENOT & HOBBINOLL
Tell me good Hobbinoll, what garres thee greete?
What? hath some Wolfe thy tender Lambes ytorne?
Or is thy Bagpype broke, that soundes so sweete?
Or art thou of thy loved lasse forlorne?

Or bene thine eyes attempred to the yeare,
Quenching the gasping furrowes thirst with rayne?
Like April shoure, so stremes the trickling teares
Adowne thy cheeke, to quenche thy thristye payne.

HOBBINOLL
Nor thys, nor that, so muche doeth make me mourne,
But for the ladde, whome long I lovd so deare,
Nowe loves a lasse, that all his love doth scorne:
He plongd in payne, his tressed locks dooth teare.

Shepheards delights he dooth them all forsweare,
Hys pleasaunt Pipe, whych made us meriment,
He wylfully hath broke, and doth forbeare
His wonted songs, wherein he all outwent.

THENOT
What is he for a Ladde, you so lament?
Ys love such pinching payne to them, that prove?
And hath he skill to make so excellent,
Yet hath so little skill to brydle love?

HOBBINOLL
Colin thou kenst, the Southerne shepheardes boye:
Him Love hath wounded with a deadly darte.
Whilome on him was all my care and joye,
Forcing with gyfts to winne his wanton heart.

But now from me hys madding mynd is starte,
And woes the Widdowes daughter of the glenne:
So nowe fayre Rosalind hath bredde hys smart,
So now his frend is chaunged for a frenne.

THENOT
But if hys ditties bene so trimly dight,
I pray thee Hobbinoll, recorde some one:
The whiles our flockes doe graze about in sight,
And we close shrowded in thys shade alone.

HOBBINOLL
Contented I: then will I singe his laye
Of fayre Elisa, Queene of shepheardes all:
Which once he made, as by a spring he laye,
And tuned it unto the Waters fall.

Ye dayntye Nymphs, that in this blessed Brooke
doe bathe your brest,
Forsake your watry bowres, and hether looke,
at my request:
And eke you Virgins, that on Parnasse dwell,
Whence floweth Helicon the learned well,
Helpe me to blaze
Her worthy praise,
Which in her sexe doth all excell.

Of fayre Eliza be your silver song,
that blessed wight:
The flowre of Virgins, may shee florish long,
In princely plight.
For shee is Syrinx daughter without spotte,
Which Pan the shepheards God of her begot:
So sprong her grace
Of heavenly race,
No mortall blemishe may her blotte.

See, where she sits upon the grassie greene,
(O seemely sight)
Yclad in Scarlot like a mayden Queene,
And Ermines white.
Upon her head a Cremosin coronet,
With Damaske roses and Daffadillies set:
Bayleaves betweene,
And Primroses greene
Embellish the sweete Violet.

Tell me, have ye seene her angelick face,
Like Ph{oe}be fayre?
Her heavenly haveour, her princely grace
can you well compare?
The Redde rose medled with the White yfere,
In either cheeke depeincten lively chere.
Her modest eye,
Her Majestie,
Where have you seene the like, but there?

I sawe Ph{oe}bus thrust out his golden hedde,
upon her to gaze:
But when he sawe, how broade her beames did spredde,
it did him amaze.
He blusht to see another Sunne belowe,
Ne durst againe his fyrye face out showe:
Let him, if he dare,
His brightnesse compare
With hers, to have the overthrowe.

Shewe thy selfe Cynthia with thy silver rayes,
and be not abasht:
When shee the beames of her beauty displayes,
O how art thou dasht?
But I will not match her with Latonaes seede,
Such follie great sorow to Niobe did breede.
Now she is a stone,
And makes dayly mone,
Warning all other to take heede.

Pan may be proud, that ever he begot
such a Bellibone,
And Syrinx rejoyse, that ever was her lot
to beare such an one.
Soone as my younglings cryen for the dam,
To her will I offer a milkwhite Lamb:
Shee is my goddesse plaine,
And I her shepherds swayne,
Albee forswonck and forswatt I am.

I see Calliope speede her to the place,
where my Goddesse shines:
And after her the other Muses trace,
with their Violines.
Bene they not Bay braunches, which they doe beare,
All for Elisa in her hand to weare?
So sweetely they play,
And sing all the way,
That it a heaven is to heare.

Lo how finely the graces can it foote
to the Instrument:
They dauncen deffly, and singen soote,
in their meriment.
Wants not a fourth grace, to make the daunce even?
Let that rowme to my Lady be yeven:
She shalbe a grace,
To fyll the fourth place,
And reigne with the rest in heaven.

And whither rennes this bevie of Ladies bright,
raunged in a rowe?
They bene all Ladyes of the lake behight,
that unto her goe.
Chloris, that is the chiefest Nymph of al,
Of Olive braunches beares a Coronall:
Olives bene for peace,
When wars doe surcease:
Such for a Princesse bene principall.

Ye shepheards daughters, that dwell on the greene,
hye you there apace:
Let none come there, but that Virgins bene,
to adorne her grace.
And when you come, whereas shee is in place,
See, that your rudeness doe not you disgrace:
Binde your fillets faste,
And gird in your waste,
For more finesse, with a tawdrie lace.

Bring hether the Pincke and purple Cullambine,
With Gelliflowres:
Bring Coronations, and Sops in wine,
worne of Paramoures.
Strowe me the ground with Daffadowndillies,
And Cowslips, and Kingcups, and loved Lillies:
The pretie Pawnce,
And the Chevisaunce,
Shall match with the fayre flowre Delice.

Now ryse up Elisa, decked as thou art,
in royall aray:
And now ye daintie Damsells may depart
echeone her way,
I feare, I have troubled your troupes to longe:
Let dame Eliza thanke you for her song.
And if you come hether,
When Damsines I gether,
I will part them all you among.
THENOT
And was thilk same song of Colins owne making?
Ah foolish boy, that is with love yblent:
Great pittie is, he be in such taking,
For naught caren, that bene so lewdly bent.
HOBBINOLL
Sicker I hold him, for a greater fon,
That loves the thing, he cannot purchase.
But let us homeward: for night draweth on,
And twincling starres the daylight hence chase.THENOTS EMBLEME


O quam te memorem virgo?HOBBINOLLS EMBLEME


O dea certe.

 Offended by a Book of the Writer's

NOW that my page upcloses, doomed, maybe,
Never to press thy cosy cushions more,
Or wake thy ready Yeas as heretofore,
Or stir thy gentle vows of faith in me:

Knowing thy natural receptivity,
I figure that, as flambeaux banish eve,
My sombre image, warped by insidious heave
Of those less forthright, must lose place in thee.

So be it. I have borne such. Let thy dreams
Of me and mine diminish day by day,
And yield their space to shine of smugger things;
Till I shape to thee but in fitful gleams,
And then in far and feeble visitings,
And then surcease. Truth will be truth alway.