10 Best Famous Statesmen Poems

Here is a collection of the top 10 all-time best famous Statesmen poems. This is a select list of the best famous Statesmen poetry. Reading, writing, and enjoying famous Statesmen poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of statesmen poems.

• All Famous Statesmen Poems

 I

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

 In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

 In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

 Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.


II

What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.

 That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.

 The houses are all gone under the sea.

 The dancers are all gone under the hill.


III

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.

 You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
 You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
 You must go by a way which is the way of ignorance.
In order to possess what you do not possess
 You must go by the way of dispossession.
In order to arrive at what you are not
 You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.


IV

The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer's art
Resolving the enigma of the fever chart.

 Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam's curse,
And that, to be restored, our sickness must grow worse.

 The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.

 The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.

 The dripping blood our only drink,
The bloody flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.


V

So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l'entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.

 Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.

 Pindaric Ode

"Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho' fanned by Conquest's crimson wing,
They mock the air with idle state.
Helm, nor hauberk's twisted mail,
Nor e'en thy virtues, Tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria's curse, from Cambria's tears!"
Such were the sounds that o'er the crested pride
Of the first Edward scattered wild dismay,
As down the steep of Snowdon's shaggy side
He wound with toilsome march his long array.
Stout Glo'ster stood aghast in speechless trance:
"To arms!" cried Mortimer, and couched his quiv'ring lance.

On a rock, whose haughty brow
Frowns o'er cold Conway's foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Streamed like a meteor to the troubled air)
And with a master's hand, and prophet's fire,
Struck the deep sorrows of his lyre.
"Hark, how each giant-oak and desert-cave
Sighs to the torrent's awful voice beneath!
O'er thee, O King! their hundred arms they wave,
Revenge on thee in hoarser murmurs breathe;
Vocal no more, since Cambria's fatal day,
To high-born Hoel's harp, or soft Llewellyn's lay.

"Cold is Cadwallo's tongue,
That hushed the stormy main;
Brave Urien sleeps upon his craggy bed:
Mountains, ye mourn in vain
Modred, whose magic song
Made huge Plinlimmon bow his cloud-topt head.
On dreary Arvon's shore they lie,
Smeared with gore, and ghastly pale:
Far, far aloof th' affrighted ravens sail;
The famished eagle screams, and passes by.
Dear lost companions of my tuneful art,
Dear as the light that visits these sad eyes,
Dear as the ruddy drops that warm my heart,
Ye died amidst your dying country's cries— 
No more I weep. They do not sleep.
On yonder cliffs, a grisly band,
I see them sit; they linger yet,
Avengers of their native land:
With me in dreadful harmony they join,
And weave with bloody hands the tissue of thy line.

"Weave, the warp! and weave, the woof!
The winding sheet of Edward's race:
Give ample room and verge enough
The characters of hell to trace.
Mark the year and mark the night
When Severn shall re-echo with affright
The shrieks of death, thro' Berkley's roof that ring,
Shrieks of an agonizing king!
She-wolf of France, with unrelenting fangs,
That tear'st the bowels of thy mangled mate,
From thee be born, who o'er thy country hangs
The scourge of Heaven! What terrors round him wait!
Amazement in his van, with Flight combined,
And Sorrow's faded form, and Solitude behind.

"Mighty victor, mighty lord!
Low on his funeral couch he lies!
No pitying heart, no eye, afford
A tear to grace his obsequies.
Is the sable warrior fled?
Thy son is gone. He rests among the dead.
The swarm that in thy noon-tide beam were born?
Gone to salute the rising morn.
Fair laughs the morn, and soft the zephyr blows,
While proudly riding o'er the azure realm
In gallant trim the gilded vessel goes:
Youth on the prow, and Pleasure at the helm:
Regardless of the sweeping whirlwind's sway,
That, hushed in grim repose, expects his ev'ning prey.

"Fill high the sparkling bowl,
The rich repast prepare;
Reft of a crown, he yet may share the feast:
Close by the regal chair
Fell Thirst and Famine scowl
A baleful smile upon their baffled guest.
Heard ye the din of battle bray,
Lance to lance, and horse to horse?
Long years of havoc urge their destined course,
And thro' the kindred squadrons mow their way.
Ye towers of Julius, London's lasting shame,
With many a foul and midnight murder fed,
Revere his consort's faith, his father's fame,
And spare the meek usurper's holy head.
Above, below, the rose of snow,
Twined with her blushing foe, we spread:
The bristled Boar in infant-gore
Wallows beneath the thorny shade.
Now, brothers, bending o'er the accursed loom,
Stamp we our vengeance deep, and ratify his doom.

