Written by
Gary Snyder |
At Tower Peak
Every tan rolling meadow will turn into housing
Freeways are clogged all day
Academies packed with scholars writing papers
City people lean and dark
This land most real
As its western-tending golden slopes
And bird-entangled central valley swamps
Sea-lion, urchin coasts
Southerly salmon-probes
Into the aromatic almost-Mexican hills
Along a range of granite peaks
The names forgotten,
An eastward running river that ends out in desert
The chipping ground-squirrels in the tumbled blocks
The gloss of glacier ghost on slab
Where we wake refreshed from ten hours sleep
After a long day's walking
Packing burdens to the snow
Wake to the same old world of no names,
No things, new as ever, rock and water,
Cool dawn birdcalls, high jet contrails.
A day or two or million, breathing
A few steps back from what goes down
In the current realm.
A kind of ice age, spreading, filling valleys
Shaving soils, paving fields, you can walk in it
Live in it, drive through it then
It melts away
For whatever sprouts
After the age of
Frozen hearts. Flesh-carved rock
And gusts on the summit,
Smoke from forest fires is white,
The haze above the distant valley like a dusk.
It's just one world, this spine of rock and streams
And snow, and the wash of gravels, silts
Sands, bunchgrasses, saltbrush, bee-fields,
Twenty million human people, downstream, here below.
|
Written by
George (Lord) Byron |
Fame, wisdom, love, and power were mine,
And health and youth possessed me;
My goblets blushed from every vine,
And lovely forms caressed me;
I sunned my heart in beauty’ eyes,
And felt my soul grow tender;
All earth can give, or mortal prize,
Was mine of regal splendour.
I strive to number o’er what days
Remembrance can discover,
Which all that life or earth displays
Would lure me to live over.
There rose no day, there rolled no hour
Of pleasure unembittered;
And not a trapping decked my power
That galled not while it glittered.
The serpent of the field, by art
And spells, is won from harming;
But that which soils around the heart,
Oh! who hath power of charming?
It will not list to wisdom’s lore,
Nor music’s voice can lure it;
But there it stings for evermore
The soul that must endure it.
|
Written by
Philip Larkin |
Why should I let the toad work
Squat on my life?
Can't I use my wit as a pitchfork
And drive the brute off?
Six days of the week it soils
With its sickening poison -
Just for paying a few bills!
That's out of proportion.
Lots of folk live on their wits:
Lecturers, lispers,
Losels, loblolly-men, louts-
They don't end as paupers;
Lots of folk live up lanes
With fires in a bucket,
Eat windfalls and tinned sardines-
they seem to like it.
Their nippers have got bare feet,
Their unspeakable wives
Are skinny as whippets - and yet
No one actually starves.
Ah, were I courageous enough
To shout Stuff your pension!
But I know, all too well, that's the stuff
That dreams are made on:
For something sufficiently toad-like
Squats in me, too;
Its hunkers are heavy as hard luck,
And cold as snow,
And will never allow me to blarney
My way of getting
The fame and the girl and the money
All at one sitting.
I don't say, one bodies the other
One's spiritual truth;
But I do say it's hard to lose either,
When you have both.
|
Written by
Walt Whitman |
I MET a Seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense, To glean Eidólons.
Put in thy chants, said he,
No more the puzzling hour, nor day—nor segments, parts, put in,
Put first before the rest, as light for all, and entrance-song of all, That of
Eidólons.
Ever the dim beginning;
Ever the growth, the rounding of the circle;
Ever the summit, and the merge at last, (to surely start again,) Eidólons!
Eidólons!
Ever the mutable!
Ever materials, changing, crumbling, re-cohering;
Ever the ateliers, the factories divine, Issuing Eidólons!
Lo! I or you!
Or woman, man, or State, known or unknown,
We seeming solid wealth, strength, beauty build, But really build Eidólons.
The ostent evanescent;
The substance of an artist’s mood, or savan’s studies long,
Or warrior’s, martyr’s, hero’s toils, To fashion his Eidólon.
Of every human life,
(The units gather’d, posted—not a thought, emotion, deed, left out;)
The whole, or large or small, summ’d, added up, In its Eidólon.
The old, old urge;
Based on the ancient pinnacles, lo! newer, higher pinnacles;
From Science and the Modern still impell’d, The old, old urge, Eidólons.
The present, now and here,
America’s busy, teeming, intricate whirl,
Of aggregate and segregate, for only thence releasing, To-day’s Eidólons.
These, with the past,
Of vanish’d lands—of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors’ voyages, Joining Eidólons.
