by
Rainer Maria Rilke
O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.
But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's
boundaries? -although they promised space,
hunting and homeland. Then, for a sketch
drawn at a moment's impulse, a ground of contrast
is prepared, painfully, so that we may see.
For they are most exact with us. We do not know
the contours of our feelings. We only know
what shapes them from the outside.
Who has not sat, afraid, before his own heart's
curtain? It lifted and displayed the scenery
of departure. Easy to understand. The well-known
garden swaying just a little. Then came the dancer.
Not he! Enough! However lightly he pretends to move:
he is just disguised, costumed, an ordinary man
who enters through the kitchen when coming home.
I will not have these half-filled human masks;
better the puppet. It at least is full.
I will endure this well-stuffed doll, the wire,
the face that is nothing but appearance. Here out front
I wait. Even if the lights go down and I am told:
"There's nothing more to come," -even if
the grayish drafts of emptiness come drifting down
from the deserted stage -even if not one
of my now silent forebears sist beside me
any longer, not a woman, not even a boy-
he with the brown and squinting eyes-:
I'll still remain. For one can always watch.
Am I not right? You, to whom life would taste
so bitter, Father, after you - for my sake -
slipped of mine, that first muddy infusion
of my necessity. You kept on tasting, Father,
as I kept on growing, troubled by the aftertaste
of my so strange a future as you kept searching
my unfocused gaze -you who, so often since
you died, have been afraid for my well-being,
within my deepest hope, relinquishing that calmness,
the realms of equanimity such as the dead possess
for my so small fate -Am I not right?
And you, my parents, am I not right? You who loved me
for that small beginning of my love for you
from which I always shyly turned away, because
the distance in your features grew, changed,
even while I loved it, into cosmic space
where you no longer were...: and when I feel
inclined to wait before the puppet stage, no,
rather to stare at is so intensely that in the end
to counter-balance my searching gaze, an angel
has to come as an actor, and begin manipulating
the lifeless bodies of the puppets to perform.
Angel and puppet! Now at last there is a play!
Then what we seperate can come together by our
very presence. And only then the entire cycle
of our own life-seasons is revealed and set in motion.
Above, beyond us, the angel plays. Look:
must not the dying notice how unreal, how full
of pretense is all that we accomplish here, where
nothing is to be itself. O hours of childhood,
when behind each shape more that the past lay hidden,
when that which lay before us was not the future.
We grew, of course, and sometimes were impatient
in growing up, half for the sake of pleasing those
with nothing left but their own grown-upness.
Yet, when alone, we entertained ourselves
with what alone endures, we would stand there
in the infinite space that spans the world and toys,
upon a place, which from the first beginnniing
had been prepared to serve a pure event.
Who shows a child just as it stands? Who places him
within his constellation, with the measuring-rod
of distance in his hand. Who makes his death
from gray bread that grows hard, -or leaves
it there inside his rounded mouth, jagged as the core
of a sweet apple?.......The minds of murderers
are easily comprehended. But this: to contain death,
the whole of death, even before life has begun,
to hold it all so gently within oneself,
and not be angry: that is indescribable.
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by
Walt Whitman
ON the beach at night alone,
As the old mother sways her to and fro, singing her husky song,
As I watch the bright stars shining—I think a thought of the clef of the universes, and of
the future.
A VAST SIMILITUDE interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets, comets, asteroids,
All the substances of the same, and all that is spiritual upon the same,
All distances of place, however wide,
All distances of time—all inanimate forms,
All Souls—all living bodies, though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes—the fishes, the brutes,
All men and women—me also;
All nations, colors, barbarisms, civilizations, languages;
All identities that have existed, or may exist, on this globe, or any globe;
All lives and deaths—all of the past, present, future;
This vast similitude spans them, and always has spann’d, and shall forever span them, and
compactly hold them, and enclose them.
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by
Adam Lindsay Gordon
Hold hard, Ned! Lift me down once more, and lay me in the shade.
