10 Best Famous Slake Poems

Here is a collection of the top 10 all-time best famous Slake poems. This is a select list of the best famous Slake poetry. Reading, writing, and enjoying famous Slake poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of slake poems.

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Written by Kenn Nesbitt | Create an image from this poem

Olympic Granny

When Grandma goes for gold in
The Olympic games this year,
She’ll laugh at her competitors
And make them quake with fear.
She’s ninety-nine years old
But, in athletics, she’s been blessed.
The trouble is she can’t decide
Which sport she plays the best.
She’s such an ace at archery.
She’s queen of the canoe.
She’s tough to top at taekwondo
And table tennis too.
She dominates the diving board.
She tromps the trampoline.
At lifting weights and wrestling
She’s the best you’ve ever seen.
She speeds across the swimming pool
To slake the summer heat.
On BMX and mountain bike
She simply can’t be beat.
She’s highest in the high jump,
And a champ at hammer throwing,
Magnificent in marathons,
Remarkable at rowing.
She beats the best at boxing.
At the pole vault she is peerless.
Her fencing is the finest;
She is positively fearless.
She’s masterful at basketball,
She truly rules the court,
And equally incredible
At every other sport.
But what we find astonishing
And something of a shocker
Is how she wins all contests
With her wheelchair and her walker.

 --Kenn Nesbitt

Copyright © Kenn Nesbitt 2016. All Rights Reserved.

Written by Rudyard Kipling | Create an image from this poem

A Ballad of Burial

 ("Saint Proxed's ever was the Church for peace")
If down here I chance to die,
 Solemnly I beg you take
All that is left of "I"
 To the Hills for old sake's sake,
Pack me very thoroughly
 In the ice that used to slake
Pegs I drank when I was dry --
 This observe for old sake's sake.

To the railway station hie,
 There a single ticket take
For Umballa -- goods-train -- I
 Shall not mind delay or shake.
I shall rest contentedly
 Spite of clamor coolies make;
Thus in state and dignity
 Send me up for old sake's sake.

Next the sleepy Babu wake,
 Book a Kalka van "for four."
Few, I think, will care to make
 Journeys with me any more
As they used to do of yore.
 I shall need a "special" break --
Thing I never took before --
 Get me one for old sake's sake.

After that -- arrangements make.
 No hotel will take me in,
And a bullock's back would break
 'Neath the teak and leaden skin
Tonga ropes are frail and thin,
 Or, did I a back-seat take,
In a tonga I might spin, --
 Do your best for old sake's sake.

After that -- your work is done.
 Recollect a Padre must
Mourn the dear departed one --
 Throw the ashes and the dust.
Don't go down at once. I trust
 You will find excuse to "snake
Three days' casual on the bust."
 Get your fun for old sake's sake.

I could never stand the Plains.
 Think of blazing June and May
Think of those September rains
 Yearly till the Judgment Day!
I should never rest in peace,
 I should sweat and lie awake.
Rail me then, on my decease,
 To the Hills for old sake's sake.
Written by Francis Thompson | Create an image from this poem

The Hound of Heaven

 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.

I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.

I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.

I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.

So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.

But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.

Naked, I wait thy Love's uplifted stroke. My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.

Such is. What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?

Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.
Written by Robert Browning | Create an image from this poem

Rabbi Ben Ezra

 Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'

Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.

Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?

Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.

Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!

For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.

What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?

Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'

Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'

For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!

Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'

Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.

And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.

Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.

For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.'

So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.'

For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.

As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.

Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!

Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?

Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:

But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:

Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.

Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'

Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.

He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.

What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?

Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?

But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:

So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!
Written by Charles Baudelaire | Create an image from this poem

Benediction

 When, by decree of the supreme power,
The Poet appears in this annoyed world,
His mother, blasphemous out of horror
At God's pity, cries out with fists curled:

"Ah! I'd rather You'd will me a snake's skin
Than to keep feeding this monstrous slur!
I curse that night's ephemera are sins
To make my womb atone for pleasure.

"Since You have chosen me from all the brides
To bear the disgust of my dolorous groom
And since I can't throw back into the fires
Like an old love letter this gaunt buffoon

"I'll replace Your hate that overwhelms me
On the instrument of Your wicked gloom
And torture so well this miserable tree
Its pestiferous buds will never bloom!"

She chokes down the eucharist of venom,
Not comprehending eternal designs,
She prepares a Gehenna of her own,
And consecrates a pyre of maternal crimes.

