10 Best Famous Revealing Poems

Here is a collection of the top 10 all-time best famous Revealing poems. This is a select list of the best famous Revealing poetry. Reading, writing, and enjoying famous Revealing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of revealing poems.

• All Famous Revealing Poems

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.

 Just when I thought there wasn't room enough
for another thought in my head, I had this great idea--
call it a philosophy of life, if you will.Briefly,
it involved living the way philosophers live,
according to a set of principles. OK, but which ones?

That was the hardest part, I admit, but I had a
kind of dark foreknowledge of what it would be like.
Everything, from eating watermelon or going to the bathroom
or just standing on a subway platform, lost in thought
for a few minutes, or worrying about rain forests,
would be affected, or more precisely, inflected
by my new attitude.I wouldn't be preachy,
or worry about children and old people, except
in the general way prescribed by our clockwork universe.
Instead I'd sort of let things be what they are
while injecting them with the serum of the new moral climate
I thought I'd stumbled into, as a stranger
accidentally presses against a panel and a bookcase slides back,
revealing a winding staircase with greenish light
somewhere down below, and he automatically steps inside
and the bookcase slides shut, as is customary on such occasions.
At once a fragrance overwhelms him--not saffron, not lavender,
but something in between.He thinks of cushions, like the one
his uncle's Boston bull terrier used to lie on watching him
quizzically, pointed ear-tips folded over. And then the great rush 
is on.Not a single idea emerges from it.It's enough
to disgust you with thought.But then you remember something
William James
wrote in some book of his you never read--it was fine, it had the
fineness,
the powder of life dusted over it, by chance, of course, yet
still looking
for evidence of fingerprints. Someone had handled it
even before he formulated it, though the thought was his and
his alone.

It's fine, in summer, to visit the seashore.
There are lots of little trips to be made.
A grove of fledgling aspens welcomes the traveler.Nearby
are the public toilets where weary pilgrims have carved
their names and addresses, and perhaps messages as well,
messages to the world, as they sat
and thought about what they'd do after using the toilet
and washing their hands at the sink, prior to stepping out
into the open again.Had they been coaxed in by principles,
and were their words philosophy, of however crude a sort?
I confess I can move no farther along this train of thought--
something's blocking it.Something I'm 
not big enough to see over.Or maybe I'm frankly scared.
What was the matter with how I acted before?
But maybe I can come up with a compromise--I'll let
things be what they are, sort of.In the autumn I'll put up jellies
and preserves, against the winter cold and futility,
and that will be a human thing, and intelligent as well.
I won't be embarrassed by my friends' dumb remarks,
or even my own, though admittedly that's the hardest part,
as when you are in a crowded theater and something you say
riles the spectator in front of you, who doesn't even like the idea
of two people near him talking together. Well he's 
got to be flushed out so the hunters can have a crack at him--
this thing works both ways, you know. You can't always
be worrying about others and keeping track of yourself
at the same time.That would be abusive, and about as much fun
as attending the wedding of two people you don't know.
Still, there's a lot of fun to be had in the gaps between ideas.
That's what they're made for!Now I want you to go out there
and enjoy yourself, and yes, enjoy your philosophy of life, too.
They don't come along every day. Look out!There's a big one...

 Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind.
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour
And heard the sea-wind scream upon the tower,
And-under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.

May she be granted beauty and yet not
Beauty to make a stranger's eye distraught,
Or hers before a looking-glass, for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.

Helen being chosen found life flat and dull
And later had much trouble from a fool,
While that great Queen, that rose out of the spray,
Being fatherless could have her way
Yet chose a bandy-leggèd smith for man.
It's certain that fine women eat
A crazy salad with their meat
Whereby the Horn of plenty is undone.

In courtesy I'd have her chiefly learned;
Hearts are not had as a gift but hearts are earned
By those that are not entirely beautiful;
Yet many, that have played the fool
For beauty's very self, has charm made wisc.
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.

May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound,
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
O may she live like some green laurel
Rooted in one dear perpetual place.

My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there's no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.

An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?

Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven's will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy Still.

And may her bridegroom bring her to a house
Where all's accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree.