Old man, you've had your work cut out to guide
Both horses, and to hold me in the saddle when I swayed,
All through the hot, slow, sleepy, silent ride.
The dawn at "Moorabinda" was a mist rack dull and dense,
The sun-rise was a sullen, sluggish lamp;
I was dozing in the gateway at Arbuthnot's bound'ry fence,
I was dreaming on the Limestone cattle camp.
We crossed the creek at Carricksford, and sharply through the haze,
And suddenly the sun shot flaming forth;
To southward lay "Katawa", with the sand peaks all ablaze,
And the flushed fields of Glen Lomond lay to north.
Now westward winds the bridle-path that leads to Lindisfarm,
And yonder looms the double-headed Bluff;
From the far side of the first hill, when the skies are clear and calm,
You can see Sylvester's woolshed fair enough.
Five miles we used to call it from our homestead to the place
Where the big tree spans the roadway like an arch;
'Twas here we ran the dingo down that gave us such a chase
Eight years ago -- or was it nine? -- last March.
'Twas merry in the glowing morn among the gleaming grass,
To wander as we've wandered many a mile,
And blow the cool tobacco cloud, and watch the white wreaths pass,
Sitting loosely in the saddle all the while.
'Twas merry 'mid the blackwoods, when we spied the station roofs,
To wheel the wild scrub cattle at the yard,
With a running fire of stock whips and a fiery run of hoofs;
Oh! the hardest day was never then too hard!
Aye! we had a glorious gallop after "Starlight" and his gang,
When they bolted from Sylvester's on the flat;
How the sun-dried reed-beds crackled, how the flint-strewn ranges rang,
To the strokes of "Mountaineer" and "Acrobat".
Hard behind them in the timber, harder still across the heath,
Close beside them through the tea-tree scrub we dash'd;
And the golden-tinted fern leaves, how they rustled underneath;
And the honeysuckle osiers, how they crash'd!
We led the hunt throughout, Ned, on the chestnut and the grey,
And the troopers were three hundred yards behind,
While we emptied our six-shooters on the bushrangers at bay,
In the creek with stunted box-trees for a blind!
There you grappled with the leader, man to man, and horse to horse,
And you roll'd together when the chestnut rear'd;
He blazed away and missed you in that shallow water-course --
A narrow shave -- his powder singed your beard!
In these hours when life is ebbing, how those days when life was young
Come back to us; how clearly I recall
Even the yarns Jack Hall invented, and the songs Jem Roper sung;
And where are now Jem Roper and Jack Hall?
Ay! nearly all our comrades of the old colonial school,
Our ancient boon companions, Ned, are gone;
Hard livers for the most part, somewhat reckless as a rule,
It seems that you and I are left alone.
There was Hughes, who got in trouble through that business with the cards,
It matters little what became of him;
But a steer ripp'd up Macpherson in the Cooraminta yards,
And Sullivan was drown'd at Sink-or-swim;
And Mostyn -- poor Frank Mostyn -- died at last, a fearful wreck,
In the "horrors" at the Upper Wandinong,
And Carisbrooke, the rider, at the Horsefall broke his neck;
Faith! the wonder was he saved his neck so long!
Ah! those days and nights we squandered at the Logans' in the glen --
The Logans, man and wife, have long been dead.
Elsie's tallest girl seems taller than your little Elsie then;
And Ethel is a woman grown and wed.
I've had my share of pastime, and I've done my share of toil,
And life is short -- the longest life a span;
I care not now to tarry for the corn or for the oil,
Or for wine that maketh glad the heart of man.
For good undone, and gifts misspent, and resolutions vain,
'Tis somewhat late to trouble. This I know --
I should live the same life over, if I had to live again;
And the chances are I go where most men go.
The deep blue skies wax dusky, and the tall green trees grow dim,
The sward beneath me seems to heave and fall;
And sickly, smoky shadows through the sleepy sunlight swim,
And on the very sun's face weave their pall.