Yet, watched by an invisible seraph,
The disinherited child is drunk on the sun
And in all he devours and in all he quaffs
Receives ambrosia, nectar and honey.

He plays with the wind, chats with the vapors,
Deliriously sings the stations of the cross;
And the Spirit who follows him in his capers
Cries at his joy like a bird in the forest.

Those whom he longs to love look with disdain
And dread, strengthened by his tranquillity,
They seek to make him complain of his pain
So they may try out their ferocity.

In the bread and wine destined for his lips,
They mix in cinders and spit with their wrath,
And throw out all he touches as he grasps it,
And accuse him of putting his feet in their path.

His wife cries out so that everyone hears:
"Since he finds me good enough to adore
I'll weave as the idols of ancient years
A corona of gold as a cover.

"I'll get drunk on nard, incense and myrrh,
Get down on bent knee with meats and wines
To see if in a heart that admires,
My smile denies deference to the divine.

"And, when I tire of these impious farces,
I'll arrange for him my frail and hard nails
Sharpened just like the claws of a harpy
That out of his heart will carve a trail.

"Like a baby bird trembling in the nest
I'll dig out his heart all red from my breast
To slake the thirst of my favorite pet,
And will throw it on the ground with contempt!"

Toward the sky, where he sees a great host,
The poet, serene, lifts his pious arms high
And the vast lightning of his lucid ghost
Blinds him to the furious people nearby:

"Glory to God, who leaves us to suffer
To cure us of all our impurities
And like the best, most rarefied buffer
Prepares the strong for a saint's ecstasies!

"I know that You hold a place for the Poet
In the ranks of the blessed and the saint's legions,
That You invite him to an eternal fete
Of thrones, of virtues, of dominations.

"I know only sorrow is unequaled,
It cannot be encroached on from Hell or Earth
And if I am to braid my mystic wreath,
May I impose it on the universe.

"But the ancient jewels of lost Palmyra,
The unknown metals, pearls from the ocean
By Your hand mounted, they do not suffice,
They cannot dazzle as clearly as this crown

"For it will not be made except from halos
Drawn of pure light in a holy portal
Whose entire splendor, in the eyes of mortals
Is only a mirror, obscure and mournful."

Written by Ted Hughes | Create an image from this poem

Work and Play

 The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.
 But the serpent of cars that crawls through the dust
 In shimmering exhaust
 Searching to slake
 Its fever in ocean
 Will play and be idle or else it will bust. 

The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.
 But the serpent of cars that collapsed on the beach
 Disgorges its organs
 A scamper of colours
 Which roll like tomatoes
 Nude as tomatoes
 With sand in their creases
 To cringe in the sparkle of rollers and screech. 

The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.
 But the holiday people
 Are laid out like wounded
 Flat as in ovens
 Roasting and basting
 With faces of torment as space burns them blue
 Their heads are transistors
 Their teeth grit on sand grains
 Their lost kids are squalling
 While man-eating flies
 Jab electric shock needles but what can they do? 

They can climb in their cars with raw bodies, raw faces
 And start up the serpent
 And headache it homeward
 A car full of squabbles
 And sobbing and stickiness
 With sand in their crannies
 Inhaling petroleum
 That pours from the foxgloves
 While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.
Written by Christina Rossetti | Create an image from this poem

The Convent Threshold

 There's blood between us, love, my love,
There's father's blood, there's brother's blood,
And blood's a bar I cannot pass.
I choose the stairs that mount above,
Stair after golden sky-ward stair,
To city and to sea of glass.
My lily feet are soiled with mud,
With scarlet mud which tells a tale
Of hope that was, of guilt that was,
Of love that shall not yet avail;
Alas, my heart, if I could bare
My heart, this selfsame stain is there:
I seek the sea of glass and fire
To wash the spot, to burn the snare;
Lo, stairs are meant to lift us higher--
Mount with me, mount the kindled stair.

Your eyes look earthward, mine look up.
I see the far-off city grand,
Beyond the hills a watered land,
Beyond the gulf a gleaming strand
Of mansions where the righteous sup;
Who sleep at ease among their trees,
Or wake to sing a cadenced hymn
With Cherubim and Seraphim;
They bore the Cross, they drained the cup,
Racked, roasted, crushed, wrenched limb from limb,
They the offscouring of the world.
The heaven of starry heavens unfurled,
The sun before their face is dim.
You looking earthward, what see you?
Milk-white, wine-flushed among the vines,
Up and down leaping, to and fro,
Most glad, most full, made strong with wines,
Blooming as peaches pearled with dew,
Their golden windy hair afloat,
Love-music warbling in their throat,
Young men and women come and go.