"Edward, lo! to sudden fate
(Weave we the woof. The thread is spun.)
Half of thy heart we consecrate.
(The web is wove. The work is done.)
Stay, oh stay! nor thus forlorn
Leave me unblessed, unpitied, here to mourn:
In yon bright track that fires the western skies
They melt, they vanish from my eyes.
But oh! what solemn scenes on Snowdon's height
Descending slow their glittering skirts unroll?
Visions of glory, spare my aching sight,
Ye unborn ages, crowd not on my soul!
No more our long-lost Arthur we bewail.
All hail, ye genuine kings! Britannia's issue, hail!

"Girt with many a baron bold
Sublime their starry fronts they rear;
And gorgeous dames, and statesmen old
In bearded majesty, appear.
In the midst a form divine!
Her eye proclaims her of the Briton-line:
Her lion-port, her awe-commanding face,
Attempered sweet to virgin grace.
What strings symphonious tremble in the air,
What strains of vocal transport round her play!
Hear from the grave, great Taliessin, hear;
They breathe a soul to animate thy clay.
Bright Rapture calls, and soaring as she sings,
Waves in the eye of heav'n her many-coloured wings.

"The verse adorn again
Fierce War, and faithful Love,
And Truth severe, by fairy Fiction drest.
In buskined measures move
Pale Grief, and pleasing Pain,
With Horror, tyrant of the throbbing breast.
A voice, as of the cherub-choir,
Gales from blooming Eden bear;
And distant warblings lessen on my ear,
That lost in long futurity expire.
Fond impious man, think'st thou yon sanguine cloud,
Raised by thy breath, has quenched the orb of day?
Tomorrow he repairs the golden flood,
And warms the nations with redoubled ray.
Enough for me: with joy I see
The diff'rent doom our fates assign.
Be thine Despair and sceptred Care;
To triumph and to die are mine."
He spoke, and headlong from the mountain's height
Deep in the roaring tide he plunged to endless night.

 Let me take this other glove off
As the vox humana swells,
And the beauteous fields of Eden
Bask beneath the Abbey bells.
Here, where England's statesmen lie,
Listen to a lady's cry.

Gracious Lord, oh bomb the Germans,
Spare their women for Thy Sake,
And if that is not too easy
We will pardon Thy Mistake.
But, gracious Lord, whate'er shall be,
Don't let anyone bomb me.

Keep our Empire undismembered
Guide our Forces by Thy Hand,
Gallant blacks from far Jamaica,
Honduras and Togoland;
Protect them Lord in all their fights,
And, even more, protect the whites.

Think of what our Nation stands for,
Books from Boots' and country lanes,
Free speech, free passes, class distinction,
Democracy and proper drains.
Lord, put beneath Thy special care
One-eighty-nine Cadogan Square.

Although dear Lord I am a sinner,
I have done no major crime;
Now I'll come to Evening Service
Whensoever I have the time.
So, Lord, reserve for me a crown,
And do not let my shares go down.

I will labour for Thy Kingdom,
Help our lads to win the war,
Send white feathers to the cowards
Join the Women's Army Corps,
Then wash the steps around Thy Throne
In the Eternal Safety Zone.

Now I feel a little better,
What a treat to hear Thy Word,
Where the bones of leading statesmen
Have so often been interr'd.
And now, dear Lord, I cannot wait
Because I have a luncheon date.

 THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
 The peopled fold thy kindly care have found,
The hornèd bull, tremendous, spurns the ground;
The lordly lion has enough and more,
The forest trembles at his very roar;
Thou giv’st the ass his hide, the snail his shell,
The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour,
In all th’ omnipotence of rule and power:
Foxes and statesmen subtle wiles ensure;
The cit and polecat stink, and are secure:
Toads with their poison, doctors with their drug,
The priest and hedgehog, in their robes, are snug:
E’en silly women have defensive arts,
Their eyes, their tongues—and nameless other parts.
 But O thou cruel stepmother and hard,
To thy poor fenceless, naked child, the Bard!
A thing unteachable in worldly skill,
And half an idiot too, more helpless still:
No heels to bear him from the op’ning dun,
No claws to dig, his hated sight to shun:
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea’s horn:
No nerves olfact’ry, true to Mammon’s foot,
Or grunting, grub sagacious, evil’s root:
The silly sheep that wanders wild astray,
Is not more friendless, is not more a prey;
Vampyre-booksellers drain him to the heart,
And viper-critics cureless venom dart.
 Critics! appll’d I venture on the name,
Those cut-throat bandits in the paths of fame,
Bloody dissectors, worse than ten Monroes,
He hacks to teach, they mangle to expose:
By blockhead’s daring into madness stung,
His heart by wanton, causeless malice wrung,
His well-won ways-than life itself more dear—
By miscreants torn who ne’er one sprig must wear;
Foil’d, bleeding, tortur’d in th’ unequal strife,
The hapless Poet flounces on through life,
Till, fled each hope that once his bosom fired,
And fled each Muse that glorious once inspir’d,
Low-sunk in squalid, unprotected age,
Dead even resentment for his injur’d page,
He heeds no more the ruthless critics’ rage.
 So by some hedge the generous steed deceas’d,
For half-starv’d, snarling curs a dainty feast;
By toil and famine worn to skin and bone,
Lies, senseless of each tugging *****’s son.
 · · · · · · A little upright, pert, tart, tripping wight,
And still his precious self his dear delight;
Who loves his own smart shadow in the streets,
Better than e’er the fairest she he meets;
Much specious lore, but little understood,
(Veneering oft outshines the solid wood),
His solid sense, by inches you must tell,
But mete his cunning by the Scottish ell!
A man of fashion too, he made his tour,
Learn’d “vive la bagatelle et vive l’amour;”
So travell’d monkeys their grimace improve,
Polish their grin-nay, sigh for ladies’ love!
His meddling vanity, a busy fiend,
Still making work his selfish craft must mend.
 · · · · · · · · · · · · · · · Crochallan came,
The old cock’d hat, the brown surtout—the same;
His grisly beard just bristling in its might—
’Twas four long nights and days from shaving-night;
His uncomb’d, hoary locks, wild-staring, thatch’d
A head, for thought profound and clear, unmatch’d;
Yet, tho’ his caustic wit was biting-rude,
His heart was warm, benevolent and good.
 · · · · · · O Dulness, portion of the truly blest!
Calm, shelter’d haven of eternal rest!
Thy sons ne’er madden in the fierce extremes
Of Fortune’s polar frost, or torrid beams;
If mantling high she fills the golden cup,
With sober, selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder “some folks” do not starve!
The grave, sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope,
When, thro’ disastrous night, they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that “fools are Fortune’s care:”
So, heavy, passive to the tempest’s shocks,
Strong on the sign-post stands the stupid ox.
 Not so the idle Muses’ mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heaven, or vaulted hell!

 Close by those meads, for ever crown'd with flow'rs, 
Where Thames with pride surveys his rising tow'rs,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom
Of foreign tyrants and of nymphs at home;
Here thou, great Anna! whom three realms obey,
Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort,
To taste awhile the pleasures of a court;
In various talk th' instructive hours they pass'd,
Who gave the ball, or paid the visit last;
One speaks the glory of the British queen,
And one describes a charming Indian screen;
A third interprets motions, looks, and eyes;
At ev'ry word a reputation dies.
Snuff, or the fan, supply each pause of chat,
With singing, laughing, ogling, and all that.

Meanwhile, declining from the noon of day,
The sun obliquely shoots his burning ray;
The hungry judges soon the sentence sign,
And wretches hang that jury-men may dine;
The merchant from th' Exchange returns in peace,
And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites,
Burns to encounter two adventrous knights,
At ombre singly to decide their doom;
And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join,
Each band the number of the sacred nine.
Soon as she spreads her hand, th' aerial guard
Descend, and sit on each important card:
First Ariel perch'd upon a Matadore,
Then each, according to the rank they bore;
For Sylphs, yet mindful of their ancient race,
Are, as when women, wondrous fond of place.

Behold, four Kings in majesty rever'd,
With hoary whiskers and a forky beard;
And four fair Queens whose hands sustain a flow'r,
Th' expressive emblem of their softer pow'r;
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberds in their hand;
And parti-colour'd troops, a shining train,
Draw forth to combat on the velvet plain.

The skilful nymph reviews her force with care:
"Let Spades be trumps!" she said, and trumps they were.

Now move to war her sable Matadores,
In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord!
Led off two captive trumps, and swept the board.
As many more Manillio forc'd to yield,
And march'd a victor from the verdant field.
Him Basto follow'd, but his fate more hard
Gain'd but one trump and one plebeian card.
With his broad sabre next, a chief in years,
The hoary Majesty of Spades appears;
Puts forth one manly leg, to sight reveal'd;
The rest, his many-colour'd robe conceal'd.
The rebel Knave, who dares his prince engage,
Proves the just victim of his royal rage.
Ev'n mighty Pam, that kings and queens o'erthrew
And mow'd down armies in the fights of loo,
Sad chance of war! now destitute of aid,
Falls undistinguish'd by the victor Spade!

