10 Best Famous Sinews Poems

Here is a collection of the top 10 all-time best famous Sinews poems. This is a select list of the best famous Sinews poetry. Reading, writing, and enjoying famous Sinews poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sinews poems.

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The Tyger

by William Blake
Tyger! Tyger! burning bright
In the forest of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye 
Dare frame thy fearful symmetry?

Hiawathas Childhood

by Henry Wadsworth Longfellow
 Downward through the evening twilight, 
In the days that are forgotten, 
In the unremembered ages, 
From the full moon fell Nokomis, 
Fell the beautiful Nokomis, 
She a wife, but not a mother.
She was sporting with her women, 
Swinging in a swing of grape-vines, 
When her rival the rejected, 
Full of jealousy and hatred, 
Cut the leafy swing asunder, 
Cut in twain the twisted grape-vines, 
And Nokomis fell affrighted 
Downward through the evening twilight, 
On the Muskoday, the meadow, 
On the prairie full of blossoms. 
"See! a star falls!" said the people; 
"From the sky a star is falling!"
There among the ferns and mosses, 
There among the prairie lilies, 
On the Muskoday, the meadow, 
In the moonlight and the starlight, 
Fair Nokomis bore a daughter. 
And she called her name Wenonah, 
As the first-born of her daughters.
And the daughter of Nokomis 
Grew up like the prairie lilies, 
Grew a tall and slender maiden,
With the beauty of the moonlight, 
With the beauty of the starlight.
And Nokomis warned her often, 
Saying oft, and oft repeating, 
"Oh, beware of Mudjekeewis, 
Of the West-Wind, Mudjekeewis; 
Listen not to what he tells you; 
Lie not down upon the meadow, 
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"
But she heeded not the warning, 
Heeded not those words of wisdom, 
And the West-Wind came at evening, 
Walking lightly o'er the prairie, 
Whispering to the leaves and blossoms, 
Bending low the flowers and grasses, 
Found the beautiful Wenonah, 
Lying there among the lilies, 
Wooed her with his words of sweetness, 
Wooed her with his soft caresses, 
Till she bore a son in sorrow, 
Bore a son of love and sorrow.
Thus was born my Hiawatha, 
Thus was born the child of wonder; 
But the daughter of Nokomis, 
Hiawatha's gentle mother,
In her anguish died deserted 
By the West-Wind, false and faithless, 
By the heartless Mudjekeewis.
For her daughter long and loudly 
Wailed and wept the sad Nokomis; 
"Oh that I were dead!" she murmured, 
"Oh that I were dead, as thou art! 
No more work, and no more weeping, 
Wahonowin! Wahonowin!"
By the shores of Gitche Gumee, 
By the shining Big-Sea-Water, 
Stood the wigwam of Nokomis, 
Daughter of the Moon, Nokomis. 
Dark behind it rose the forest, 
Rose the black and gloomy pine-trees, 
Rose the firs with cones upon them; 
Bright before it beat the water, 
Beat the clear and sunny water, 
Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis 
Nursed the little Hiawatha, 
Rocked him in his linden cradle, 
Bedded soft in moss and rushes, 
Safely bound with reindeer sinews; 
Stilled his fretful wail by saying, 
"Hush! the Naked Bear will hear thee!" 
Lulled him into slumber, singing, 
"Ewa-yea! my little owlet! 
Who is this, that lights the wigwam? 
With his great eyes lights the wigwam? 
Ewa-yea! my little owlet!"
Many things Nokomis taught him 
Of the stars that shine in heaven; 
Showed him Ishkoodah, the comet, 
Ishkoodah, with fiery tresses; 
Showed the Death-Dance of the spirits, 
Warriors with their plumes and war-clubs, 
Flaring far away to northward 
In the frosty nights of Winter; 
Showed the broad white road in heaven, 
Pathway of the ghosts, the shadows, 
Running straight across the heavens, 
Crowded with the ghosts, the shadows.
At the door on summer evenings 
Sat the little Hiawatha; 
Heard the whispering of the pine-trees, 
Heard the lapping of the waters,
Sounds of music, words of wonder; 
'Minne-wawa!" said the Pine-trees, 
Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee, 
Flitting through the dusk of evening, 
With the twinkle of its candle 
Lighting up the brakes and bushes, 
And he sang the song of children, 
Sang the song Nokomis taught him: 
"Wah-wah-taysee, little fire-fly, 
