Written by
Pablo Neruda |
The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December,
unabated,
the tomato
invades
the kitchen,
it enters at lunchtime,
takes
its ease
on countertops,
among glasses,
butter dishes,
blue saltcellars.
It sheds
its own light,
benign majesty.
Unfortunately, we must
murder it:
the knife
sinks
into living flesh,
red
viscera
a cool
sun,
profound,
inexhaustible,
populates the salads
of Chile,
happily, it is wed
to the clear onion,
and to celebrate the union
we
pour
oil,
essential
child of the olive,
onto its halved hemispheres,
pepper
adds
its fragrance,
salt, its magnetism;
it is the wedding
of the day,
parsley
hoists
its flag,
potatoes
bubble vigorously,
the aroma
of the roast
knocks
at the door,
it's time!
come on!
and, on
the table, at the midpoint
of summer,
the tomato,
star of earth, recurrent
and fertile
star,
displays
its convolutions,
its canals,
its remarkable amplitude
and abundance,
no pit,
no husk,
no leaves or thorns,
the tomato offers
its gift
of fiery color
and cool completeness.
|
Written by
Kenn Nesbitt |
When Grandma goes for gold in
The Olympic games this year,
She’ll laugh at her competitors
And make them quake with fear.
She’s ninety-nine years old
But, in athletics, she’s been blessed.
The trouble is she can’t decide
Which sport she plays the best.
She’s such an ace at archery.
She’s queen of the canoe.
She’s tough to top at taekwondo
And table tennis too.
She dominates the diving board.
She tromps the trampoline.
At lifting weights and wrestling
She’s the best you’ve ever seen.
She speeds across the swimming pool
To slake the summer heat.
On BMX and mountain bike
She simply can’t be beat.
She’s highest in the high jump,
And a champ at hammer throwing,
Magnificent in marathons,
Remarkable at rowing.
She beats the best at boxing.
At the pole vault she is peerless.
Her fencing is the finest;
She is positively fearless.
She’s masterful at basketball,
She truly rules the court,
And equally incredible
At every other sport.
But what we find astonishing
And something of a shocker
Is how she wins all contests
With her wheelchair and her walker.
--Kenn Nesbitt
Copyright © Kenn Nesbitt 2016. All Rights Reserved.
|
Written by
Johann Wolfgang von Goethe |
[Goethe relates that a remarkable situation
he was in one bright moonlight night led to the composition of this
sweet song, which was "the dearer to him because he could not say
whence it came and whither it would."]
AT midnight hour I went, not willingly,
A little, little boy, yon churchyard past,
To Father Vicar's house; the stars on high
On all around their beauteous radiance cast,
At
midnight hour.
And when, in journeying o'er the path of life,
My love I follow'd, as she onward moved,
With stars and northern lights o'er head in strife,
Going and coming, perfect bliss I proved
At
midnight hour.
Until at length the full moon, lustre-fraught,
Burst thro' the gloom wherein she was enshrined;
And then the willing, active, rapid thought
Around the past, as round the future twined,
At
midnight hour.
1818.
|
Written by
Rudyard Kipling |
I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.
I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.
Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.
We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.
You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!
|
Written by
Johann Wolfgang von Goethe |
THOUGHTS ON JESUS CHRIST'S DESCENT INTO HELL.
[THE remarkable Poem of which this is a literal
but faint representation, was written when Goethe was only sixteen
years old. It derives additional interest from the fact of its being
the very earliest piece of his that is preserved. The few other
pieces included by Goethe under the title of Religion and Church
are polemical, and devoid of interest to the English reader.]
WHAT wondrous noise is heard around!
Through heaven exulting voices sound,
A mighty army marches on
By thousand millions follow'd, lo,
To yon dark place makes haste to go
God's Son, descending from His throne!
He goes--the tempests round Him break,
As Judge and Hero cometh He;
He goes--the constellations quake,
The sun, the world quake fearfully.
I see Him in His victor-car,
On fiery axles borne afar,
Who on the cross for us expired.
The triumph to yon realms He shows,--
Remote from earth, where star ne'er glows,
The triumph He for us acquired.
