Written by
Lewis Carroll |
The sun was shining on the sea,
Shining with all his might;
He did his very best to make
The billows smooth and bright—
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done—
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky;
No birds were flying overhead—
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand.
"If this were only cleared away,"
They said, "it would be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach;
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him,
But never a word he said;
The eldest Oyster winked his eye,
And shook his heavy head—
Meaning to say he did not choose
To leave the oyster-bed.
But four young Oysters hurried up,
All eager for the treat;
Their coats were brushed, their faces washed,
Their shoes were clean and neat—
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more—
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low;
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes—and ships—and sealing-wax—
And cabbages—and kings—
And why the sea is boiling hot—
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need;
Pepper and vinegar besides
Are very good indeed—
Now if you're ready, Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue.
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said,
"Do you admire the view?"
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice.
I wish you were not quite so deaf—
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said;
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter,
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none—
And this was scarcely odd, because
They'd eaten every one.
|
Written by
Larry Levis |
--The Carpathian Frontier, October, 1968
--for my brother
Once, in a foreign country, I was suddenly ill.
I was driving south toward a large city famous
For so little it had a replica, in concrete,
In two-thirds scale, of the Arc de Triomphe stuck
In the midst of traffic, & obstructing it.
But the city was hours away, beyond the hills
Shaped like the bodies of sleeping women.
Often I had to slow down for herds of goats
Or cattle milling on those narrow roads, & for
The narrower, lost, stone streets of villages
I passed through. The pains in my stomach had grown
Gradually sharper & more frequent as the day
Wore on, & now a fever had set up house.
In the villages there wasn't much point in asking
Anyone for help. In those places, where tanks
Were bivouacked in shade on their way back
From some routine exercise along
The Danube, even food was scarce that year.
And the languages shifted for no clear reason
From two hard quarries of Slavic into German,
Then to a shred of Latin spliced with oohs
And hisses. Even when I tried the simplest phrases,
The peasants passing over those uneven stones
Paused just long enough to look up once,
Uncomprehendingly. Then they turned
Quickly away, vanishing quietly into that
Moment, like bark chips whirled downriver.
It was autumn. Beyond each village the wind
Threw gusts of yellowing leaves across the road.
The goats I passed were thin, gray; their hind legs,
Caked with dried ****, seesawed along--
Not even mild contempt in their expressionless,
Pale eyes, & their brays like the scraping of metal.
Except for one village that had a kind
Of museum where I stopped to rest, & saw
A dead Scythian soldier under glass,
Turning to dust while holding a small sword
At attention forever, there wasn't much to look at.
Wind, leaves, goats, the higher passes
Locked in stone, the peasants with their fate
Embroidering a stillness into them,
And a spell over all things in that landscape,
Like . . .
That was the trouble; it couldn't be
Compared to anything else, not even the sleep
Of some asylum at a wood's edge with the sound
Of a pond's spillway beside it. But as each cramp
Grew worse & lasted longer than the one before,
It was hard to keep myself aloof from the threadbare
World walking on that road. After all,
Even as they moved, the peasants, the herds of goats
And cattle, the spiralling leaves, at least were part
Of that spell, that stillness.
After a while,
The villages grew even poorer, then thinned out,
Then vanished entirely. An hour later,
There were no longer even the goats, only wind,
Then more & more leaves blown over the road, sometimes
Covering it completely for a second.
And yet, except for a random oak or some brush
Writhing out of the ravine I drove beside,
The trees had thinned into rock, into large,
Tough blonde rosettes of fading pasture grass.
Then that gave out in a bare plateau. . . . And then,
Easing the Dacia down a winding grade
In second gear, rounding a long, funneled curve--
In a complete stillness of yellow leaves filling
A wide field--like something thoughtlessly,
Mistakenly erased, the road simply ended.
I stopped the car. There was no wind now.
I expected that, & though I was sick & lost,
I wasn't afraid. I should have been afraid.
To this day I don't know why I wasn't.
I could hear time cease, the field quietly widen.
