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Best Famous Scrawled Poems

Here is a collection of the all-time best famous Scrawled poems. This is a select list of the best famous Scrawled poetry. Reading, writing, and enjoying famous Scrawled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scrawled poems.

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Written by Oscar Wilde | Create an image from this poem

Hélas

To drift with every passion till my soul
Is a stringed lute on which all winds can play,
Is it for this that I have given away
Mine ancient wisdom, and austere control?
Methinks my life is a twice-written scroll
Scrawled over on some boyish holiday
With idle songs for pipe and virelay,
Which do but mar the secret of the whole.
Surely there was a time I might have trod
The sunlit heights, and from life's dissonance
Struck one clear chord to reach the ears of God.
Is that time dead?  lo! with a little rod
I did but touch the honey of romance—
And must I lose a soul's inheritance?


Written by George William Russell | Create an image from this poem

Unity

 ONE thing in all things have I seen:
One thought has haunted earth and air:
Clangour and silence both have been
Its palace chambers. Everywhere


I saw the mystic vision flow
And live in men and woods and streams,
Until I could no longer know
The dream of life from my own dreams.


Sometimes it rose like fire in me
Within the depths of my own mind,
And spreading to infinity,
It took the voices of the wind:


It scrawled the human mystery—
Dim heraldry—on light and air;
Wavering along the starry sea
I saw the flying vision there.


Each fire that in God’s temple lit
Burns fierce before the inner shrine,
Dimmed as my fire grew near to it
And darkened at the light of mine.


At last, at last, the meaning caught—
The spirit wears its diadem;
It shakes its wondrous plumes of thought
And trails the stars along with them.
Written by Edna St. Vincent Millay | Create an image from this poem

Interim

 The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"

You are not here. I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.

There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here. I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.

Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro...

And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you. Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t,"
And here another like it, just beyond
These two eccentric "e's." You were so small,
And wrote so brave a hand!
 How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again. If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, "I picked the first sweet-pea to-day."
To-day! Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back
That day you filled this circle of my arms
That now is empty. (O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me! I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.) And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew. (Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.) What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th' eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure. I am not sure,
Even, if it was white or pink; for then
'Twas much like any other flower to me
Save that it was the first. I did not know
Then, that it was the last. If I had known—
But then, it does not matter. Strange how few,
After all's said and done, the things that are
Of moment.
 Few indeed! When I can make
Of ten small words a rope to hang the world!
"I had you and I have you now no more."
There, there it dangles,—where's the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down! I wish to see
Just how a thing like that will look on paper!

"I had you and I have you now no more."

O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on! Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery! O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!

We were so wholly one I had not thought
That we could die apart. I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre. And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you. I have been tom
In two, and suffer for the rest of me.
What is my life to me? And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?

Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast's wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms. What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world? You were my song!
Now, let discord scream! You were my flower!
Now let the world grow weeds! For I shall not
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.

I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, "My face is turned to you";
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second's space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears!
My sorrow shall be dumb!

—What do I say?
God! God!—God pity me! Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken? Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting! Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead! Not Truth, but Faith, it is
That keeps the world alive. If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!

O God, I see it now, and my sick brain
Staggers and swoons! How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—

 * * * * * * *

Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep. Though you were dead again,
I am but flesh and blood and I must sleep.
Written by Sara Teasdale | Create an image from this poem

Spring Rain

 I thought I had forgotten,
 But it all came back again
To-night with the first spring thunder
 In a rush of rain.

I remembered a darkened doorway
 Where we stood while the storm swept by,
Thunder gripping the earth
 And lightning scrawled on the sky.

The passing motor busses swayed,
 For the street was a river of rain,
Lashed into little golden waves
 In the lamp light's stain.

With the wild spring rain and thunder
 My heart was wild and gay;
Your eyes said more to me that night
 Than your lips would ever say. . . .

I thought I had forgotten,
 But it all came back again
To-night with the first spring thunder
 In a rush of rain.
Written by Oscar Wilde | Create an image from this poem

Helas!

 To drift with every passion till my soul
Is a stringed lute on which can winds can play,
Is it for this that I have given away
Mine ancient wisdom and austere control?
Methinks my life is a twice-written scroll
Scrawled over on some boyish holiday
With idle songs for pipe and virelay,
Which do but mar the secret of the whole.
Surely there was a time I might have trod
The sunlit heights, and from life's dissonance
Struck one clear chord to reach the ears of God:
Is that time dead? lo! with a little rod
I did but touch the honey of romance -
And must I lose a soul's inheritance?


Written by Stephen Vincent Benet | Create an image from this poem

Portrait of a Boy

 After the whipping he crawled into bed, 
Accepting the harsh fact with no great weeping. 
How funny uncle's hat had looked striped red! 
He chuckled silently. The moon came, sweeping 
A black, frayed rag of tattered cloud before 
In scorning; very pure and pale she seemed, 
Flooding his bed with radiance. On the floor 
Fat motes danced. He sobbed, closed his eyes and dreamed. 

Warm sand flowed round him. Blurts of crimson light 
Splashed the white grains like blood. Past the cave's mouth 
Shone with a large, fierce splendor, wildly bright, 
The crooked constellations of the South; 
Here the Cross swung; and there, affronting Mars, 
The Centaur stormed aside a froth of stars. 
Within, great casks, like wattled aldermen, 
Sighed of enormous feasts, and cloth of gold 
Glowed on the walls like hot desire. Again, 
Beside webbed purples from some galleon's hold, 
A black chest bore the skull and bones in white 
Above a scrawled "Gunpowder!" By the flames, 
Decked out in crimson, gemmed with syenite, 
Hailing their fellows with outrageous names, 
The pirates sat and diced. Their eyes were moons. 
"Doubloons!" they said. The words crashed gold. "Doubloons!"
Written by Carl Sandburg | Create an image from this poem

Baltic Fog Notes

 (Bergen)SEVEN days all fog, all mist, and the turbines pounding through high seas.
I was a plaything, a rat’s neck in the teeth of a scuffling mastiff.
Fog and fog and no stars, sun, moon.
Then an afternoon in fjords, low-lying lands scrawled in granite languages on a gray sky,
A night harbor, blue dusk mountain shoulders against a night sky,
And a circle of lights blinking: Ninety thousand people here.
 Among the Wednesday night thousands in goloshes and coats slickered for rain,
 I learned how hungry I was for streets and people.