He cometh, Hell to extirpate,
Whom He, by dying, wellnigh kill'd;
He shall pronounce her fearful fate
Hark! now the curse is straight fulfill'd.
Hell sees the victor come at last,
She feels that now her reign is past,
She quakes and fears to meet His sight;
She knows His thunders' terrors dread,
In vain she seeks to hide her head,
Attempts to fly, but vain is flight;
Vainly she hastes to 'scape pursuit
And to avoid her Judge's eye;
The Lord's fierce wrath restrains her foot
Like brazen chains,--she cannot fly.
Here lies the Dragon, trampled down,
He lies, and feels God's angry frown,
He feels, and grinneth hideously;
He feels Hell's speechless agonies,
A thousand times he howls and sighs:
"Oh, burning flames! quick, swallow me!"
There lies he in the fiery waves,
By torments rack'd and pangs infernal,
Instant annihilation craves,
And hears, those pangs will be eternal.
Those mighty squadrons, too, are here,
The partners of his cursed career,
Yet far less bad than he were they.
Here lies the countless throng combined,
In black and fearful crowds entwined,
While round him fiery tempests play;
He sees how they the Judge avoid,
He sees the storm upon them feed,
Yet is not at the sight o'erjoy'd,
Because his pangs e'en theirs exceed.
The Son of Man in triumph passes
Down to Hell's wild and black morasses,
And there unfolds His majesty.
Hell cannot bear the bright array,
For, since her first created day.
Darkness alone e'er govern'd she.
She lay remote from ev'ry light
With torments fill'd in Chaos here;
God turn'd for ever from her sight
His radiant features' glory clear.
Within the realms she calls her own,
She sees the splendour of the Son,
His dreaded glories shining forth;
She sees Him clad in rolling thunder,
She sees the rocks all quake with wonder,
When God before her stands in wrath.
She sees He comes her Judge to be,
She feels the awful pangs inside her,
Herself to slay endeavours she,
But e'en this comfort is denied her.
Now looks she back, with pains untold,
Upon those happy times of old,
When those glories gave her joy;
When yet her heart revered the truth,
When her glad soul, in endless youth
And rapture dwelt, without alloy.
She calls to mind with madden'd thought
How over man her wiles prevail'd;
To take revenge on God she sought,
And feels the vengeance it entail'd.
God was made man, and came to earth.
Then Satan cried with fearful mirth:
"E'en He my victim now shall be!"
He sought to slay the Lord Most High,
The world's Creator now must die;
But, Satan, endless woe to thee!
Thou thought'st to overcome Him then,
Rejoicing in His suffering;
But he in triumph comes again
To bind thee: Death! where is thy sting?
Speak, Hell! where is thy victory?
Thy power destroy'd and scatter'd see!
Know'st thou not now the Highest's might?
See, Satan, see thy rule o'erthrown!
By thousand-varying pangs weigh'd down,
Thou dwell'st in dark and endless night.
As though by lightning struck thou liest,
No gleam of rapture far or wide;
In vain! no hope thou there decriest,--
For me alone Messiah died!
A howling rises through the air,
A trembling fills each dark vault there,
When Christ to Hell is seen to come.
She snarls with rage, but needs must cower
Before our mighty hero's power;
He signs--and Hell is straightway dumb.
Before his voice the thunders break,
On high His victor-banner blows;
E'en angels at His fury quake,
When Christ to the dread judgment goes.
Now speaks He, and His voice is thunder,
He speaks, the rocks are rent in sunder,
His breath is like devouring flames.
Thus speaks He: "Tremble, ye accurs'd!
He who from Eden hurl'd you erst,
Your kingdom's overthrow proclaims.
Look up! My children once were ye,
Your arms against Me then ye turn'd,
Ye fell, that ye might sinners be,
Ye've now the wages that ye earn'd.
"My greatest foeman from that day,
Ye led my dearest friends astray,--
As ye had fallen, man must fall.
To kill him evermore ye sought,
'They all shall die the death,' ye thought;
But howl! for Me I won them all.
For them alone did I descend,
For them pray'd, suffer'd, perish'd I.
