Written by
Stephen Dunn |
Relax. This won't last long.
Or if it does, or if the lines
make you sleepy or bored,
give in to sleep, turn on
the T.V., deal the cards.
This poem is built to withstand
such things. Its feelings
cannot be hurt. They exist
somewhere in the poet,
and I am far away.
Pick it up anytime. Start it
in the middle if you wish.
It is as approachable as melodrama,
and can offer you violence
if it is violence you like. Look,
there's a man on a sidewalk;
the way his leg is quivering
he'll never be the same again.
This is your poem
and I know you're busy at the office
or the kids are into your last nerve.
Maybe it's sex you've always wanted.
Well, they lie together
like the party's unbuttoned coats,
slumped on the bed
waiting for drunken arms to move them.
I don't think you want me to go on;
everyone has his expectations, but this
is a poem for the entire family.
Right now, Budweiser
is dripping from a waterfall,
deodorants are hissing into armpits
of people you resemble,
and the two lovers are dressing now,
saying farewell.
I don't know what music this poem
can come up with, but clearly
it's needed. For it's apparent
they will never see each other again
and we need music for this
because there was never music when he or she
left you standing on the corner.
You see, I want this poem to be nicer
than life. I want you to look at it
when anxiety zigzags your stomach
and the last tranquilizer is gone
and you need someone to tell you
I'll be here when you want me
like the sound inside a shell.
The poem is saying that to you now.
But don't give anything for this poem.
It doesn't expect much. It will never say more
than listening can explain.
Just keep it in your attache case
or in your house. And if you're not asleep
by now, or bored beyond sense,
the poem wants you to laugh. Laugh at
yourself, laugh at this poem, at all poetry.
Come on:
Good. Now here's what poetry can do.
Imagine yourself a caterpillar.
There's an awful shrug and, suddenly,
You're beautiful for as long as you live.
|
Written by
Robert Frost |
There were three in the meadow by the brook
Gathering up windrows, piling cocks of hay,
With an eye always lifted toward the west
Where an irregular sun-bordered cloud
Darkly advanced with a perpetual dagger
Flickering across its bosom. Suddenly
One helper, thrusting pitchfork in the ground,
Marched himself off the field and home. One stayed.
The town-bred farmer failed to understand.
"What is there wrong?"
"Something you just now said."
"What did I say?"
"About our taking pains."
"To cock the hay?--because it's going to shower?
I said that more than half an hour ago.
I said it to myself as much as you."
"You didn't know. But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.
James would take time, of course, to chew it over
Before he acted: he's just got round to act."
"He is a fool if that's the way he takes me."
"Don't let it bother you. You've found out something.
The hand that knows his business won't be told
To do work better or faster--those two things.
I'm as particular as anyone:
Most likely I'd have served you just the same.
But I know you don't understand our ways.
You were just talking what was in your mind,
What was in all our minds, and you weren't hinting.
Tell you a story of what happened once:
I was up here in Salem at a man's
Named Sanders with a gang of four or five
Doing the haying. No one liked the boss.
He was one of the kind sports call a spider,
All wiry arms and legs that spread out wavy
From a humped body nigh as big's a biscuit.
But work! that man could work, especially
If by so doing he could get more work
Out of his hired help. I'm not denying
He was hard on himself. I couldn't find
That he kept any hours--not for himself.
Daylight and lantern-light were one to him:
I've heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn't lead he'd get behind
And drive, the way you can, you know, in mowing--
Keep at their heels and threaten to mow their legs off.
I'd seen about enough of his bulling tricks
(We call that bulling). I'd been watching him.
So when he paired off with me in the hayfield
To load the load, thinks I, Look out for trouble.
I built the load and topped it off; old Sanders
Combed it down with a rake and says, 'O. K.'
Everything went well till we reached the barn
With a big catch to empty in a bay.
You understand that meant the easy job
For the man up on top of throwing down
The hay and rolling it off wholesale,
Where on a mow it would have been slow lifting.
You wouldn't think a fellow'd need much urging
Under these circumstances, would you now?
But the old fool seizes his fork in both hands,
And looking up bewhiskered out of the pit,
Shouts like an army captain, 'Let her come!'
Thinks I, D'ye mean it? 'What was that you said?'
I asked out loud, so's there'd be no mistake,
'Did you say, Let her come?' 'Yes, let her come.'
He said it over, but he said it softer.
Never you say a thing like that to a man,
Not if he values what he is. God, I'd as soon
Murdered him as left out his middle name.
I'd built the load and knew right where to find it.
Two or three forkfuls I picked lightly round for
Like meditating, and then I just dug in
And dumped the rackful on him in ten lots.
I looked over the side once in the dust
And caught sight of him treading-water-like,
Keeping his head above. 'Damn ye,' I says,
'That gets ye!' He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping hayseed from my neck,
And sort of waiting to be asked about it,
One of the boys sings out, 'Where's the old man?'
'I left him in the barn under the hay.
If ye want him, ye can go and dig him out.'
They realized from the way I swobbed my neck
More than was needed something must be up.
They headed for the barn; I stayed where I was.
They told me afterward. First they forked hay,
A lot of it, out into the barn floor.