Densities, growth, façades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave, Eidólons everlasting.
Exaltè, rapt, extatic,
The visible but their womb of birth,
Of orbic tendencies to shape, and shape, and shape, The mighty Earth-Eidólon.
All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending—serving their longer, shorter use,) Fill’d with
Eidólons only.
The noiseless myriads!
The infinite oceans where the rivers empty!
The separate, countless free identities, like eyesight; The true realities,
Eidólons.
Not this the World,
Nor these the Universes—they the Universes,
Purport and end—ever the permanent life of life, Eidólons, Eidólons.
Beyond thy lectures, learn’d professor,
Beyond thy telescope or spectroscope, observer keen—beyond all mathematics,
Beyond the doctor’s surgery, anatomy—beyond the chemist with his chemistry, The
entities of entities, Eidólons.
Unfix’d, yet fix’d;
Ever shall be—ever have been, and are,
Sweeping the present to the infinite future, Eidólons, Eidólons,
Eidólons.
The prophet and the bard,
Shall yet maintain themselves—in higher stages yet,
Shall mediate to the Modern, to Democracy—interpret yet to them, God, and
Eidólons.
And thee, My Soul!
Joys, ceaseless exercises, exaltations!
Thy yearning amply fed at last, prepared to meet, Thy mates, Eidólons.
Thy Body permanent,
The Body lurking there within thy Body,
The only purport of the Form thou art—the real I myself, An image, an
Eidólon.
Thy very songs, not in thy songs;
No special strains to sing—none for itself;
But from the whole resulting, rising at last and floating, A round, full-orb’d
Eidólon.
|
Written by
Anne Sexton |
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.
Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.
My guilts are what
we catalogue.
I'll take a knife
and chop up frog.
Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father's genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.
The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he's an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.
Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.
Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.
Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.
Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.
But I digress.
A loss has taken place.
The ball has sunk like a cast-iron pot
into the bottom of the well.
Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
Balls such as these are not
for sale in Au Bon Marché.
I took the moon, she said,
between my teeth
and now it is gone
and I am lost forever.
A thief had robbed by day.
Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.
That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King's youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.
The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves' liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn't exactly hygienic.
From her cup she drank
as if it were Socrates' hemlock.
Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!
Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.
He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
|
Written by
Robert Herrick |
Lord, Thou hast given me a cell
Wherein to dwell;
An little house, whose humble roof
Is weather-proof;
Under the spars of which I lie
Both soft and dry;
Where Thou my chamber for to ward
Hast set a guard
Of harmless thoughts, to watch and keep
Me, while I sleep.
Low is my porch as is my fate,
Both void of state;
And yet the threshold of my door
Is worn by'th' poor,
Who thither come, and freely get
Good words, or meat;
Like as my parlour, so my hall
And kitchen's small;
A little butterie and therein
A little bin,
Which keeps my little loaf of bread
Unchipp'd, unflay'd;
Some brittle sticks of thorn or briar
Make me a fire,
Close by whose living coal I sit,
And glow like it.
Lord, I confess too, when I dine,
The pulse is Thine,
And all those other bits that be
There plac'd by Thee;
The worts, the purslain, and the mess
Of water-cress,
Which of Thy kindness Thou hast sent;
And my content
Makes those, and my beloved beet,
To be more sweet.
'Tis Thou that crown'st my glitt'ring hearth
With guiltless mirth;
And giv'st me wassail bowls to drink,
Spic'd to the brink.
Lord, 'tis Thy plenty-dropping hand
That soils my land;
And giv'st me, for my bushel sown,
Twice ten for one;
Thou mak'st my teeming hen to lay
Her egg each day;
Besides my healthful ewes to bear
Me twins each year;
The while the conduits of my kine
Run cream (for wine.)
All these, and better Thou dost send
Me, to this end,
That I should render, for my part,
A thankful heart,
Which, fir'd with incense, I resign
As wholly Thine;
But the acceptance, that must be,
My Christ, by Thee.
|
Written by
William Carlos (WCW) Williams |
You know there is not much
that I desire, a few chrysanthemums
half lying on the grass, yellow
and brown and white, the
talk of a few people, the trees,
an expanse of dried leaves perhaps
with ditches among them.
But there comes
between me and these things
a letter
or even a look—well placed,
you understand,
so that I am confused, twisted
four ways and—left flat,
unable to lift the food to
my own mouth:
Here is what they say: Come!
and come! and come! And if
I do not go I remain stale to
myself and if I go—
I have watched
the city from a distance at night
and wondered why I wrote no poem.
Come! yes,
the city is ablaze for you
and you stand and look at it.