 All this was written on the next day's list.
On which the busyness unfurled its cursive roots,
pale but effective,
and the long stem of the necessary, the sum of events,
built-up its tiniest cathedral...
(Or is it the sum of what takes place? )
If I lean down, to whisper, to them,
down into their gravitational field, there where they head busily on
into the woods, laying the gifts out one by one, onto the path,
hoping to be on the air,
hoping to please the children -- 
(and some gifts overwrapped and some not wrapped at all) -- if
I stir the wintered ground-leaves
up from the paths, nimbly, into a sheet of sun,
into an escape-route-width of sun, mildly gelatinous where wet, though mostly
crisp,
fluffing them up a bit, and up, as if to choke the singularity of sun
with this jubilation of manyness, all through and round these passers-by -- 
just leaves, nothing that can vaporize into a thought,
no, a burning bush's worth of spidery, up-ratcheting, tender-cling leaves,
oh if -- the list gripped hard by the left hand of one,
the busyness buried so deep into the puffed-up greenish mind of one,
the hurried mind hovering over its rankings,
the heart -- there at the core of the drafting leaves -- wet and warm at the
zero of
the bright mock-stairwaying-up of the posthumous leaves -- the heart,
formulating its alleyways of discovery,
fussing about the integrity of the whole,
the heart trying to make time and place seem small,
sliding its slim tears into the deep wallet of each new event
on the list
then checking it off -- oh the satisfaction -- each check a small kiss,
an echo of the previous one, off off it goes the dry high-ceilinged
obligation,
checked-off by the fingertips, by the small gust called done that swipes
the unfinishable's gold hem aside, revealing
what might have been, peeling away what should . . .
There are flowerpots at their feet.
There is fortune-telling in the air they breathe.
It filters-in with its flashlight-beam, its holy-water-tinted air,
down into the open eyes, the lampblack open mouth.
Oh listen to these words I'm spitting out for you.
My distance from you makes them louder.
Are we all waiting for the phone to ring?
Who should it be? What fountain is expected to
thrash forth mysteries of morning joy? What quail-like giant tail of 
promises, pleiades, psalters, plane-trees,
what parapets petalling-forth the invisible
into the world of things,
turning the list into its spatial-form at last,
into its archival many-headed, many-legged colony . . .
Oh look at you.
What is it you hold back? What piece of time is it the list
won't cover? You down there, in the theater of
operations -- you, throat of the world -- so diacritical -- 
(are we all waiting for the phone to ring?) -- 
(what will you say? are you home? are you expected soon?) -- 
oh wanderer back from break, all your attention focused
 -- as if the thinking were an oar, this ship the last of some
original fleet, the captains gone but some of us
who saw the plan drawn-out
still here -- who saw the thinking clot-up in the bodies of the greater men,
who saw them sit in silence while the voices in the other room
lit-up with passion, itchings, dreams of landings,
while the solitary ones,
heads in their hands, so still,
the idea barely forming
at the base of that stillness,
the idea like a homesickness starting just to fold and pleat and knot-itself
out of the manyness -- the plan -- before it's thought,
before it's a done deal or the name-you're-known-by -- 
the men of x, the outcomes of y -- before -- 
the mind still gripped hard by the hands
that would hold the skull even stiller if they could,
that nothing distract, that nothing but the possible be let to filter
through,
the possible and then the finely filamented hope, the filigree,
without the distractions of wonder -- 
oh tiny golden spore just filtering-in to touch the good idea,
which taking-form begins to twist,
coursing for bottom-footing, palpating for edge-hold, limit,
now finally about to
rise, about to go into the other room -- and yet
not having done so yet, not yet -- the
intake -- before the credo, before the plan -- 
right at the homesickness -- before this list you hold 
in your exhausted hand. Oh put it down.

 Too volatile, am I?too voluble?too much a word-person?
I blame the soup:I'm a primordially
stirred person.

Two pronouns and a vehicle was Icarus with wings.
The apparatus of his selves made an ab-
surd person.

The sound I make is sympathy's:sad dogs are tied afar.
But howling I become an ever more un-
heard person.

I need a hundred more of you to make a likelihood.
The mirror's not convincing-- that at-best in-
ferred person.

As time's revealing gets revolting, I start looking out.
Look in and what you see is one unholy
blurred person.

The only cure for birth one doesn't love to contemplate.
Better to be an unsung song, an unoc-
curred person.

McHugh, you'll be the death of me -- each self and second studied!
Addressing you like this, I'm halfway to the
third person.

 'Not by the justice that my father spurn'd,
Not for the thousands whom my father slew,
Altars unfed and temples overturn'd,
Cold hearts and thankless tongues, where thanks are due;
Fell this dread voice from lips that cannot lie,
Stern sentence of the Powers of Destiny.

'I will unfold my sentence and my crime.
My crime--that, rapt in reverential awe,
I sate obedient, in the fiery prime
Of youth, self-govern'd, at the feet of Law;
Ennobling this dull pomp, the life of kings,
By contemplation of diviner things.

