10 Best Famous Spouse Poems

Here is a collection of the top 10 all-time best famous Spouse poems. This is a select list of the best famous Spouse poetry. Reading, writing, and enjoying famous Spouse poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of spouse poems.

• All Famous Spouse Poems

Grim monarch! see, depriv'd of vital breath,
A young physician in the dust of death:
Dost thou go on incessant to destroy,
Our griefs to double, and lay waste our joy?
"Enough" thou never yet wast known to say,
Though millions die, the vassals of thy sway:
Nor youth, nor science, nor the ties of love,
Nor aught on earth thy flinty heart can move.
The friend, the spouse from his dire dart to save,
In vain we ask the sovereign of the grave.
Fair mourner, there see thy lov'd Leonard laid,
And o'er him spread the deep impervious shade;
Clos'd are his eyes, and heavy fetters keep
His senses bound in never-waking sleep,
Till time shall cease, till many a starry world
Shall fall from heav'n, in dire confusion hurl'd,
Till nature in her final wreck shall lie,
And her last groan shall rend the azure sky:
Not, not till then his active soul shall claim
His body, a divine immortal frame.

  But see the softly-stealing tears apace
Pursue each other down the mourner's face;
But cease thy tears, bid ev'ry sigh depart,
And cast the load of anguish from thine heart:
From the cold shell of his great soul arise,
And look beyond, thou native of the skies;
There fix thy view, where fleeter than the wind
Thy Leonard mounts, and leaves the earth behind.
Thyself prepare to pass the vale of night
To join for ever on the hills of light:
To thine embrace his joyful sprit moves
To thee, the partner of his earthly loves;
He welcomes thee to pleasures more refin'd,
And better suited to th' immortal mind.

 Once more the gate behind me falls; 
Once more before my face 
I see the moulder'd Abbey-walls, 
That stand within the chace. 

Beyond the lodge the city lies, 
Beneath its drift of smoke; 
And ah! with what delighted eyes 
I turn to yonder oak. 

For when my passion first began, 
Ere that, which in me burn'd, 
The love, that makes me thrice a man, 
Could hope itself return'd; 

To yonder oak within the field 
I spoke without restraint, 
And with a larger faith appeal'd 
Than Papist unto Saint. 

For oft I talk'd with him apart 
And told him of my choice, 
Until he plagiarized a heart, 
And answer'd with a voice. 

Tho' what he whisper'd under Heaven 
None else could understand; 
I found him garrulously given, 
A babbler in the land. 

But since I heard him make reply 
Is many a weary hour; 
'Twere well to question him, and try 
If yet he keeps the power. 

Hail, hidden to the knees in fern, 
Broad Oak of Sumner-chace, 
Whose topmost branches can discern 
The roofs of Sumner-place! 

Say thou, whereon I carved her name, 
If ever maid or spouse, 
As fair as my Olivia, came 
To rest beneath thy boughs.--- 

"O Walter, I have shelter'd here 
Whatever maiden grace 
The good old Summers, year by year 
Made ripe in Sumner-chace: 

"Old Summers, when the monk was fat, 
And, issuing shorn and sleek, 
Would twist his girdle tight, and pat 
The girls upon the cheek, 

"Ere yet, in scorn of Peter's-pence, 
And number'd bead, and shrift, 
Bluff Harry broke into the spence 
And turn'd the cowls adrift: 

"And I have seen some score of those 
Fresh faces that would thrive 
When his man-minded offset rose 
To chase the deer at five; 

"And all that from the town would stroll, 
Till that wild wind made work 
In which the gloomy brewer's soul 
Went by me, like a stork: 

"The slight she-slips of royal blood, 
And others, passing praise, 
Straight-laced, but all-too-full in bud 
For puritanic stays: 

"And I have shadow'd many a group 
Of beauties, that were born 
In teacup-times of hood and hoop, 
Or while the patch was worn; 

"And, leg and arm with love-knots gay 
About me leap'd and laugh'd 
The modish Cupid of the day, 
And shrill'd his tinsel shaft. 

"I swear (and else may insects prick 
Each leaf into a gall) 
This girl, for whom your heart is sick, 
Is three times worth them all. 

"For those and theirs, by Nature's law, 
Have faded long ago; 
But in these latter springs I saw 
Your own Olivia blow, 

"From when she gamboll'd on the greens 
A baby-germ, to when 
The maiden blossoms of her teens 
Could number five from ten. 

