10 Best Famous Saga Poems

Here is a collection of the top 10 all-time best famous Saga poems. This is a select list of the best famous Saga poetry. Reading, writing, and enjoying famous Saga poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of saga poems.

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Colors Passing Through Us

by Marge Piercy
 Purple as tulips in May, mauve 
into lush velvet, purple 
as the stain blackberries leave 
on the lips, on the hands, 
the purple of ripe grapes 
sunlit and warm as flesh. 
Every day I will give you a color, 
like a new flower in a bud vase 
on your desk. Every day 
I will paint you, as women 
color each other with henna 
on hands and on feet. 

Red as henna, as cinnamon, 
as coals after the fire is banked, 
the cardinal in the feeder, 
the roses tumbling on the arbor 
their weight bending the wood 
the red of the syrup I make from petals. 

Orange as the perfumed fruit 
hanging their globes on the glossy tree, 
orange as pumpkins in the field, 
orange as butterflyweed and the monarchs 
who come to eat it, orange as my 
cat running lithe through the high grass. 

Yellow as a goat's wise and wicked eyes, 
yellow as a hill of daffodils, 
yellow as dandelions by the highway, 
yellow as butter and egg yolks, 
yellow as a school bus stopping you, 
yellow as a slicker in a downpour. 

Here is my bouquet, here is a sing 
song of all the things you make 
me think of, here is oblique 
praise for the height and depth 
of you and the width too. 
Here is my box of new crayons at your feet. 

Green as mint jelly, green 
as a frog on a lily pad twanging, 
the green of cos lettuce upright 
about to bolt into opulent towers, 
green as Grand Chartreuse in a clear 
glass, green as wine bottles. 

Blue as cornflowers, delphiniums, 
bachelors' buttons. Blue as Roquefort, 
blue as Saga. Blue as still water. 
Blue as the eyes of a Siamese cat. 
Blue as shadows on new snow, as a spring 
azure sipping from a puddle on the blacktop. 

Cobalt as the midnight sky 
when day has gone without a trace 
and we lie in each other's arms 
eyes shut and fingers open 
and all the colors of the world 
pass through our bodies like strings of fire.

The Skeleton in Armor

by Henry Wadsworth Longfellow
"SPEAK! speak! thou fearful guest! 
Who, with thy hollow breast 
Still in rude armor drest, 
Comest to daunt me! 
Wrapt not in Eastern balms, 5 
But with thy fleshless palms 
Stretched, as if asking alms, 
Why dost thou haunt me?" 

Then, from those cavernous eyes 
Pale flashes seemed to rise, 10 
As when the Northern skies 
Gleam in December; 
And, like the water's flow 
Under December's snow, 
Came a dull voice of woe 15 
From the heart's chamber. 

"I was a Viking old! 
My deeds, though manifold, 
No Skald in song has told, 
No Saga taught thee! 20 
Take heed, that in thy verse 
Thou dost the tale rehearse, 
Else dread a dead man's curse; 
For this I sought thee. 

"Far in the Northern Land, 25 
By the wild Baltic's strand, 
I, with my childish hand, 
Tamed the gerfalcon; 
And, with my skates fast-bound, 
Skimmed the half-frozen Sound, 30 
That the poor whimpering hound 
Trembled to walk on. 

"Oft to his frozen lair 
Tracked I the grisly bear, 
While from my path the hare 35 
Fled like a shadow; 
Oft through the forest dark 
Followed the were-wolf's bark, 
Until the soaring lark 
Sang from the meadow. 40 

"But when I older grew, 
Joining a corsair's crew, 
O'er the dark sea I flew 
With the marauders. 
Wild was the life we led; 45 
Many the souls that sped, 
Many the hearts that bled, 
By our stern orders. 

"Many a wassail-bout 
Wore the long Winter out; 50 
Often our midnight shout 
Set the cocks crowing, 
As we the Berserk's tale 
Measured in cups of ale, 
Draining the oaken pail, 55 
Filled to o'erflowing. 

"Once as I told in glee 
Tales of the stormy sea, 
Soft eyes did gaze on me, 
Burning yet tender; 60 
And as the white stars shine 
On the dark Norway pine, 
On that dark heart of mine 
Fell their soft splendor. 

"I wooed the blue-eyed maid, 65 
Yielding, yet half afraid, 
And in the forest's shade 
Our vows were plighted. 
Under its loosened vest 
Fluttered her little breast, 70 
Like birds within their nest 
By the hawk frighted. 

