Written by
John Keats |
MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot, 5
But being too happy in thine happiness,
That thou, light-wing¨¨d Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
10
O for a draught of vintage! that hath been
Cool'd a long age in the deep-delv¨¨d earth,
Tasting of Flora and the country-green,
Dance, and Proven?al song, and sunburnt mirth!
O for a beaker full of the warm South! 15
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stain¨¨d mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim: 20
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs, 25
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
30
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night, 35
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
40
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalm¨¨d darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild; 45
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
50
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mus¨¨d rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die, 55
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain¡ª
To thy high requiem become a sod.
60
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path 65
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
70
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:¡ªdo I wake or sleep? 80
|
Written by
Anne Kingsmill Finch |
In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.
|
Written by
Walt Whitman |
1
OVER the western sea, hither from Niphon come,
Courteous, the swart-cheek’d two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,
Ride to-day through Manhattan.
Libertad!
I do not know whether others behold what I behold,
In the procession, along with the nobles of Asia, the errand-bearers,
Bringing up the rear, hovering above, around, or in the ranks marching;
But I will sing you a song of what I behold, Libertad.
2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love;
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes;
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
delicate thin haze;
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
colors;
When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows;
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
densest;
When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
thousands
at a time;
When the guests from the islands advance—when the pageant moves forward, visible;
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
them.
3
Superb-faced Manhattan!
Comrade Americanos!—to us, then, at last, the Orient comes.
To us, my city,
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
between,
To-day our Antipodes comes.
The Originatress comes,
The nest of languages, the bequeather of poems, the race of eld,
Florid with blood, pensive, rapt with musings, hot with passion,
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes,
The race of Brahma comes!
4
See, my cantabile! these, and more, are flashing to us from the procession;
As it moves, changing, a kaleidoscope divine it moves, changing, before us.
For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
dead,
The murky night morning of wonder and fable, inscrutable,
The envelop’d mysteries, the old and unknown hive-bees,
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients,
Vast desolated cities—the gliding Present—all of these, and more, are in the
pageant-procession.
Geography, the world, is in it;
The Great Sea, the brood of islands, Polynesia, the coast beyond;
The coast you, henceforth, are facing—you Libertad! from your Western golden shores
The countries there, with their populations—the millions en-masse, are curiously here;
The swarming market places—the temples, with idols ranged along the sides, or at the
end—bonze,
brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman;
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors,
Confucius himself—the great poets and heroes—the warriors, the castes, all,
Trooping up, crowding from all directions—from the Altay mountains,
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia;
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me,
And I am seiz’d by them, and friendlily held by them,
Till, as here, them all I chant, Libertad! for themselves and for you.
5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant;
I chant the world on my Western Sea;
I chant, copious, the islands beyond, thick as stars in the sky;
I chant the new empire, grander than any before—As in a vision it comes to me;
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
sea-islands;
I chant my sail-ships and steam-ships threading the archipelagoes;
I chant my stars and stripes fluttering in the wind;
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;
Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
be,
Commencing from this day, surrounded by the world.
6
And you, Libertad of the world!
You shall sit in the middle, well-pois’d, thousands of years;
As to-day, from one side, the nobles of Asia come to you;
As to-morrow, from the other side, the Queen of England sends her eldest son to you.
7
The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done;
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
whole
box.
8
Young Libertad!
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all;
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
to
you;
Bend your proud neck low for once, young Libertad.
9
Were the children straying westward so long? so wide the tramping?
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
reasons?
They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
travel toward you thence;
They shall now also march obediently eastward, for your sake, Libertad.
|
Written by
Charlotte Bronte |
What is she writing? Watch her now,
How fast her fingers move !
How eagerly her youthful brow
Is bent in thought above !
Her long curls, drooping, shade the light,
She puts them quick aside,
Nor knows, that band of crystals bright,
Her hasty touch untied.
It slips adown her silken dress,
Falls glittering at her feet;
Unmarked it falls, for she no less
Pursues her labour sweet.
The very loveliest hour that shines,
Is in that deep blue sky;
The golden sun of June declines,
It has not caught her eye.
The cheerful lawn, and unclosed gate,
The white road, far away,
In vain for her light footsteps wait,
She comes not forth to-day.
There is an open door of glass
Close by that lady's chair,
From thence, to slopes of mossy grass,
Descends a marble stair.