Ye ne'er shall gain your wicked end;
Who trusts in Me shall never die.
"In endless chains here lie ye now,
Nothing can save you from the slough.
Not boldness, not regret for crime.
Lie, then, and writhe in brimstone fire!
'Twas ye yourselves drew down Mine ire,
Lie and lament throughout all time!
And also ye, whom I selected,
E'en ye forever I disown,
For ye My saving grace rejected
Ye murmur? blame yourselves alone!
"Ye might have lived with Me in bliss,
For I of yore had promis'd this;
Ye sinn'd, and all My precepts slighted
Wrapp'd in the sleep of sin ye dwelt,
Now is My fearful judgment felt,
By a just doom your guilt requited."--
Thus spake He, and a fearful storm
From Him proceeds, the lightnings glow,
The thunders seize each wicked form,
And hurl them in the gulf below.
The God-man closeth Hell's sad doors,
In all His majesty He soars
From those dark regions back to light.
He sitteth at the Father's side;
Oh, friends, what joy doth this betide!
For us, for us He still will fight!
The angels sacred quire around
Rejoice before the mighty Lord,
So that all creatures hear the sound:
"Zebaoth's God be aye ador'd!"
1765.
-----
|
Written by
Marge Piercy |
Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.
Work is what you have done
after the play is produced
and the audience claps.
Before that friends keep asking
when you are planning to go
out and get a job.
Genius is what they know you
had after the third volume
of remarkable poems. Earlier
they accuse you of withdrawing,
ask why you don't have a baby,
call you a bum.
The reason people want M.F.A.'s,
take workshops with fancy names
when all you can really
learn is a few techniques,
typing instructions and some-
body else's mannerisms
is that every artist lacks
a license to hang on the wall
like your optician, your vet
proving you may be a clumsy sadist
whose fillings fall into the stew
but you're certified a dentist.
The real writer is one
who really writes. Talent
is an invention like phlogiston
after the fact of fire.
Work is its own cure. You have to
like it better than being loved.
|
Written by
Marriott Edgar |
I'll tell you the story of Jonah,
A really remarkable tale;
A peaceful and humdrum existence he had
Until one day he went for a sail.
The weather were grand when they started,
But later at turn of the tide
The wind started blowing, the water got rough,
And Jonah felt funny inside.
When the ship started pitching and tossing
He tried hard his feelings to smother,
At last he just leant his head over the side
And one thing seemed to bring up another.
When the sailors saw what he were doing
It gave them a bit of a jar;
They didn't mind trippers enjoying theirselves,
But thowt this 'ere were going too far.
Said one "Is there nowt you can think on
To stop you from feelin' so bad?"
And Jonah said "Aye, lift me over the side
And chuck me in, there's a good lad."
The sailor were not one to argue,
He said "Happen you know what's best."
Then he picked Jonah up by the seat of his pants
And chucked him in, as per request.
A Grampus came up at that moment,
And seeing the old man hard set,
It swam to his side and it opened its mouth
And said "Come in lad, out of the wet."
Its manner were kindly and pleading,
As if to say R.S.V.P.
Said Jonah "I've eaten a kipper or two,
But I never thowt one would eat me."
The inside of Grampus surprised him,
'Twere the first time he'd been behind scenes;
He found 'commodation quite ample for one
But it smelled like a tin of sardines.
Then over the sea they went cruising,
And Jonah were filled with delight;
With his eye to the blow-'ole in t'Grampus's head
He watched ships that passed in the night.
"I'm tired of watching," said Jonah,
"I'll rest for a minute or so."
"I'm afraid as you wont find your bed very soft,"
Said the Grampus, "I've got a hard roe."
At that moment up came a whale boat,
Said Jonah, "What's this 'ere we've struck?"
"They're after my blubber," the Grampus replied,
"You'd better 'old tight while I duck."
The water came in through the spy-'ole
And hit Jonah's face a real slosher,
He said, "Shut your blow-'ole!" and Grampus replied
"I can't lad, it needs a new washer."
Jonah tried 'ard to bail out the water,
But found all his efforts in vain,
For as fast as he emptied the slops out through the gills
They came in through the blow 'ole again.
