by
Stanley Kunitz
I touch you in the night, whose gift was you,
My careless sprawler,
And I touch you cold, unstirring, star-bemused,
That have become the land of your self-strangeness.
What long seduction of the bone has led you
Down the imploring roads I cannot take
Into the arms of ghosts I never knew,
Leaving my manhood on a rumpled field
To guard you where you lie so deep
In absent-mindedness,
Caught in the calcium snows of sleep?
And even should I track you to your birth
Through all the cities of your mortal trial,
As in my jealous thought I try to do,
You would escape me--from the brink of earth
Take off to where the lawless auroras run,
You with your wild and metaphysic heart.
My touch is on you, who are light-years gone.
We are not souls but systems, and we move
In clouds of our unknowing
like great nebulae.
Our very motives swirl and have their start
With father lion and with mother crab.
Dreamer, my own lost rib,
Whose planetary dust is blowing
Past archipelagoes of myth and light
What far Magellans are you mistress of
To whom you speed the pleasure of your art?
As through a glass that magnifies my loss
I see the lines of your spectrum shifting red,
The universe expanding, thinning out,
Our worlds flying, oh flying, fast apart.
From hooded powers and from abstract flight
I summon you, your person and your pride.
Fall to me now from outer space,
Still fastened desperately to my side;
Through gulfs of streaming air
Bring me the mornings of the milky ways
Down to my threshold in your drowsy eyes;
And by the virtue of your honeyed word
Restore the liquid language of the moon,
That in gold mines of secrecy you delve.
Awake!
My whirling hands stay at the noon,
Each cell within my body holds a heart
And all my hearts in unison strike twelve.
|
by
Wole Soyinka
Dedication
for Moremi, 1963
Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life
As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.
The air will not deny you. Like a top
Spin you on the navel of the storm, for the hoe
That roots the forests plows a path for squirrels.
Be ageless as dark peat, but only that rain's
Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.
Peppers green and red—child—your tongue arch
To scorpion tail, spit straight return to danger's threats
Yet coo with the brown pigeon, tendril dew between your lips.
Shield you like the flesh of palms, skyward held
Cuspids in thorn nesting, insealed as the heart of kernel—
A woman's flesh is oil—child, palm oil on your tongue
Is suppleness to life, and wine of this gourd
From self-same timeless run of runnels as refill
Your podlings, child, weaned from yours we embrace
Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are
Swarming honeycombs—your world needs sweetening, child.
Camwood round the heart, chalk for flight
Of blemish—see? it dawns!—antimony beneath
Armpits like a goddess, and leave this taste
Long on your lips, of salt, that you may seek
None from tears. This, rain-water, is the gift
Of gods—drink of its purity, bear fruits in season.
Fruits then to your lips: haste to repay
The debt of birth. Yield man-tides like the sea
And ebbing, leave a meaning of the fossilled sands.
|
by
Carolyn Kizer
Arms and the girl I sing - O rare
arms that are braceleted and white and bare
arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.
Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.
Mythologize your women! None escape.
Europe was named from an act of bestial rape:
Eponymous girl on bull-back, he intent
on scattering sperm across a continent.
Old Zeus refused to take the rap.
It's not his name in big print on the map.
But let's go back to the beginning
when sinners didn't know that they were sinning.
He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."
Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.
An educated woman is a danger.
Lock up your mate! Keep a submissive stranger
like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.
Whether we wield a scepter or a mop
It's clear you fear that we may get on top.
And if we do -I say it without animus-
It's not from you we learned to be magnaminous.
|
by
Marge Piercy
The construction of a woman:
a woman is not made of flesh
of bone and sinew
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned
every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel,
her hips and ass promising, her mouth pursed
in the dark red lipstick of desire.
She visited in '68 still wearing skirts
tight to the knees, dark red lipstick,
while I danced through Manhattan in mini skirt,
lipstick pale as apricot milk,
hair loose as a horse's mane. Oh dear,
I thought in my superiority of the moment,
whatever has happened to poor Cecile?
She was out of fashion, out of the game,
disqualified, disdained, dis-
membered from the club of desire.
Look at pictures in French fashion
magazines of the 18th century:
century of the ultimate lady
fantasy wrought of silk and corseting.
Paniers bring her hips out three feet
each way, while the waist is pinched
and the belly flattened under wood.
The breasts are stuffed up and out
offered like apples in a bowl.