Thus far both armies to Belinda yield;
Now to the baron fate inclines the field.
His warlike Amazon her host invades,
Th' imperial consort of the crown of Spades.
The Club's black tyrant first her victim died,
Spite of his haughty mien, and barb'rous pride:
What boots the regal circle on his head,
His giant limbs, in state unwieldy spread;
That long behind he trails his pompous robe,
And of all monarchs, only grasps the globe?

The baron now his diamonds pours apace;
Th' embroider'd King who shows but half his face,
And his refulgent Queen, with pow'rs combin'd
Of broken troops an easy conquest find.
Clubs, Diamonds, Hearts, in wild disorder seen,
With throngs promiscuous strow the level green.
Thus when dispers'd a routed army runs,
Of Asia's troops, and Afric's sable sons,
With like confusion diff'rent nations fly,
Of various habit, and of various dye,
The pierc'd battalions disunited fall.
In heaps on heaps; one fate o'erwhelms them all.

The Knave of Diamonds tries his wily arts,
And wins (oh shameful chance!) the Queen of Hearts.
At this, the blood the virgin's cheek forsook,
A livid paleness spreads o'er all her look;
She sees, and trembles at th' approaching ill,
Just in the jaws of ruin, and codille.
And now (as oft in some distemper'd state)
On one nice trick depends the gen'ral fate.
An Ace of Hearts steps forth: The King unseen
Lurk'd in her hand, and mourn'd his captive Queen:
He springs to vengeance with an eager pace,
And falls like thunder on the prostrate Ace.
The nymph exulting fills with shouts the sky;
The walls, the woods, and long canals reply.


Oh thoughtless mortals! ever blind to fate,
Too soon dejected, and too soon elate!
Sudden, these honours shall be snatch'd away,
And curs'd for ever this victorious day.


For lo! the board with cups and spoons is crown'd,
The berries crackle, and the mill turns round.
On shining altars of Japan they raise
The silver lamp; the fiery spirits blaze.
From silver spouts the grateful liquors glide,
While China's earth receives the smoking tide.
At once they gratify their scent and taste,
And frequent cups prolong the rich repast.
Straight hover round the fair her airy band;
Some, as she sipp'd, the fuming liquor fann'd,
Some o'er her lap their careful plumes display'd,
Trembling, and conscious of the rich brocade.
Coffee, (which makes the politician wise,
And see through all things with his half-shut eyes)
Sent up in vapours to the baron's brain
New stratagems, the radiant lock to gain.
Ah cease, rash youth! desist ere 'tis too late,
Fear the just gods, and think of Scylla's fate!
Chang'd to a bird, and sent to flit in air,
She dearly pays for Nisus' injur'd hair!


But when to mischief mortals bend their will,
How soon they find fit instruments of ill!
Just then, Clarissa drew with tempting grace
A two-edg'd weapon from her shining case;
So ladies in romance assist their knight
Present the spear, and arm him for the fight.
He takes the gift with rev'rence, and extends
The little engine on his fingers' ends;
This just behind Belinda's neck he spread,
As o'er the fragrant steams she bends her head.
Swift to the lock a thousand sprites repair,
A thousand wings, by turns, blow back the hair,
And thrice they twitch'd the diamond in her ear,
Thrice she look'd back, and thrice the foe drew near.
Just in that instant, anxious Ariel sought
The close recesses of the virgin's thought;
As on the nosegay in her breast reclin'd,
He watch'd th' ideas rising in her mind,
Sudden he view'd, in spite of all her art,
An earthly lover lurking at her heart.
Amaz'd, confus'd, he found his pow'r expir'd,
Resign'd to fate, and with a sigh retir'd.


The peer now spreads the glitt'ring forfex wide,
T' inclose the lock; now joins it, to divide.
Ev'n then, before the fatal engine clos'd,
A wretched Sylph too fondly interpos'd;
Fate urg'd the shears, and cut the Sylph in twain,
(But airy substance soon unites again).
The meeting points the sacred hair dissever
From the fair head, for ever, and for ever!


Then flash'd the living lightning from her eyes,
And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying Heav'n are cast,
When husbands or when lap-dogs breathe their last,
Or when rich China vessels, fall'n from high,
In glitt'ring dust and painted fragments lie!


"Let wreaths of triumph now my temples twine,"
The victor cried, "the glorious prize is mine!
While fish in streams, or birds delight in air,
Or in a coach and six the British fair,
As long at Atalantis shall be read,
Or the small pillow grace a lady's bed,
While visits shall be paid on solemn days,
When num'rous wax-lights in bright order blaze,
While nymphs take treats, or assignations give,
So long my honour, name, and praise shall live!
What time would spare, from steel receives its date,
And monuments, like men, submit to fate!
Steel could the labour of the gods destroy,
And strike to dust th' imperial tow'rs of Troy;
Steel could the works of mortal pride confound,
And hew triumphal arches to the ground.
What wonder then, fair nymph! thy hairs should feel
The conqu'ring force of unresisted steel?"