"I swear, by leaf, and wind, and rain, 
(And hear me with thine ears,) 
That, tho' I circle in the grain 
Five hundred rings of years--- 

"Yet, since I first could cast a shade, 
Did never creature pass 
So slightly, musically made, 
So light upon the grass: 

"For as to fairies, that will flit 
To make the greensward fresh, 
I hold them exquisitely knit, 
But far too spare of flesh." 

Oh, hide thy knotted knees in fern, 
And overlook the chace; 
And from thy topmost branch discern 
The roofs of Sumner-place. 

But thou, whereon I carved her name, 
That oft hast heard my vows, 
Declare when last Olivia came 
To sport beneath thy boughs. 

"O yesterday, you know, the fair 
Was holden at the town; 
Her father left his good arm-chair, 
And rode his hunter down. 

"And with him Albert came on his. 
I look'd at him with joy: 
As cowslip unto oxlip is, 
So seems she to the boy. 

"An hour had past---and, sitting straight 
Within the low-wheel'd chaise, 
Her mother trundled to the gate 
Behind the dappled grays. 

"But as for her, she stay'd at home, 
And on the roof she went, 
And down the way you use to come, 
She look'd with discontent. 

"She left the novel half-uncut 
Upon the rosewood shelf; 
She left the new piano shut: 
She could not please herseif 

"Then ran she, gamesome as the colt, 
And livelier than a lark 
She sent her voice thro' all the holt 
Before her, and the park. 

"A light wind chased her on the wing, 
And in the chase grew wild, 
As close as might be would he cling 
About the darling child: 

"But light as any wind that blows 
So fleetly did she stir, 
The flower, she touch'd on, dipt and rose, 
And turn'd to look at her. 

"And here she came, and round me play'd, 
And sang to me the whole 
Of those three stanzas that you made 
About my Ôgiant bole;' 

"And in a fit of frolic mirth 
She strove to span my waist: 
Alas, I was so broad of girth, 
I could not be embraced. 

"I wish'd myself the fair young beech 
That here beside me stands, 
That round me, clasping each in each, 
She might have lock'd her hands. 

"Yet seem'd the pressure thrice as sweet 
As woodbine's fragile hold, 
Or when I feel about my feet 
The berried briony fold." 

O muffle round thy knees with fern, 
And shadow Sumner-chace! 
Long may thy topmost branch discern 
The roofs of Sumner-place! 

But tell me, did she read the name 
I carved with many vows 
When last with throbbing heart I came 
To rest beneath thy boughs? 

"O yes, she wander'd round and round 
These knotted knees of mine, 
And found, and kiss'd the name she found, 
And sweetly murmur'd thine. 

"A teardrop trembled from its source, 
And down my surface crept. 
My sense of touch is something coarse, 
But I believe she wept. 

"Then flush'd her cheek with rosy light, 
She glanced across the plain; 
But not a creature was in sight: 
She kiss'd me once again. 

"Her kisses were so close and kind, 
That, trust me on my word, 
Hard wood I am, and wrinkled rind, 
But yet my sap was stirr'd: 

"And even into my inmost ring 
A pleasure I discern'd, 
Like those blind motions of the Spring, 
That show the year is turn'd. 

"Thrice-happy he that may caress 
The ringlet's waving balm--- 
The cushions of whose touch may press 
The maiden's tender palm. 

"I, rooted here among the groves 
But languidly adjust 
My vapid vegetable loves 
With anthers and with dust: 

"For ah! my friend, the days were brief 
Whereof the poets talk, 
When that, which breathes within the leaf, 
Could slip its bark and walk. 

"But could I, as in times foregone, 
From spray, and branch, and stem, 
Have suck'd and gather'd into one 
The life that spreads in them, 

"She had not found me so remiss; 
But lightly issuing thro', 
I would have paid her kiss for kiss, 
With usury thereto." 

O flourish high, with leafy towers, 
And overlook the lea, 
Pursue thy loves among the bowers 
But leave thou mine to me. 

O flourish, hidden deep in fern, 
Old oak, I love thee well; 
A thousand thanks for what I learn 
And what remains to tell. 

" ÔTis little more: the day was warm; 
At last, tired out with play, 
She sank her head upon her arm 
And at my feet she lay. 