The tiny foot is encased in a slipper
never meant for walking.
On top is a grandiose headache:
hair like a museum piece, daily
ornamented with ribbons, vases,
grottoes, mountains, frigates in full
sail, balloons, baboons, the fancy
of a hairdresser turned loose.
The hats were rococo wedding cakes
that would dim the Las Vegas strip.
Here is a woman forced into shape
rigid exoskeleton torturing flesh:
a woman made of pain.
How superior we are now: see the modern woman
thin as a blade of scissors.
She runs on a treadmill every morning,
fits herself into machines of weights
and pulleys to heave and grunt,
an image in her mind she can never
approximate, a body of rosy
glass that never wrinkles,
never grows, never fades. She
sits at the table closing her eyes to food
hungry, always hungry:
a woman made of pain.
A cat or dog approaches another,
they sniff noses. They sniff asses.
They bristle or lick. They fall
in love as often as we do,
as passionately. But they fall
in love or lust with furry flesh,
not hoop skirts or push up bras
rib removal or liposuction.
It is not for male or female dogs
that poodles are clipped
to topiary hedges.
If only we could like each other raw.
If only we could love ourselves
like healthy babies burbling in our arms.
If only we were not programmed and reprogrammed
to need what is sold us.
Why should we want to live inside ads?
Why should we want to scourge our softness
to straight lines like a Mondrian painting?
Why should we punish each other with scorn
as if to have a large ass
were worse than being greedy or mean?
When will women not be compelled
to view their bodies as science projects,
gardens to be weeded,
dogs to be trained?
When will a woman cease
to be made of pain?
|
by
Friedrich von Schiller
I, too, at length discerned great Hercules' energy mighty,--
Saw his shade. He himself was not, alas, to be seen.
Round him were heard, like the screaming of birds,
the screams of tragedians,
And, with the baying of dogs, barked dramaturgists around.
There stood the giant in all his terrors; his bow was extended,
And the bolt, fixed on the string, steadily aimed at the heart.
"What still hardier action, unhappy one, dost thou now venture,
Thus to descend to the grave of the departed souls here?"--
"'Tis to see Tiresias I come, to ask of the prophet
Where I the buskin of old, that now has vanished, may find?"
"If they believe not in Nature, nor the old Grecian, but vainly
Wilt thou convey up from hence that dramaturgy to them."
"Oh, as for Nature, once more to tread our stage she has ventured,
Ay, and stark-naked beside, so that each rib we count."
"What? Is the buskin of old to be seen in truth on your stage, then,
Which even I came to fetch, out of mid-Tartarus' gloom?"--
"There is now no more of that tragic bustle, for scarcely
Once in a year on the boards moves thy great soul, harness-clad."
"Doubtless 'tis well! Philosophy now has refined your sensations,
And from the humor so bright fly the affections so black."--
"Ay, there is nothing that beats a jest that is stolid and barren,
But then e'en sorrow can please, if 'tis sufficiently moist."
"But do ye also exhibit the graceful dance of Thalia,
Joined to the solemn step with which Melpomene moves?"--
"Neither! For naught we love but what is Christian and moral;
And what is popular, too, homely, domestic, and plain."
"What? Does no Caesar, does no Achilles, appear on your stage now,
Not an Andromache e'en, not an Orestes, my friend?"
"No! there is naught to be seen there but parsons,
and syndics of commerce,
Secretaries perchance, ensigns, and majors of horse."
"But, my good friend, pray tell me, what can such people e'er meet with
That can be truly called great?--what that is great can they do?"
"What? Why they form cabals, they lend upon mortgage, they pocket
Silver spoons, and fear not e'en in the stocks to be placed."
"Whence do ye, then, derive the destiny, great and gigantic,
Which raises man up on high, e'en when it grinds him to dust?"--
"All mere nonsense! Ourselves, our worthy acquaintances also,
And our sorrows and wants, seek we, and find we, too, here."
"But all this ye possess at home both apter and better,--
Wherefore, then, fly from yourselves, if 'tis yourselves that ye seek?"
"Be not offended, great hero, for that is a different question;
Ever is destiny blind,--ever is righteous the bard."
"Then one meets on your stage your own contemptible nature,
While 'tis in vain one seeks there nature enduring and great?"
"There the poet is host, and act the fifth is the reckoning;
And, when crime becomes sick, virtue sits down to the feast!"
|
by
Eavan Boland
Flesh is heretic.