You linger, yet the time is short:
Flee for your life, gird up your strength
To flee; the shadows stretched at length
Show that day wanes, that night draws nigh;
Flee to the mountain, tarry not.
Is this a time for smile and sigh,
For songs among the secret trees
Where sudden blue birds nest and sport?
The time is short and yet you stay:
To-day, while it is called to-day,
Kneel, wrestle, knock, do violence, pray;
To-day is short, to-morrow nigh:
Why will you die? why will you die?

You sinned with me a pleasant sin:
Repent with me, for I repent.
Woe's me the lore I must unlearn!
Woe's me that easy way we went,
So rugged when I would return!
How long until my sleep begin
How long shall stretch these nights and days?
Surely, clean Angels cry, she prays;
She laves her soul with tedious tears:
How long must stretch these years and years?

I turn from you my cheeks and eyes,
My hair which you shall see no more--
Alas for joy that went before,
For joy that dies, for love that dies.
Only my lips still turn to you,
My livid lips that cry, Repent.
O weary life, O weary Lent,
O weary time whose stars are few.

How shall I rest in Paradise,
Or sit on steps of heaven alone
If Saints and Angels spoke of love
Should I not answer from my throne:
Have pity upon me, ye my friends,
For I have heard the sound thereof:
Should I not turn with yearning eyes,
Turn earthwards with a pitiful pang?
Oh save me from a pang in heaven.
By all the gifts we took and gave,
Repent, repent, and be forgiven:
This life is long, but yet it ends;
Repent and purge your soul and save:
No gladder song the morning stars
Upon their birthday morning sang
Than Angels sing when one repents.

I tell you what I dreamed last night:
A spirit with transfigured face
Fire-footed clomb an infinite space.
I heard his hundred pinions clang,
Heaven-bells rejoicing rang and rang,
Heaven-air was thrilled with subtle scents,
Worlds spun upon their rushing cars.
He mounted, shrieking, "Give me light!"
Still light was poured on him, more light;
Angels, Archangels he outstripped,
Exulting in exceeding might,
And trod the skirts of Cherubim.
Still "Give me light," he shrieked; and dipped
His thirsty face, and drank a sea,
Athirst with thirst it could not slake.
I saw him, drunk with knowledge, take
From aching brows the aureole crown--
His locks writhe like a cloven snake--
He left his throne to grovel down
And lick the dust of Seraphs' feet;
For what is knowledge duly weighed?
Knowledge is strong, but love is sweet;
Yea, all the progress he had made
Was but to learn that all is small
Save love, for love is all in all.

I tell you what I dreamed last night:
It was not dark, it was not light,
Cold dews had drenched my plenteous hair
Through clay; you came to seek me there.
And "Do you dream of me?" you said.
My heart was dust that used to leap
To you; I answered half asleep:
"My pillow is damp, my sheets are red,
There's a leaden tester to my bed;
Find you a warmer playfellow,
A warmer pillow for your head,
A kinder love to love than mine."
You wrung your hands, while I, like lead,
Crushed downwards through the sodden earth;
You smote your hands but not in mirth,
And reeled but were not drunk with wine.

For all night long I dreamed of you;
I woke and prayed against my will,
Then slept to dream of you again.
At length I rose and knelt and prayed.
I cannot write the words I said,
My words were slow, my tears were few;
But through the dark my silence spoke
Like thunder. When this morning broke,
My face was pinched, my hair was grey,
And frozen blood was on the sill
Where stifling in my struggle I lay.
If now you saw me you would say:
Where is the face I used to love?
And I would answer: Gone before;
It tarries veiled in paradise.
When once the morning star shall rise,
When earth with shadow flees away
And we stand safe within the door,
Then you shall lift the veil thereof.
Look up, rise up: for far above
Our palms are grown, our place is set;
There we shall meet as once we met,
And love with old familiar love.
Written by A S J Tessimond | Create an image from this poem

Cocoon For A Skeleton

 Clothes: to compose
The furtive, lone
Pillar of bone
To some repose.

To let hands shirk
Utterance behind
A pocket's blind
Deceptive smirk.

To mask, belie
The undue haste
Of breast for breast
Or thigh for thigh.