And they are right. There is
no good in the world except out of
a woman and certain women alone
for certain. But what if
I arrive like a turtle,
with my house on my back or
a fish ogling from under water?
It will not do. I must be
steaming with love, colored
like a flamingo. For what?
To have legs and a silly head
and to smell, pah! like a flamingo
that soils its own feathers behind.
Must I go home filled
with a bad poem?
And they say:
Who can answer these things
till he has tried? Your eyes
are half closed, you are a child,
oh, a sweet one, ready to play
but I will make a man of you and
with love on his shoulder—!
And in the marshes
the crickets run
on the sunny dike's top and
make burrows there, the water
reflects the reeds and the reeds
move on their stalks and rattle drily.
|
Written by
Rabindranath Tagore |
When the gong sounds ten in the morning and I walk to school by our
lane.
Every day I meet the hawker crying, "Bangles, crystal
bangles!"
There is nothing to hurry him on, there is no road he must
take, no place he must go to, no time when he must come home.
I wish I were a hawker, spending my day in the road, crying,
"Bangles, crystal bangles!"
When at four in the afternoon I come back from the school,
I can see through the gate of that house the gardener digging
the ground.
He does what he likes with his spade, he soils his clothes
with dust, nobody takes him to task if he gets baked in the sun or
gets wet.
I wish I were a gardener digging away at the garden with
nobody to stop me from digging.
Just as it gets dark in the evening and my mother sends me to
bed,
I can see through my open window the watchman walking up and
down.
The lane is dark and lonely, and the street-lamp stands like
a giant with one red eye in its head.
The watchman swings his lantern and walks with his shadow at
his side, and never once goes to bed in his life.
I wish I were a watchman walking the streets all night,
chasing the shadows with my lantern.
|
Written by
Dylan Thomas |
I
I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
There in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.
These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
The signal moon is zero in their voids.
I see the summer children in their mothers
Split up the brawned womb's weathers,
Divide the night and day with fairy thumbs;
There in the deep with quartered shades
Of sun and moon they paint their dams
As sunlight paints the shelling of their heads.
I see that from these boys shall men of nothing
Stature by seedy shifting,
Or lame the air with leaping from its hearts;
There from their hearts the dogdayed pulse
Of love and light bursts in their throats.
O see the pulse of summer in the ice.
II
But seasons must be challenged or they totter
Into a chiming quarter
Where, punctual as death, we ring the stars;
There, in his night, the black-tongued bells
The sleepy man of winter pulls,
Nor blows back moon-and-midnight as she blows.
We are the dark derniers let us summon
Death from a summer woman,
A muscling life from lovers in their cramp
From the fair dead who flush the sea
The bright-eyed worm on Davy's lamp
And from the planted womb the man of straw.
We summer boys in this four-winded spinning,
Green of the seaweeds' iron
Hold up the noisy sea and drop her birds,
Pick the world's ball of wave and froth
To choke the deserts with her tides,
And comb the county gardens for a wreath.
In spring we cross our foreheads with the holly,
Heigh ho the blood and berry,
And nail the merry squires to the trees;
Here love's damp muscle dries and dies
Here break a kiss in no love's quarry,
O see the poles of promise in the boys.
III
I see you boys of summer in your ruin.
Man in his maggots barren.
And boys are full and foreign to the pouch.
I am the man your father was.
We are the sons of flint and pitch.
O see the poles are kissing as they cross.
|
Written by
Robert William Service |
On silver sand where ripples curled
I counted sea-gulls seven;
Shy, secret screened from all the world,
And innocent as heaven.
They did not of my nearness know,
For dawn was barely bright,
And they were still, like spots of snow
In that pale, pearly light.
Then one went forth unto the sea
That rippled up in gold,
And there were rubies flashing free
From out its wing-unfold;
It ducked and dived in pretty play,
The while the other six
So gravely sat it seemed that they
Were marvelled by its tricks.
Then with a sudden flurry each
Down-rushed to join its mate,
And in a flash that sickle beach
With rapture was elate.
With joy they pranked till everyone
Was diamonded with spray,
Then flicked with flame to greet the sun
They rose and winged away.
But with their going, oh, the surge
Of loss they left in me!
For in my heart was born the urge,
The passion to be free.
And where each dawn with terror brings
Some tale of bale and blight,
Who would not envy silver wings,
The sea-gull in its flight!
Let me not know the soils of woe
That chain this stricken earth;
Let me forget the fear and fret
That bind men from their birth;
Let me be the one with wind and sun,
With earth and sky and sea. . . .
Oh, let me teach in living speech
God's glory - Liberty.
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