Written by
T S (Thomas Stearns) Eliot |
TWELVE o’clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.
Half-past one,
The street-lamp sputtered,
The street-lamp muttered,
The street-lamp said, “Regard that woman
Who hesitates toward you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.”
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
Half-past two,
The street-lamp said,
“Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.”
So the hand of the child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child’s eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
“Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smooths the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and eau de Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.”
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.
The lamp said,
“Four o’clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair.
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.”
The last twist of the knife.
|
Written by
John Trumbull |
Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.
When beauties lose their gay appearance,
And lovers fall from perseverance,
When eyes grow dim and charms decay,
And all your roses fade away,
First know yourselves; lay by those airs,
Which well might suit your former years,
Nor ape in vain the childish mien,
And airy follies of sixteen.
We pardon faults in youth's gay flow,
While beauty prompts the cheek to glow,
While every glance has power to warm,
And every turn displays a charm,
Nor view a spot in that fair face,
Which smiles inimitable grace.
But who, unmoved with scorn, can see
The grey coquette's affected glee,
Her ambuscading tricks of art
To catch the beau's unthinking heart,
To check th' assuming fopling's vows,
The bridling frown of wrinkled brows;
Those haughty airs of face and mind,
Departed beauty leaves behind.
Nor let your sullen temper show
Spleen louring on the envious brow,
The jealous glance of rival rage,
The sourness and the rust of age.
With graceful ease, avoid to wear
The gloom of disappointed care:
And oh, avoid the sland'rous tongue,
By malice tuned, with venom hung,
That blast of virtue and of fame,
That herald to the court of shame;
Less dire the croaking raven's throat,
Though death's dire omens swell the note.
Contented tread the vale of years,
Devoid of malice, guilt and fears;
Let soft good humour, mildly gay,
Gild the calm evening of your day,
And virtue, cheerful and serene,
In every word and act be seen.
Virtue alone with lasting grace,
Embalms the beauties of the face,
Instructs the speaking eye to glow,
Illumes the cheek and smooths the brow,
Bids every look the heart engage,
Nor fears the wane of wasting age.
Nor think these charms of face and air,
The eye so bright, the form so fair,
This light that on the surface plays,
Each coxcomb fluttering round its blaze,
Whose spell enchants the wits of beaux,
The only charms, that heaven bestows.
Within the mind a glory lies,
O'erlook'd and dim to vulgar eyes;
Immortal charms, the source of love,
Which time and lengthen'd years improve,
Which beam, with still increasing power,
Serene to life's declining hour;
Then rise, released from earthly cares,
To heaven, and shine above the stars.
Thus might I still these thoughts pursue,
The counsel wise, and good, and true,
In rhymes well meant and serious lay,
While through the verse in sad array,
Grave truths in moral garb succeed:
Yet who would mend, for who would read?
But when the force of precept fails,
A sad example oft prevails.
Beyond the rules a sage exhibits,
Thieves heed the arguments of gibbets,
And for a villain's quick conversion,
A pillory can outpreach a parson.
To thee, Eliza, first of all,
But with no friendly voice I call.
Advance with all thine airs sublime,
Thou remnant left of ancient time!
Poor mimic of thy former days,
Vain shade of beauty, once in blaze!
We view thee, must'ring forth to arms
The veteran relics of thy charms;
The artful leer, the rolling eye,
The trip genteel, the heaving sigh,
The labour'd smile, of force too weak,
Low dimpling in th' autumnal cheek,
The sad, funereal frown, that still
Survives its power to wound or kill;
Or from thy looks, with desperate rage,
Chafing the sallow hue of age,
And cursing dire with rueful faces,
The repartees of looking-glasses.
Now at tea-table take thy station,
Those shambles vile of reputation,
Where butcher'd characters and stale
Are day by day exposed for sale:
Then raise the floodgates of thy tongue,
And be the peal of scandal rung;
While malice tunes thy voice to rail,
And whispering demons prompt the tale--
Yet hold thy hand, restrain thy passion,
Thou cankerworm of reputation;
Bid slander, rage and envy cease,
For one short interval of peace;
Let other's faults and crimes alone,
Survey thyself and view thine own;
Search the dark caverns of thy mind,
Or turn thine eyes and look behind:
For there to meet thy trembling view,
With ghastly form and grisly hue,
And shrivel'd hand, that lifts sublime
The wasting glass and scythe of Time,
A phantom stands: his name is Age;
Ill-nature following as his page.
While bitter taunts and scoffs and jeers,
And vexing cares and torturing fears,
Contempt that lifts the haughty eye,
And unblest solitude are nigh;
While conscious pride no more sustains,
Nor art conceals thine inward pains,
And haggard vengeance haunts thy name,
And guilt consigns thee o'er to shame,
Avenging furies round thee wait,
And e'en thy foes bewail thy fate.
But see, with gentler looks and air,
Sophia comes. Ye youths beware!
Her fancy paints her still in prime,
Nor sees the moving hand of time;
To all her imperfections blind,
Hears lovers sigh in every wind,
And thinks her fully ripen'd charms,
Like Helen's, set the world in arms.
Oh, save it but from ridicule,
How blest the state, to be a fool!