"Bright in her father's hall 
Shields gleamed upon the wall, 
Loud sang the minstrels all, 75 
Chanting his glory; 
When of old Hildebrand 
I asked his daughter's hand, 
Mute did the minstrels stand 
To hear my story. 80 

"While the brown ale he quaffed, 
Loud then the champion laughed, 
And as the wind-gusts waft 
The sea-foam brightly, 
So the loud laugh of scorn, 85 
Out of those lips unshorn, 
From the deep drinking-horn 
Blew the foam lightly. 

"She was a Prince's child, 
I but a Viking wild, 90 
And though she blushed and smiled, 
I was discarded! 
Should not the dove so white 
Follow the sea-mew's flight, 
Why did they leave that night 95 
Her nest unguarded? 

"Scarce had I put to sea, 
Bearing the maid with me, 
Fairest of all was she 
Among the Norsemen! 100 
When on the white sea-strand, 
Waving his arm¨¨d hand, 
Saw we old Hildebrand, 
With twenty horsemen. 

"Then launched they to the blast, 105 
Bent like a reed each mast, 
Yet we were gaining fast, 
When the wind failed us; 
And with a sudden flaw 
Came round the gusty Skaw, 110 
So that our foe we saw 
Laugh as he hailed us. 

"And as to catch the gale 
Round veered the flapping sail, 
'Death!' was the helmsman's hail, 115 
'Death without quarter!' 
Mid-ships with iron keel 
Struck we her ribs of steel; 
Down her black hulk did reel 
Through the black water! 120 

"As with his wings aslant, 
Sails the fierce cormorant, 
Seeking some rocky haunt, 
With his prey laden, 
So toward the open main, 125 
Beating to sea again, 
Through the wild hurricane, 
Bore I the maiden. 

"Three weeks we westward bore, 
And when the storm was o'er, 130 
Cloud-like we saw the shore 
Stretching to leeward; 
There for my lady's bower 
Built I the lofty tower, 
Which, to this very hour, 135 
Stands looking seaward. 

"There lived we many years; 
Time dried the maiden's tears; 
She had forgot her fears, 
She was a mother; 140 
Death closed her mild blue eyes, 
Under that tower she lies; 
Ne'er shall the sun arise 
On such another! 

"Still grew my bosom then, 145 
Still as a stagnant fen! 
Hateful to me were men, 
The sunlight hateful! 
In the vast forest here, 
Clad in my warlike gear, 150 
Fell I upon my spear, 
Oh, death was grateful! 

"Thus, seamed with many scars, 
Bursting these prison bars, 
Up to its native stars 155 
My soul ascended! 
There from the flowing bowl 
Deep drinks the warrior's soul, 
Skoal! to the Northland! skoal!" 
Thus the tale ended. 160 

With Antecedents

by Walt Whitman
 1
WITH antecedents; 
With my fathers and mothers, and the accumulations of past ages; 
With all which, had it not been, I would not now be here, as I am: 
With Egypt, India, Phenicia, Greece and Rome; 
With the Kelt, the Scandinavian, the Alb, and the Saxon;
With antique maritime ventures,—with laws, artizanship, wars and journeys; 
With the poet, the skald, the saga, the myth, and the oracle; 
With the sale of slaves—with enthusiasts—with the troubadour, the crusader, and
 the
 monk; 
With those old continents whence we have come to this new continent; 
With the fading kingdoms and kings over there;
With the fading religions and priests; 
With the small shores we look back to from our own large and present shores; 
With countless years drawing themselves onward, and arrived at these years; 
You and Me arrived—America arrived, and making this year; 
This year! sending itself ahead countless years to come.

2
O but it is not the years—it is I—it is You; 
We touch all laws, and tally all antecedents; 
We are the skald, the oracle, the monk, and the knight—we easily include them, and
 more; 
We stand amid time, beginningless and endless—we stand amid evil and good; 
All swings around us—there is as much darkness as light;
The very sun swings itself and its system of planets around us; 
Its sun, and its again, all swing around us. 
As for me, (torn, stormy, even as I, amid these vehement days,) 
I have the idea of all, and am all, and believe in all; 
I believe materialism is true, and spiritualism is true—I reject no part.

Have I forgotten any part? 
Come to me, whoever and whatever, till I give you recognition. 

I respect Assyria, China, Teutonia, and the Hebrews; 
I adopt each theory, myth, god, and demi-god; 
I see that the old accounts, bibles, genealogies, are true, without exception;
I assert that all past days were what they should have been; 
And that they could no-how have been better than they were, 
And that to-day is what it should be—and that America is, 
And that to-day and America could no-how be better than they are. 

