10 Best Famous Saddled Poems

Here is a collection of the top 10 all-time best famous Saddled poems. This is a select list of the best famous Saddled poetry. Reading, writing, and enjoying famous Saddled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of saddled poems.

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About My Poetry

by Nazim Hikmet
 I have no silver-saddled horse to ride,
no inheritance to live on,
neither riches no real-estate --
a pot of honey is all I own.
A pot of honey
 red as fire!

My honey is my everything.
I guard
my riches and my real-estate
-- my honey pot, I mean --
from pests of every species,
Brother, just wait...
As long as I've got
honey in my pot,
bees will come to it
 from Timbuktu...

Rune of the Finland Woman

by Marilyn Hacker
 For Sára Karig

"You are so wise," the reindeer said, "you can bind the winds of the world in a single strand."—H. C. Andersen, "The Snow Queen"

She could bind the world's winds in a single strand.
She could find the world's words in a singing wind.
She could lend a weird will to a mottled hand.
She could wind a willed word from a muddled mind.

She could wend the wild woods on a saddled hind.
She could sound a wellspring with a rowan wand.
She could bind the wolf's wounds in a swaddling band.
She could bind a banned book in a silken skin.

She could spend a world war on invaded land.
She could pound the dry roots to a kind of bread.
She could feed a road gang on invented food.
She could find the spare parts of the severed dead.

She could find the stone limbs in a waste of sand.
She could stand the pit cold with a withered lung.
She could handle bad puns in the slang she learned.
She could dandle foundlings in their mother tongue.

She could plait a child's hair with a fishbone comb.
She could tend a coal fire in the Arctic wind.
She could mend an engine with a sewing pin.
She could warm the dark feet of a dying man.

She could drink the stone soup from a doubtful well.
She could breathe the green stink of a trench latrine.
She could drink a queen's share of important wine.
She could think a few things she would never tell.

She could learn the hand code of the deaf and blind.
She could earn the iron keys of the frozen queen.
She could wander uphill with a drunken friend.
She could bind the world's winds in a single strand.

The Geebung Polo Club

by Andrew Barton Paterson
 It was somewhere up the country, in a land of rock and scrub, 
That they formed an institution called the Geebung Polo Club. 
They were long and wiry natives from the rugged mountain side, 
And the horse was never saddled that the Geebungs couldn't ride; 
But their style of playing polo was irregular and rash -- 
They had mighty little science, but a mighty lot of dash: 
And they played on mountain ponies that were muscular and strong, 
Though their coats were quite unpolished, 
and their manes and tails were long. 
And they used to train those ponies wheeling cattle in the scrub: 
They were demons, were the members of the Geebung Polo Club. 

It was somewhere down the country, in a city's smoke and steam, 
That a polo club existed, called `The Cuff and Collar Team'. 
As a social institution 'twas a marvellous success, 
For the members were distinguished by exclusiveness and dress. 
They had natty little ponies that were nice, and smooth, and sleek, 
For their cultivated owners only rode 'em once a week. 
So they started up the country in pursuit of sport and fame, 
For they meant to show the Geebungs how they ought to play the game; 
And they took their valets with them -- just to give their boots a rub 
Ere they started operations on the Geebung Polo Club. 

Now my readers can imagine how the contest ebbed and flowed, 
When the Geebung boys got going it was time to clear the road; 
And the game was so terrific that ere half the time was gone 
A spectator's leg was broken -- just from merely looking on. 
For they waddied one another till the plain was strewn with dead, 
While the score was kept so even that they neither got ahead. 
And the Cuff and Collar Captain, when he tumbled off to die, 
Was the last surviving player -- so the game was called a tie. 

Then the Captain of the Geebungs raised him slowly from the ground, 
Though his wounds were mostly mortal, yet he fiercely gazed around; 
There was no one to oppose him -- all the rest were in a trance, 
So he scrambled on his pony for his last expiring chance, 
For he meant to make an effort to get victory to his side; 
So he struck at goal -- and missed it -- then he tumbled off and died. 

. . . . . 

By the old Campaspe River, where the breezes shake the grass, 
There's a row of little gravestones that the stockmen never pass, 
For they bear a crude inscription saying, `Stranger, drop a tear, 
For the Cuff and Collar players and the Geebung boys lie here.' 
And on misty moonlit evenings, while the dingoes howl around, 
You can see their shadows flitting down that phantom polo ground; 
You can hear the loud collisions as the flying players meet, 
And the rattle of the mallets, and the rush of ponies' feet, 
Till the terrified spectator rides like blazes to the pub -- 
He's been haunted by the spectres of the Geebung Polo Club.