Let me slumber in the hollow where the wattle blossoms wave,
With never stone or rail to fence my bed;
Should the sturdy station children pull the bush-flowers on my grave,
I may chance to hear them romping overhead.
I don't suppose I shall though, for I feel like sleeping sound,
That sleep, they say, is doubtful. True; but yet
At least it makes no difference to the dead man underground
What the living men remember or forget.
Enigmas that perplex us in the world's unequal strife,
The future may ignore or may reveal;
Yet some, as weak as water, Ned, to make the best of life,
Have been to face the worst as true as steel.
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by
Robert William Service
'Twas on an iron, icy day
I saw a pirate gull down-plane,
And hover in a wistful way
Nigh where my chickens picked their grain.
An outcast gull, so grey and old,
Withered of leg I watched it hop,
By hunger goaded and by cold,
To where each fowl full-filled its crop.
They hospitably welcomed it,
And at the food rack gave it place;
It ate and ate, it preened a bit,
By way way of gratitude and grace.
It parleyed with my barnyard cock,
Then resolutely winged away;
But I am fey in feather talk,
And this is what I heard it say:
"I know that you and all your tribe
Are shielded warm and fenced from fear;
With food and comfort you would bribe
My weary wings to linger here.
An outlaw scarred and leather-lean,
I battle with the winds of woe:
You think me scaly and unclean...
And yet my soul you do not know,
"I storm the golden gates of day,
I wing the silver lanes of night;
I plumb the deep for finny prey,
On wave I sleep in tempest height.
Conceived was I by sea and sky,
Their elements are fused in me;
Of brigand birds that float and fly
I am the freest of the free.
"From peak to plain, from palm to pine
I coast creation at my will;
The chartless solitudes are mine,
And no one seeks to do me ill.
Until some cauldron of the sea
Shall gulp for me and I shall cease...
Oh I have lived enormously
And I shall have prodigious peace."
With yellow bill and beady eye
This spoke, I think, that old grey gull;
And as I watched it Southward fly
Life seemed to be a-sudden dull.
For I have often held this thought -
If I could change this mouldy me,
By heaven! I would choose the lot,
Of all the gypsy birds, to be
A gull that spans the spacious sea.
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by
John Donne
This is my play's last scene, here heavens appoint
My pilgrimage's last mile; and my race
Idly, yet quickly run, hath this last pace,
My span's last inch, my minute's latest point,
And gluttonous death, will instantly unjoint
My body and soul, and I shall sleep a space;
But my ever-waking part shall see that face,
Whose fear already shakes my every joint:
Then, as my soul, t' heaven her first seat, takes flight,
And earth-born body in the earth shall dwell,
So fall my sins that all may have their right
(To where they're bred, and would press me) to hell.
Impute me righteous, thus purged of evil,
For thus I leave the world, the flesh, the devil.