Little, flitting, white-fire insect, 
Little, dancing, white-fire creature, 
Light me with your little candle, 
Ere upon my bed I lay me, 
Ere in sleep I close my eyelids!"
Saw the moon rise from the water 
Rippling, rounding from the water, 
Saw the flecks and shadows on it, 
Whispered, "What is that, Nokomis?" 
And the good Nokomis answered: 
"Once a warrior, very angry, 
Seized his grandmother, and threw her 
Up into the sky at midnight; 
Right against the moon he threw her; 
'T is her body that you see there."
Saw the rainbow in the heaven, 
In the eastern sky, the rainbow, 
Whispered, "What is that, Nokomis?" 
And the good Nokomis answered: 
"'T is the heaven of flowers you see there; 
All the wild-flowers of the forest, 
All the lilies of the prairie, 
When on earth they fade and perish, 
Blossom in that heaven above us."
When he heard the owls at midnight, 
Hooting, laughing in the forest, 
'What is that?" he cried in terror, 
"What is that," he said, "Nokomis?"
And the good Nokomis answered: 
"That is but the owl and owlet,
Talking in their native language, 
Talking, scolding at each other."
Then the little Hiawatha 
Learned of every bird its language, 
Learned their names and all their secrets, 
How they built their nests in Summer, 
Where they hid themselves in Winter, 
Talked with them whene'er he met them, 
Called them "Hiawatha's Chickens."
Of all beasts he learned the language, 
Learned their names and all their secrets, 
How the beavers built their lodges, 
Where the squirrels hid their acorns, 
How the reindeer ran so swiftly, 
Why the rabbit was so timid, 
Talked with them whene'er he met them, 
Called them "Hiawatha's Brothers."
Then Iagoo, the great boaster, 
He the marvellous story-teller, 
He the traveller and the talker, 
He the friend of old Nokomis, 
Made a bow for Hiawatha; 
From a branch of ash he made it, 
From an oak-bough made the arrows, 
Tipped with flint, and winged with feathers, 
And the cord he made of deer-skin.
Then he said to Hiawatha: 
"Go, my son, into the forest, 
Where the red deer herd together, 
Kill for us a famous roebuck, 
Kill for us a deer with antlers!"
Forth into the forest straightway 
All alone walked Hiawatha 
Proudly, with his bow and arrows; 
And the birds sang round him, o'er him, 
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee, 
Sang the bluebird, the Owaissa, 
"Do not shoot us, Hiawatha!"
Up the oak-tree, close beside him, 
Sprang the squirrel, Adjidaumo, 
In and out among the branches, 
Coughed and chattered from the oak-tree, 
Laughed, and said between his laughing, 
"Do not shoot me, Hiawatha!"
And the rabbit from his pathway 
Leaped aside, and at a distance 
Sat erect upon his haunches, 
Half in fear and half in frolic, 
Saying to the little hunter, 
"Do not shoot me, Hiawatha!"
But he heeded not, nor heard them, 
For his thoughts were with the red deer; 
On their tracks his eyes were fastened, 
Leading downward to the river, 
To the ford across the river,
And as one in slumber walked he. 
Hidden in the alder-bushes,
There he waited till the deer came, 
Till he saw two antlers lifted, 
Saw two eyes look from the thicket, 
Saw two nostrils point to windward, 
And a deer came down the pathway, 
Flecked with leafy light and shadow. 
And his heart within him fluttered, 
Trembled like the leaves above him, 
Like the birch-leaf palpitated, 
As the deer came down the pathway.
Then, upon one knee uprising, 
Hiawatha aimed an arrow; 
Scarce a twig moved with his motion, 
Scarce a leaf was stirred or rustled, 
But the wary roebuck started, 
Stamped with all his hoofs together,
Listened with one foot uplifted, 
Leaped as if to meet the arrow; 
Ah! the singing, fatal arrow, 
Like a wasp it buzzed and stung him!
Dead he lay there in the forest, 
By the ford across the river; 
Beat his timid heart no longer, 
But the heart of Hiawatha 
Throbbed and shouted and exulted, 
As he bore the red deer homeward, 
And Iagoo and Nokomis 
Hailed his coming with applauses.
From the red deer's hide Nokomis 
Made a cloak for Hiawatha, 
From the red deer's flesh Nokomis 
Made a banquet to his honor. 
All the village came and feasted, 
All the guests praised Hiawatha, 
Called him Strong-Heart, Soan-ge-taha! 
Called him Loon-Heart, Mahn-go-taysee!