I could feel the spreading stillness of the place
Moving like something I'd witnessed as a child,
Like the ancient, armored leisure of some reptile
Gliding, gray-yellow, into the slightly tepid,
Unidentical gray-brown stillness of the water--
Something blank & unresponsive in its tough,
Pimpled skin--seen only a moment, then unseen
As it submerged to rest on mud, or glided just
Beneath the lustreless, calm yellow leaves
That clustered along a log, or floated there
In broken ringlets, held by a gray froth
On the opaque, unbroken surface of the pond,
Which reflected nothing, no one.
And then I remembered.
When I was a child, our neighbors would disappear.
And there wasn't a pond of crocodiles at all.
And they hadn't moved. They couldn't move. They
Lived in the small, fenced-off backwater
Of a canal. I'd never seen them alive. They
Were in still photographs taken on the Ivory Coast.
I saw them only once in a studio when
I was a child in a city I once loved.
I was afraid until our neighbor, a photographer,
Explained it all to me, explained how far
Away they were, how harmless; how they were praised
In rituals as "powers." But they had no "powers,"
He said. The next week he vanished. I thought
Someone had cast a spell & that the crocodiles
Swam out of the pictures on the wall & grew
Silently & multiplied & then turned into
Shadows resting on the banks of lakes & streams
Or took the shapes of fallen logs in campgrounds
In the mountains. They ate our neighbor, Mr. Hirata.
They ate his whole family. That is what I believed,
Then. . .that someone had cast a spell. I did not
Know childhood was a spell, or that then there
Had been another spell, too quiet to hear,
Entering my city, entering the dust we ate. . . .
No one knew it then. No one could see it,
Though it spread through lawnless miles of housing tracts,
And the new, bare, treeless streets; it slipped
Into the vacant rows of warehouses & picked
The padlocked doors of working-class bars
And union halls & shuttered, empty diners.
And how it clung! (forever, if one had noticed)
To the brothel with the pastel tassels on the shade
Of an unlit table lamp. Farther in, it feasted
On the decaying light of failing shopping centers;
It spilled into the older, tree-lined neighborhoods,
Into warm houses, sealing itself into books
Of bedtime stories read each night by fathers--
The books lying open to the flat, neglected
Light of dawn; & it settled like dust on windowsills
Downtown, filling the smug cafés, schools,
Banks, offices, taverns, gymnasiums, hotels,
Newsstands, courtrooms, opium parlors, Basque
Restaurants, Armenian steam baths,
French bakeries, & two of the florists' shops--
Their plate glass windows smashed forever.
Finally it tried to infiltrate the exact
Center of my city, a small square bordered
With palm trees, olives, cypresses, a square
Where no one gathered, not even thieves or lovers.
It was a place which no longer had any purpose,
But held itself aloof, I thought, the way
A deaf aunt might, from opinions, styles, gossip.
I liked it there. It was completely lifeless,
Sad & clear in what seemed always a perfect,
Windless noon. I saw it first as a child,
Looking down at it from that as yet
Unvandalized, makeshift studio.
I remember leaning my right cheek against
A striped beach ball so that Mr. Hirata--
Who was Japanese, who would be sent the next week
To a place called Manzanar, a detention camp
Hidden in stunted pines almost above
The Sierra timberline--could take my picture.
I remember the way he lovingly relished
Each camera angle, the unwobbling tripod,
The way he checked each aperture against
The light meter, in love with all things
That were not accidental, & I remember
The care he took when focusing; how
He tried two different lens filters before
He found the one appropriate for that
Sensual, late, slow blush of afternoon
Falling through the one broad bay window.
I remember holding still & looking down
Into the square because he asked me to;
Because my mother & father had asked me please
To obey & be patient & allow the man--
Whose business was failing anyway by then--
To work as long as he wished to without any
Irritations or annoyances before
He would have to spend these years, my father said,
Far away, in snow, & without his cameras.
But Mr. Hirata did not work. He played.