"Her eyelids dropp'd their silken eaves 
I breathed upon her eyes 
Thro' all the summer of my leaves 
A welcome mix'd with sighs. 

"I took the swarming sound of life--- 
The music from the town--- 
The murmurs of the drum and fife 
And lull'd them in my own. 

"Sometimes I let a sunbeam slip, 
To light her shaded eye; 
A second flutter'd round her lip 
Like a golden butterfly; 

"A third would glimmer on her neck 
To make the necklace shine; 
Another slid, a sunny fleck, 
From head to ankle fine, 

"Then close and dark my arms I spread, 
And shadow'd all her rest--- 
Dropt dews upon her golden head, 
An acorn in her breast. 

"But in a pet she started up, 
And pluck'd it out, and drew 
My little oakling from the cup, 
And flung him in the dew. 

"And yet it was a graceful gift--- 
I felt a pang within 
As when I see the woodman lift 
His axe to slay my kin. 

"I shook him down because he was 
The finest on the tree. 
He lies beside thee on the grass. 
O kiss him once for me. 

"O kiss him twice and thrice for me, 
That have no lips to kiss, 
For never yet was oak on lea 
Shall grow so fair as this.' 

Step deeper yet in herb and fern, 
Look further thro' the chace, 
Spread upward till thy boughs discern 
The front of Sumner-place. 

This fruit of thine by Love is blest, 
That but a moment lay 
Where fairer fruit of Love may rest 
Some happy future day. 

I kiss it twice, I kiss it thrice, 
The warmth it thence shall win 
To riper life may magnetise 
The baby-oak within. 

But thou, while kingdoms overset, 
Or lapse from hand to hand, 
Thy leaf shall never fail, nor yet 
Thine acorn in the land. 

May never saw dismember thee, 
Nor wielded axe disjoint, 
That art the fairest-spoken tree 
From here to Lizard-point. 

O rock upon thy towery-top 
All throats that gurgle sweet! 
All starry culmination drop 
Balm-dews to bathe thy feet! 

All grass of silky feather grow--- 
And while he sinks or swells 
The full south-breeze around thee blow 
The sound of minster bells. 

The fat earth feed thy branchy root, 
That under deeply strikes! 
The northern morning o'er thee shoot, 
High up, in silver spikes! 

Nor ever lightning char thy grain, 
But, rolling as in sleep, 
Low thunders bring the mellow rain, 
That makes thee broad and deep! 

And hear me swear a solemn oath, 
That only by thy side 
Will I to Olive plight my troth, 
And gain her for my bride. 

And when my marriage morn may fall, 
She, Dryad-like, shall wear 
Alternate leaf and acorn-ball 
In wreath about her hair. 

And I will work in prose and rhyme, 
And praise thee more in both 
Than bard has honour'd beech or lime, 
Or that Thessalian growth, 

In which the swarthy ringdove sat, 
And mystic sentence spoke; 
And more than England honours that, 
Thy famous brother-oak, 

Wherein the younger Charles abode 
Till all the paths were dim, 
And far below the Roundhead rode, 
And humm'd a surly hymn.

 Emily, 
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingèd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!

 For Ann London 

As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said. "What an
Amazon you are."

When we were girls we climbed Mt. Tamalpais
chewing bay leaves we had plucked
along the way;
we got high all right, from animal pleasure in each other,
shouting to the sky.

On your houseboat we tried to ignore the impossible guy
you had married to enrage your family,
a typical ploy.
We were great fools let loose in the No Name bar
on Sausalito's bay.

In San Francisco we'd perch on a waterfront pier
chewing sourdough and cheese, swilling champagne,
kicking our heels;
crooning lewd songs, hooting like seagulls,
we bayed with the seals.

Then you married someone in Mexico,
broke up in two weeks, didn't bother to divorce,
claimed it didn't count.
You dumped number three, fled to Albany
to become a pedant.

Averse to domesticity, you read for your Ph.D.
Your four-year-old looked like a miniature
John Lennon.
You fed him peanut butter from your jar and raised him
on Beowulf and Grendal.

Much later in New York we reunited;
in an elevator at Sak's a woman asked for
your autograph.
You glowed like a star, like Anouk Aimee
at forty, close enough.

Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star;
wrote the ERA
found the right man at last, a sensitive artist;
flying too high

not to crash. When the cancer caught you
you went on talk shows to say you had no fear
or faith.
In Baltimore we joked on your bed as you turned into
a witty wraith.