I would rather be water than anything else.
I saw a drive of salt fog and mist in the North Atlantic and an iceberg dusky as a cloud in the gray of morning.
And I saw the dream pools of fjords in Norway … and the scarf of dancing water on the rocks and over the edges of mountain shelves.
Bury me in a mountain graveyard in Norway.
Three tongues of water sing around it with snow from the mountains.

Bury me in the North Atlantic.
A fog there from Iceland will be a murmur in gray over me and a long deep wind sob always.

Bury me in an Illinois cornfield.
The blizzards loosen their pipe organ voluntaries in winter stubble and the spring rains and the fall rains bring letters from the sea.
Written by G K Chesterton | Create an image from this poem

A Song of Defeat

 The line breaks and the guns go under, 
The lords and the lackeys ride the plain; 
I draw deep breaths of the dawn and thunder, 
And the whole of my heart grows young again. 
For our chiefs said 'Done,' and I did not deem it; 
Our seers said 'Peace,' and it was not peace; 
Earth will grow worse till men redeem it, 
And wars more evil, ere all wars cease. 
But the old flags reel and the old drums rattle, 
As once in my life they throbbed and reeled; 
I have found my youth in the lost battle, 
I have found my heart on the battlefield. 
For we that fight till the world is free, 
We are not easy in victory: 
We have known each other too long, my brother, 
And fought each other, the world and we. 

And I dream of the days when work was scrappy, 
And rare in our pockets the mark of the mint, 
When we were angry and poor and happy, 
And proud of seeing our names in print. 
For so they conquered and so we scattered, 
When the Devil road and his dogs smelt gold, 
And the peace of a harmless folk was shattered; 
When I was twenty and odd years old. 
When the mongrel men that the market classes 
Had slimy hands upon England's rod, 
And sword in hand upon Afric's passes 
Her last Republic cried to God. 
For the men no lords can buy or sell, 
They sit not easy when all goes well, 
They have said to each other what naught can smother, 
They have seen each other, our souls and hell. 

It is all as of old, the empty clangour, 
The Nothing scrawled on a five-foot page, 
The huckster who, mocking holy anger, 
Painfully paints his face with rage. 
And the faith of the poor is faint and partial, 
And the pride of the rich is all for sale, 
And the chosen heralds of England's Marshal 
Are the sandwich-men of the Daily Mail, 
And the niggards that dare not give are glutted, 
And the feeble that dare not fail are strong, 
So while the City of Toil is gutted, 
I sit in the saddle and sing my song. 
For we that fight till the world is free, 
We have no comfort in victory; 
We have read each other as Cain his brother, 
We know each other, these slaves and we.
Written by Nick Flynn | Create an image from this poem

Bag Of Mice

 I dreamt your suicide note
was scrawled in pencil on a brown paperbag,
& in the bag were six baby mice. The bag
opened into darkness,
smoldering
from the top down. The mice,
huddled at the bottom, scurried the bag
across a shorn field. I stood over it
& as the burning reached each carbon letter
of what you'd written
your voice released into the night
like a song, & the mice
grew wilder.
Written by William Vaughn Moody | Create an image from this poem

The Quarry

 Between the rice swamps and the fields of tea
I met a sacred elephant, snow-white.
Upon his back a huge pagoda towered
Full of brass gods and food of sacrifice.
Upon his forehead sat a golden throne,
The massy metal twisted into shapes
Grotesque, antediluvian, such as move
In myth or have their broken images
Sealed in the stony middle of the hills.
A peacock spread his thousand dyes to screen
The yellow sunlight from the head of one
Who sat upon the throne, clad stiff with gems,
Heirlooms of dynasties of buried kings,--
Himself the likeness of a buried king,
With frozen gesture and unfocused eyes.
The trappings of the beast were over-scrawled
With broideries--sea-shapes and flying things,
Fan-trees and dwarfed nodosities of pine,
Mixed with old alphabets, and faded lore
Fallen from ecstatic mouths before the Flood,
Or gathered by the daughters when they walked
Eastward in Eden with the Sons of God
Whom love and the deep moon made garrulous
Between the carven tusks his trunk hung dead;
Blind as the eyes of pearl in Buddha's brow
His beaded eyes stared thwart upon the road;
And feebler than the doting knees of eid,
His joints, of size to swing the builder's crane
Across the war-walls of the Anakim,
Made vain and shaken haste. Good need was his
To hasten: panting, foaming, on the slot
Came many brutes of prey, their several hates
Laid by until the sharing of the spoil.
Just as they gathered stomach for the leap,
The sun was darkened, and wide-balanced wings
Beat downward on the trade-wind from the sea.
A wheel of shadow sped along the fields
And o'er the dreaming cities. Suddenly
My heart misgave me, and I cried aloud,
"Alas! What dost thou here? What dost thou here? "
The great beasts and the little halted sharp,
Eyed the grand circler, doubting his intent.
Straightway the wind flawed and he came about,
Stooping to take the vanward of the pack;
Then turned, between the chasers and the chased,
Crying a word I could not understand,--
But stiller-tongued, with eyes somewhat askance,
They settled to the slot and disappeared.

Book: Reflection on the Important Things