His toys gleamed there. That much was clear to me . . . .
That was the day I decided I would never work.
It felt like a conversion. Play was sacred.
My father waited behind us on a sofa made
From car seats. One spring kept nosing through.
I remember the camera opening into the light . . . .
And I remember the dark after, the studio closed,
The cameras stolen, slivers of glass from the smashed
Bay window littering the unsanded floors,
And the square below it bathed in sunlight . . . . All this
Before Mr. Hirata died, months later,
From complications following pneumonia.
His death, a letter from a camp official said,
Was purely accidental. I didn't believe it.
Diseases were wise. Diseases, like the polio
My sister had endured, floating paralyzed
And strapped into her wheelchair all through
That war, seemed too precise. Like photographs . . .
Except disease left nothing. Disease was like
And equation that drank up light & never ended,
Not even in summer. Before my fever broke,
And the pains lessened, I could actually see
Myself, in the exact center of that square.
How still it had become in my absence, & how
Immaculate, windless, sunlit. I could see
The outline of every leaf on the nearest tree,
See it more clearly than ever, more clearly than
I had seen anything before in my whole life:
Against the modest, dark gray, solemn trunk,
The leaves were becoming only what they had to be--
Calm, yellow, things in themselves & nothing
More--& frankly they were nothing in themselves,
Nothing except their little reassurance
Of persisting for a few more days, or returning
The year after, & the year after that, & every
Year following--estranged from us by now--& clear,
So clear not one in a thousand trembled; hushed
And always coming back--steadfast, orderly,
Taciturn, oblivious--until the end of Time.
|
Written by
Mark Doty |
Over the terminal,
the arms and chest
of the god
brightened by snow.
Formerly mercury,
formerly silver,
surface yellowed
by atmospheric sulphurs
acid exhalations,
and now the shining
thing's descendant.
Obscure passages,
dim apertures:
these clouded windows
show a few faces
or some empty car's
filmstrip of lit flames
--remember them
from school,
how they were supposed
to teach us something?--
waxy light hurrying
inches away from the phantom
smudge of us, vague
in spattered glass. Then
daylight's soft charcoal
lusters stone walls
and we ascend to what
passes for brightness,
this February,
scumbled sky
above graduated zones
of decline:
dead rowhouses,
charred windows'
wet frames
around empty space,
a few chipboard polemics
nailed over the gaps,
speeches too long
and obsessive for anyone
on this train to read,
sealing the hollowed interiors
--some of them grand once,
you can tell by
the fillips of decoration,
stone leaves, the frieze
of sunflowers.
Desolate fields--open spaces,
in a city where you
can hardly turn around!--
seem to center
on little flames,
something always burning
in a barrel or can
As if to represent
inextinguishable,
dogged persistence?
Though whether what burns
is will or rage or
harsh amalgam
I couldn't say.
But I can tell you this,
what I've seen that
won my allegiance most,
though it was also
the hallmark of our ruin,
and quick as anything
seen in transit:
where Manhattan ends
in the narrowing
geographical equivalent
of a sigh (asphalt,
arc of trestle, dull-witted
industrial tanks
and scaffoldings, ancient now,
visited by no one)
on the concrete
embankment just
above the river,
a sudden density
and concentration
of trash, so much
I couldn't pick out
any one thing
from our rising track
as it arced onto the bridge
over the fantastic
accumulation of jetsam
and contraband
strewn under
the uncompromising
vault of heaven.
An unbelievable mess,
so heaped and scattered
it seemed the core
of chaos itself--
but no, the junk was arranged
in rough aisles,
someone's intimate
clutter and collection,
no walls but still
a kind of apartment
and a fire ribboned out
of a ruined stove,
and white plates
were laid out
on the table beside it.
