Written by
William Wordsworth |
The cock is crowing,
The stream is flowing,
The small birds twitter,
The lake doth glitter
The green field sleeps in the sun;
The oldest and youngest
Are at work with the strongest;
The cattle are grazing,
Their heads never raising;
There are forty feeding like one!
Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The plowboy is whooping—anon-anon:
There's joy in the mountains;
There's life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone!
|
Written by
Vladimir Mayakovsky |
My most respected
comrades of posterity!
Rummaging among
these days’
petrified crap,
exploring the twilight of our times,
you,
possibly,
will inquire about me too.
And, possibly, your scholars
will declare,
with their erudition overwhelming
a swarm of problems;
once there lived
a certain champion of boiled water,
and inveterate enemy of raw water.
Professor,
take off your bicycle glasses!
I myself will expound
those times
and myself.
I, a latrine cleaner
and water carrier,
by the revolution
mobilized and drafted,
went off to the front
from the aristocratic gardens
of poetry -
the capricious wench
She planted a delicious garden,
the daughter,
cottage,
pond
and meadow.
Myself a garden I did plant,
myself with water sprinkled it.
some pour their verse from water cans;
others spit water
from their mouth -
the curly Macks,
the clever jacks -
but what the hell’s it all about!
There’s no damming al this up -
beneath the walls they mandoline:
“Tara-tina, tara-tine,
tw-a-n-g.
.
.
”
It’s no great honor, then,
for my monuments
to rise from such roses
above the public squares,
where consumption coughs,
where whores, hooligans and syphilis
walk.
Agitprop
sticks
in my teeth too,
and I’d rather
compose
romances for you -
more profit in it
and more charm.
But I
subdued
myself,
setting my heel
on the throat
of my own song.
Listen,
comrades of posterity,
to the agitator
the rabble-rouser.
Stifling
the torrents of poetry,
I’ll skip
the volumes of lyrics;
as one alive,
I’ll address the living.
I’ll join you
in the far communist future,
I who am
no Esenin super-hero.
My verse will reach you
across the peaks of ages,
over the heads
of governments and poets.
My verse
will reach you
not as an arrow
in a cupid-lyred chase,
not as worn penny
Reaches a numismatist,
not as the light of dead stars reaches you.
My verse
by labor
will break the mountain chain of years,
and will present itself
ponderous,
crude,
tangible,
as an aqueduct,
by slaves of Rome
constructed,
enters into our days.
When in mounds of books,
where verse lies buried,
you discover by chance the iron filings of lines,
touch them
with respect,
as you would
some antique
yet awesome weapon.
It’s no habit of mine
to caress
the ear
with words;
a maiden’s ear
curly-ringed
will not crimson
when flicked by smut.
In parade deploying
the armies of my pages,
I shall inspect
the regiments in line.
Heavy as lead,
my verses at attention stand,
ready for death
and for immortal fame.
The poems are rigid,
pressing muzzle
to muzzle their gaping
pointed titles.
The favorite
of all the armed forces
the cavalry of witticisms
ready
to launch a wild hallooing charge,
reins its chargers still,
raising
the pointed lances of the rhymes.
and all
these troops armed to the teeth,
which have flashed by
victoriously for twenty years,
all these,
to their very last page,
I present to you,
the planet’s proletarian.
The enemy
of the massed working class
is my enemy too
inveterate and of long standing.
Years of trial
and days of hunger
ordered us
to march
under the red flag.
We opened
each volume
of Marx
as we would open
the shutters
in our own house;
but we did not have to read
to make up our minds
which side to join,
which side to fight on.
Our dialectics
were not learned
from Hegel.
In the roar of battle
it erupted into verse,
when,
under fire,
the bourgeois decamped
as once we ourselves
had fled
from them.
Let fame
trudge
after genius
like an inconsolable widow
to a funeral march -
die then, my verse,
die like a common soldier,
like our men
who nameless died attacking!
I don’t care a spit
for tons of bronze;
I don’t care a spit
for slimy marble.
We’re men of kind,
we’ll come to terms about our fame;
let our
common monument be
socialism
built
in battle.
Men of posterity
examine the flotsam of dictionaries:
out of Lethe
will bob up
the debris of such words
as “prostitution,”
“tuberculosis,”
“blockade.