The bedlam-king in triumph shares
The bliss of crowns, without the cares;
He views with pride-elated mind,
His robe of tatters trail behind;
With strutting mien and lofty eye,
He lifts his crabtree sceptre high;
Of king's prerogative he raves,
And rules in realms of fancied slaves.
In her soft brain, with madness warm,
Thus airy throngs of lovers swarm.
She takes her glass; before her eyes
Imaginary beauties rise;
Stranger till now, a vivid ray
Illumes each glance and beams like day;
Till furbish'd every charm anew,
An angel steps abroad to view;
She swells her pride, assumes her power,
And bids the vassal world adore.
Indulge thy dream. The pictured joy
No ruder breath should dare destroy;
No tongue should hint, the lover's mind
Was ne'er of virtuoso-kind,
Through all antiquity to roam
For what much fairer springs at home.
No wish should blast thy proud design;
The bliss of vanity be thine.
But while the subject world obey,
Obsequious to thy sovereign sway,
Thy foes so feeble and so few,
With slander what hadst thou to do?
What demon bade thine anger rise?
What demon glibb'd thy tongue with lies?
What demon urged thee to provoke
Avenging satire's deadly stroke?
Go, sink unnoticed and unseen,
Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade
In clouds hangs dismal o'er thy head.
Fill the short circle of thy day,
Then fade from all the world away;
Nor leave one fainting trace behind,
Of all that flutter'd once and shined;
The vapoury meteor's dancing light
Deep sunk and quench'd in endless night
|
Written by
William Butler Yeats |
'Lay me in a cushioned chair;
Carry me, ye four,
With cushions here and cushions there,
To see the world once more.
'To stable and to kennel go;
Bring what is there to bring;
Lead my Lollard to and fro,
Or gently in a ring.
'Put the chair upon the grass:
Bring Rody and his hounds,
That I may contented pass
From these earthly bounds.'
His eyelids droop, his head falls low,
His old eyes cloud with dreams;
The sun upon all things that grow
Falls in sleepy streams.
Brown Lollard treads upon the lawn,
And to the armchair goes,
And now the old man's dreams are gone,
He smooths the long brown nose.
And now moves many a pleasant tongue
Upon his wasted hands,
For leading aged hounds and young
The huntsman near him stands.
'Huntsmam Rody, blow the horn,
Make the hills reply.'
The huntsman loosens on the morn
A gay wandering cry.
Fire is in the old man's eyes,
His fingers move and sway,
And when the wandering music dies
They hear him feebly say,
'Huntsman Rody, blow the horn,
Make the hills reply.'
'I cannot blow upon my horn,
I can but weep and sigh.'
Servants round his cushioned place
Are with new sorrow wrung;
Hounds are gazing on his face,
Aged hounds and young.
One blind hound only lies apart
On the sun-smitten grass;
He holds deep commune with his heart:
The moments pass and pass:
The blind hound with a mournful din
Lifts slow his wintry head;
The servants bear the body in;
The hounds wail for the dead.
|
Written by
Henry Lawson |
A day of seeming innocence,
A glorious sun and sky,
And, just above my picket fence,
Black Bonnet passing by.
In knitted gloves and quaint old dress,
Without a spot or smirch,
Her worn face lit with peacefulness,
Old Granny goes to church.
Her hair is richly white, like milk,
That long ago was fair --
And glossy still the old black silk
She keeps for "chapel wear";
Her bonnet, of a bygone style,
That long has passed away,
She must have kept a weary while
Just as it is to-day.
The parasol of days gone by --
Old days that seemed the best --
The hymn and prayer books carried high
Against her warm, thin breast;
As she had clasped -- come smiles come tears,
Come hardship, aye, and worse --
On market days, through faded years,
The slender household purse.
Although the road is rough and steep,
She takes it with a will,
For, since she hushed her first to sleep
Her way has been uphill.
Instinctively I bare my head
(A sinful one, alas!)
Whene'er I see, by church bells led,
Brave Old Black Bonnet pass.
For she has known the cold and heat
And dangers of the Track:
Has fought bush-fires to save the wheat
And little home Out Back.
By barren creeks the Bushman loves,
By stockyard, hut, and pen,
The withered hands in those old gloves
Have done the work of men.
.....
They called it "Service" long ago
When Granny yet was young,
And in the chapel, sweet and low,
As girls her daughters sung.
And when in church she bends her head
(But not as others do)
She sees her loved ones, and her dead
And hears their voices too.
Fair as the Saxons in her youth,
Not forward, and not shy;
And strong in healthy life and truth
As after years went by:
She often laughed with sinners vain,
Yet passed from faith to sight --
God gave her beauty back again
The more her hair grew white.
She came out in the Early Days,
(Green seas, and blue -- and grey) --
The village fair, and English ways,
Seemed worlds and worlds away.
She fought the haunting loneliness
Where brooding gum trees stood;
And won through sickness and distress
As Englishwomen could.
.....
By verdant swath and ivied wall
The congregation's seen --
White nothings where the shadows fall,
Black blots against the green.
The dull, suburban people meet
And buzz in little groups,
While down the white steps to the street
A quaint old figure stoops.