White china! Something
was moving, and
--you understand
it takes longer to tell this
than to see it, only
a train window's worth
of actuality--
I knew what moved
was an arm,
the arm of the (man
or woman?) in the center
of that hapless welter
in layer upon layer
of coats blankets scarves
until the form
constituted one more
gray unreadable;
whoever
was lifting a hammer,
and bringing it down
again, tapping at
what work
I couldn't say;
whoever, under
the great exhausted dome
of winter light,
which the steep
and steel surfaces of the city
made both more soft
and more severe,
was making something,
or repairing,
was in the act
(sheer stubborn nerve of it)
of putting together.
Who knows what.
(And there was more,
more I'd take all spring
to see. I'd pick my seat
and set my paper down
to study him again
--he, yes, some days not
at home though usually
in, huddled
by the smoldering,
and when my eye wandered
--five-second increments
of apprehension--I saw
he had a dog!
Who lay half in
half out his doghouse
in the rain, golden head
resting on splayed paws.
He had a ruined car,
and heaps of clothes,
and things to read--
was no emblem,
in other words,
but a citizen,
who'd built a citizen's
household, even
on the literal edge,
while I watched
from my quick,
high place, hurtling
over his encampment
by the waters of Babylon.)
Then we were gone,
in the heat and draft
of our silver, rattling
over the river
into the South Bronx,
against whose greasy
skyline rose that neoned
billboard for cigarettes
which hostages
my attention, always,
as it is meant to do,
its motto ruby
in the dark morning:
ALIVE WITH PLEASURE.
|
Written by
Sylvia Plath |
Who are these people at the bridge to meet me? They are the villagers----
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection,
And they are all gloved and covered, why did nobody tell me?
They are smiling and taking out veils tacked to ancient hats.
I am nude as a chicken neck, does nobody love me?
Yes, here is the secretary of bees with her white shop smock,
Buttoning the cuffs at my wrists and the slit from my neck to my knees.
Now I am milkweed silk, the bees will not notice.
They will not smell my fear, my fear, my fear.
Which is the rector now, is it that man in black?
Which is the midwife, is that her blue coat?
Everybody is nodding a square black head, they are knights in visors,
Breastplates of cheesecloth knotted under the armpits.
Their smiles and their voces are changing. I am led through a beanfield.
Strips of tinfoil winking like people,
Feather dusters fanning their hands in a sea of bean flowers,
Creamy bean flowers with black eyes and leaves like bored hearts.
Is it blood clots the tendrils are dragging up that string?
No, no, it is scarlet flowers that will one day be edible.
Now they are giving me a fashionable white straw Italian hat
And a black veil that molds to my face, they are making me one of them.
They are leading me to the shorn grove, the circle of hives.
Is it the hawthorn that smells so sick?
The barren body of hawthon, etherizing its children.
Is it some operation that is taking place?
It is the surgeon my neighbors are waiting for,
This apparition in a green helmet,
Shining gloves and white suit.
Is it the butcher, the grocer, the postman, someone I know?
I cannot run, I am rooted, and the gorse hurts me
With its yellow purses, its spiky armory.
I could not run without having to run forever.
The white hive is snug as a virgin,
Sealing off her brood cells, her honey, and quietly humming.
Smoke rolls and scarves in the grove.
The mind of the hive thinks this is the end of everything.
Here they come, the outriders, on their hysterical elastics.
If I stand very still, they will think I am cow-parsley,
A gullible head untouched by their animosity,
Not even nodding, a personage in a hedgerow.
The villagers open the chambers, they are hunting the queen.
Is she hiding, is she eating honey? She is very clever.
She is old, old, old, she must live another year, and she knows it.
While in their fingerjoint cells the new virgins
Dream of a duel they will win inevitably,
A curtain of wax dividing them from the bride flight,
The upflight of the murderess into a heaven that loves her.
The villagers are moving the virgins, there will be no killing.
The old queen does not show herself, is she so ungrateful?
I am exhausted, I am exhausted ----
Pillar of white in a blackout of knives.
I am the magician's girl who does not flinch.
The villagers are untying their disguises, they are shaking hands.