Nothing! They listened for him. Not a rustle.
I guess they thought I'd spiked him in the temple
Before I buried him, or I couldn't have managed.
They excavated more. 'Go keep his wife
Out of the barn.' Someone looked in a window,
And curse me if he wasn't in the kitchen
Slumped way down in a chair, with both his feet
Stuck in the oven, the hottest day that summer.
He looked so clean disgusted from behind
There was no one that dared to stir him up,
Or let him know that he was being looked at.
Apparently I hadn't buried him
(I may have knocked him down); but my just trying
To bury him had hurt his dignity.
He had gone to the house so's not to meet me.
He kept away from us all afternoon.
We tended to his hay. We saw him out
After a while picking peas in his garden:
He couldn't keep away from doing something."
"Weren't you relieved to find he wasn't dead?"
"No! and yet I don't know--it's hard to say.
I went about to kill him fair enough."
"You took an awkward way. Did he discharge you?"
"Discharge me? No! He knew I did just right."
|
Written by
Delmore Schwartz |
"I have been one acquainted with the night" - Robert Frost
Rode in the train all night, in the sick light. A bird
Flew parallel with a singular will. In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.
Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling. And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar --
The bored center of this vision and condition looked and
looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and
readers.
And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed. And then the train
Like a suddenly storming rain, began to rush and thresh--
The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.
A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.
And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.
And then the bird cried as if to all of us:
0 your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will you ever do with your life before death's
knife
Provides the answer ultimate and appropriate?
As I for my part felt in my heart as one who falls,
Falls in a parachute, falls endlessly, and feel the vast
Draft of the abyss sucking him down and down,
An endlessly helplessly falling and appalled clown:
This is the way that night passes by, this
Is the overnight endless trip to the famous unfathomable
abyss.
|
Written by
Philip Levine |
The sun came up before breakfast,
perfectly round and yellow, and we
dressed in the soft light and shook out
our long blond curls and waited
for Maid to brush them flat and place
the part just where it belonged.
We came down the carpeted stairs
one step at a time, in single file,
gleaming in our sailor suits, two
four year olds with unscratched knees
and scrubbed teeth. Breakfast came
on silver dishes with silver covers
and was set in table center, and Mother
handed out the portions of eggs
and bacon, toast and juice. We could
hear the ocean, not far off, and boats
firing up their engines, and the shouts
of couples in white on the tennis courts.
I thought, Yes, this is the beginning
of another summer, and it will go on
until the sun tires of us or the moon
rises in its place on a silvered dawn
and no one wakens. My brother flung
his fork on the polished wooden floor
and cried out, "My eggs are cold, cold!"
and turned his plate over. I laughed
out loud, and Mother slapped my face,
and when I cleared my eyes the table
was bare of even a simple white cloth,
and the steaming plates had vanished.
My brother said, "It's time," and we
struggled into our galoshes and snapped
them up, slumped into our pea coats,
one year older now and on our way
to the top through the freezing rains
of the end of November, lunch boxes
under our arms, tight fists pocketed,
out the door and down the front stoop,
heads bent low, tacking into the wind.
|
Written by
Stephen Vincent Benet |
The boat ploughed on. Now Alcatraz was past
And all the grey waves flamed to red again
At the dead sun's last glimmer. Far and vast
The Sausalito lights burned suddenly
In little dots and clumps, as if a pen
Had scrawled vague lines of gold across the hills;
The sky was like a cup some rare wine fills,
And stars came as he watched
-- and he was free
One splendid instant -- back in the great room,
Curled in a chair with all of them beside
And the whole world a rush of happy voices,
With laughter beating in a clamorous tide. . . .
Saw once again the heat of harvest fume
Up to the empty sky in threads like glass,
And ran, and was a part of what rejoices
In thunderous nights of rain; lay in the grass
Sun-baked and tired, looking through a maze
Of tiny stems into a new green world;
Once more knew eves of perfume, days ablaze
With clear, dry heat on the brown, rolling fields;
Shuddered with fearful ecstasy in bed
Over a book of knights and bloody shields . . .
The ship slowed, jarred and stopped. There, straight ahead,
Were dock and fellows. Stumbling, he was whirled
Out and away to meet them -- and his back
Slumped to the old half-cringe, his hands fell slack;
A big boy's arm went round him -- and a twist
Sent shattering pain along his tortured wrist,
As a voice cried, a bloated voice and fat,
"Why it's Miss Nancy! Come along, you rat!"
|
Written by
John Berryman |
I recall a boil, whereupon as I had to sit,
just where, and when I had to, for deadlines.
O I could learn to type standing,
but isn't it slim to be slumped off from that,
problems undignified, fiery dig salt mines?—
Content on one's black flat:
soming no deadline—is all ancient nonsense—
no typewriters—ha! ha!—no typewriters—
alas!
For I have much to open, I know immense
troubles & wonders to their secret curse.
Yet when erect on my ass,
pissed off, I sat two-square, I kept shut my mouth
and stilled my nimble fingers across keys.
That is I stood up.
Now since down I lay, void of love & ruth,
I'd howl my knowings, only there's the earth
overhead. Plop!
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