To screen, conserve
The pose, when death
Half strips the sheath
And leaves the nerve.

To edit, glose
Lyric desire
And slake its fire
In polished prose.
Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home. 
I love to roam. 
Day after day I loiter and explore 
From door to door; 
So many treasures lure 
The curious mind. What histories obscure 
They must immure! 

I hardly know which room I care for best; 
This fronting west, 
With the strange hills in view, 
Where the great sun goes,—where I may go too, 
When my lease is through,— 

Or this one for the morning and the east, 
Where a man may feast 
His eyes on looming sails, 
And be the first to catch their foreign hails 
Or spy their bales 

Then the pale summer twilights towards the pole! 
It thrills my soul 
With wonder and delight, 
When gold-green shadows walk the world at night, 
So still, so bright. 

There at the window many a time of year, 
Strange faces peer, 
Solemn though not unkind, 
Their wits in search of something left behind 
Time out of mind; 

As if they once had lived here, and stole back 
To the window crack 
For a peep which seems to say, 
"Good fortune, brother, in your house of clay!" 
And then, "Good day!" 

I hear their footsteps on the gravel walk, 
Their scraps of talk, 
And hurrying after, reach 
Only the crazy sea-drone of the beach 
In endless speech. 

And often when the autumn noons are still, 
By swale and hill 
I see their gipsy signs, 
Trespassing somewhere on my border lines; 
With what designs? 

I forth afoot; but when I reach the place, 
Hardly a trace, 
Save the soft purple haze 
Of smouldering camp-fires, any hint betrays 
Who went these ways. 

Or tatters of pale aster blue, descried 
By the roadside, 
Reveal whither they fled; 
Or the swamp maples, here and there a shred 
Of Indian red. 

But most of all, the marvellous tapestry 
Engrosses me, 
Where such strange things are rife, 
Fancies of beasts and flowers, and love and strife, 
Woven to the life; 

Degraded shapes and splendid seraph forms, 
And teeming swarms 
Of creatures gauzy dim 
That cloud the dusk, and painted fish that swim, 
At the weaver's whim; 

And wonderful birds that wheel and hang in the air; 
And beings with hair, 
And moving eyes in the face, 
And white bone teeth and hideous grins, who race 
From place to place; 

They build great temples to their John-a-nod, 
And fume and plod 
To deck themselves with gold, 
And paint themselves like chattels to be sold, 
Then turn to mould. 

Sometimes they seem almost as real as I; 
I hear them sigh; 
I see them bow with grief, 
Or dance for joy like any aspen leaf; 
But that is brief. 

They have mad wars and phantom marriages; 
Nor seem to guess 
There are dimensions still, 
Beyond thought's reach, though not beyond love's will, 
For soul to fill. 

And some I call my friends, and make believe 
Their spirits grieve, 
Brood, and rejoice with mine; 
I talk to them in phrases quaint and fine 
Over the wine; 

I tell them all my secrets; touch their hands; 
One understands 
Perhaps. How hard he tries 
To speak! And yet those glorious mild eyes, 
His best replies! 

I even have my cronies, one or two, 
My cherished few. 
But ah, they do not stay! 
For the sun fades them and they pass away, 
As I grow gray. 


Yet while they last how actual they seem! 
Their faces beam; 
I give them all their names, 
Bertram and Gilbert, Louis, Frank and James, 
Each with his aims; 


One thinks he is a poet, and writes verse 
His friends rehearse; 
Another is full of law; 
A third sees pictures which his hand can draw 
Without a flaw. 


Strangest of all, they never rest. Day long 
They shift and throng, 
Moved by invisible will, 
Like a great breath which puffs across my sill, 
And then is still; 


It shakes my lovely manikins on the wall; 
Squall after squall, 
Gust upon crowding gust, 
It sweeps them willy nilly like blown dust 
With glory or lust. 


It is the world-ghost, the time-spirit, come 
None knows wherefrom, 
The viewless draughty tide 
And wash of being. I hear it yaw and glide, 
And then subside, 


Along these ghostly corridors and halls 
Like faint footfalls; 
The hangings stir in the air; 
And when I start and challenge, "Who goes there?" 
It answers, "Where?" 


The wail and sob and moan of the sea's dirge, 
Its plangor and surge; 
The awful biting sough 
Of drifted snows along some arctic bluff, 
That veer and luff, 


And have the vacant boding human cry, 
As they go by;— 
Is it a banished soul 
Dredging the dark like a distracted mole 
Under a knoll? 