And then along my picket fence
Where staring wallflowers grow --
World-wise Old Age, and Common-sense! --
Black Bonnet, nodding slow.
But not alone; for on each side
A little dot attends
In snowy frock and sash of pride,
And these are Granny's friends.
To them her mind is clear and bright,
Her old ideas are new;
They know her "real talk" is right,
Her "fairy talk" is true.
And they converse as grown-ups may,
When all the news is told;
The one so wisely young to-day,
The two so wisely old.
At home, with dinner waiting there,
She smooths her hair and face,
And puts her bonnet by with care
And dons a cap of lace.
The table minds its p's and q's
Lest one perchance be hit
By some rare dart which is a part
Of her old-fashioned wit.
.....
Her son and son's wife are asleep,
She puts her apron on --
The quiet house is hers to keep,
With all the youngsters gone.
There's scarce a sound of dish on dish
Or cup slipped into cup,
When left alone, as is her wish,
Black Bonnet "washes up."
|
Written by
Eugene Field |
When the busy day is done,
And my weary little one
Rocketh gently to and fro;
When the night winds softly blow,
And the crickets in the glen
Chirp and chirp and chirp again;
When upon the haunted green
Fairies dance around their queen -
Then from yonder misty skies
Cometh Lady Button-Eyes.
Through the murk and mist and gloam
To our quiet, cozy home,
Where to singing, sweet and low,
Rocks a cradle to and fro;
Where the clock's dull monotone
Telleth of the day that's done;
Where the moonbeams hover o'er
Playthings sleeping on the floor -
Where my weary wee one lies
Cometh Lady Button-Eyes.
Cometh like a fleeting ghost
From some distant eerie coast;
Never footfall can you hear
As that spirit fareth near -
Never whisper, never word
From that shadow-queen is heard.
In ethereal raiment dight,
From the realm of fay and sprite
In the depth of yonder skies
Cometh Lady Button-Eyes.
Layeth she her hands upon
My dear weary little one,
And those white hands overspread
Like a veil the curly head,
Seem to fondle and caress
Every little silken tress;
Then she smooths the eyelids down
Over those two eyes of brown -
In such soothing, tender wise
Cometh Lady Button-Eyes.
Dearest, feel upon your brow
That caressing magic now;
For the crickets in the glen
Chirp and chirp and chirp again,
While upon the haunted green
Fairies dance around their queen,
And the moonbeams hover o'er
Playthings sleeping on the floor -
Hush, my sweet! from yonder skies
Cometh Lady Button-Eyes!
|
Written by
John Betjeman |
The sea runs back against itself
With scarcely time for breaking wave
To cannonade a slatey shelf
And thunder under in a cave.
Before the next can fully burst
The headwind, blowing harder still,
Smooths it to what it was at first -
A slowly rolling water-hill.
Against the breeze the breakers haste,
Against the tide their ridges run
And all the sea's a dappled waste
Criss-crossing underneath the sun.
Far down the beach the ripples drag
Blown backward, rearing from the shore,
And wailing gull and shrieking shag
Alone can pierce the ocean roar.
Unheard, a mongrel hound gives tongue,
Unheard are shouts of little boys;
What chance has any inland lung
Against this multi-water noise?
Here where the cliffs alone prevail
I stand exultant, neutral, free,
And from the cushion of the gale
Behold a huge consoling sea.
|
Written by
Donald Hall |
All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.
In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;
and after noon's heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.
Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.
When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,
and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.
For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground - old toilers, soil makers:
O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
|
Written by
Thomas Moore |
Fill the bumper fair!
Every drop we sprinkle
O'er the brow of Care
Smooths away a wrinkle.
Wit's electric flame
Ne'er so swiftly passes,
As when through the frame
It shoots from brimming glasses.
Fill the bumper fair!
Every drop we sprinkle
O'er the brow of Care
Smooths away a wrinkle.
Sages can, they say,
Grasp the lightning's pinions,
And bring down its ray
From the starr'd dominions:
So we, Sages, sit,
And, 'mid bumpers brightening,
From the Heaven of Wit
Draw down all its lightning.
Fill the bumper, etc.
Wouldst thou know what first
Made our souls inherit
This ennobling thirst
For wine's celestial spirit?
It chanced, upon that day,
When, as bards inform us,
Prometheus stole away
The living fires that warm us:
Fill the bumper etc.
The careless Youth, when up
To Glory's fount aspiring,
Took nor urn nor cup
To hide the pilfer'd fire in. --
But oh, his joy, when, round
The halls of heaven spying,
Among the stars he found,
The bowl of Bacchus lying!
Fill the bumper, etc.
Some drops were in that bowl,
Remains of last night's pleasure,
With which the Sparks of Soul
Mix'd their burning treasure.
Hence the goblet's shower
Hath such spells to win us;
Hence its mighty power
O'er that flame within us.
Fill the bumper fair!
Every drop we sprinkle
O'er the brow of Care
Smooths away a wrinkle.
|
Written by
Conrad Aiken |
As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.
As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.
|
Written by
William Cullen Bryant |
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread--
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;--
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.
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