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by
Du Fu
Kong ming temple before be old cypress Branch like green bronze root like stone Frost bark slippery rain 40 spans Black colour meet sky 2000 feet Emperor and minister already with time end meet Tree tree still be man devotion Cloud come air meet Wu gorge long Moon out cold with snow mountain white Remember old road wind brocade pavilion east Former master war lord together hidden temple Towering branch trunk open country ancient Secluded red black door window empty Spread wide coil entrenched although get earth Dark far lofty many violent wind Give support naturally divine strength Upright reason creator skill Big hall if upset want rafter beam 10,000 oxen turn head mountain weight Not reveal hidden meaning world already amazed Without evade cut down who can send Bitter heart how avoid contain mole crickets ants Fragrant leaves all through reside phoenix Aim scholar secluded person not resent sigh Always timber big hard to use Before Kongming's shrine stands an ancient cypress, Its branches are like green bronze, its roots just like stone. The frosted bark, slippery with rain, is forty spans around, Its blackness blends into the sky two thousand feet above. Master and servant have each already reached their time's end, The tree, however, still remains, receiving men's devotion. Clouds come and bring the air of Wuxia gorge's vastness, The moon comes out, along with the cold of snowy mountain whiteness. I think back to the winding road, east of Brocade Pavilion, Where the military master and his lord of old share a hidden temple. Towering that trunk, those branches, on the ancient plain, Hidden paintings, red and black, doors and windows empty. Spreading wide, coiling down, though it holds the earth, In the dim and distant heights are many violent winds. That which gives it its support must be heaven's strength, The reason for its uprightness, the creator's skill. If a great hall should teeter, wanting rafters and beams, Ten thousand oxen would turn their heads towards its mountain's weight. Its potential unrevealed, the world's already amazed, Nothing would stop it being felled, but what man could handle it? Its bitter heart cannot avoid the entry of the ants, Its fragrant leaves have always given shelter to the phoenix. Ambitious scholars, reclusive hermits- neither needs to sigh; Always it's the greatest timber that's hardest to put to use.
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by
Li Bai
Thousands of feet high towers the Yellow Mountains
With its thirty-two magnificent peaks,
Blooming like golden lotus flowers
Amidst red crags and rock columns.
Once I was on its lofty summit,
Admiring Tianmu Pine below.
The place is still traceable where the immortal
Before ascending to heaven made elixir out of jade.
Now you embark on your journey there alone---
Another Wen Boxue* I happened to meet---
Who've been to Five Mountains for beauty of nature,
Leaving behind countless ranges of hills.
Homeward you go back to White Goose Ridge,
Back to drink from your Elixir Well.
If by chance I pay you a visit,
I expect to be met by your light carriage.
Eastwards from Lingyang you bend your steps,
And pick your way through fragrant bushes,
Many a stream and many a ford,
Peaks upon peaks shutting out the sky
That's where I'll call on you some other day
Across a bridge that spans cliffs like a rainbow.
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by
Thomas Hardy
'Whenever I plunge my arm, like this,
In a basin of water, I never miss
The sweet sharp sense of a fugitive day
Fetched back from its thickening shroud of gray.
Hence the only prime
And real love-rhyme
That I know by heart,
And that leaves no smart,
Is the purl of a little valley fall
About three spans wide and two spans tall
Over a table of solid rock,
And into a scoop of the self-same block;
The purl of a runlet that never ceases
In stir of kingdoms, in wars, in peaces;
With a hollow boiling voice it speaks
And has spoken since hills were turfless peaks.'
'And why gives this the only prime
Idea to you of a real love-rhyme?
And why does plunging your arm in a bowl
Full of spring water, bring throbs to your soul?'
'Well, under the fall, in a crease of the stone,
Though precisely where none ever has known,
Jammed darkly, nothing to show how prized,
And by now with its smoothness opalized,
Is a grinking glass:
For, down that pass
My lover and I
Walked under a sky
Of blue with a leaf-wove awning of green,
In the burn of August, to paint the scene,
And we placed our basket of fruit and wine
By the runlet's rim, where we sat to dine;
And when we had drunk from the glass together,
Arched by the oak-copse from the weather,
I held the vessel to rinse in the fall,
Where it slipped, and it sank, and was past recall,
Though we stooped and plumbed the little abyss
With long bared arms. There the glass still is.
And, as said, if I thrust my arm below
Cold water in a basin or bowl, a throe
From the past awakens a sense of that time,
And the glass we used, and the cascade's rhyme.
The basin seems the pool, and its edge
The hard smooth face of the brook-side ledge,
And the leafy pattern of china-ware
The hanging plants that were bathing there.
'By night, by day, when it shines or lours,
There lies intact that chalice of ours,
And its presence adds to the rhyme of love
Persistently sung by the fall above.
No lip has touched it since his and mine
In turns therefrom sipped lovers' wine.'
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