 As one put drunk into the Packet-boat,
Tom May was hurry'd hence and did not know't.
But was amaz'd on the Elysian side,
And with an Eye uncertain, gazing wide,
Could not determine in what place he was,
For whence in Stevens ally Trees or Grass.
Nor where the Popes head, nor the Mitre lay,
Signs by which still he found and lost his way.
At last while doubtfully he all compares,
He saw near hand, as he imagin'd Ares.
Such did he seem for corpulence and port,
But 'twas a man much of another sort;
'Twas Ben that in the dusky Laurel shade
Amongst the Chorus of old Poets laid,
Sounding of ancient Heroes, such as were
The Subjects Safety, and the Rebel's Fear.
But how a double headed Vulture Eats,
Brutus and Cassius the Peoples cheats.
But seeing May he varied streight his song,
Gently to signifie that he was wrong.
Cups more then civil of Emilthian wine,
I sing (said he) and the Pharsalian Sign,
Where the Historian of the Common-wealth
In his own Bowels sheath'd the conquering health.
By this May to himself and them was come,
He found he was tranflated, and by whom.
Yet then with foot as stumbling as his tongue
Prest for his place among the Learned throng.
But Ben, who knew not neither foe nor friend,
Sworn Enemy to all that do pretend,
Rose more then ever he was seen severe,
Shook his gray locks, and his own Bayes did tear
At this intrusion. Then with Laurel wand,
The awful Sign of his supream command.
At whose dread Whisk Virgil himself does quake,
And Horace patiently its stroke does take,
As he crowds in he whipt him ore the pate
Like Pembroke at the Masque, and then did rate.
Far from these blessed shades tread back agen
Most servil' wit, and Mercenary Pen.
Polydore, Lucan, Allan, Vandale, Goth,
Malignant Poet and Historian both.
Go seek the novice Statesmen, and obtrude
On them some Romane cast similitude,
Tell them of Liberty, the Stories fine,
Until you all grow Consuls in your wine.
Or thou Dictator of the glass bestow
On him the Cato, this the Cicero.
Transferring old Rome hither in your talk,
As Bethlem's House did to Loretto walk.
Foul Architect that hadst not Eye to see
How ill the measures of these States agree.
And who by Romes example England lay,
Those but to Lucan do continue May.
But the nor Ignorance nor seeming good
Misled, but malice fixt and understood.
Because some one than thee more worthy weares
The sacred Laurel, hence are all these teares?
Must therefore all the World be set on flame,
Because a Gazet writer mist his aim?
And for a Tankard-bearing Muse must we
As for the Basket Guelphs and Gibellines be?
When the Sword glitters ore the Judges head,
And fear has Coward Churchmen silenced,
Then is the Poets time, 'tis then he drawes,
And single fights forsaken Vertues cause.
He, when the wheel of Empire, whirleth back,
And though the World disjointed Axel crack,
Sings still of ancient Rights and better Times,
Seeks wretched good, arraigns successful Crimes.
But thou base man first prostituted hast
Our spotless knowledge and the studies chast.
Apostatizing from our Arts and us,
To turn the Chronicler to Spartacus.
Yet wast thou taken hence with equal fate,
Before thou couldst great Charles his death relate.
But what will deeper wound thy little mind,
Hast left surviving Davenant still behind
Who laughs to see in this thy death renew'd,
Right Romane poverty and gratitude.
Poor Poet thou, and grateful Senate they,
Who thy last Reckoning did so largely pay.
And with the publick gravity would come,
When thou hadst drunk thy last to lead thee home.
If that can be thy home where Spencer lyes
And reverend Chaucer, but their dust does rise
Against thee, and expels thee from their side,
As th' Eagles Plumes from other birds divide.
Nor here thy shade must dwell, Return, Return,
Where Sulphrey Phlegeton does ever burn.
The Cerberus with all his Jawes shall gnash,
Megera thee with all her Serpents lash.
Thou rivited unto Ixion's wheel
Shalt break, and the perpetual Vulture feel.
'Tis just what Torments Poets ere did feign,
Thou first Historically shouldst sustain.
Thus by irrevocable Sentence cast,
May only Master of these Revels past.
And streight he vanisht in a Cloud of Pitch,
Such as unto the Sabboth bears the Witch.