When you died I cleaned out your bureau drawers:
your usual disorder; an assortment of gorgeous wigs
and prosthetic breasts
tossed in garbage bags, to spare your gentle spouse.
Then the bequests

you had made to every friend you had!
For each of us a necklace or a ring.
A snapshot for me:
We two, barefoot in chiffon, laughing amid blossoms
your last wedding day.

 She is large and matronly
And rather dirty,
A little sardonic-looking, as if domesticity had driven her to it.
Though what she does, except lay four eggs at random in the garden once a year
And put up with her husband,
I don't know.

She likes to eat.
She hurries up, striding reared on long uncanny legs
When food is going.
Oh yes, she can make haste when she likes.
She snaps the soft bread from my hand in great mouthfuls,
Opening her rather pretty wedge of an iron, pristine face
Into an enormously wide-beaked mouth
Like sudden curved scissors,
And gulping at more than she can swallow, and working her thick, soft tongue,
And having the bread hanging over her chin.

O Mistress, Mistress,
Reptile mistress,
Your eye is very dark, very bright,
And it never softens
Although you watch.

She knows,
She knows well enough to come for food,
Yet she sees me not;
Her bright eye sees, but not me, not anything,
Sightful, sightless, seeing and visionless,
Reptile mistress.

Taking bread in her curved, gaping, toothless mouth,
She has no qualm when she catches my finger in her steel overlapping gums,
But she hangs on, and my shout and my shrinking are nothing to her.
She does not even know she is nipping me with her curved beak.
Snake-like she draws at my finger, while I drag it in horror away.

Mistress, reptile mistress,
You are almost too large, I am almost frightened.

He is much smaller,
Dapper beside her,
And ridiculously small.

Her laconic eye has an earthy, materialistic look,
His, poor darling, is almost fiery.
His wimple, his blunt-prowed face,
His low forehead, his skinny neck, his long, scaled, striving legs,
So striving, striving,
Are all more delicate than she,
And he has a cruel scar on his shell.

Poor darling, biting at her feet,
Running beside her like a dog, biting her earthy, splay feet,
Nipping her ankles,
Which she drags apathetic away, though without retreating into her shell.

Agelessly silent,
And with a grim, reptile determination,
Cold, voiceless age-after-age behind him, serpents' long obstinacy
Of horizontal persistence.

Little old man
Scuffling beside her, bending down, catching his opportunity,
Parting his steel-trap face, so suddenly, and seizing her scaly ankle,
And hanging grimly on,
Letting go at last as she drags away,
And closing his steel-trap face.

His steel-trap, stoic, ageless, handsome face.
Alas, what a fool he looks in this scuffle.

And how he feels it!
The lonely rambler, the stoic, dignified stalker through chaos,
The immune, the animate,
Enveloped in isolation,
Fore-runner.
Now look at him!

Alas, the spear is through the side of his isolation.
His adolescence saw him crucified into sex,
Doomed, in the long crucifixion of desire, to seek his consummation beyond himself.
Divided into passionate duality,
He, so finished and immune, now broken into desirous fragmentariness,
Doomed to make an intolerable fool of himself
In his effort toward completion again.

Poor little earthy house-inhabiting Osiris,
The mysterious bull tore him at adolescence into pieces,
And he must struggle after reconstruction, ignominiously.

And so behold him following the tail
Of that mud-hovel of his slowly rambling spouse,
Like some unhappy bull at the tail of a cow,
But with more than bovine, grim, earth-dank persistence.

Suddenly seizing the ugly ankle as she stretches out to walk,
Roaming over the sods,
Or, if it happen to show, at her pointed, heavy tail
Beneath the low-dropping back-board of her shell.

Their two shells like domed boats bumping,
Hers huge, his small;
Their splay feet rambling and rowing like paddles,
And stumbling mixed up in one another,
In the race of love --
Two tortoises,
She huge, he small.

She seems earthily apathetic,
And he has a reptile's awful persistence.

I heard a woman pitying her, pitying the Mère Tortue.
While I, I pity Monsieur.
"He pesters her and torments her," said the woman.
How much more is he pestered and tormented, say I.

What can he do?
He is dumb, he is visionless,
Conceptionless.
His black, sad-lidded eye sees but beholds not
As her earthen mound moves on,
But he catches the folds of vulnerable, leathery skin,
Nail-studded, that shake beneath her shell,
And drags at these with his beak,
Drags and drags and bites,
While she pulls herself free, and rows her dull mound along.