The Changeling ( From The Tent on the Beach )

by John Greenleaf Whittier
 FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,--

Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.

Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.

"Rake out the red coals, goodman,--
For there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.

"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.

"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.

"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.

"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.

"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat."

Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.

"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray."

Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.

"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.

"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.

"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore."

Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.

A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.

She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.

Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.

With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.

"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,--
I live, who once was dead.

"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"

His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.

He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.

He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.

And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.

Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.

Ben Duggan

by Henry Lawson
 Jack Denver died on Talbragar when Christmas Eve began, 
And there was sorrow round the place, for Denver was a man; 
Jack Denver's wife bowed down her head -- her daughter's grief was wild, 
And big Ben Duggan by the bed stood sobbing like a child. 
But big Ben Duggan saddled up, and galloped fast and far, 
To raise the longest funeral ever seen on Talbragar. 

By station home 
And shearing shed 
Ben Duggan cried, `Jack Denver's dead! 
Roll up at Talbragar!' 

He borrowed horses here and there, and rode all Christmas Eve, 
And scarcely paused a moment's time the mournful news to leave; 
He rode by lonely huts and farms, and when the day was done 
He turned his panting horse's head and rode to Ross's Run. 
No bushman in a single day had ridden half so far 
Since Johnson brought the doctor to his wife at Talbragar. 

By diggers' camps 
Ben Duggan sped -- 
At each he cried, `Jack Denver's dead! 
Roll up at Talbragar!' 

That night he passed the humpies of the splitters on the ridge, 
And roused the bullock-drivers camped at Belinfante's Bridge; 
And as he climbed the ridge again the moon shone on the rise; 
The soft white moonbeams glistened in the tears that filled his eyes; 
He dashed the rebel drops away -- for blinding things they are -- 
But 'twas his best and truest friend who died on Talbragar. 

At Blackman's Run 
Before the dawn, 
Ben Duggan cried, `Poor Denver's gone! 
Roll up at Talbragar!' 

At all the shanties round the place they'd heard his horse's tramp, 
He took the track to Wilson's Luck, and told the diggers' camp; 
But in the gorge by Deadman's Gap the mountain shades were black, 
And there a newly-fallen tree was lying on the track -- 
He saw too late, and then he heard the swift hoof's sudden jar, 
And big Ben Duggan ne'er again rode home to Talbragar. 

`The wretch is drunk, 
And Denver's dead -- 
A burning shame!' the people said 
Next day at Talbragar. 

For thirty miles round Talbragar the boys rolled up in strength, 
And Denver had a funeral a good long mile in length; 
Round Denver's grave that Christmas day rough bushmen's eyes were dim -- 
The western bushmen knew the way to bury dead like him; 
But some returning homeward found, by light of moon and star, 
Ben Duggan dying in the rocks, five miles from Talbragar. 

They knelt around, 
He raised his head 
And faintly gasped, `Jack Denver's dead, 
Roll up at Talbragar!' 

But one short hour before he died he woke to understand, 
They told him, when he asked them, that the funeral was `grand'; 
And then there came into his eyes a strange victorious light, 
He smiled on them in triumph, and his great soul took its flight. 
And still the careless bushmen tell by tent and shanty bar 
How Duggan raised a funeral years back on Talbragar. 

And far and wide 
When Duggan died, 
The bushmen of the western side 
Rode in to Talbragar.

The Parsons Son

by Robert William Service
 This is the song of the parson's son, as he squats in his shack alone,
On the wild, weird nights, when the Northern Lights shoot up from the frozen zone,
And it's sixty below, and couched in the snow the hungry huskies moan:

"I'm one of the Arctic brotherhood, I'm an old-time pioneer.
I came with the first -- O God! how I've cursed this Yukon -- but still I'm here.
I've sweated athirst in its summer heat, I've frozen and starved in its cold;
I've followed my dreams by its thousand streams, I've toiled and moiled for its gold.

"Look at my eyes -- been snow-blind twice; look where my foot's half gone;
And that gruesome scar on my left cheek, where the frost-fiend bit to the bone.
Each one a brand of this devil's land, where I've played and I've lost the game,
A broken wreck with a craze for `hooch', and never a cent to my name.