My body is a witch.
I am burning it.
Yes I am torching
ber curves and paps and wiles.
They scorch in my self denials.
How she meshed my head
in the half-truths
of her fevers
till I renounced
milk and honey
and the taste of lunch.
I vomited
her hungers.
Now the ***** is burning.
I am starved and curveless.
I am skin and bone.
She has learned her lesson.
Thin as a rib
I turn in sleep.
My dreams probe
a claustrophobia
a sensuous enclosure.
How warm it was and wide
once by a warm drum,
once by the song of his breath
and in his sleeping side.
Only a little more,
only a few more days
sinless, foodless,
I will slip
back into him again
as if I had never been away.
Caged so
I will grow
angular and holy
past pain,
keeping his heart
such company
as will make me forget
in a small space
the fall
into forked dark,
into python needs
heaving to hips and breasts
and lips and heat
and sweat and fat and greed.
|
by
Henry Wadsworth Longfellow
Forth upon the Gitche Gumee,
On the shining Big-Sea-Water,
With his fishing-line of cedar,
Of the twisted bark of cedar,
Forth to catch the sturgeon Nahma,
Mishe-Nahma, King of Fishes,
In his birch canoe exulting
All alone went Hiawatha.
Through the clear, transparent water
He could see the fishes swimming
Far down in the depths below him;
See the yellow perch, the Sahwa,
Like a sunbeam in the water,
See the Shawgashee, the craw-fish,
Like a spider on the bottom,
On the white and sandy bottom.
At the stern sat Hiawatha,
With his fishing-line of cedar;
In his plumes the breeze of morning
Played as in the hemlock branches;
On the bows, with tail erected,
Sat the squirrel, Adjidaumo;
In his fur the breeze of morning
Played as in the prairie grasses.
On the white sand of the bottom
Lay the monster Mishe-Nahma,
Lay the sturgeon, King of Fishes;
Through his gills he breathed the water,
With his fins he fanned and winnowed,
With his tail he swept the sand-floor.
There he lay in all his armor;
On each side a shield to guard him,
Plates of bone upon his forehead,
Down his sides and back and shoulders
Plates of bone with spines projecting
Painted was he with his war-paints,
Stripes of yellow, red, and azure,
Spots of brown and spots of sable;
And he lay there on the bottom,
Fanning with his fins of purple,
As above him Hiawatha
In his birch canoe came sailing,
With his fishing-line of cedar.
"Take my bait," cried Hiawatha,
Dawn into the depths beneath him,
"Take my bait, O Sturgeon, Nahma!
Come up from below the water,
Let us see which is the stronger!"
And he dropped his line of cedar
Through the clear, transparent water,
Waited vainly for an answer,
Long sat waiting for an answer,
And repeating loud and louder,
"Take my bait, O King of Fishes!"
Quiet lay the sturgeon, Nahma,
Fanning slowly in the water,
Looking up at Hiawatha,
Listening to his call and clamor,
His unnecessary tumult,
Till he wearied of the shouting;
And he said to the Kenozha,
To the pike, the Maskenozha,
"Take the bait of this rude fellow,
Break the line of Hiawatha!"
In his fingers Hiawatha
Felt the loose line jerk and tighten,
As he drew it in, it tugged so
That the birch canoe stood endwise,
Like a birch log in the water,
With the squirrel, Adjidaumo,
Perched and frisking on the summit.
Full of scorn was Hiawatha
When he saw the fish rise upward,
Saw the pike, the Maskenozha,
Coming nearer, nearer to him,
And he shouted through the water,
"Esa! esa! shame upon you!
You are but the pike, Kenozha,
You are not the fish I wanted,
You are not the King of Fishes!"
Reeling downward to the bottom
Sank the pike in great confusion,
And the mighty sturgeon, Nahma,
Said to Ugudwash, the sun-fish,
To the bream, with scales of crimson,
"Take the bait of this great boaster,
Break the line of Hiawatha!"
Slowly upward, wavering, gleaming,
Rose the Ugudwash, the sun-fish,
Seized the line of Hiawatha,
Swung with all his weight upon it,
Made a whirlpool in the water,
Whirled the birch canoe in circles,
Round and round in gurgling eddies,
Till the circles in the water
Reached the far-off sandy beaches,
Till the water-flags and rushes
Nodded on the distant margins.