Whose is that long white box in the grove, what have they accomplished, why am I cold.
|
Written by
Sharon Olds |
After we flew across the country we
got in bed, laid our bodies
delicately together, like maps laid
face to face, East to West, my
San Francisco against your New York, your
Fire Island against my Sonoma, my
New Orleans deep in your Texas, your Idaho
bright on my Great Lakes, my Kansas
burning against your Kansas your Kansas
burning against my Kansas, your Eastern
Standard Time pressing into my
Pacific Time, my Mountain Time
beating against your Central Time, your
sun rising swiftly from the right my
sun rising swiftly from the left your
moon rising slowly form the left my
moon rising slowly form the right until
all four bodies of the sky
burn above us, sealing us together,
all our cities twin cities,
all our states united, one
nation, indivisible, with liberty and justice for all.
|
Written by
Robert Browning |
I
My love, this is the bitterest, that thou
Who art all truth and who dost love me now
As thine eyes say, as thy voice breaks to say—
Shouldst love so truly and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay!
II
I have but to be by thee, and thy hand
Would never let mine go, thy heart withstand
The beating of my heart to reach its place.
When should I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.
III
Oh, I should fade—'tis willed so! might I save,
Galdly I would, whatever beauty gave
Joy to thy sense, for that was precious too.
It is not to be granted. But the soul
Whence the love comes, all ravage leaves that whole;
Vainly the flesh fades—soul makes all things new.
IV
And 'twould not be because my eye grew dim
Thou couldst not find the love there, thanks to Him
Who never is dishonoured in the spark
He gave us from his fire of fires, and bade
Remember whence it sprang nor be afraid
While that burns on, though all the rest grow dark.
V
So, how thou wouldst be perfect, white and clean
Outside as inside, soul and soul's demesne
Alike, this body given to show it by!
Oh, three-parts through the worst of life's abyss,
What plaudits from the next world after this,
Couldst thou repeat a stroke and gain the sky!
VI
And is it not the bitterer to think
That, disengage our hands and thou wilt sink
Although thy love was love in very deed?
I know that nature! Pass a festive day
Thou dost not throw its relic-flower away
Nor bid its music's loitering echo speed.
VII
Thou let'st the stranger's glove lie where it fell;
If old things remain old things all is well,
For thou art grateful as becomes man best:
And hadst thou only heard me play one tune,
Or viewed me from a window, not so soon
With thee would such things fade as with the rest.
VIII
I seem to see! we meet and part: 'tis brief:
The book I opened keeps a folded leaf,
The very chair I sat on, breaks the rank;
That is a portrait of me on the wall—
Three lines, my face comes at so slight a call;
And for all this, one little hour's to thank.
IX
But now, because the hour through years was fixed,
Because our inmost beings met amd mixed,
Because thou once hast loved me—wilt thou dare
Say to thy soul and Who may list beside,
"Therefore she is immortally my bride,
Chance cannot change that love, nor time impair.
X
"So, what if in the dusk of life that's left,
I, a tired traveller, of my sun bereft,
Look from my path when, mimicking the same,
The fire-fly glimpses past me, come and gone?
- Where was it till the sunset? where anon
It will be at the sunrise! what's to blame?"
XI
Is it so helpful to thee? canst thou take
The mimic up, nor, for the true thing's sake,
Put gently by such efforts at at beam?
Is the remainder of the way so long
Thou need'st the little solace, thou the strong?
Watch out thy watch, let weak ones doze and dream!
XII
"—Ah, but the fresher faces! Is it true,"
Thou'lt ask, "some eyes are beautiful and new?
Some hair,—how can one choose but grasp such wealth?
And if a man would press his lips to lips
Fresh as the wilding hedge-rose-cup there slips
The dew-drop out of, must it be by stealth?
XIII
"It cannot change the love kept still for Her,
Much more than, such a picture to prefer
Passing a day with, to a room's bare side.
The painted form takes nothing she possessed,
Yet while the Titian's Venus lies at rest
A man looks. Once more, what is there to chide?"