 1911

When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.

When Nag the basking cobra hears the careless foot of man,
He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.

When the early Jesuit fathers preached to Hurons and Choctaws,
They prayed to be delivered from the vengeance of the squaws.
'Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.

Man's timid heart is bursting with the things he must not say,
For the Woman that God gave him isn't his to give away;
But when hunter meets with husbands, each confirms the other's tale --
The female of the species is more deadly than the male.

Man, a bear in most relations-worm and savage otherwise, --
Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact
To its ultimate conclusion in unmitigated act.

Fear, or foolishness, impels him, ere he lay the wicked low,
To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger --- Doubt and Pity oft perplex
Him in dealing with an issue -- to the scandal of The Sex!

But the Woman that God gave him, every fibre of her frame
Proves her launched for one sole issue, armed and engined for the same,
And to serve that single issue, lest the generations fail,
The female of the species must be deadlier than the male.

She who faces Death by torture for each life beneath her breast
May not deal in doubt or pity -- must not swerve for fact or jest.
These be purely male diversions -- not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.

She can bring no more to living than the powers that make her great
As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unchained to claim
Her right as femme (and baron), her equipment is the same.

She is wedded to convictions -- in default of grosser ties;
Her contentions are her children, Heaven help him who denies! --
He will meet no suave discussion, but the instant, white-hot, wild,
Wakened female of the species warring as for spouse and child.

Unprovoked and awful charges -- even so the she-bear fights,
Speech that drips, corrodes, and poisons -- even so the cobra bites,
Scientific vivisection of one nerve till it is raw
And the victim writhes in anguish -- like the Jesuit with the squaw!

So it cames that Man, the coward, when he gathers to confer
With his fellow-braves in council, dare nat leave a place for her
Where, at war with Life and Conscience, he uplifts his erring hands
To some God of Abstract Justice -- which no woman understands.

And Man knows it! Knows, moreover, that the Woman that God gave him
Must command but may not govern -- shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail,
That the Female of Her Species is more deadly than the Male.

 Ye in the age gone by,
Who ruled the world--a world how lovely then!--
And guided still the steps of happy men
In the light leading-strings of careless joy!
Ah, flourished then your service of delight!
How different, oh, how different, in the day
When thy sweet fanes with many a wreath were bright,
O Venus Amathusia!

Then, through a veil of dreams
Woven by song, truth's youthful beauty glowed,
And life's redundant and rejoicing streams
Gave to the soulless, soul--where'r they flowed
Man gifted nature with divinity
To lift and link her to the breast of love;
All things betrayed to the initiate eye
The track of gods above!

Where lifeless--fixed afar,
A flaming ball to our dull sense is given,
Phoebus Apollo, in his golden car,
In silent glory swept the fields of heaven!
On yonder hill the Oread was adored,
In yonder tree the Dryad held her home;
And from her urn the gentle Naiad poured
The wavelet's silver foam.

Yon bay, chaste Daphne wreathed,
Yon stone was mournful Niobe's mute cell,
Low through yon sedges pastoral Syrinx breathed,
And through those groves wailed the sweet Philomel,
The tears of Ceres swelled in yonder rill--
Tears shed for Proserpine to Hades borne;
And, for her lost Adonis, yonder hill
Heard Cytherea mourn!--

Heaven's shapes were charmed unto
The mortal race of old Deucalion;
Pyrrha's fair daughter, humanly to woo,
Came down, in shepherd-guise, Latona's son
Between men, heroes, gods, harmonious then
Love wove sweet links and sympathies divine;
Blest Amathusia, heroes, gods, and men,
Equals before thy shrine!

Not to that culture gay,
Stern self-denial, or sharp penance wan!
Well might each heart be happy in that day--
For gods, the happy ones, were kin to man!
The beautiful alone the holy there!
No pleasure shamed the gods of that young race;
So that the chaste Camoenae favoring were,
And the subduing grace!

A palace every shrine;
Your sports heroic;--yours the crown
Of contests hallowed to a power divine,
As rushed the chariots thundering to renown.
Fair round the altar where the incense breathed,
Moved your melodious dance inspired; and fair
Above victorious brows, the garland wreathed
Sweet leaves round odorous hair!