'My father loved injustice, and lived long;
Crown'd with grey hairs he died, and full of sway.
I loved the good he scorn'd, and hated wrong--
The Gods declare my recompense to-day.
I look'd for life more lasting, rule more high;
And when six years are measured, lo, I die!

'Yet surely, O my people, did I deem
Man's justice from the all-just Gods was given;
A light that from some upper fount did beam,
Some better archetype, whose seat was heaven;
A light that, shining from the blest abodes,
Did shadow somewhat of the life of Gods.

'Mere phantoms of man's self-tormenting heart,
Which on the sweets that woo it dares not feed!
Vain dreams, which quench our pleasures, then depart
When the duped soul, self-master'd, claims its meed;
When, on the strenuous just man, Heaven bestows,
Crown of his struggling life, an unjust close!

'Seems it so light a thing, then, austere Powers,
To spurn man's common lure, life's pleasant things?
Seems there no joy in dances crown'd with flowers,
Love, free to range, and regal banquetings?
Bend ye on these, indeed, an unmoved eye,
Not Gods but ghosts, in frozen apathy?

'Or is it that some Force, too wise, too strong,
Even for yourselves to conquer or beguile,
Sweeps earth, and heaven, and men, and Gods along,
Like the broad volume of the insurgent Nile?
And the great powers we serve, themselves may be
Slaves of a tyrannous necessity?

'Or in mid-heaven, perhaps, your golden cars,
Where earthly voice climbs never, wing their flight,
And in wild hunt, through mazy tracts of stars,
Sweep in the sounding stillness of the night?
Or in deaf ease, on thrones of dazzling sheen,
Drinking deep draughts of joy, ye dwell serene?

'Oh, wherefore cheat our youth, if thus it be,
Of one short joy, one lust, one pleasant dream?
Stringing vain words of powers we cannot see,
Blind divinations of a will supreme;
Lost labour! when the circumambient gloom
But hides, if Gods, Gods careless of our doom?

'The rest I give to joy. Even while I speak,
My sand runs short; and--as yon star-shot ray,
Hemm'd by two banks of cloud, peers pale and weak,
Now, as the barrier closes, dies away--
Even so do past and future intertwine,
Blotting this six years' space, which yet is mine.

'Six years--six little years--six drops of time!
Yet suns shall rise, and many moons shall wane,
And old men die, and young men pass their prime,
And languid pleasure fade and flower again,
And the dull Gods behold, ere these are flown,
Revels more deep, joy keener than their own.

'Into the silence of the groves and woods
I will go forth; though something would I say--
Something--yet what, I know not; for the Gods
The doom they pass revoke not, nor delay;
And prayers, and gifts, and tears, are fruitless all,
And the night waxes, and the shadows fall.

'Ye men of Egypt, ye have heard your king!
I go, and I return not. But the will
Of the great Gods is plain; and ye must bring
Ill deeds, ill passions, zealous to fulfil
Their pleasure, to their feet; and reap their praise,
The praise of Gods, rich boon! and length of days.'

--So spake he, half in anger, half in scorn;
And one loud cry of grief and of amaze
Broke from his sorrowing people; so he spake,
And turning, left them there; and with brief pause,
Girt with a throng of revellers, bent his way
To the cool region of the groves he loved.
There by the river-banks he wander'd on,
From palm-grove on to palm-grove, happy trees,
Their smooth tops shining sunward, and beneath
Burying their unsunn'd stems in grass and flowers;
Where in one dream the feverish time of youth
Might fade in slumber, and the feet of joy
Might wander all day long and never tire.
Here came the king, holding high feast, at morn,
Rose-crown'd; and ever, when the sun went down,
A hundred lamps beam'd in the tranquil gloom,
From tree to tree all through the twinkling grove,
Revealing all the tumult of the feast--
Flush'd guests, and golden goblets foam'd with wine;
While the deep-burnish'd foliage overhead
Splinter'd the silver arrows of the moon.

It may be that sometimes his wondering soul
From the loud joyful laughter of his lips
Might shrink half startled, like a guilty man
Who wrestles with his dream; as some pale shape
Gliding half hidden through the dusky stems,
Would thrust a hand before the lifted bowl,
Whispering: A little space, and thou art mine!
It may be on that joyless feast his eye
Dwelt with mere outward seeming; he, within,
Took measure of his soul, and knew its strength,
And by that silent knowledge, day by day,
Was calm'd, ennobled, comforted, sustain'd.
It may be; but not less his brow was smooth,
And his clear laugh fled ringing through the gloom,
And his mirth quail'd not at the mild reproof
Sigh'd out by winter's sad tranquillity;
Nor, pall'd with its own fulness, ebb'd and died
In the rich languor of long summer-days;
Nor wither'd when the palm-tree plumes, that roof'd
With their mild dark his grassy banquet-hall,
Bent to the cold winds of the showerless spring;
No, nor grew dark when autumn brought the clouds.