"This mining is only a gamble; the worst is as good as the best;
I was in with the bunch and I might have come out right on top with the rest;
With Cormack, Ladue and Macdonald -- O God! but it's hell to think
Of the thousands and thousands I've squandered on cards and women and drink.

"In the early days we were just a few, and we hunted and fished around,
Nor dreamt by our lonely camp-fires of the wealth that lay under the ground.
We traded in skins and whiskey, and I've often slept under the shade
Of that lone birch tree on Bonanza, where the first big find was made.

"We were just like a great big family, and every man had his squaw,
And we lived such a wild, free, fearless life beyond the pale of the law;
Till sudden there came a whisper, and it maddened us every man,
And I got in on Bonanza before the big rush began.

"Oh, those Dawson days, and the sin and the blaze, and the town all open wide!
(If God made me in His likeness, sure He let the devil inside.)
But we all were mad, both the good and the bad, and as for the women, well --
No spot on the map in so short a space has hustled more souls to hell.

"Money was just like dirt there, easy to get and to spend.
I was all caked in on a dance-hall jade, but she shook me in the end.
It put me *****, and for near a year I never drew sober breath,
Till I found myself in the bughouse ward with a claim staked out on death.

"Twenty years in the Yukon, struggling along its creeks;
Roaming its giant valleys, scaling its god-like peaks;
Bathed in its fiery sunsets, fighting its fiendish cold --
Twenty years in the Yukon . . . twenty years -- and I'm old.

"Old and weak, but no matter, there's `hooch' in the bottle still.
I'll hitch up the dogs to-morrow, and mush down the trail to Bill.
It's so long dark, and I'm lonesome -- I'll just lay down on the bed;
To-morrow I'll go . . . to-morrow . . . I guess I'll play on the red.

". . . Come, Kit, your pony is saddled. I'm waiting, dear, in the court . . .
. . . Minnie, you devil, I'll kill you if you skip with that flossy sport . . .
. . . How much does it go to the pan, Bill? . . . play up, School, and play the game . . .
. . . Our Father, which art in heaven, hallowed be Thy name . . ."

This was the song of the parson's son, as he lay in his bunk alone,
Ere the fire went out and the cold crept in, and his blue lips ceased to moan,
And the hunger-maddened malamutes had torn him flesh from bone.

At The Executed Murderers Grave

by James Wright
 for J.L.D.

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

 --Freud

1.
My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,
His skull rots empty here. Dying's the best
Of all the arts men learn in a dead place.
I walked here once. I made my loud display,
Leaning for language on a dead man's voice.
Now sick of lies, I turn to face the past.
I add my easy grievance to the rest:

2.
Doty, if I confess I do not love you,
Will you let me alone? I burn for my own lies.
The nights electrocute my fugitive,
My mind. I run like the bewildered mad
At St. Clair Sanitarium, who lurk,
Arch and cunning, under the maple trees,
Pleased to be playing guilty after dark.
Staring to bed, they croon self-lullabies.
Doty, you make me sick. I am not dead.
I croon my tears at fifty cents per line.

3.
Idiot, he demanded love from girls,
And murdered one. Also, he was a thief.
He left two women, and a ghost with child.
The hair, foul as a dog's upon his head,
Made such revolting Ohio animals
Fitter for vomit than a kind man's grief.
I waste no pity on the dead that stink,
And no love's lost between me and the crying
Drunks of Belaire, Ohio, where police
Kick at their kidneys till they die of drink.
Christ may restore them whole, for all of me.
Alive and dead, those giggling muckers who
Saddled my nighmares thirty years ago
Can do without my widely printed sighing.
Over their pains with paid sincerity.
I do not pity the dead, I pity the dying.

4.
I pity myself, because a man is dead.
If Belmont County killed him, what of me?
His victims never loved him. Why should we?
And yet, nobody had to kill him either.
It does no good to woo the grass, to veil
The quicklime hole of a man's defeat and shame.
Nature-lovers are gone. To hell with them.
I kick the clods away, and speak my name.

5.
This grave's gash festers. Maybe it will heal,
When all are caught with what they had to do
In fear of love, when every man stands still
By the last sea,
And the princes of the sea come down
To lay away their robes, to judge the earth
And its dead, and we dead stand undefended everywhere,
And my bodies--father and child and unskilled criminal--
Ridiculously kneel to bare my scars,
My sneaking crimes, to God's unpitying stars.