A Lesson In Vengeance

by Sylvia Plath
 In the dour ages
Of drafty cells and draftier castles,
Of dragons breathing without the frame of fables,
Saint and king unfisted obstruction's knuckles
By no miracle or majestic means,

But by such abuses
As smack of spite and the overscrupulous
Twisting of thumbscrews: one soul tied in sinews,
One white horse drowned, and all the unconquered pinnacles
Of God's city and Babylon's

Must wait, while here Suso's
Hand hones his tack and needles,
Scouraging to sores his own red sluices
For the relish of heaven, relentless, dousing with prickles
Of horsehair and lice his horny loins;
While there irate Cyrus
Squanders a summer and the brawn of his heroes
To rebuke the horse-swallowing River Gyndes:
He split it into three hundred and sixty trickles
A girl could wade without wetting her shins.

Still, latter-day sages,
Smiling at this behavior, subjugating their enemies
Neatly, nicely, by disbelief or bridges,
Never grip, as the grandsires did, that devil who chuckles
From grain of the marrow and the river-bed grains.

Lovesong

by Ted Hughes
 He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains

Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway 
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews 
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop

In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage

In the morning they wore each other's face

Perseus: The Triumph of Wit Over Suffering

by Sylvia Plath
Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas. Hercules had a simple time,
Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers? You.
 You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony: a look to numb
Limbs: not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
 Imagine: the world
Fisted to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand. Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
 So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
 You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout. Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre? The tear-dazzled
Sorrows of Malfi's gentle duchess?
 Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
 To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.

Venus and Adonis

by William Shakespeare
 Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.

Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other."

This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.

And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.

By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.

For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.

This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.

Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;

Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.

A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.

Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.

When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.

Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.

"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?

"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.

"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.

"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour."

Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.

O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.

Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.

By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.

Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.

O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.

Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.

"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.

"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit."

Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.

"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.

"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves."
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.

As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;

Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:

Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,

Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;

And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.

This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.

A Dream of the Melbourne Cup

by Andrew Barton Paterson
 Bring me a quart of colonial beer 
And some doughy damper to make good cheer, 
I must make a heavy dinner; 
Heavily dine and heavily sup, 
Of indigestible things fill up, 
Next month they run the Melbourne Cup, 
And I have to dream the winner. 
Stoke it in, boys! the half-cooked ham, 
The rich ragout and the charming cham., 
I've got to mix my liquor; 
Give me a gander's gaunt hind leg, 
Hard and tough as a wooden peg, 
And I'll keep it down with a hard-boiled egg, 
'Twill make me dream the quicker. 

Now that I'm full of fearful feed, 
Oh, but I'll dream of a winner indeed 
In my restless, troubled slumber; 
While the night-mares race through my heated brain 
And their devil-riders spur amain, 
The trip for the Cup will reward my pain, 
And I'll spot the winning number. 