So six long years he revell'd, night and day.
And when the mirth wax'd loudest, with dull sound
Sometimes from the grove's centre echoes came,
To tell his wondering people of their king;
In the still night, across the steaming flats,
Mix'd with the murmur of the moving Nile.

 I

Where the wings of a sunny Dome expand
I saw a Banner in gladsome air-
Starry, like Berenice's Hair-
Afloat in broadened bravery there;
With undulating long-drawn flow,
As rolled Brazilian billows go
Voluminously o'er the Line.
The Land reposed in peace below;
The children in their glee
Were folded to the exulting heart
Of young Maternity.

II

Later, and it streamed in fight
When tempest mingled with the fray,
And over the spear-point of the shaft
I saw the ambiguous lightning play.
Valor with Valor strove, and died:
Fierce was Despair, and cruel was Pride;
And the lorn Mother speechless stood,
Pale at the fury of her brood.


III

Yet later, and the silk did wind
Her fair cold for;
Little availed the shining shroud,
Though ruddy in hue, to cheer or warm
A watcher looked upon her low, and said-
She sleeps, but sleeps, she is not dead.
But in that sleep contortion showed
The terror of the vision there-
A silent vision unavowed,
Revealing earth's foundation bare,
And Gorgon in her hidden place.
It was a thing of fear to see
So foul a dream upon so fair a face,
And the dreamer lying in that starry shroud.

IV

But from the trance she sudden broke-
The trance, or death into promoted life;
At her feet a shivered yoke,
And in her aspect turned to heaven
No trace of passion or of strife-
A clear calm look. It spake of pain,
But such as purifies from stain-
Sharp pangs that never come again-
And triumph repressed by knowledge meet,
Power delicate, and hope grown wise,
And youth matured for age's seat-
Law on her brow and empire in her eyes.
So she, with graver air and lifted flag;
While the shadow, chased by light,
Fled along the far-brawn height,
And left her on the crag.

 Often rebuked, yet always back returning
To those first feelings that were born with me,
And leaving busy chase of wealth and learning
For idle dreams of things which cannot be:

Today, I will seek not the shadowy region;
Its unsustaining vastness waxes drear;
And visions rising, legion after legion,
Bring the unreal world too strangely near.

I'll walk, but not in old heroic traces,
And not in paths of high morality,
And not among the half-distingusihed faces,
The clouded forms of long-past history.

I'll walk where my own nature would be leading:
It vexes me to choose another guide:
Where the grey flocks in ferny glens are feeding;
Where the wild wind blows on the mountain side.

What have those lonely mountains worth revealing?
More glory and more grief than I can tell:
The earth that wakes one human heart to feeling
Can centre both the worlds of heaven and hell.

 He chanted a song of wizardry,
Of piercing, opening, of treachery,
Revealing, uncovering, betraying.
Then sudden Felagund there swaying
Sang in answer a song of staying,
Resisting, battling against power,
Of secrets kept, strength like a tower,
And trust unbroken, freedom, escape;
Of changing and of shifting shape
Of snares eluded, broken traps,
The prison opening, the chain that snaps.
Backwards and forwards swayed their song.
Reeling and foundering, as ever more strong
The chanting swelled, Felagund fought,
And all the magic and might he brought
Of Elvenesse into his words.
Softly in the gloom they heard the birds
Singing afar in Nargothrond,
The sighing of the Sea beyond,
Beyond the western world, on sand,
On sand of pearls in Elvenland.
Then the gloom gathered; darkness growing
In Valinor, the red blood flowing
Beside the Sea, where the Noldor slew
The Foamriders, and stealing drew
Their white ships with their white sails
From lamplit havens. The wind wails,
The wolf howls. The ravens flee.
The ice mutters in the mouths of the Sea.
The captives sad in Angband mourn.
Thunder rumbles, the fires burn ---
And Finrod fell before the throne.

 A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless 
ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, 
and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise 
Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; 
Praise Him,
and Magnify Him for ever."
The Boy will praise his God on an altar builded 
fair,
Will heap it with the Works of the Lord. In the morning 
air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme --
Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more. The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship. Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the 
wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning. Alas! He had 
been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord; 
Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, 
and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, 
and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise 
Him, and Magnify Him
for ever."
A moment so it hung, wide-curved, bright-petalled, 
seeming
A chalice foamed with sunrise. The Boy woke from his 
dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire. The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering. The lacquer stand had stains
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably. His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.

The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.