But when Hiawatha saw him
Slowly rising through the water,
Lifting up his disk refulgent,
Loud he shouted in derision,
"Esa! esa! shame upon you!
You are Ugudwash, the sun-fish,
You are not the fish I wanted,
You are not the King of Fishes!"
Slowly downward, wavering, gleaming,
Sank the Ugudwash, the sun-fish,
And again the sturgeon, Nahma,
Heard the shout of Hiawatha,
Heard his challenge of defiance,
The unnecessary tumult,
Ringing far across the water.
From the white sand of the bottom
Up he rose with angry gesture,
Quivering in each nerve and fibre,
Clashing all his plates of armor,
Gleaming bright with all his war-paint;
In his wrath he darted upward,
Flashing leaped into the sunshine,
Opened his great jaws, and swallowed
Both canoe and Hiawatha.
Down into that darksome cavern
Plunged the headlong Hiawatha,
As a log on some black river
Shoots and plunges down the rapids,
Found himself in utter darkness,
Groped about in helpless wonder,
Till he felt a great heart beating,
Throbbing in that utter darkness.
And he smote it in his anger,
With his fist, the heart of Nahma,
Felt the mighty King of Fishes
Shudder through each nerve and fibre,
Heard the water gurgle round him
As he leaped and staggered through it,
Sick at heart, and faint and weary.
Crosswise then did Hiawatha
Drag his birch-canoe for safety,
Lest from out the jaws of Nahma,
In the turmoil and confusion,
Forth he might be hurled and perish.
And the squirrel, Adjidaumo,
Frisked and chatted very gayly,
Toiled and tugged with Hiawatha
Till the labor was completed.
Then said Hiawatha to him,
"O my little friend, the squirrel,
Bravely have you toiled to help me;
Take the thanks of Hiawatha,
And the name which now he gives you;
For hereafter and forever
Boys shall call you Adjidaumo,
Tail-in-air the boys shall call you!"
And again the sturgeon, Nahma,
Gasped and quivered in the water,
Then was still, and drifted landward
Till he grated on the pebbles,
Till the listening Hiawatha
Heard him grate upon the margin,
Felt him strand upon the pebbles,
Knew that Nahma, King of Fishes,
Lay there dead upon the margin.
Then he heard a clang and flapping,
As of many wings assembling,
Heard a screaming and confusion,
As of birds of prey contending,
Saw a gleam of light above him,
Shining through the ribs of Nahma,
Saw the glittering eyes of sea-gulls,
Of Kayoshk, the sea-gulls, peering,
Gazing at him through the opening,
Heard them saying to each other,
"'T is our brother, Hiawatha!"
And he shouted from below them,
Cried exulting from the caverns:
"O ye sea-gulls! O my brothers!
I have slain the sturgeon, Nahma;
Make the rifts a little larger,
With your claws the openings widen,
Set me free from this dark prison,
And henceforward and forever
Men shall speak of your achievements,
Calling you Kayoshk, the sea-gulls,
Yes, Kayoshk, the Noble Scratchers!"
And the wild and clamorous sea-gulls
Toiled with beak and claws together,
Made the rifts and openings wider
In the mighty ribs of Nahma,
And from peril and from prison,
From the body of the sturgeon,
From the peril of the water,
They released my Hiawatha.
He was standing near his wigwam,
On the margin of the water,
And he called to old Nokomis,
Called and beckoned to Nokomis,
Pointed to the sturgeon, Nahma,
Lying lifeless on the pebbles,
With the sea-gulls feeding on him.
"I have slain the Mishe-Nahma,
Slain the King of Fishes!" said he'
"Look! the sea-gulls feed upon him,
Yes, my friends Kayoshk, the sea-gulls;
Drive them not away, Nokomis,
They have saved me from great peril
In the body of the sturgeon,
Wait until their meal is ended,
Till their craws are full with feasting,
Till they homeward fly, at sunset,
To their nests among the marshes;
Then bring all your pots and kettles,
And make oil for us in Winter."
And she waited till the sun set,
Till the pallid moon, the Night-sun,
Rose above the tranquil water,
Till Kayoshk, the sated sea-gulls,
From their banquet rose with clamor,
And across the fiery sunset
Winged their way to far-off islands,
To their nests among the rushes.
To his sleep went Hiawatha,
And Nokomis to her labor,
Toiling patient in the moonlight,
Till the sun and moon changed places,
Till the sky was red with sunrise,
And Kayoshk, the hungry sea-gulls,
Came back from the reedy islands,
Clamorous for their morning banquet.