Thousands and thousands and thousands more, 
Like sands on the white Pacific shore, 
The crowding people cluster; 
For evermore is the story old, 
While races are bought and backers are sold, 
Drawn by the greed of the gain of gold, 
In their thousands still they muster. 

* * * * * 

And the bookies' cries grow fierce and hot, 
"I'll lay the Cup! The double, if not!" 
"Five monkeys, Little John, sir!" 
"Here's fives bar one, I lay, I lay!" 
And so they shout through the livelong day, 
And stick to the game that is sure to pay, 
While fools put money on, sir! 

And now in my dream I seem to go 
And bet with a "book" that I seem to know -- 
A Hebrew money-lender; 
A million to five is the price I get -- 
Not bad! but before I book the bet 
The horse's name I clean forgret, 
Its number and even gender. 

Now for the start, and here they come, 
And the hoof-strokes roar like a mighty drum 
Beat by a hand unsteady; 
They come like a rushing, roaring flood, 
Hurrah for the speed of the Chester blood; 
For Acme is making the pace so good 
They are some of 'em done already. 

But round the track she begins to tire, 
And a mighty shout goes up "Crossfire!" 
The magpie jacket's leading; 
And Crossfire challenges fierce and bold, 
And the lead she'll have and the lead she'll hold, 
But at length gives way to the black and gold, 
Which right to the front is speeding. 

Carry them on and keep it up -- 
A flying race is the Melbourne Cup, 
You must race and stay to win it; 
And old Commotion, Victoria's pride, 
Now takes the lead with his raking stride, 
And a mighty roar goes far and wide -- 
"There's only Commotion in it!" 

But one draws out from the beaten ruck 
And up on the rails by a piece of luck 
He comes in a style that's clever; 
"It's Trident! Trident! Hurrah for Hales!" 
"Go at 'em now while their courage fails;" 
"Trident! Trident! for New South Wales!" 
"The blue and white for ever!" 

Under the whip! with the ears flat back, 
Under the whip! though the sinews crack, 
No sign of the base white feather: 
Stick to it now for your breeding's sake, 
Stick to it now though your hearts should break, 
While the yells and roars make the grand-stand shake, 
They come down the straignt together. 

Trident slowly forges ahead, 
The fierce whips cut and the spurs are red, 
The pace is undiminished 
Now for the Panics that never fail! 
But many a backer's face grows pale 
As old Commotion swings his tail 
And swerves -- and the Cup is finished. 

* * * * * 

And now in my dream it all comes back: 
I bet my coin on the Sydney crack, 
A million I've won, no question! 
"Give me my money, you hook-nosed hog! 
Give me my money, bookmaking dog!" 
But he disappeared in a kind of fog, 
And I woke with "the indigestion".