 SECTION ONE

"Give the engines room,
Give the engines room."
Louder, faster
The little band-master
Whips up the fluting,
Hurries up the tooting.
He thinks that he stands,
[*] The reins in his hands, 
In the fire-chief's place 
In the night alarm chase. 
The cymbals whang, 
The kettledrums bang: —
"Clear the street, 
Clear the street, 
Clear the street — Boom, boom. 
In the evening gloom, 
In the evening gloom,
Give the engines room,
Give the engines room.
Lest souls be trapped
In a terrible tomb."
The sparks and the pine-brands
Whirl on high
From the black and reeking alleys
To the wide red sky.
Hear the hot glass crashing,
Hear the stone steps hissing.
Coal black streams
Down the gutters pour.
There are cries for help
From a far fifth floor.
For a longer ladder
Hear the fire-chief call.
Listen to the music
Of the firemen's ball.
Listen to the music
Of the firemen's ball.
"'Tis the 
NIGHT 
Of doom,"
Say the ding-dong doom-bells.
"NIGHT
Of doom,"
Say the ding-dong doom-bells.

Faster, faster
The red flames come.
"Hum grum," say the engines,
"Hum grum grum."
"Buzz, buzz,"
Says the crowd.
"See, see,"
Calls the crowd.
And the high walls fall:—
Listen to the music
Of the firemen's ball
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
NIGHT
Of doom,
Say the ding-dong doom-bells.
Whangaranga, whangaranga,
Whang, whang, whang,
Clang, clang, clangaranga,
Clang, clang, clang. 
Clang—a—ranga—
Clang—a—ranga—
Clang,
Clang,
Clang.
Listen—to—the—music—
Of the firemen's ball—


SECTION TWO

"Many's the heart that's breaking
If we could read them all
After the ball is over."

(An old song.)

Scornfully, gaily 
The bandmaster sways, 
Changing the strain 
That the wild band plays. 
With a red and royal intoxication,
A tangle of sounds
And a syncopation,
Sweeping and bending
From side to side,
Master of dreams,
With a peacock pride.
A lord of the delicate flowers of delight
He drives compunction
Back through the night.
Dreams he's a soldier
Plumed and spurred,
And valiant lads
Arise at his word,
Flaying the sober
Thoughts he hates,
Driving them back
From the dream-town gates.
How can the languorous
Dancers know
The red dreams come
When the good dreams go?
'"Tis the 
NIGHT 
Of love," 
Call the silver joy-bells, 
"NIGHT
Of love,"
Call the silver joy-bells.
"Honey and wine,
Honey and wine.
Sing low, now, violins,
Sing, sing low,
Blow gently, wood-wind,
Mellow and slow.
Like midnight poppies
The sweethearts bloom.
Their eyes flash power,
Their lips are dumb.
Faster and faster
Their pulses come,
Though softer now
The drum-beats fall.
Honey and wine,
Honey and wine.
'Tis the firemen's ball,
'Tis the firemen's ball.

"I am slain," 
Cries true-love 
There in the shadow.
"And I die,"
Cries true-love,
There laid low.
"When the fire-dreams come,
The wise dreams go."
BUT HIS CRY IS DROWNED 
BY THE PROUD BAND-MASTER. 

And now great gongs whang, 
Sharper, faster, 
And kettledrums rattle 
And hide the shame 
With a swish and a swirk 
In dead love's name.
Red and crimson
And scarlet and rose
Magical poppies
The sweethearts bloom.
The scarlet stays
When the rose-flush goes,
And love lies low
In a marble tomb.
"'Tis the
NIGHT
Of doom,"
Call the ding-dong doom-bells.
"NIGHT
Of Doom,"
Call the ding-dong doom-bells.
Hark how the piccolos still make cheer. 
'Tis a moonlight night in the spring of the year."
CLANGARANGA, CLANGARANGA, 
CLANG . . . CLANG . . . CLANG.
CLANG . . . A . . . RANGA . . .
CLANG . . . A . . . RANGA . . . 
CLANG . . . CLANG . . . CLANG . . . 
LISTEN . . . TO . . . THE . . . MUSIC . . . 
OF . . . THE . . . FIREMEN'S BALL . . . 
LISTEN . . . TO . . . THE . . . MUSIC . . . 
OF . . . THE . . . FIREMEN'S . . . BALL . . . 


SECTION THREE

In Which, contrary to Artistic Custom, the moral of the piece is placed before the reader.

(From the first Khandaka of the Mahavagga: "There Buddha thus addressed his disciples: 'Everything, O mendicants, is burning. With what fire is it burning? I declare unto you it is burning with the fire of passion, with the fire of anger, with the fire of ignorance. It is burning with the anxieties of birth, decay and death, grief, lamentation, suffering and despair. . . . A disciple, . . . becoming weary of all that, divests himself of passion. By absence of passion, he is made free.'")