XIV
So must I see, from where I sit and watch,
My own self sell myself, my hand attach
Its warrant to the very thefts from me—
Thy singleness of soul that made me proud,
Thy purity of heart I loved aloud,
Thy man's truth I was bold to bid God see!
XV
Love so, then, if thou wilt! Give all thou canst
Away to the new faces—disentranced—
(Say it and think it) obdurate no more,
Re-issue looks and words from the old mint—
Pass them afresh, no matter whose the print
Image and superscription once they bore!
XVI
Re-coin thyself and give it them to spend,—
It all comes to the same thing at the end,
Since mine thou wast, mine art, and mine shalt be,
Faithful or faithless, sealing up the sum
Or lavish of my treasure, thou must come
Back to the heart's place here I keep for thee!
XVII
Only, why should it be with stain at all?
Why must I, 'twixt the leaves of coronal,
Put any kiss of pardon on thy brow?
Why need the other women know so much
And talk together, "Such the look and such
The smile he used to love with, then as now!"
XVIII
Might I die last and shew thee! Should I find
Such hardship in the few years left behind,
If free to take and light my lamp, and go
Into thy tomb, and shut the door and sit
Seeing thy face on those four sides of it
The better that they are so blank, I know!
XIX
Why, time was what I wanted, to turn o'er
Within my mind each look, get more and more
By heart each word, too much to learn at first,
And join thee all the fitter for the pause
'Neath the low door-way's lintel. That were cause
For lingering, though thou called'st, If I durst!
XX
And yet thou art the nobler of us two.
What dare I dream of, that thou canst not do,
Outstripping my ten small steps with one stride?
I'll say then, here's a trial and a task—
Is it to bear?—if easy, I'll not ask—
Though love fail, I can trust on in thy pride.
XXI
Pride?—when those eyes forestall the life behind
The death I have to go through!—when I find,
Now that I want thy help most, all of thee!
What did I fear? Thy love shall hold me fast
Until the little minute's sleep is past
And I wake saved.—And yet, it will not be!
|
Written by
Gerard Manley Hopkins |
A buglar boy from barrack (it is over the hill
There)—boy bugler, born, he tells me, of Irish
Mother to an English sire (he
Shares their best gifts surely, fall how things will),
This very very day came down to us after a boon he on
My late being there begged of me, overflowing
Boon in my bestowing,
Came, I say, this day to it—to a First Communion.
Here he knelt then ín regimental red.
Forth Christ from cupboard fetched, how fain I of feet
To his youngster take his treat!
Low-latched in leaf-light housel his too huge godhead.
There! and your sweetest sendings, ah divine,
By it, heavens, befall him! as a heart Christ's darling, dauntless;
Tongue true, vaunt- and tauntless;
Breathing bloom of a chastity in mansex fine.
Frowning and forefending angel-warder
Squander the hell-rook ranks sally to molest him;
March, kind comrade, abreast him;
Dress his days to a dexterous and starlight order.
How it dóes my heart good, visiting at that bleak hill,
When limber liquid youth, that to all I teach
Yields tender as a pushed peach,
Hies headstrong to its wellbeing of a self-wise self-will!
Then though I should tread tufts of consolation
Dáys áfter, só I in a sort deserve to
And do serve God to serve to
Just such slips of soldiery Christ's royal ration.
Nothing élse is like it, no, not all so strains
Us: fresh youth fretted in a bloomfall all portending
That sweet's sweeter ending;
Realm both Christ is heir to and thére réigns.
O now well work that sealing sacred ointment!
O for now charms, arms, what bans off bad
And locks love ever in a lad!
Let mé though see no more of him, and not disappointment
Those sweet hopes quell whose least me quickenings lift,
In scarlet or somewhere of some day seeing
That brow and bead of being,
An our day's God's own Galahad. Though this child's drift
Seems by a divíne doom chánnelled, nor do I cry
Disaster there; but may he not rankle and roam
In backwheels though bound home?—
That left to the Lord of the Eucharist, I here lie by;
Recorded only, I have put my lips on pleas
Would brandle adamantine heaven with ride and jar, did
Prayer go disregarded:
Forward-like, but however, and like favourable heaven heard these.
|
Written by
Robert William Service |
The sky is like an envelope,
One of those blue official things;
And, sealing it, to mock our hope,
The moon, a silver wafer, clings.
