10 Best Famous Spasms Poems

Here is a collection of the top 10 all-time best famous Spasms poems. This is a select list of the best famous Spasms poetry. Reading, writing, and enjoying famous Spasms poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of spasms poems.

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Written by Walt Whitman | Create an image from this poem

Carol of Words

 1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
 said; 
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future, 
Behold! these are vast words to be said. 

Were you thinking that those were the words—those upright lines? those curves,
 angles,
 dots? 
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you. 

Were you thinking that those were the words—those delicious sounds out of your
 friends’
 mouths? 
No, the real words are more delicious than they. 

Human bodies are words, myriads of words; 
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
 gay,
Every part able, active, receptive, without shame or the need of shame. 

2
Air, soil, water, fire—these are words; 
I myself am a word with them—my qualities interpenetrate with theirs—my name is
 nothing to
 them; 
Though it were told in the three thousand languages, what would air, soil, water, fire,
 know of
 my
 name? 

A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
 also. 

3
The workmanship of souls is by the inaudible words of the earth; 
The great masters know the earth’s words, and use them more than the audible words. 

Amelioration is one of the earth’s words; 
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump; 
It is not half beautiful only—defects and excrescences show just as much as
 perfections
 show. 

The earth does not withhold, it is generous enough; 
The truths of the earth continually wait, they are not so conceal’d either; 
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly, 
Conveying a sentiment and invitation of the earth—I utter and utter, 
I speak not, yet if you hear me not, of what avail am I to you? 
To bear—to better—lacking these, of what avail am I? 

4
Accouche! Accouchez!
Will you rot your own fruit in yourself there? 
Will you squat and stifle there? 

The earth does not argue, 
Is not pathetic, has no arrangements, 
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures, 
Closes nothing, refuses nothing, shuts none out, 
Of all the powers, objects, states, it notifies, shuts none out. 

5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
 underneath; 
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
 bargainers, 
Underneath these, possessing the words that never fail. 

To her children, the words of the eloquent dumb great mother never fail; 
The true words do not fail, for motion does not fail, and reflection does not fail; 
Also the day and night do not fail, and the voyage we pursue does not fail.

6
Of the interminable sisters, 
Of the ceaseless cotillions of sisters, 
Of the centripetal and centrifugal sisters, the elder and younger sisters, 
The beautiful sister we know dances on with the rest. 
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age, 
Sits she whom I too love like the rest—sits undisturb’d, 
Holding up in her hand what has the character of a mirror, while her eyes glance back from
 it, 
Glance as she sits, inviting none, denying none, 
Holding a mirror day and night tirelessly before her own face.

7
Seen at hand, or seen at a distance, 
Duly the twenty-four appear in public every day, 
Duly approach and pass with their companions, or a companion, 
Looking from no countenances of their own, but from the countenances of those who are with
 them, 
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things, 
From the landscape or waters, or from the exquisite apparition of the sky, 
From our countenances, mine and yours, faithfully returning them, 
Every day in public appearing without fail, but never twice with the same companions. 

8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
 the
 sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
 the
 first,
 sure and necessary as they. 

9
Tumbling on steadily, nothing dreading, 
Sunshine, storm, cold, heat, forever withstanding, passing, carrying, 
The Soul’s realization and determination still inheriting, 
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking, 
Swift, glad, content, unbereav’d, nothing losing, 
Of all able and ready at any time to give strict account, 
The divine ship sails the divine sea. 

10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you. 

Whoever you are! you are he or she for whom the earth is solid and liquid, 
You are he or she for whom the sun and moon hang in the sky, 
For none more than you are the present and the past, 
For none more than you is immortality.

11
Each man to himself, and each woman to herself, such is the word of the past and present,
 and
 the
 word of immortality; 
No one can acquire for another—not one! 
Not one can grow for another—not one! 

The song is to the singer, and comes back most to him; 
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him; 
The theft is to the thief, and comes back most to him; 
The love is to the lover, and comes back most to him; 
The gift is to the giver, and comes back most to him—it cannot fail; 
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
 own. 

12
I swear the earth shall surely be complete to him or her who shall be complete! 
I swear the earth remains jagged and broken only to him or her who remains jagged and
 broken! 
I swear there is no greatness or power that does not emulate those of the earth! 
I swear there can be no theory of any account, unless it corroborate the theory of the
 earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
 the
 amplitude of the earth, 
Unless it face the exactness, vitality, impartiality, rectitude of the earth. 