I once knew a teacher, 
Who turned from desire, 
Who said to the young men 
"Wine is a fire."
Who said to the merchants:—
"Gold is a flame
That sears and tortures
If you play at the game."
I once knew a teacher
Who turned from desire
Who said to the soldiers,
"Hate is a fire."
Who said to the statesmen:—
"Power is a flame
That flays and blisters
If you play at the game."
I once knew a teacher
Who turned from desire,
Who said to the lordly,
"Pride is a fire."
Who thus warned the revellers:—
"Life is a flame.
Be cold as the dew
Would you win at the game
With hearts like the stars,
With hearts like the stars."
SO BEWARE, 
SO BEWARE, 
SO BEWARE OF THE FIRE.
Clear the streets,
BOOM, BOOM,
Clear the streets,
BOOM, BOOM,
GIVE THE ENGINES ROOM,
GIVE THE ENGINES ROOM,
LEST SOULS BE TRAPPED
IN A TERRIBLE TOMB.
SAYS THE SWIFT WHITE HORSE
TO THE SWIFT BLACK HORSE:—
"THERE GOES THE ALARM,
THERE GOES THE ALARM.
THEY ARE HITCHED, THEY ARE OFF,
THEY ARE GONE IN A FLASH,
AND THEY STRAIN AT THE DRIVER'S IRON ARM."
CLANG . . . A . . . RANGA, . . . CLANG.. A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG . . . .

 Now the New Year, reviving last Year's Debt,
The Thoughtful Fisher casteth wide his Net;
 So I with begging Dish and ready Tongue
Assail all Men for all that I can get.

Imports indeed are gone with all their Dues --
Lo! Salt a Lever that I dare not use,
 Nor may I ask the Tillers in Bengal --
Surely my Kith and Kin will not refuse!

Pay -- and I promise by the Dust of Spring,
Retrenchment. If my promises can bring
 Comfort, Ye have Them now a thousandfold --
By Allah! I will promise Anything!

Indeed, indeed, Retrenchment oft before
I sore -- but did I mean it when I swore?
 And then, and then, We wandered to the Hills,
And so the Little Less became Much More.

Whether a Boileaugunge or Babylon,
I know not how the wretched Thing is done,
 The Items of Receipt grow surely small;
The Items of Expense mount one by one.

I cannot help it. What have I to do
With One and Five, or Four, or Three, or Two?
 Let Scribes spit Blood and Sulphur as they please,
Or Statesmen call me foolish -- Heed not you.

Behold, I promise -- Anything You will.
Behold, I greet you with an empty Till --
 Ah! Fellow-Sinners, of your Charity
Seek not the Reason of the Dearth, but fill.

For if I sinned and fell, where lies the Gain
Of Knowledge? Would it ease you of your Pain
 To know the tangled Threads of Revenue,
I ravel deeper in a hopeless Skein?

"Who hath not Prudence" -- what was it I said,
Of Her who paints her Eyes and tires Her Head,
 And gibes and mocks and People in the Street,
And fawns upon them for Her thriftless Bread?

Accursed is She of Eve's daughters -- She
Hath cast off Prudence, and Her End shall be
 Destruction . . . Brethren, of your Bounty
Some portion of your daily Bread to Me.

 She was taught desire in the street, 
Not at the angels' feet. 
By the good no word was said 
Of the worth of the bridal bed. 
The secret was learned from the vile, 
Not from her mother's smile. 
Home spoke not. And the girl 
Was caught in the public whirl. 
Do you say "She gave consent: 
Life drunk, she was content 
With beasts that her fire could please?" 
But she did not choose disease 
Of mind and nerves and breath. 
She was trapped to a slow, foul death. 
The door was watched so well, 
That the steep dark stair to hell 
Was the only escaping way... 
"She gave consent," you say? 

Some think she was meek and good, 
Only lost in the wood 
Of youth, and deceived in man 
When the hunger of sex began 
That ties the husband and wife 
To the end in a strong fond life. 
Her captor, by chance was one 
Of those whose passion was done, 
A cold fierce worm of the sea 
Enslaving for you and me. 
The wages the poor must take 
Have forced them to serve this snake. 
Yea, half-paid girls must go 
For bread to his pit below. 
What hangman shall wait his host 
Of butchers from coast to coast, 
New York to the Golden Gate — 
The merger of death and fate, 
Lust-kings with a careful plan 
Clean-cut, American? 

In liberty's name we cry 
For these women about to die. 