6.
Staring politely, they will not mark my face
From any murderer's, buried in this place.
Why should they? We are nothing but a man.

7.
Doty, the rapist and the murderer,
Sleeps in a ditch of fire, and cannot hear;
And where, in earth or hell's unholy peace,
Men's suicides will stop, God knows, not I.
Angels and pebbles mock me under trees.
Earth is a door I cannot even face.
Order be damned, I do not want to die,
Even to keep Belaire, Ohio, safe.
The hackles on my neck are fear, not grief.
(Open, dungeon! Open, roof of the ground!)
I hear the last sea in the Ohio grass,
Heaving a tide of gray disastrousness.
Wrinkles of winter ditch the rotted face
Of Doty, killer, imbecile, and thief:
Dirt of my flesh, defeated, underground.

The ride to bumpville

by Eugene Field
 Play that my knee was a calico mare
Saddled and bridled for Bumpville;
Leap to the back of this steed, if you dare,
And gallop away to Bumpville!
I hope you'll be sure to sit fast in your seat,
For this calico mare is prodigiously fleet,
And many adventures you're likely to meet
As you journey along to Bumpville.

This calico mare both gallops and trots
While whisking you off to Bumpville;
She paces, she shies, and she stumbles, in spots,
In the tortuous road to Bumpville;
And sometimes this strangely mercurial steed
Will suddenly stop and refuse to proceed,
Which, all will admit, is vexatious indeed,
When one is en route to Bumpville!

She's scared of the cars when the engine goes "Toot!"
Down by the crossing at Bumpville;
You'd better look out for that treacherous brute
Bearing you off to Bumpville!
With a snort she rears up on her hindermost heels,
And executes jigs and Virginia reels -
Words fail to explain how embarrassed one feels
Dancing so wildly to Bumpville!

It's bumpytybump and it's jiggytyjog,
Journeying on to Bumpville
It's over the hilltop and down through the bog
You ride on your way to Bumpville;
It's rattletybang over boulder and stump,
There are rivers to ford, there are fences to jump,
And the corduroy road it goes bumpytybump,
Mile after mile to bumpville!

Perhaps you'll observe it's no easy thing
Making the journey to Bumpville,
So I think, on the whole, it were prudent to bring
An end to this ride to Bumpville;
For, though she has uttered no protest or plaint,
The calico mare must be blowing and faint -
What's more to the point, I'm blowed if I ain't!
So play we have got to Bumpville!

The Last Parade

by Andrew Barton Paterson
 With never a sound of trumpet, 
With never a flag displayed, 
The last of the old campaigners 
Lined up for the last parade. 

Weary they were and battered, 
Shoeless, and knocked about; 
From under their ragged forelocks 
Their hungry eyes looked out. 

And they watched as the old commander 
Read out to the cheering men 
The Nation's thanks, and the orders 
To carry them home again. 

And the last of the old campaigners, 
Sinewy, lean, and spare -- 
He spoke for his hungry comrades: 
"Have we not done our share? 

"Starving and tired and thirsty 
We limped on the blazing plain; 
And after a long night's picket 
You saddled us up again. 

"We froze on the windswept kopjes 
When the frost lay snowy-white, 
Never a halt in the daytime, 
Never a rest at night! 

"We knew when the rifles rattled 
From the hillside bare and brown, 
And over our weary shoulders 
We felt warm blood run down, 

"As we turned for the stretching gallop, 
Crushed to the earth with weight; 
But we carried our riders through it -- 
Sometimes, perhaps, too late. 

"Steel! We were steel to stand it -- 
We that have lasted through, 
We that are old campaigners 
Pitiful, poor, and few. 

"Over the sea you brought us, 
Over the leagues of foam: 
Now we have served you fairly 
Will you not take us home? 

"Home to the Hunter River, 
To the flats where the lucerne grows; 
Home where the Murrumbidgee 
Runs white with the melted snows. 

"This is a small thing, surely! 
Will not you give command 
That the last of the old campaigners 
Go back to their native land?" 

They looked at the grim commander, 
But never a sign he made. 
"Dismiss!" and the old campaigners 
Moved off from their last parade.

The day when the celestial war-horse of the golden

by Omar Khayyam
The day when the celestial war-horse of the golden
stars was saddled, when the planet Jupiter and the
Pleiades were created, from that day the Divan [Chief
Justice] of destiny fixed our lot. In what respect, then,
are we guilty, since such is the part that was made
for us?
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