3
In the name of These States, and in your and my name, the Past,
And in the name of These States, and in your and my name, the Present time. 

I know that the past was great, and the future will be great, 
And I know that both curiously conjoint in the present time, 
(For the sake of him I typify—for the common average man’s sake—your sake,
 if
 you are
 he;) 
And that where I am, or you are, this present day, there is the centre of all days, all
 races,
And there is the meaning, to us, of all that has ever come of races and days, or ever will
 come.

April 24

by David Lehman
 Did you know that Evian spelled backwards is naive?
I myself was unaware of this fact until last Tuesday night
when John Ashbery, Marc Cohen, and Eugene Richie
gave a poetry reading and I introduced them
to an audience that already knew them,
and there were bottles of Evian at the table.
As air to the lungs of a drowning man was
a glass of this water to my dry lips. I recommend it
to you, a lover of palindromes, who will also
be glad to learn that JA read us three "chapters"
of his new poem, "Girls on the Run," a twelve-
part saga inspired by girls' adventure stories, with
characters named Dimples and Tidbit plus Talkative and 
Hopeful on loan from "Pilgrim's Progress."
As Frank O'Hara would have said, "it's the nuts."

The poets' books were on sale and afterwards
two of the poets signed theirs happily and the third
did so willingly and Joe took photos and I smiled
for the camera, shaking hands with people
I knew or didn't know and thinking how
blessed was the state of naivete
my naive belief in the glory of the word

Dead Cow Farm

by Robert Graves
 An ancient saga tells us how
In the beginning the First Cow 
(For nothing living yet had birth 
But Elemental Cow on earth) 
Began to lick cold stones and mud:
Under her warm tongue flesh and blood 
Blossomed, a miracle to believe: 
And so was Adam born, and Eve. 
Here now is chaos once again, 
Primeval mud, cold stones and rain.
Here flesh decays and blood drips red, 
And the Cow’s dead, the old Cow’s dead.

Thangbrand the Priest

by Henry Wadsworth Longfellow
 Short of stature, large of limb,
Burly face and russet beard,
All the women stared at him,
When in Iceland he appeared.
"Look!" they said,
With nodding head,
"There goes Thangbrand, Olaf's Priest."

All the prayers he knew by rote,
He could preach like Chrysostome,
From the Fathers he could quote,
He had even been at Rome.
A learned clerk,
A man of mark,
Was this Thangbrand, Olaf's Priest.

He was quarrelsome and loud,
And impatient of control,
Boisterous in the market crowd,
Boisterous at the wassail-bowl,
Everywhere
Would drink and swear,
Swaggering Thangbrand, Olaf's Priest.

In his house this malcontent
Could the King no longer bear,
So to Iceland he was sent
To convert the heathen there,
And away
One summer day
Sailed this Thangbrand, Olaf's Priest.

There in Iceland, o'er their books
Pored the people day and night,
But he did not like their looks,
Nor the songs they used to write. 
All this rhyme
Is waste of time! "
Grumbled Thangbrand, Olaf's Priest.

To the alehouse, where he sat,
Came the Scalds and Saga men;
Is it to be wondered at,
That they quarrelled now and then,
When o'er his beer
Began to leer
Drunken Thangbrand, Olaf's Priest?

All the folk in Altafiord
Boasted of their island grand;
Saying in a single word,
"Iceland is the finest land
That the sun
Doth shine upon!"
Loud laughed Thangbrand, Olaf's Priest.

And he answered: "What's the use
Of this bragging up and down,
When three women and one goose
Make a market in your town! "
Every Scald
Satires scrawled
On poor Thangbrand, Olaf's Priest.

Something worse they did than that!
And what vexed him most of all
Was a figure in shovel hat,
Drawn in charcoal on the wall;
With words that go
Sprawling below,
"This is Thangbrand, Olaf's Priest."

Hardly knowing what he did,
Then he smote them might and main,
Thorvald Veile and Veterlid
Lay there in the alehouse slain.
"To-day we are gold,
To-morrow mould!"
Muttered Thangbrand, Olaf's Priest

Much in fear of axe and rope,
Back to Norway sailed he then.
"O, King Olaf! little hope
Is there of these Iceland men!"
Meekly said,
With bending head,
Pious Thangbrand, Olaf's Priest.

Prologue to a Saga

by Dorothy Parker
 Maidens, gather not the yew,
Leave the glossy myrtle sleeping;
Any lad was born untrue,
Never a one is fit your weeping.

Pretty dears, your tumult cease;
Love's a fardel, burthening double.
Clear your hearts, and have you peace-
Gangway, girls: I'll show you trouble.
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