The lively Thyrsus-swinger,
And the wild car the exulting panthers bore,
Announced the presence of the rapture-bringer--
Bounded the Satyr and blithe Faun before;
And Maenads, as the frenzy stung the soul,
Hymned in their maddening dance, the glorious wine--
As ever beckoned to the lusty bowl
The ruddy host divine!

Before the bed of death
No ghastly spectre stood--but from the porch
Of life, the lip--one kiss inhaled the breath,
And the mute graceful genius lowered a torch.
The judgment-balance of the realms below,
A judge, himself of mortal lineage, held;
The very furies at the Thracian's woe,
Were moved and music-spelled.

In the Elysian grove
The shades renewed the pleasures life held dear:
The faithful spouse rejoined remembered love,
And rushed along the meads the charioteer;
There Linus poured the old accustomed strain;
Admetus there Alcestis still could greet; his
Friend there once more Orestes could regain,
His arrows--Philoctetes!

More glorious than the meeds
That in their strife with labor nerved the brave,
To the great doer of renowned deeds
The Hebe and the heaven the Thunderer gave.
Before the rescued rescuer [10] of the dead,
Bowed down the silent and immortal host;
And the twain stars [11] their guiding lustre shed,
On the bark tempest-tossed!

Art thou, fair world, no more?
Return, thou virgin-bloom on Nature's face;
Ah, only on the minstrel's magic shore,
Can we the footstep of sweet fable trace!
The meadows mourn for the old hallowing life;
Vainly we search the earth of gods bereft;
Where once the warm and living shapes were rife,
Shadows alone are left!

Cold, from the north, has gone
Over the flowers the blast that killed their May;
And, to enrich the worship of the one,
A universe of gods must pass away!
Mourning, I search on yonder starry steeps,
But thee no more, Selene, there I see!
And through the woods I call, and o'er the deeps,
And--Echo answers me!

Deaf to the joys she gives--
Blind to the pomp of which she is possessed--
Unconscious of the spiritual power that lives
Around, and rules her--by our bliss unblessed--
Dull to the art that colors or creates,
Like the dead timepiece, godless nature creeps
Her plodding round, and, by the leaden weights,
The slavish motion keeps.

To-morrow to receive
New life, she digs her proper grave to-day;
And icy moons with weary sameness weave
From their own light their fulness and decay.
Home to the poet's land the gods are flown,
Light use in them that later world discerns,
Which, the diviner leading-strings outgrown,
On its own axle turns.

Home! and with them are gone
The hues they gazed on and the tones they heard;
Life's beauty and life's melody:--alone
Broods o'er the desolate void, the lifeless word;
Yet rescued from time's deluge, still they throng
Unseen the Pindus they were wont to cherish:
All, that which gains immortal life in song,
To mortal life must perish!

 Under my bowels, yellow with smoke,
it waits.
Under my eyes, those milk bunnies,
it waits.
It is waiting.
It is waiting.
Mr. Doppelganger. My brother. My spouse.
Mr. Doppelganger. My enemy. My lover.
When truth comes spilling out like peas
it hangs up the phone.
When the child is soothed and resting on the breast
it is my other who swallows Lysol.
When someone kisses someone or flushes the toilet
it is my other who sits in a ball and cries.
My other beats a tin drum in my heart.
My other hangs up laundry as I try to sleep.
My other cries and cries and cries
when I put on a cocktail dress.
It cries when I prick a potato.
It cries when I kiss someone hello.
It cries and cries and cries
until I put on a painted mask
and leer at Jesus in His passion.
Then it giggles.
It is a thumbscrew.
Its hatred makes it clairvoyant.
I can only sign over everything,
the house, the dog, the ladders, the jewels,
the soul, the family tree, the mailbox.

Then I can sleep.

Maybe.

 A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!

This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!

'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.

It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.

This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full many a timid Swain grew bold;
Full many a roguish eye askance
Beheld it with impatient glance,
And many a ruddy cheek confest,
The triumphs of the beating breast;
And many a rustic rover sigh'd
Who ask'd the kiss, and was denied.

First MARG'RY smil'd and gave her Lover
A Kiss; then thank'd her stars, 'twas over! 
Next, KATE, with a reluctant pace,
Was tempted to the mystic place;
Then SUE, a merry laughing jade
A dimpled yielding blush betray'd;
While JOAN her chastity to shew
Wish'd "the bold knaves would serve her so,"
She'd "teach the rogues such wanton play!"
And well she could, she knew the way.