13
I swear I begin to see love with sweeter spasms than that which responds love! 
It is that which contains itself—which never invites, and never refuses. 

I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth! 
Toward him who sings the songs of the Body, and of the truths of the earth; 
Toward him who makes the dictionaries of words that print cannot touch. 

14
I swear I see what is better than to tell the best; 
It is always to leave the best untold.

When I undertake to tell the best, I find I cannot, 
My tongue is ineffectual on its pivots, 
My breath will not be obedient to its organs, 
I become a dumb man. 

The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer; 
Things are not dismiss’d from the places they held before; 
The earth is just as positive and direct as it was before; 
Facts, religions, improvements, politics, trades, are as real as before; 
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it, 
Undeniable growth has establish’d it. 

15
This is a poem—a carol of words—these are hints of meanings, 
These are to echo the tones of Souls, and the phrases of Souls; 
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then? 

I swear I will never henceforth have to do with the faith that tells the best! 
I will have to do only with that faith that leaves the best untold. 

16
Say on, sayers! 
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;) 
Work on, age after age! nothing is to be lost; 
It may have to wait long, but it will certainly come in use; 
When the materials are all prepared, the architects shall appear. 

I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you; 
I swear to you the greatest among them shall be he who best knows you, and encloses all,
 and is
 faithful to all; 
I swear to you, he and the rest shall not forget you—they shall perceive that you are
 not
 an
 iota less than they; 
I swear to you, you shall be glorified in them.

Written by Staceyann Chin | Create an image from this poem

If only out of vanity

If only out of vanity
I have wondered what kind of woman I will be
when I am well past the summer of my raging youth
Will I still be raising revolutionary flags
and making impassioned speeches
that stir up anger in the hearts of pseudo-liberals
dressed in navy-blue conservative wear

In those years when I am grateful
I still have a good sturdy bladder
that does not leak undigested prune juice
onto diapers—no longer adorable
will I be more grateful for that
than for any forward movement in any current political cause
and will it have been worth it then
Will it have been worth the long hours
of not sleeping
that produced little more than reams
of badly written verses that catapulted me into literary spasms
but did not even whet the appetite
of the three O’ clock crowd
in the least respected of the New York poetry cafes

Will I wish then that I had taken that job working at the bank
or the one to watch that old lady drool
all over her soft boiled eggs
as she tells me how she was a raving beauty in the sixties
how she could have had any man she wanted
but she chose the one least likely to succeed
and that’s why when the son of a ***** died
she had to move into this place
because it was government subsidized

Will I tell my young attendant
how slender I was then
and paint for her pictures
of the young me more beautiful than I ever was
if only to make her forget the shriveled paper skin
the stained but even dental plates
and the faint smell of urine that tends to linger
in places built especially for revolutionaries
whose causes have been won
or forgotten

Will I still be lesbian then
or will the church or family finally convince me
to marry some man with a smaller dick
than the one my woman uses to afford me
violent and multiple orgasms

Will the staff smile at me
humor my eccentricities to my face
but laugh at me in their private resting rooms
saying she must have been something in her day

Most days I don’t know what I will be like then
but everyday—I know what I want to be now
I want to be that voice that makes Guilani
so scared he hires two (butch) black bodyguards

I want to write the poem
that The New York Times cannot print
because it might start some kind of black or lesbian
or even a white revolution

I want to go to secret meetings and under the guise
of female friendship I want to bed the women
of those young and eager revolutionaries
with too much zeal for their cause
and too little passion for the women
who follow them from city to city
all the while waiting in separate rooms

I want to be forty years old
and weigh three hundred pounds
and ride a motorcycle in the wintertime
with four hell raising children
and a one hundred ten pound female lover
who writes poetry about my life
and my children and loves me
like no one has ever loved me before

I want to be the girl your parents will use
as a bad example of a lady

I want to be the dyke who likes to **** men

I want to be the politician who never lies

I want to be the girl who never cries

I want to go down in history
in a chapter marked miscellaneous
because the writers could find
no other way to categorize me
In this world where classification is key
I want to erase the straight lines
So I can be me
Written by Walt Whitman | Create an image from this poem

O Star of France

 1
O STAR of France! 
The brightness of thy hope and strength and fame, 
Like some proud ship that led the fleet so long, 
Beseems to-day a wreck, driven by the gale—a mastless hulk; 
And ’mid its teeming, madden’d, half-drown’d crowds,
Nor helm nor helmsman. 