Tall plants of bright and spicy bloom
Around the threshold grow;
Their leaves and blossoms shade the room,
From that sun's deepening glow.
Why does she not a moment glance
Between the clustering flowers,
And mark in heaven the radiant dance
Of evening's rosy hours ?
O look again ! Still fixed her eye,
Unsmiling, earnest, still,
And fast her pen and fingers fly,
Urged by her eager will.
Her soul is in th' absorbing task;
To whom, then, doth she write ?
Nay, watch her still more closely, ask
Her own eyes' serious light;
Where do they turn, as now her pen
Hangs o'er th' unfinished line ?
Whence fell the tearful gleam that then
Did in their dark spheres shine ?
The summer-parlour looks so dark,
When from that sky you turn,
And from th' expanse of that green park,
You scarce may aught discern.
Yet o'er the piles of porcelain rare,
O'er flower-stand, couch, and vase,
Sloped, as if leaning on the air,
One picture meets the gaze.
'Tis there she turns; you may not see
Distinct, what form defines
The clouded mass of mystery
Yon broad gold frame confines.
But look again; inured to shade
Your eyes now faintly trace
A stalwart form, a massive head,
A firm, determined face.
Black Spanish locks, a sunburnt cheek,
A brow high, broad, and white,
Where every furrow seems to speak
Of mind and moral might.
Is that her god ? I cannot tell;
Her eye a moment met
Th' impending picture, then it fell
Darkened and dimmed and wet.
A moment more, her task is done,
And sealed the letter lies;
And now, towards the setting sun
She turns her tearful eyes.
Those tears flow over, wonder not,
For by the inscription, see
In what a strange and distant spot
Her heart of hearts must be !
Three seas and many a league of land
That letter must pass o'er,
E'er read by him to whose loved hand
'Tis sent from England's shore.
Remote colonial wilds detain
Her husband, loved though stern;
She, 'mid that smiling English scene,
Weeps for his wished return.
|
Written by
Walt Whitman |
AARM’D year! year of the struggle!
No dainty rhymes or sentimental love verses for you, terrible year!
Not you as some pale poetling, seated at a desk, lisping cadenzas piano;
But as a strong man, erect, clothed in blue clothes, advancing, carrying a rifle on your
shoulder,
With well-gristled body and sunburnt face and hands—with a knife in the belt at your
side,
As I heard you shouting loud—your sonorous voice ringing across the continent;
Your masculine voice, O year, as rising amid the great cities,
Amid the men of Manhattan I saw you, as one of the workmen, the dwellers in Manhattan;
Or with large steps crossing the prairies out of Illinois and Indiana,
Rapidly crossing the West with springy gait, and descending the Alleghanies;
Or down from the great lakes, or in Pennsylvania, or on deck along the Ohio river;
Or southward along the Tennessee or Cumberland rivers, or at Chattanooga on the mountain
top,
Saw I your gait and saw I your sinewy limbs, clothed in blue, bearing weapons, robust
year;
Heard your determin’d voice, launch’d forth again and again;
Year that suddenly sang by the mouths of the round-lipp’d cannon,
I repeat you, hurrying, crashing, sad, distracted year.
|
Written by
Joseph Brodsky |
About a year has passed.
I've returned to the place of the battle
to its birds that have learned their unfolding of wings
from a subtle
lift of a surprised eyebrow or perhaps from a razor blade
- wings now the shade of early twilight now of state
bad blood.
Now the place is abuzz with trading
in your ankles's remanants bronzes
of sunburnt breastplates dying laughter bruises
rumors of fresh reserves memories of high treason
laundered banners with imprints of the many
who since have risen.
All's overgrown with people.
A ruin's a rather stubborn
architectural style.
And the hearts's distinction
from a pitch-black cavern
isn't that great; not great enough to fear
that we may collide again like blind eggs somewhere.
At sunrise when nobody stares at one's face I often
set out on foot to a monument cast in molten
lengthy bad dreams.
And it says on the plinth "commander
in chief.
" But it reads "in grief " or "in brief "
or "in going under.
"
1985 translated by the author.
|
Written by
Dorothea Mackeller |
My Country
The love of field and coppice
Of green and shaded lanes,
Of ordered woods and gardens
Is running in your veins.
Strong love of grey-blue distance,
Brown streams and soft, dim skies
I know, but cannot share it,
My love is otherwise.