The FARMER, mute with jealous care,
Sat sullen, in his wicker chair;
Hating the noisy gamesome host
Yet, fearful to resign his post;
He envied all their sportive strife
But most he watch'd his blooming wife,
And trembled, lest her steps should go,
Incautious, near the MISTLETOE.

Now HODGE, a youth of rustic grace
With form athletic; manly face;
On MISTRESS HOMESPUN turn'd his eye
And breath'd a soul-declaring sigh!
Old HOMESPUN, mark'd his list'ning Fair
And nestled in his wicker chair;
HODGE swore, she might his heart command--
The pipe was dropp'd from HOMESPUN'S hand!

HODGE prest her slender waist around;
The FARMER check'd his draught, and frown'd!
And now beneath the MISTLETOE
'Twas MISTRESS HOMESPUN'S turn to go;
Old Surly shook his wicker chair,
And sternly utter'd--"Let her dare!"

HODGE, to the FARMER'S wife declar'd
Such husbands never should be spar'd;
Swore, they deserv'd the worst disgrace,
That lights upon the wedded race;
And vow'd--that night he would not go
Unblest, beneath the MISTLETOE.

The merry group all recommend
An harmless Kiss, the strife to end:
"Why not ?" says MARG'RY, "who would fear,
"A dang'rous moment, once a year?"
SUSAN observ'd, that "ancient folks
"Were seldom pleas'd with youthful jokes;"
But KATE, who, till that fatal hour,
Had held, o'er HODGE, unrivall'd pow'r,
With curving lip and head aside
Look'd down and smil'd in conscious pride,
Then, anxious to conceal her care,
She humm'd--"what fools some women are!"

Now, MISTRESS HOMESPUN, sorely vex'd,
By pride and jealous rage perplex'd,
And angry, that her peevish spouse
Should doubt her matrimonial vows,
But, most of all, resolved to make
An envious rival's bosom ache;
Commanded Hodge to let her go,
Nor lead her to the Mistletoe;

"Why should you ask it o'er and o'er?"
Cried she, "we've been there twice before!"
'Tis thus, to check a rival's sway,
That Women oft themselves betray;
While VANITY, alone, pursuing,
They rashly prove, their own undoing.

 Apollo's wrath to man the dreadful spring
Of ills innum'rous, tuneful goddess, sing!
Thou who did'st first th' ideal pencil give,
And taught'st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho' last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
'Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish'd by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th' ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro' the sky.

Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.

Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op'ning morn,
As when Aurora fills the ravish'd sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.

Wherever, Niobe, thou turn'st thine eyes,
New beauties kindle, and new joys arise!
But thou had'st far the happier mother prov'd,
If this fair offspring had been less belov'd:
What if their charms exceed Aurora's teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.

Now Manto comes, endu'd with mighty skill,
The past to explore, the future to reveal.
Thro' Thebes' wide streets Tiresia's daughter came,
Divine Latona's mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia's prophetess began:

"Go, Thebans! great Latona's will obey,
"And pious tribute at her altars pay:
"With rights divine, the goddess be implor'd,
"Nor be her sacred offspring unador'd."
Thus Manto spoke. The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.

Niobe comes with all her royal race,
With charms unnumber'd, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav'nly Venus, 'midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
"What madness drives the Theban ladies fair
"To give their incense to surrounding air?
"Say why this new sprung deity preferr'd?
"Why vainly fancy your petitions heard?
"Or say why Cæus offspring is obey'd,
"While to my goddesship no tribute's paid?
"For me no altars blaze with living fires,
"No bullock bleeds, no frankincense transpires,
"Tho' Cadmus' palace, not unknown to fame,
"And Phrygian nations all revere my name.
"Where'er I turn my eyes vast wealth I find,
"Lo! here an empress with a goddess join'd.
"What, shall a Titaness be deify'd,
"To whom the spacious earth a couch deny'd!
"Nor heav'n, nor earth, nor sea receiv'd your queen,
"Till pitying Delos took the wand'rer in.
"Round me what a large progeny is spread!
"No frowns of fortune has my soul to dread.
"What if indignant she decrease my train
"More than Latona's number will remain;
"Then hence, ye Theban dames, hence haste away,
"Nor longer off'rings to Latona pay;
"Regard the orders of Amphion's spouse,
"And take the leaves of laurel from your brows."
Niobe spoke. The Theban maids obey'd,
Their brows unbound, and left the rights unpaid.