”
For you,
who are now
healthy and agile,
the poet
with the rough tongue
of his posters,
has licked away consumptives’ spittle.
With the tail of my years behind me,
I begin to resemble
those monsters,
excavated dinosaurs.
Comrade life,
let us
march faster,
march
faster through what’s left
of the five-year plan.
My verse
has brought me
no rubles to spare:
no craftsmen have made
mahogany chairs for my house.
In all conscience,
I need nothing
except
a freshly laundered shirt.
When I appear
before the CCC
of the coming
bright years,
by way of my Bolshevik party card,
I’ll raise
above the heads
of a gang of self-seeking
poets and rogues,
all the hundred volumes
of my
communist-committed books.
Transcribed: by Mitch Abidor.
|
Written by
Dylan Thomas |
I
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.
)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders.
The circular world stands still.
)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
|
Written by
William Topaz McGonagall |
There lived in Munich a poor, weakly youth,
But for the exact date, I cannot vouch for the truth,
And of seven of a family he was the elder,
Who was named, by his parents, Alois Senefelder.
But, poor fellow, at home his father was lying dead,
And his little brothers and sisters were depending upon him for bread,
And one evening he was dismissed from his employment,
Which put an end to all his peace and enjoyment.
The poor lad was almost mad, and the next day
His parent's remains to the cemetery were taken away;
And when his father was buried, distracted like he grew,
And he strolled through the streets crying, What shall I do!
And all night he wandered on sad and alone,
Until he began to think of returning home,
But, to his surprise, on raising his head to look around,
He was in a part of the country which to him was unknown ground.
And when night came on the poor lad stood aghast,
For all was hushed save the murmuring of a river which flowed past;
And the loneliness around seemed to fill his heart with awe,
And, with fatigue, he sat down on the first stone he saw.
And there resting his elbows and head on his knees,
He sat gazing at the running water, which did him please;
And by the light of the stars which shone on the water blue,
He cried, I will drown myself, and bid this harsh world adieu.
Besides, I'm good for nothing, to himself he said,
And will only become a burden to my mother, I'm afraid
And there, at the bottom of that water, said he,
From all my misfortunes death will set me free.
But, happily for Alois, more pious thoughts rushed into his mind,
And courage enough to drown himself he couldn't find,
So he resolved to go home again whatever did betide,
And he asked forgiveness of his Creator by the river side.
And as he knelt, a few incoherent words escaped him,
And the thought of drowning himself he considered a great sin,
And the more he thought of it, he felt his flesh creep,
But in a few minutes he fell fast asleep.
And he slept soundly, for the stillness wasn't broke,
And the day was beginning to dawn before he awoke;
Then suddenly he started up as if in a fright,
And he saw very near him a little stone smooth and white,
Upon which was traced the delicate design of a Sprig of Moss
But to understand such a design he was at a loss,
Then he recollected the Sprig of Moss lying on the stone,
And with his tears he'd moistened it, but it was gone.
But its imprint was delicately imprinted on the stone;
Then, taking the stone under his arm, he resolved to go home,
Saying, God has reserved me for some other thing,
And with joy he couldn't tell how he began to sing.
And on drawing near the city he met his little brother,
Who told him his uncle had visited his mother,
And on beholding their misery had left them money to buy food,
Then Alois cried, Thank God, the news is good!
Then 'twas on the first day after Alois came home,
He began the printing of the Sprig of Moss on the stone;
And by taking the impressions of watch-cases he discovered, one day,
What is now called the art of Lithography.
So Alois plodded on making known his great discovery,
Until he obtained the notice of the Royal Academy,
Besides, he obtained a gold Medal, and what was more dear to his heart,
He lived to see the wide extension of his art.
And when life's prospects may at times appear dreary to ye,
Remember Alois Senefelder, the discoverer of Lithography,
How God saved him from drowning himself in adversity,
And I hope ye all will learn what the Sprig of Moss teaches ye.
And God that made a way through the Red Sea,
If ye only put your trust in Him, He will protect ye,
And light up your path, and strew it with flowers,
And be your own Comforter in all your lonely hours.
|
Written by
Lewis Carroll |
Sent to a friend who had complained that I was glad enough to see
him when he came, but didn't seem to miss him if he stayed away.