O mothers who failed to tell 
The mazes of heaven and hell, 
Who failed to advise, implore 
Your daughters at Love's strange door, 
What will you do this day? 
Your dear ones are hidden away, 
As good as chained to the bed, 
Hid like the mad, or the dead: — 
The glories of endless years 
Drowned in their harlot-tears: 
The children they hoped to bear, 
Grandchildren strong and fair, 
The life for ages to be, 
Cut off like a blasted tree, 
Murdered in filth in a day, 
Somehow, by the merchant gay! 

In liberty's name we cry 
For these women about to die. 

What shall be said of a state 
Where traps for the white brides wait? 
Of sellers of drink who play 
The game for the extra pay? 
Of statesmen in league with all 
Who hope for the girl-child's fall? 
Of banks where hell's money is paid 
And Pharisees all afraid 
Of pandars that help them sin? 
When will our wrath begin?

 LATE crippl’d of an arm, and now a leg,
About to beg a pass for leave to beg;
Dull, listless, teas’d, dejected, and deprest
(Nature is adverse to a cripple’s rest);
Will generous Graham list to his Poet’s wail?
(It soothes poor Misery, hearkening to her tale)
And hear him curse the light he first survey’d,
And doubly curse the luckless rhyming trade?


 Thou, Nature! partial Nature, I arraign;
Of thy caprice maternal I complain;
The lion and the bull thy care have found,
One shakes the forests, and one spurns the ground;
Thou giv’st the ass his hide, the snail his shell;
Th’ envenom’d wasp, victorious, guards his cell;
Thy minions kings defend, control, devour,
In all th’ omnipotence of rule and power;
Foxes and statesmen subtile wiles ensure;
The cit and polecat stink, and are secure;
Toads with their poison, doctors with their drug,
The priest and hedgehog in their robes, are snug;
Ev’n silly woman has her warlike arts,
Her tongue and eyes—her dreaded spear and darts.


 But Oh! thou bitter step-mother and hard,
To thy poor, fenceless, naked child—the Bard!
A thing unteachable in world’s skill,
And half an idiot too, more helpless still:
No heels to bear him from the op’ning dun;
No claws to dig, his hated sight to shun;
No horns, but those by luckless Hymen worn,
And those, alas! not, Amalthea’s horn:
No nerves olfact’ry, Mammon’s trusty cur,
Clad in rich Dulness’ comfortable fur;
In naked feeling, and in aching pride,
He bears th’ unbroken blast from ev’ry side:
Vampyre booksellers drain him to the heart,
And scorpion critics cureless venom dart.


 Critics—appall’d, I venture on the name;
Those cut-throat bandits in the paths of fame:
Bloody dissectors, worse than ten Monroes;
He hacks to teach, they mangle to expose:


 His heart by causeless wanton malice wrung,
By blockheads’ daring into madness stung;
His well-won bays, than life itself more dear,
By miscreants torn, who ne’er one sprig must wear;
Foil’d, bleeding, tortur’d in th’ unequal strife,
The hapless Poet flounders on thro’ life:
Till, fled each hope that once his bosom fir’d,
And fled each muse that glorious once inspir’d,
Low sunk in squalid, unprotected age,
Dead even resentment for his injur’d page,
He heeds or feels no more the ruthless critic’s rage!
So, by some hedge, the gen’rous steed deceas’d,
For half-starv’d snarling curs a dainty feast;
By toil and famine wore to skin and bone,
Lies, senseless of each tugging *****’s son.


 O Dulness! portion of the truly blest!
Calm shelter’d haven of eternal rest!
Thy sons ne’er madden in the fierce extremes
Of Fortune’s polar frost, or torrid beams.
If mantling high she fills the golden cup,
With sober selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder “some folks” do not starve.
The grave sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointments snaps the clue of hope,
And thro’ disastrous night they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that “fools are fortune’s care.”
So, heavy, passive to the tempest’s shocks,
Strong on the sign-post stands the stupid ox.


 Not so the idle Muses’ mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heav’n, or vaulted hell.


 I dread thee, Fate, relentless and severe,
With all a poet’s, husband’s, father’s fear!
Already one strong hold of hope is lost—
Glencairn, the truly noble, lies in dust
(Fled, like the sun eclips’d as noon appears,
And left us darkling in a world of tears);
O! hear my ardent, grateful, selfish pray’r!
Fintry, my other stay, long bless and spare!
Thro’ a long life his hopes and wishes crown,
And bright in cloudless skies his sun go down!
May bliss domestic smooth his private path;
Give energy to life; and soothe his latest breath,
With many a filial tear circling the bed of death!