Hiawathas Sailing

by Henry Wadsworth Longfellow
 "Give me of your bark, O Birch-tree! 
Of your yellow bark, O Birch-tree! 
Growing by the rushing river, 
Tall and stately in the valley! 
I a light canoe will build me, 
Build a swift Cheemaun for sailing, 
That shall float on the river, 
Like a yellow leaf in Autumn, 
Like a yellow water-lily!
"Lay aside your cloak, O Birch-tree! 
Lay aside your white-skin wrapper, 
For the Summer-time is coming, 
And the sun is warm in heaven, 
And you need no white-skin wrapper!"
Thus aloud cried Hiawatha 
In the solitary forest, 
By the rushing Taquamenaw, 
When the birds were singing gayly, 
In the Moon of Leaves were singing, 
And the sun, from sleep awaking, 
Started up and said, "Behold me! 
Gheezis, the great Sun, behold me!"
And the tree with all its branches 
Rustled in the breeze of morning, 
Saying, with a sigh of patience, 
"Take my cloak, O Hiawatha!"
With his knife the tree he girdled; 
Just beneath its lowest branches, 
Just above the roots, he cut it, 
Till the sap came oozing outward;
Down the trunk, from top to bottom, 
Sheer he cleft the bark asunder, 
With a wooden wedge he raised it, 
Stripped it from the trunk unbroken.
"Give me of your boughs, O Cedar! 
Of your strong and pliant branches, 
My canoe to make more steady, 
Make more strong and firm beneath me!"
Through the summit of the Cedar 
Went a sound, a cry of horror, 
Went a murmur of resistance; 
But it whispered, bending downward, 
'Take my boughs, O Hiawatha!"
Down he hewed the boughs of cedar, 
Shaped them straightway to a frame-work, 
Like two bows he formed and shaped them, 
Like two bended bows together.
"Give me of your roots, O Tamarack! 
Of your fibrous roots, O Larch-tree! 
My canoe to bind together, 
So to bind the ends together 
That the water may not enter, 
That the river may not wet me!"
And the Larch, with all its fibres, 
Shivered in the air of morning, 
Touched his forehead with its tassels, 
Slid, with one long sigh of sorrow. 
"Take them all, O Hiawatha!"
From the earth he tore the fibres, 
Tore the tough roots of the Larch-tree, 
Closely sewed the hark together, 
Bound it closely to the frame-work.
"Give me of your balm, O Fir-tree! 
Of your balsam and your resin, 
So to close the seams together 
That the water may not enter, 
That the river may not wet me!"
And the Fir-tree, tall and sombre, 
Sobbed through all its robes of darkness, 
Rattled like a shore with pebbles, 
Answered wailing, answered weeping, 
"Take my balm, O Hiawatha!"
And he took the tears of balsam, 
Took the resin of the Fir-tree, 
Smeared therewith each seam and fissure, 
Made each crevice safe from water.
"Give me of your quills, O Hedgehog! 
All your quills, O Kagh, the Hedgehog! 
I will make a necklace of them, 
Make a girdle for my beauty, 
And two stars to deck her bosom!"
From a hollow tree the Hedgehog 
With his sleepy eyes looked at him, 
Shot his shining quills, like arrows, 
Saying with a drowsy murmur, 
Through the tangle of his whiskers, 
"Take my quills, O Hiawatha!"
From the ground the quills he gathered, 
All the little shining arrows, 
Stained them red and blue and yellow, 
With the juice of roots and berries; 
Into his canoe he wrought them, 
Round its waist a shining girdle, 
Round its bows a gleaming necklace, 
On its breast two stars resplendent.
Thus the Birch Canoe was builded 
In the valley, by the river,
In the bosom of the forest; 
And the forest's life was in it, 
All its mystery and its magic, 
All the lightness of the birch-tree, 
All the toughness of the cedar, 
All the larch's supple sinews; 
And it floated on the river 
Like a yellow leaf in Autumn, 
Like a yellow water-lily.
Paddles none had Hiawatha, 
Paddles none he had or needed, 
For his thoughts as paddles served him, 
And his wishes served to guide him;
Swift or slow at will he glided, 
Veered to right or left at pleasure.
Then he called aloud to Kwasind, 
To his friend, the strong man, Kwasind, 
Saying, "Help me clear this river 
Of its sunken logs and sand-bars."
Straight into the river Kwasind 
Plunged as if he were an otter, 
Dived as if he were a beaver, 
Stood up to his waist in water, 
To his arm-pits in the river, 
Swam and scouted in the river, 
Tugged at sunken logs and branches, 
With his hands he scooped the sand-bars, 
With his feet the ooze and tangle.
And thus sailed my Hiawatha 
Down the rushing Taquamenaw, 
Sailed through all its bends and windings, 
Sailed through all its deeps and shallows, 
While his friend, the strong man, Kwasind, 
Swam the deeps, the shallows waded.
Up and down the river went they, 
In and out among its islands, 
Cleared its bed of root and sand-bar, 
Dragged the dead trees from its channel, 
Made its passage safe and certain, 
Made a pathway for the people, 
From its springs among the mountains, 
To the waters of Pauwating, 
To the bay of Taquamenaw.