When at finish they came to the surface
Jonah took a look out and he saw
They were stuck on a bit of a sandbank that lay
One rod, pole or perch from the shore.
Said the Grampus, "We're in shallow water,
I've brought you as far as I may;
If you sit on the blow 'ole on top of my head
I'll spout you the rest of the way."
So Jonah obeyed these instructions,
And the Grampus his lungs did expand,
Then blew out a fountain that lifted Jo' up
And carried him safely to land.
There was tears in their eyes when they parted
And each blew a kiss, a real big 'un,
Then the Grampus went off with a swish of it's tail
And Jonah walked back home to Wigan.
|
Written by
Phillis Wheatley |
Though thou did'st hear the tempest from afar,
And felt'st the horrors of the wat'ry war,
To me unknown, yet on this peaceful shore
Methinks I hear the storm tumultuous roar,
And how stern Boreas with impetuous hand
Compell'd they Nereids to usurp the land.
Reluctant rose the daughters of the main,
And slow ascending glided o'er the plain,
Till Æolus in his rapid chariot drove
In gloomy grandeur from the vault above:
Furious he comes. His winged sons obey
Their frantic sire, and madden all the sea.
The billows rave, the wind's fierce tyrant roars,
And with his thund'ring terrors shakes the shores:
Broken by waves the vessel's frame is rent,
And strows with planks the wat'ry element.
But thee, Maria, a kind Nereid's shield
Preserv'd from sinking, and thy form upheld:
And sure some heav'nly oracle design'd
At that dread crisis to instruct thy mind
Things of eternal consequence to weigh,
And to thine heart just feelings to convey
Of things above, and of the future doom,
And what the births of the dread world to come.
From tossing seas I welcome thee to land.
"Resign her, Nereid," 'twas thy God's command.
Thy spouse late buried, as thy fears conceiv'd,
Again returns, thy fears are all reliev'd:
Thy daughter blooming with superior grace
Again thou see'st, again thine arms embrace;
O come, and joyful show thy spouse his heir,
And what the blessings of maternal care!
|
Written by
Jorie Graham |
In the fairy tale the sky
makes of itself a coat
because it needs you
to put it
on. How can it do this?
It collects its motes. It condenses its sound-
track, all the pyrric escapes, the pilgrimages
still unconsummated,
the turreted thoughts of sky it slightly liquefies
and droops, the hum of the yellowest day alive,
office-holders in their books, their corridors,
resplendent memories of royal rooms now filtered up — by smoke, by
must — it tangles up into a weave,
tied up with votive offerings — laws, electricity —
what the speakers let loose from their tiny eternity,
what the empty streets held up as offering
when only a bit of wind
litigated in the sycamores,
oh and the flapping drafts unfinished thoughts
raked out of air,
and the leaves clawing their way after deep sleep set in,
and all formations — assonant, muscular,
chatty hurries of swarm (peoples, debris before the storm) —
things that grew loud when the street grew empty,
and breaths that let themselves be breathed
to freight a human argument,
and sidelong glances in the midst of things, and voice — yellowest
day alive — as it took place
above the telegram,
above the hand cleaving the open-air to cut its thought,
hand flung
towards open doorways into houses where
den-couch and silver tray
itch with inaction — what is there left now
to believe — the coat? — it tangles up a good tight weave,
windy yet sturdy,
a coat for the ages —
one layer a movie of bluest blue,
one layer the war-room mappers and their friends
in trenches
also blue,
one layer market-closings and one
hydrangeas turning blue
just as I say so,
and so on,
so that it flows in the sky to the letter,
you still sitting in the den below
not knowing perhaps that now is as the fairy tale
exactly, (as in the movie), foretold,
had one been on the right channel,
(although you can feel it alongside, in the house, in the food, the umbrellas,
the bicycles),
(even the leg muscles of this one grown quite remarkable),
the fairy tale beginning to hover above — onscreen fangs, at the desk
one of the older ones paying bills —
the coat in the sky above the house not unlike celestial fabric,
a snap of wind and plot to it,
are we waiting for the kinds to go to sleep?
when is it time to go outside and look?