What shall we find when death gives leave
To read--our sentence or reprieve?
I'm holding it down on God's scrap-pile, up on the ***-end of earth;
O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
Wondering what I was made for, here in my last retreat.
Last! Ah, yes, it's the finish. Have ever you heard a man cry?
(Sobs that rake him and rend him, right from the base of the chest.)
That's how I've cried, oh, so often; and now that my tears are dry,
I sit in the desolate quiet and wait for the infinite Rest.
Rest! Well, it's restful around me; it's quiet clean to the core.
The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
And I think it's only the river that keeps me from going mad.
By day it's a ruthless monster, a callous, insatiate thing,
With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
Ever and ever goaded, and ever crying for rest.
It cries for its human tribute, but me it will never drown.
I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
Where wood means wine and women, and, incidentally, hell.
Hell and the anguish thereafter. Here as I sit alone
I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
Lips that have mocked at Heaven lend themselves ill to prayer.)
Impotent as a beetle pierced on the needle of Fate;
A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
Drowned in a sea of silence, strewn with confetti of stars.
See! from far up the valley a rapier pierces the night,
The white search-ray of a steamer. Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
Confident-poised, triumphant, freighted with hopes and fears.
I look as one looks on a vision; I see it pulsating by;
I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
Darkness is piled upon darkness. God only knows how I feel.
Maybe you've seen me sometimes; maybe you've pitied me then--
The lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
I shall be far from your pity, resting forevermore.
My life was a problem in ciphers, a weary and profitless sum.
Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me. Oh, Death, with thy moistened thumb,
Stoop like a petulant schoolboy, wipe me forever out!
|
Written by
George Meredith |
WHEN by Zeus relenting the mandate was revoked,
Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
Who: and what a track show'd the upturn'd sod!
Mindful were the shepherds, as now the noon severe
Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
Sister of his own, till her rays fell wide.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Chirping none, the scarlet cicalas crouch'd in ranks:
Slack the thistle-head piled its down-silk gray:
Scarce the stony lizard suck'd hollows in his flanks:
Thick on spots of umbrage our drowsed flocks lay.
Sudden bow'd the chestnuts beneath a wind unheard,
Lengthen'd ran the grasses, the sky grew slate:
Then amid a swift flight of wing'd seed white as curd,
Clear of limb a Youth smote the master's gate.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Water, first of singers, o'er rocky mount and mead,
First of earthly singers, the sun-loved rill,
Sang of him, and flooded the ripples on the reed,
Seeking whom to waken and what ear fill.
Water, sweetest soother to kiss a wound and cool,
Sweetest and divinest, the sky-born brook,
Chuckled, with a whimper, and made a mirror-pool
Round the guest we welcomed, the strange hand shook.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Many swarms of wild bees descended on our fields:
Stately stood the wheatstalk with head bent high:
Big of heart we labour'd at storing mighty yields,
Wool and corn, and clusters to make men cry!
Hand-like rush'd the vintage; we strung the bellied skins
Plump, and at the sealing the Youth's voice rose:
Maidens clung in circle, on little fists their chins;
Gentle beasties through push'd a cold long nose.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Foot to fire in snowtime we trimm'd the slender shaft:
Often down the pit spied the lean wolf's teeth
Grin against his will, trapp'd by masterstrokes of craft;
Helpless in his froth-wrath as green logs seethe!
Safe the tender lambs tugg'd the teats, and winter sped
Whirl'd before the crocus, the year's new gold.
Hung the hooky beak up aloft, the arrowhead
Redden'd through his feathers for our dear fold.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Tales we drank of giants at war with gods above:
Rocks were they to look on, and earth climb'd air!
Tales of search for simples, and those who sought of love
Ease because the creature was all too fair.
Pleasant ran our thinking that while our work was good.