Like some invisible henchman old and gray, 
Day after day 
I hear it come and go, 
With stealthy swift unmeaning to and fro, 
Muttering low, 


Ceaseless and daft and terrible and blind, 
Like a lost mind. 
I often chill with fear 
When I bethink me, What if it should peer 
At my shoulder here! 


Perchance he drives the merry-go-round whose track 
Is the zodiac; 
His name is No-man's-friend; 
And his gabbling parrot-talk has neither trend, 
Beginning, nor end. 


A prince of madness too, I'd cry, "A rat!" 
And lunge thereat,— 
Let out at one swift thrust 
The cunning arch-delusion of the dust 
I so mistrust, 


But that I fear I should disclose a face 
Wearing the trace 
Of my own human guise, 
Piteous, unharmful, loving, sad, and wise 
With the speaking eyes. 


I would the house were rid of his grim pranks, 
Moaning from banks 
Of pine trees in the moon, 
Startling the silence like a demoniac loon 
At dead of noon. 


Or whispering his fool-talk to the leaves 
About my eaves. 
And yet how can I know 
'T is not a happy Ariel masking so 
In mocking woe? 


Then with a little broken laugh I say, 
Snatching away 
The curtain where he grinned 
(My feverish sight thought) like a sin unsinned, 
"Only the wind!" 


Yet often too he steals so softly by. 
With half a sigh, 
I deem he must be mild, 
Fair as a woman, gentle as a child, 
And forest wild. 


Passing the door where an old wind-harp swings, 
With its five strings, 
Contrived long years ago 
By my first predecessor bent to show 
His handcraft so, 


He lay his fingers on the aeolian wire, 
As a core of fire 
Is laid upon the blast 
To kindle and glow and fill the purple vast 
Of dark at last. 


Weird wise, and low, piercing and keen and glad, 
Or dim and sad 
As a forgotten strain 
Born when the broken legions of the rain 
Swept through the plain— 


He plays, like some dread veiled mysteriarch, 
Lighting the dark, 
Bidding the spring grow warm, 
The gendering merge and loosing of spirit in form, 
Peace out of storm. 


For music is the sacrament of love; 
He broods above 
The virgin silence, till 
She yields for rapture shuddering, yearning still 
To his sweet will. 


I hear him sing, "Your harp is like a mesh, 
Woven of flesh 
And spread within the shoal 
Of life, where runs the tide-race of the soul 
In my control. 


"Though my wild way may ruin what it bends, 
It makes amends 
To the frail downy clocks, 
Telling their seed a secret that unlocks 
The granite rocks. 


"The womb of silence to the crave of sound 
Is heaven unfound, 
Till I, to soothe and slake 
Being's most utter and imperious ache, 
Bid rhythm awake. 


"If with such agonies of bliss, my kin, 
I enter in 
Your prison house of sense, 
With what a joyous freed intelligence 
I shall go hence." 


I need no more to guess the weaver's name, 
Nor ask his aim, 
Who hung each hall and room 
With swarthy-tinged vermilion upon gloom; 
I know that loom. 


Give me a little space and time enough, 
From ravelings rough 
I could revive, reweave, 
A fabric of beauty art might well believe 
Were past retrieve. 


O men and women in that rich design, 
Sleep-soft, sun-fine, 
Dew-tenuous and free, 
A tone of the infinite wind-themes of the sea, 
Borne in to me, 


Reveals how you were woven to the might 
Of shadow and light. 
You are the dream of One 
Who loves to haunt and yet appears to shun 
My door in the sun; 


As the white roving sea tern fleck and skim 
The morning's rim; 
Or the dark thrushes clear 
Their flutes of music leisurely and sheer, 
Then hush to hear. 


I know him when the last red brands of day 
Smoulder away, 
And when the vernal showers 
Bring back the heart to all my valley flowers 
In the soft hours. 


O hand of mine and brain of mine, be yours, 
While time endures, 
To acquiesce and learn! 
For what we best may dare and drudge and yearn, 
Let soul discern. 


So, fellows, we shall reach the gusty gate, 
Early or late, 
And part without remorse, 
A cadence dying down unto its source 
In music's course; 


You to the perfect rhythms of flowers and birds, 
Colors and words, 
The heart-beats of the earth, 
To be remoulded always of one worth 
From birth to birth; 


I to the broken rhythm of thought and man, 
The sweep and span 
Of memory and hope 
About the orbit where they still must grope 
For wider scope, 


To be through thousand springs restored, renewed, 
With love imbrued, 
With increments of will 
Made strong, perceiving unattainment still 
From each new skill. 