I would like to place myself in the position
of the one suddenly looking up
to where the coat descends and presents itself,
not like the red shoes in the other story,
red from all we had stepped in,
no, this the coat all warm curves and grassy specificities,
intellectuals also there, but still indoors,
standing up smokily to mastermind,
theory emerging like a flowery hat,
there, above the head,
descending,
while outside, outside, this coat —
which I desire, which I, in the tale,
desire — as it touches the dream of reason
which I carry inevitably in my shoulders, in my very carriage, forgive me,
begins to shred like this, as you see it do, now,
as if I were too much in focus making the film shred,
it growing very hot (as in giving birth) though really
it being just evening, the movie back on the reel,
the sky one step further down into the world but only one step,
me trying to pull it down, onto this frame,
for which it seems so fitting,
for which the whole apparatus of attention had seemed to prepare us,
and then the shredding beginning
which sounds at first like the lovely hum
where sun fills the day to its fringe of stillness
but then continues, too far, too hard,
and we have to open our hands again and let it go, let it rise up
above us,
incomprehensible,
clicker still in my right hand,
the teller of the story and the shy bride,
to whom he was showing us off a little perhaps,
leaning back into their gossamer ripeness,
him touching her storm, the petticoat,
the shredded coat left mid-air, just above us,
the coat in which the teller's plot
entered this atmosphere, this rosy sphere of hope and lack,
this windiness of middle evening,
so green, oh what difference could it have made
had the teller needed to persuade her
further — so green
this torn hem in the first miles — or is it inches? — of our night,
so full of hollowness, so wild with rhetoric ....
|
Written by
Marriott Edgar |
Mr. Ramsbottom went to the races,
A thing as he'd ne'er done before,
And as luck always follers beginners,
Won five pounds, no-less and no-more.
He felt himself suddenly tempted
To indulge in some reckless orgee,
So he went to a caffy-a-teerer
And had a dressed crab with his tea.
He were crunching the claws at the finish
And wondering what next he would do,
Then his thoughts turned to home and to Mother,
And what she would say when she knew.
For Mother were dead against racing
And said as she thought 'twere a sin
For people to gamble their money
Unless they were certain to win.
These homely domestic reflections
Seemed to cast quite a gloom on Pa's day
He thought he'd best take home a present
And square up the matter that way.
' Twere a bit ofa job to decide on
What best to select for this 'ere,
So he started to look in shop winders
In hopes as he'd get some idea.
He saw some strange stuff in a fruit shop
Like leeks with their nobby ends gone,
It were done up in bundles like firewood-
Said Pa to the Shopman, "What's yon?"
"That's Ass-paragus-what the Toffs eat"
Were the answer; said Pa "That 'll suit,
I'd best take a couple of bundles,
For Mother's a bobby for fruit."
He started off home with his purchase
And pictured Ma all the next week
Eating sparagus fried with her bacon
Or mashed up in bubble-and-squeak.
He knew when she heard he'd been racing
She'd very nigh talk him to death,
So he thought as he'd call in the ' Local'
To strengthen his nerve and his breath.
He had hardly got up to the counter
When a friend of his walked in the bar,
He said "What ye got in the bundle?"
"A present for Mother," said Pa.
It's 'sparagus stuff what the Toffs eat "
His friend said "It's a rum-looking plant,
Can I have the green ends for my rabbits?"
said Pa "Aye, cut off what you want.
He cut all the tips off one bundle,
Then some more friends arrived one by one,
And all of them seemed to keep rabbits
Pa had no green ends left when they'd done.
When he got home the 'ouse were in dark ness,
So he slipped in as sly as a fox,
Laid the 'sparagus on kitchen table
And crept up to bed in his socks.
He got in without waking Mother,
A truly remarkable feat,
And pictured her telling the neighbours
As 'twere 'sparagus-what the toffs eat.
But when he woke up in the morning
It were nigh on a quarter to ten,
There were no signs of Mother, or breakfast
Said Pa, "What's she done with her-sen?"
He shouted "What's up theer in t' kitchen?"
She replied, "You do well to enquire,
Them bundles of chips as you brought home
Is so damp... I can't light the fire."
|