Sure as fruits for sweat would the praise come fast.
He that wrestled stoutest and tamed the billow-brood
Danced in rings with girls, like a sail-flapp'd mast.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Lo, the herb of healing, when once the herb is known,
Shines in shady woods bright as new-sprung flame.
Ere the string was tighten'd we heard the mellow tone,
After he had taught how the sweet sounds came.
Stretch'd about his feet, labour done, 'twas as you see
Red pomegranates tumble and burst hard rind.
So began contention to give delight and be
Excellent in things aim'd to make life kind.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
You with shelly horns, rams! and, promontory goats,
You whose browsing beards dip in coldest dew!
Bulls, that walk the pastures in kingly-flashing coats!
Laurel, ivy, vine, wreathed for feasts not few!
You that build the shade-roof, and you that court the rays,
You that leap besprinkling the rock stream-rent:
He has been our fellow, the morning of our days;
Us he chose for housemates, and this way went.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
NOW the North wind ceases,
The warm South-west awakes;
Swift fly the fleeces,
Thick the blossom-flakes.
Now hill to hill has made the stride,
And distance waves the without-end:
Now in the breast a door flings wide;
Our farthest smiles, our next is friend.
And song of England's rush of flowers
Is this full breeze with mellow stops,
That spins the lark for shine, for showers;
He drinks his hurried flight, and drops.
The stir in memory seem these things,
Which out of moisten'd turf and clay,
Astrain for light push patient rings,
Or leap to find the waterway.
'Tis equal to a wonder done,
Whatever simple lives renew
Their tricks beneath the father sun,
As though they caught a broken clue:
So hard was earth an eyewink back;
But now the common life has come,
The blotting cloud a dappled pack,
The grasses one vast underhum.
A City clothed in snow and soot,
With lamps for day in ghostly rows,
Breaks to the scene of hosts afoot,
The river that reflective flows:
And there did fog down crypts of street
Play spectre upon eye and mouth:--
Their faces are a glass to greet
This magic of the whirl for South.
A burly joy each creature swells
With sound of its own hungry quest;
Earth has to fill her empty wells,
And speed the service of the nest;
The phantom of the snow-wreath melt,
That haunts the farmer's look abroad,
Who sees what tomb a white night built,
Where flocks now bleat and sprouts the clod.
For iron Winter held her firm;
Across her sky he laid his hand;
And bird he starved, he stiffen'd worm;
A sightless heaven, a shaven land.
Her shivering Spring feign'd fast asleep,
The bitten buds dared not unfold:
We raced on roads and ice to keep
Thought of the girl we love from cold.
But now the North wind ceases,
The warm South-west awakes,
The heavens are out in fleeces,
And earth's green banner shakes.
|
Written by
Nick Flynn |
Bees may be trusted, always,
to discover the best, nay, the only
human, solution. Let me cite
an instance; an event, that,
though occurring in nature, is still
in itself wholly abnormal. I refer
to the manner in which the bees
will dispose of a mouse
or a slug
that may happen to have found its way
into the hive.
The intruder killed,
they have to deal with
the body,
which will very soon poison
their dwelling. If it be impossible
for them to expel or dismember it,
they will proceed methodically
& hermetically
to enclose it in a veritable sepulcher
of propolis & wax,
which will tower fantastically
above the ordinary monuments
of the city.
*
When we die
our bodies powder, our bodies
the vessel & the vessel
empties.
Our dying does not fill
the hive with the stench
of dying. But outside
the world hungers.
A cockroach, stung,
can be dragged back out.
A careless child
forced a snail inside with a stick once.
We waxed over the orifice of its shell
sealing the creature in. And here,
the bottom of the comb,
a mouse,
driven in by winter & lack.
Its pawing woke us. We stung it
dead.
Even before it died it reeked - worse
the moment it ceased
twitching.
Now everyday
we crawl over it
to pass outside,
the wax form of what was
staring out, its airless sleep,
the mouse we built
to warn the rest from us.
|