2
Dim, smitten star! 
Orb not of France alone—pale symbol of my soul, its dearest hopes, 
The struggle and the daring—rage divine for liberty, 
Of aspirations toward the far ideal—enthusiast’s dreams of brotherhood,
Of terror to the tyrant and the priest. 

3
Star crucified! by traitors sold! 
Star panting o’er a land of death—heroic land! 
Strange, passionate, mocking, frivolous land. 

Miserable! yet for thy errors, vanities, sins, I will not now rebuke thee;
Thy unexampled woes and pangs have quell’d them all, 
And left thee sacred. 

In that amid thy many faults, thou ever aimedest highly, 
In that thou wouldst not really sell thyself, however great the price, 
In that thou surely wakedst weeping from thy drugg’d sleep,
In that alone, among thy sisters, thou, Giantess, didst rend the ones that shamed thee, 
In that thou couldst not, wouldst not, wear the usual chains, 
This cross, thy livid face, thy pierced hands and feet, 
The spear thrust in thy side. 

4
O star! O ship of France, beat back and baffled long!
Bear up, O smitten orb! O ship, continue on! 

Sure, as the ship of all, the Earth itself, 
Product of deathly fire and turbulent chaos, 
Forth from its spasms of fury and its poisons, 
Issuing at last in perfect power and beauty,
Onward, beneath the sun, following its course, 
So thee, O ship of France! 

Finish’d the days, the clouds dispell’d, 
The travail o’er, the long-sought extrication, 
When lo! reborn, high o’er the European world,
(In gladness, answering thence, as face afar to face, reflecting ours, Columbia,) 
Again thy star, O France—fair, lustrous star, 
In heavenly peace, clearer, more bright than ever, 
Shall beam immortal.
Written by Thomas Edward Brown | Create an image from this poem

Risus Dei

 Methinks in Him there dwells alway
A sea of laughter very deep,
Where the leviathans leap,
And little children play,
Their white feet twinkling on its crisped edge;
But in the outer bay
The strong man drives the wedge
Of polished limbs,
And swims.
Yet there is one will say:--
'It is but shallow, neither is it broad'--
And so he frowns; but is he nearer God?

One saith that God is in the note of bird,
And piping wind, and brook,
And all the joyful things that speak no word:
Then if from sunny nook
Or shade a fair child's laugh
Is heard,
Is not God half?
And if a strong man gird
His loins for laughter, stirred
By trick of ape or calf--
Is he no better than a cawing rook?

Nay 'tis a Godlike function; laugh thy fill!
Mirth comes to thee unsought;
Mirth sweeps before it like a flood the mill
Of languaged logic; thought
Hath not its source so high;
The will
Must let it by:
For though the heavens are still,
God sits upon His hill,
And sees the shadows fly;
And if He laughs at fools, why should He not?

'Yet hath a fool a laugh'--Yea, of a sort;
God careth for the fools;
The chemic tools
Of laughter He hath given them, and some toys
Of sense, as 'twere a small retort
Wherein they may collect the joys
Of natural giggling, as becomes their state:
The fool is not inhuman, making sport
For such as would not gladly be without
That old familiar noise:
Since, though he laugh not, he can cachinnate--
This also is of God, we may not doubt.
'Is there an empty laugh?' Best called a shell
From which a laugh has flown,
A mask, a well
That hath no water of its own,
Part echo of a groan,
Which, if it hide a cheat,
Is a base counterfeit;
But if one borrow
A cloak to wrap a sorrow
That it may pass unknown,
Then can it not be empty. God doth dwell
Behind the feigned gladness,
Inhabiting a sacred core of sadness.

'Yet is there not an evil laugh?' Content--
What follows?
When Satan fills the hollows
Of his bolt-riven heart
With spasms of unrest,
And calls it laughter; if it give relief
To his great grief,
Grudge not the dreadful jest.
But if the laugh be aimed
At any good thing that it be ashamed,
And blush thereafter,
Then it is evil, and it is not laughter.

There are who laugh, but know not why:
Whether the force
Of simple health and vigour seek a course
Extravagant, as when a wave runs high,
And tips with crest of foam the incontinent curve,
Or if it be reserve
Of power collected for a goal, which had,
Behold! the man is fresh. So when strung nerve,
Stout heart, pent breath, have brought you to the source
Of a great river, on the topmost stie
Of cliff, then have you bad
All heaven to laugh with you; yet somewhere nigh
A shepherd lad
Has wondering looked, and deemed that you were mad.
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