Three whole days and nights alternate
Old Nokomis and the sea-gulls
Stripped the oily flesh of Nahma,
Till the waves washed through the rib-bones,
Till the sea-gulls came no longer,
And upon the sands lay nothing
But the skeleton of Nahma.
|
by
Johann Wolfgang von Goethe
THOU art confused, my beloved, at, seeing the thousandfold
union
Shown in this flowery troop, over the garden dispers'd;
any a name dost thou hear assign'd; one after another
Falls on thy list'ning ear, with a barbarian sound.
None resembleth another, yet all their forms have a likeness;
Therefore, a mystical law is by the chorus proclaim'd;
Yes, a sacred enigma! Oh, dearest friend, could I only
Happily teach thee the word, which may the mystery
solve!
Closely observe how the plant, by little and little progressing,
Step by step guided on, changeth to blossom and
fruit!
First from the seed it unravels itself, as soon as the silent
Fruit-bearing womb of the earth kindly allows Its
escape,
And to the charms of the light, the holy, the ever-in-motion,
Trusteth the delicate leaves, feebly beginning
to shoot.
Simply slumber'd the force in the seed; a germ of the future,
Peacefully lock'd in itself, 'neath the integument
lay,
Leaf and root, and bud, still void of colour, and shapeless;
Thus doth the kernel, while dry, cover that motionless
life.
Upward then strives it to swell, in gentle moisture confiding,
And, from the night where it dwelt, straightway
ascendeth to light.
Yet still simple remaineth its figure, when first it appeareth;
And 'tis a token like this, points out the child
'mid the plants.
Soon a shoot, succeeding it, riseth on high, and reneweth,
Piling-up node upon node, ever the primitive form;
Yet not ever alike: for the following leaf, as thou seest,
Ever produceth itself, fashioned in manifold ways.
Longer, more indented, in points and in parts more divided,
Which. all-deform'd until now, slept in the organ
below,
So at length it attaineth the noble and destined perfection,
Which, in full many a tribe, fills thee with wondering
awe.
Many ribb'd and tooth'd, on a surface juicy and swelling,
Free and unending the shoot seemeth in fullness
to be;
Yet here Nature restraineth, with powerful hands, the formation,
And to a perfecter end, guideth with softness its
growth,
Less abundantly yielding the sap, contracting the vessels,
So that the figure ere long gentler effects doth
disclose.
Soon and in silence is check'd the growth of the vigorous branches,
And the rib of the stalk fuller becometh in form.
Leafless, however, and quick the tenderer stem then up-springeth,
And a miraculous sight doth the observer enchant.
Ranged in a circle, in numbers that now are small, and now countless,
Gather the smaller-sized leaves, close by the side
of their like.
Round the axis compress'd the sheltering calyx unfoldeth,
And, as the perfectest type, brilliant-hued coronals
forms.
Thus doth Nature bloom, in glory still nobler and fuller,
Showing, in order arranged, member on member uprear'd.
Wonderment fresh dost thou feel, as soon as the stem rears the flower
Over the scaffolding frail of the alternating leaves.
But this glory is only the new creation's foreteller,
Yes, the leaf with its hues feeleth the hand all
divine,
And on a sudden contracteth itself; the tenderest figures
Twofold as yet, hasten on, destined to blend into
one.
Lovingly now the beauteous pairs are standing together,
Gather'd in countless array, there where the altar
is raised.
Hymen hovereth o'er them, and scents delicious and mighty
Stream forth their fragrance so sweet, all things
enliv'ning around.
Presently, parcell'd out, unnumber'd germs are seen swelling,
Sweetly conceald in the womb, where is made perfect
the fruit.
Here doth Nature close the ring of her forces eternal;
Yet doth a new one, at once, cling to the one gone
before,
So that the chain be prolonged for ever through all generations,
And that the whole may have life, e'en as enjoy'd
by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands
Which, confusing no more, gladden the mind as they
wave.
Every plant unto thee proclaimeth the laws everlasting,
Every flowered speaks louder and louder to thee;
But if thou here canst decipher the mystic words of the goddess,
Everywhere will they be seen, e'en though the features
are changed.
Creeping insects may linger, the eager butterfly hasten,--
Plastic and forming, may man change e'en the figure
decreed!