I love a sunburnt country,
A land of sweeping plains,
Of ragged mountain ranges,
Of droughts and flooding rains.
I love her far horizons,
I love her jewel-sea,
Her beauty and her terror
The wide brown land for me!
The stark white ring-barked forests,
All tragic to the moon,
The sapphire-misted mountains,
The hot gold hush of noon,
Green tangle of the brushes
Where lithe lianas coil,
And orchids deck the tree-tops,
And ferns the warm dark soil.
Core of my heart, my country!
Her pitiless blue sky,
When, sick at heart, around us
We see the cattle die
But then the grey clouds gather,
And we can bless again
The drumming of an army,
The steady soaking rain.
Core of my heart, my country!
Land of the rainbow gold,
For flood and fire and famine
She pays us back threefold.
Over the thirsty paddocks,
Watch, after many days,
The filmy veil of greenness
That thickens as we gaze .
.
.
An opal-hearted country,
A wilful, lavish land
All you who have not loved her,
You will not understand
though Earth holds many splendours,
Wherever I may die,
I know to what brown country
My homing thoughts will fly.
|
Written by
Andrew Barton Paterson |
I
This is the sunburnt bushman who
Came down from Goondiwindi, Q.
II
This is the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.
III
These are the wealthy uncles -- two,
Part of the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.
IV
This is the game, by no means new,
Played by the wealthy uncles -- two,
Part of the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.
V
This is the trooper dressed in blue,
Who busted the game by no means new,
Played by the wealthy uncles -- two,
Part of the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.
VI
This is the magistrate who knew
Not only the trooper dressed in blue,
But also the game by no means new,
And likewise the wealthy uncles -- two,
And ditto the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.
VII
This is the tale that has oft gone through
On western plains where the skies are blue,
Till the native bear and the kangaroo
Have heard of the magistrate who knew
Not only the trooper dressed in blue,
But also the game by no means new,
And likewise the wealthy uncles -- two,
And ditto the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.
The Evening News, 17 Dec 1904
(This verse was published, copiously illustrated by Lionel Lindsay.
Each stanza had its own illustration.
)
The pronounciation of many Australian place-names can be quite unexpected.
Goondiwindi is a case in point.
The town is situated on the border of Queensland and New south Wales, on the banks of the Macintyre River, and its name is pronounced "gun-da-windy", with the main stress on the third syllable, a secondary stress on the first.
|
Written by
William Blake |
MY mother bore me in the southern wild,
And I am black, but O, my soul is white!
White as an angel is the English child,
But I am black, as if bereaved of light.
My mother taught me underneath a tree, 5
And, sitting down before the heat of day,
She took me on her lap and kiss¨¨d me,
And, pointing to the East, began to say:
'Look at the rising sun: there God does live,
And gives His light, and gives His heat away, 10
And flowers and trees and beasts and men receive
Comfort in morning, joy in the noonday.
'And we are put on earth a little space,
That we may learn to bear the beams of love;
And these black bodies and this sunburnt face 15
Are but a cloud, and like a shady grove.
'For when our souls have learn'd the heat to bear,
The cloud will vanish; we shall hear His voice,
Saying, "Come out from the grove, my love and care,
And round my golden tent like lambs rejoice.
"' 20
Thus did my mother say, and kiss¨¨d me,
And thus I say to little English boy.
When I from black and he from white cloud free,
And round the tent of God like lambs we joy,
I'll shade him from the heat till he can bear 25
To lean in joy upon our Father's knee;
And then I'll stand and stroke his silver hair,
And be like him, and he will then love me.
|
Written by
Louise Bogan |
You have put your two hands upon me, and your mouth,
You have said my name as a prayer.
Here where trees are planted by the water
I have watched your eyes, cleansed from regret,
And your lips, closed over all that love cannot say,
My mother remembers the agony of her womb
And long years that seemed to promise more than this.
She says, "You do not love me,
You do not want me,
You will go away.
"
In the country whereto I go
I shall not see the face of my friend
Nor her hair the color of sunburnt grasses;
Together we shall not find
The land on whose hills bends the new moon
In air traversed of birds.
What have I thought of love?
I have said, "It is beauty and sorrow.
"
I have thought that it would bring me lost delights, and splendor
As a wind out of old time .
.
.
But there is only the evening here,
And the sound of willows
Now and again dipping their long oval leaves in the water.
|