Niobe in Distress

by Phillis Wheatley
 Apollo's wrath to man the dreadful spring
Of ills innum'rous, tuneful goddess, sing!
Thou who did'st first th' ideal pencil give,
And taught'st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho' last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
'Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish'd by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th' ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro' the sky.

Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.

Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op'ning morn,
As when Aurora fills the ravish'd sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.

Wherever, Niobe, thou turn'st thine eyes,
New beauties kindle, and new joys arise!
But thou had'st far the happier mother prov'd,
If this fair offspring had been less belov'd:
What if their charms exceed Aurora's teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.

Now Manto comes, endu'd with mighty skill,
The past to explore, the future to reveal.
Thro' Thebes' wide streets Tiresia's daughter came,
Divine Latona's mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia's prophetess began:

"Go, Thebans! great Latona's will obey,
"And pious tribute at her altars pay:
"With rights divine, the goddess be implor'd,
"Nor be her sacred offspring unador'd."
Thus Manto spoke. The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.

Niobe comes with all her royal race,
With charms unnumber'd, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav'nly Venus, 'midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
"What madness drives the Theban ladies fair
"To give their incense to surrounding air?
"Say why this new sprung deity preferr'd?
"Why vainly fancy your petitions heard?
"Or say why Cæus offspring is obey'd,
"While to my goddesship no tribute's paid?
"For me no altars blaze with living fires,
"No bullock bleeds, no frankincense transpires,
"Tho' Cadmus' palace, not unknown to fame,
"And Phrygian nations all revere my name.
"Where'er I turn my eyes vast wealth I find,
"Lo! here an empress with a goddess join'd.
"What, shall a Titaness be deify'd,
"To whom the spacious earth a couch deny'd!
"Nor heav'n, nor earth, nor sea receiv'd your queen,
"Till pitying Delos took the wand'rer in.
"Round me what a large progeny is spread!
"No frowns of fortune has my soul to dread.
"What if indignant she decrease my train
"More than Latona's number will remain;
"Then hence, ye Theban dames, hence haste away,
"Nor longer off'rings to Latona pay;
"Regard the orders of Amphion's spouse,
"And take the leaves of laurel from your brows."
Niobe spoke. The Theban maids obey'd,
Their brows unbound, and left the rights unpaid.

The angry goddess heard, then silence broke
On Cynthus' summit, and indignant spoke;
"Phoebus! behold, thy mother in disgrace,
"Who to no goddess yields the prior place
"Except to Juno's self, who reigns above,
"The spouse and sister of the thund'ring Jove.
"Niobe, sprung from Tantalus, inspires
"Each Theban bosom with rebellious fires;
"No reason her imperious temper quells,
"But all her father in her tongue rebels;
"Wrap her own sons for her blaspheming breath,
"Apollo! wrap them in the shades of death."
Latona ceas'd, and ardent thus replies
The God, whose glory decks th' expanded skies.

"Cease thy complaints, mine be the task assign'd
"To punish pride, and scourge the rebel mind."
This Phoebe join'd.--They wing their instant flight;
Thebes trembled as th' immortal pow'rs alight.

With clouds incompass'd glorious Phoebus stands;
The feather'd vengeance quiv'ring in his hands.

Near Cadmus' walls a plain extended lay,
Where Thebes' young princes pass'd in sport the day:
There the bold coursers bounded o'er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul'd the fury of his flying steed.
"Ah me," he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser's mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion's bed,
Was struck the first, first mingled with the dead.

Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th' impending storm the sailor sees
He spreads his canvas to the fav'ring breeze,
So to thine horse thou gav'st the golden reins,
Gav'st him to rush impetuous o'er the plains:
But ah! a fatal shaft from Phoebus' hand
Smites thro' thy neck, and sinks thee on the sand.

Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo's hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan'd,
Together languish'd, and together groan'd:
Together too th' unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang'd its snowy hue.
He flies to raise them in a kind embrace;
A brother's fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch'd him (so the fates decreed 
Soon as the arrow left the deadly wound,
His issuing entrails smoak'd upon the ground.
What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t' extract the crime-avenging rod,
But, whilst he strives the will of fate t' avert,
Divine Apollo sends a second dart;
Swift thro' his throat the feather'd mischief flies,
Bereft of sense, he drops his head, and dies.

Young Ilioneus, the last, directs his pray'r,
And cries, "My life, ye gods celestial! spare."
Apollo heard, and pity touch'd his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom'd to fall,
The fates refuse that arrow to recal.

On the swift wings of ever flying Fame
To Cadmus' palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express'd her anger and surprise:
"Why is such privilege to them allow'd?
"Why thus insulted by the Delian god?
"Dwells there such mischief in the pow'rs above?
"Why sleeps the vengeance of immortal Jove?"
For now Amphion too, with grief oppress'd,
Had plung'd the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona's shrine,
How strangely chang'd!--yet beautiful in woe,
She weeps, nor weeps unpity'd by the foe.
On each pale corse the wretched mother spread
Lay overwhelm'd with grief, and kiss'd her dead,
Then rais'd her arms, and thus, in accents slow,
"Be sated cruel Goddess! with my woe;
"If I've offended, let these streaming eyes,
"And let this sev'nfold funeral suffice:
"Ah! take this wretched life you deign'd to save,
"With them I too am carried to the grave.
"Rejoice triumphant, my victorious foe,
"But show the cause from whence your triumphs flow?
"Tho' I unhappy mourn these children slain,
"Yet greater numbers to my lot remain."
She ceas'd, the bow string twang'd with awful sound,
Which struck with terror all th' assembly round,
Except the queen, who stood unmov'd alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell'd hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb--indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.

One only daughter lives, and she the least;
The queen close clasp'd the daughter to her breast:
"Ye heav'nly pow'rs, ah spare me one," she cry'd,
"Ah! spare me one," the vocal hills reply'd:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.

*"The queen of all her family bereft,
"Without or husband, son, or daughter left,
"Grew stupid at the shock. The passing air
"Made no impression on her stiff'ning hair.
"The blood forsook her face: amidst the flood
"Pour'd from her cheeks, quite fix'd her eye-balls stood.
"Her tongue, her palate both obdurate grew,
"Her curdled veins no longer motion knew;
"The use of neck, and arms, and feet was gone,
"And ev'n her bowels hard'ned into stone:
"A marble statue now the queen appears,
"But from the marble steal the silent tears."

God

by Isaac Rosenberg
 In his malodorous brain what slugs and mire,
Lanthorned in his oblique eyes, guttering burned!
His body lodged a rat where men nursed souls.
The world flashed grape-green eyes of a foiled cat
To him. On fragments of an old shrunk power,
On shy and maimed, on women wrung awry,
He lay, a bullying hulk, to crush them more.
But when one, fearless, turned and clawed like bronze,
Cringing was easy to blunt these stern paws,
And he would weigh the heavier on those after.

Who rests in God's mean flattery now? Your wealth
Is but his cunning to make death more hard.
Your iron sinews take more pain in breaking.
And he has made the market for your beauty
Too poor to buy, although you die to sell.
Only that he has never heard of sleep;
And when the cats come out the rats are sly.
Here we are safe till he slinks in at dawn

But he has gnawed a fibre from strange roots,
And in the morning some pale wonder ceases.
Things are not strange and strange things are forgetful.
Ah! if the day were arid, somehow lost
Out of us, but it is as hair of us,
And only in the hush no wind stirs it.
And in the light vague trouble lifts and breathes,
And restlessness still shadows the lost ways.
The fingers shut on voices that pass through,
Where blind farewells are taken easily ....

Ah! this miasma of a rotting God!
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