The angry goddess heard, then silence broke
On Cynthus' summit, and indignant spoke;
"Phoebus! behold, thy mother in disgrace,
"Who to no goddess yields the prior place
"Except to Juno's self, who reigns above,
"The spouse and sister of the thund'ring Jove.
"Niobe, sprung from Tantalus, inspires
"Each Theban bosom with rebellious fires;
"No reason her imperious temper quells,
"But all her father in her tongue rebels;
"Wrap her own sons for her blaspheming breath,
"Apollo! wrap them in the shades of death."
Latona ceas'd, and ardent thus replies
The God, whose glory decks th' expanded skies.

"Cease thy complaints, mine be the task assign'd
"To punish pride, and scourge the rebel mind."
This Phoebe join'd.--They wing their instant flight;
Thebes trembled as th' immortal pow'rs alight.

With clouds incompass'd glorious Phoebus stands;
The feather'd vengeance quiv'ring in his hands.

Near Cadmus' walls a plain extended lay,
Where Thebes' young princes pass'd in sport the day:
There the bold coursers bounded o'er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul'd the fury of his flying steed.
"Ah me," he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser's mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion's bed,
Was struck the first, first mingled with the dead.

Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th' impending storm the sailor sees
He spreads his canvas to the fav'ring breeze,
So to thine horse thou gav'st the golden reins,
Gav'st him to rush impetuous o'er the plains:
But ah! a fatal shaft from Phoebus' hand
Smites thro' thy neck, and sinks thee on the sand.

Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo's hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan'd,
Together languish'd, and together groan'd:
Together too th' unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang'd its snowy hue.
He flies to raise them in a kind embrace;
A brother's fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch'd him (so the fates decreed 
Soon as the arrow left the deadly wound,
His issuing entrails smoak'd upon the ground.
What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t' extract the crime-avenging rod,
But, whilst he strives the will of fate t' avert,
Divine Apollo sends a second dart;
Swift thro' his throat the feather'd mischief flies,
Bereft of sense, he drops his head, and dies.

Young Ilioneus, the last, directs his pray'r,
And cries, "My life, ye gods celestial! spare."
Apollo heard, and pity touch'd his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom'd to fall,
The fates refuse that arrow to recal.

On the swift wings of ever flying Fame
To Cadmus' palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express'd her anger and surprise:
"Why is such privilege to them allow'd?
"Why thus insulted by the Delian god?
"Dwells there such mischief in the pow'rs above?
"Why sleeps the vengeance of immortal Jove?"
For now Amphion too, with grief oppress'd,
Had plung'd the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona's shrine,
How strangely chang'd!--yet beautiful in woe,
She weeps, nor weeps unpity'd by the foe.
On each pale corse the wretched mother spread
Lay overwhelm'd with grief, and kiss'd her dead,
Then rais'd her arms, and thus, in accents slow,
"Be sated cruel Goddess! with my woe;
"If I've offended, let these streaming eyes,
"And let this sev'nfold funeral suffice:
"Ah! take this wretched life you deign'd to save,
"With them I too am carried to the grave.
"Rejoice triumphant, my victorious foe,
"But show the cause from whence your triumphs flow?
"Tho' I unhappy mourn these children slain,
"Yet greater numbers to my lot remain."
She ceas'd, the bow string twang'd with awful sound,
Which struck with terror all th' assembly round,
Except the queen, who stood unmov'd alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell'd hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb--indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.

One only daughter lives, and she the least;
The queen close clasp'd the daughter to her breast:
"Ye heav'nly pow'rs, ah spare me one," she cry'd,
"Ah! spare me one," the vocal hills reply'd:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.

*"The queen of all her family bereft,
"Without or husband, son, or daughter left,
"Grew stupid at the shock. The passing air
"Made no impression on her stiff'ning hair.
"The blood forsook her face: amidst the flood
"Pour'd from her cheeks, quite fix'd her eye-balls stood.
"Her tongue, her palate both obdurate grew,
"Her curdled veins no longer motion knew;
"The use of neck, and arms, and feet was gone,
"And ev'n her bowels hard'ned into stone:
"A marble statue now the queen appears,
"But from the marble steal the silent tears."