Oh, then, bethink thee, as well, how out of the germ of acquaintance,
Kindly intercourse sprang, slowly unfolding its
leaves;
Soon how friendship with might unveil'd itself in our bosoms,
And how Amor, at length, brought forth blossom
and fruit
Think of the manifold ways wherein Nature hath lent to our feelings,
Silently giving them birth, either the first or
the last!
Yes, and rejoice in the present day! For love that is holy
Seeketh the noblest of fruits,--that where the
thoughts are the same,
Where the opinions agree,--that the pair may, in rapt contemplation,
Lovingly blend into one,--find the more excellent
world.
1797.
|
by
Galway Kinnell
1
In late winter
I sometimes glimpse bits of steam
coming up from
some fault in the old snow
and bend close and see it is lung-colored
and put down my nose
and know
the chilly, enduring odor of bear.
2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears.
And when it has vanished
I move out on the bear tracks,
roaming in circles
until I come to the first, tentative, dark
splash on the earth.
And I set out
running, following the splashes
of blood wandering over the world.
At the cut, gashed resting places
I stop and rest,
at the crawl-marks
where he lay out on his belly
to overpass some stretch of bauchy ice
I lie out
dragging myself forward with bear-knives in my fists.
3
On the third day I begin to starve,
at nightfall I bend down as I knew I would
at a turd sopped in blood,
and hesitate, and pick it up,
and thrust it in my mouth, and gnash it down,
and rise
and go on running.
4
On the seventh day,
living by now on bear blood alone,
I can see his upturned carcass far out ahead, a scraggled,
steamy hulk,
the heavy fur riffling in the wind.
I come up to him
and stare at the narrow-spaced, petty eyes,
the dismayed
face laid back on the shoulder, the nostrils
flared, catching
perhaps the first taint of me as he
died.
I hack
a ravine in his thigh, and eat and drink,
and tear him down his whole length
and open him and climb in
and close him up after me, against the wind,
and sleep.
5
And dream
of lumbering flatfooted
over the tundra,
stabbed twice from within,
splattering a trail behind me,
splattering it out no matter which way I lurch,
no matter which parabola of bear-transcendence,
which dance of solitude I attempt,
which gravity-clutched leap,
which trudge, which groan.
6
Until one day I totter and fall --
fall on this
stomach that has tried so hard to keep up,
to digest the blood as it leaked in,
to break up
and digest the bone itself: and now the breeze
blows over me, blows off
the hideous belches of ill-digested bear blood
and rotted stomach
and the ordinary, wretched odor of bear,
blows across
my sore, lolled tongue a song
or screech, until I think I must rise up
and dance. And I lie still.
7
I awaken I think. Marshlights
reappear, geese
come trailing again up the flyway.
In her ravine under old snow the dam-bear
lies, licking
lumps of smeared fur
and drizzly eyes into shapes
with her tongue. And one
hairy-soled trudge stuck out before me,
the next groaned out,
the next,
the next,
the rest of my days I spend
wandering: wondering
what, anyway,
was that sticky infusion, that rank flavor of blood, that
poetry, by which I lived?
from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967).
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by
Elizabeth Bishop
Hidden, oh hidden
in the high fog
the house we live in,
beneath the magnetic rock,
rain-, rainbow-ridden,
where blood-black
bromelias, lichens,
owls, and the lint
of the waterfalls cling,
familiar, unbidden.
In a dim age
of water
the brook sings loud
from a rib cage
of giant fern; vapor
climbs up the thick growth
effortlessly, turns back,
holding them both,
house and rock,
in a private cloud.
At night, on the roof,
blind drops crawl
and the ordinary brown
owl gives us proof
he can count:
five times--always five--
he stamps and takes off
after the fat frogs that,
shrilling for love,
clamber and mount.
House, open house
to the white dew
and the milk-white sunrise
kind to the eyes,
to membership
of silver fish, mouse,
bookworms,
big moths; with a wall
for the mildew's
ignorant map;
darkened and tarnished
by the warm touch
of the warm breath,
maculate, cherished;
rejoice! For a later
era will differ.
(O difference that kills
or intimidates, much
of all our small shadowy
life!) Without water
the great rock will stare
unmagnetized, bare,
no longer wearing
rainbows or rain,
the forgiving air
and the high fog gone;
the owls will move on
and the several
waterfalls shrivel
in the steady sun.
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