Always the flawless beauty, always the chord 
Of the Overword, 
Dominant, pleading, sure, 
No truth too small to save and make endure. 
No good too poor! 


And since no mortal can at last disdain 
That sweet refrain, 
But lets go strife and care, 
Borne like a strain of bird notes on the air, 
The wind knows where; 


Some quiet April evening soft and strange, 
When comes the change 
No spirit can deplore, 
I shall be one with all I was before, 
In death once more.
Written by John Milton | Create an image from this poem

On The Death Of A Fair Infant Dying Of A Cough

 I

O fairest flower no sooner blown but blasted,
Soft silken Primrose fading timelesslie,
Summers chief honour if thou hadst outlasted
Bleak winters force that made thy blossome drie;
For he being amorous on that lovely die
That did thy cheek envermeil, thought to kiss
But kill'd alas, and then bewayl'd his fatal bliss.

II

For since grim Aquilo his charioter
By boistrous rape th' Athenian damsel got,
He thought it toucht his Deitie full neer, 
If likewise he some fair one wedded not,
Thereby to wipe away th' infamous blot,
Of long-uncoupled bed, and childless eld,
Which 'mongst the wanton gods a foul reproach was held.

III

So mounting up in ycie-pearled carr,
Through middle empire of the freezing aire
He wanderd long, till thee he spy'd from farr,
There ended was his quest, there ceast his care
Down he descended from his Snow-soft chaire,
But all unwares with his cold-kind embrace 
Unhous'd thy Virgin Soul from her fair hiding place.

IV

Yet art thou not inglorious in thy fate;
For so Apollo, with unweeting hand
Whilome did slay his dearly-loved mate
Young Hyacinth born on Eurotas' strand,
Young Hyacinth the pride of Spartan land;
But then transform'd him to a purple flower
Alack that so to change thee winter had no power.

V

Yet can I not perswade me thou art dead
Or that thy coarse corrupts in earths dark wombe, 
Or that thy beauties lie in wormie bed,
Hid from the world in a low delved tombe;
Could Heav'n for pittie thee so strictly doom?
O no! for something in thy face did shine
Above mortalitie that shew'd thou wast divine.

VI

Resolve me then oh Soul most surely blest
(If so it be that thou these plaints dost hear)
Tell me bright Spirit where e're thou hoverest
Whether above that high first-moving Spheare
Or in the Elisian fields (if such there were.) 
Oh say me true if thou wert mortal wight
And why from us so quickly thou didst take thy flight.

VII

Wert thou some Starr which from the ruin'd roofe
Of shak't Olympus by mischance didst fall;
Which carefull Jove in natures true behoofe
Took up, and in fit place did reinstall?
Or did of late earths Sonnes besiege the wall
Of sheenie Heav'n, and thou some goddess fled
Amongst us here below to hide thy nectar'd head

VIII

Or wert thou that just Maid who once before 
Forsook the hated earth, O tell me sooth
And cam'st again to visit us once more?
Or wert thou that sweet smiling Youth!
Or that c[r]own'd Matron sage white-robed Truth?
Or any other of that heav'nly brood
Let down in clowdie throne to do the world some good.

Note: 53 Or wert thou] Or wert thou Mercy -- conjectured by
John Heskin Ch. Ch. Oxon. from Ode on Nativity, st. 15.

IX

Or wert thou of the golden-winged boast,
Who having clad thy self in humane weed,
To earth from thy praefixed seat didst poast,
And after short abode flie back with speed, 
As if to shew what creatures Heav'n doth breed,
Thereby to set the hearts of men on fire
To scorn the sordid world, and unto Heav'n aspire.

X

But oh why didst thou not stay here below
To bless us with thy heav'n-lov'd innocence,
To slake his wrath whom sin hath made our foe
To turn Swift-rushing black perdition hence,
Or drive away the slaughtering pestilence,
To stand 'twixt us and our deserved smart
But thou canst best perform that office where thou art. 

XI

Then thou the mother of so sweet a child
Her false imagin'd loss cease to lament,
And wisely learn to curb thy sorrows wild;
Think what a present thou to God hast sent,
And render him with patience what he lent;
This if thou do he will an off-spring give,
That till the worlds last-end shall make thy name to live.
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