And cannot pleasures, while they last,
Be actual unless, when past,
They leave us shuddering and aghast,
With anguish smarting?
And cannot friends be firm and fast,
And yet bear parting?
And must I then, at Friendship's call,
Calmly resign the little all
(Trifling, I grant, it is and small)
I have of gladness,
And lend my being to the thrall
Of gloom and sadness?
And think you that I should be dumb,
And full DOLORUM OMNIUM,
Excepting when YOU choose to come
And share my dinner?
At other times be sour and glum
And daily thinner?
Must he then only live to weep,
Who'd prove his friendship true and deep
By day a lonely shadow creep,
At night-time languish,
Oft raising in his broken sleep
The moan of anguish?
The lover, if for certain days
His fair one be denied his gaze,
Sinks not in grief and wild amaze,
But, wiser wooer,
He spends the time in writing lays,
And posts them to her.
And if the verse flow free and fast,
Till even the poet is aghast,
A touching Valentine at last
The post shall carry,
When thirteen days are gone and past
Of February.
Farewell, dear friend, and when we meet,
In desert waste or crowded street,
Perhaps before this week shall fleet,
Perhaps to-morrow.
I trust to find YOUR heart the seat
Of wasting sorrow.
|
Written by
Margaret Atwood |
This is a word we use to plug
holes with.
It's the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts.
Add lace
and you can sell
it.
We insert it also in the one empty
space on the printed form
that comes with no instructions.
There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too.
How do we know
it isn't what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.
Then there's the two
of us.
This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It's not love we don't wish
to fall into, but that fear.
this word is not enough but it will
have to do.
It's a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside.
You can
hold on or let go.
|
Written by
Walt Whitman |
1
OVER the western sea, hither from Niphon come,
Courteous, the swart-cheek’d two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,
Ride to-day through Manhattan.
Libertad!
I do not know whether others behold what I behold,
In the procession, along with the nobles of Asia, the errand-bearers,
Bringing up the rear, hovering above, around, or in the ranks marching;
But I will sing you a song of what I behold, Libertad.
2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love;
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes;
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
delicate thin haze;
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
colors;
When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows;
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
densest;
When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
thousands
at a time;
When the guests from the islands advance—when the pageant moves forward, visible;
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
them.
3
Superb-faced Manhattan!
Comrade Americanos!—to us, then, at last, the Orient comes.
To us, my city,
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
between,
To-day our Antipodes comes.
The Originatress comes,
The nest of languages, the bequeather of poems, the race of eld,
Florid with blood, pensive, rapt with musings, hot with passion,
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes,
The race of Brahma comes!
4
See, my cantabile! these, and more, are flashing to us from the procession;
As it moves, changing, a kaleidoscope divine it moves, changing, before us.
For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
dead,
The murky night morning of wonder and fable, inscrutable,
The envelop’d mysteries, the old and unknown hive-bees,
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients,
Vast desolated cities—the gliding Present—all of these, and more, are in the
pageant-procession.
Geography, the world, is in it;
The Great Sea, the brood of islands, Polynesia, the coast beyond;
The coast you, henceforth, are facing—you Libertad! from your Western golden shores
The countries there, with their populations—the millions en-masse, are curiously here;
The swarming market places—the temples, with idols ranged along the sides, or at the
end—bonze,
brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman;
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors,
Confucius himself—the great poets and heroes—the warriors, the castes, all,
Trooping up, crowding from all directions—from the Altay mountains,
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia;
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me,
And I am seiz’d by them, and friendlily held by them,
Till, as here, them all I chant, Libertad! for themselves and for you.
5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant;
I chant the world on my Western Sea;
I chant, copious, the islands beyond, thick as stars in the sky;
I chant the new empire, grander than any before—As in a vision it comes to me;
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
sea-islands;
I chant my sail-ships and steam-ships threading the archipelagoes;
I chant my stars and stripes fluttering in the wind;
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;
Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
be,
Commencing from this day, surrounded by the world.
6
And you, Libertad of the world!
You shall sit in the middle, well-pois’d, thousands of years;
As to-day, from one side, the nobles of Asia come to you;
As to-morrow, from the other side, the Queen of England sends her eldest son to you.
7
The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done;
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
whole
box.
8
Young Libertad!
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all;
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
to
you;
Bend your proud neck low for once, young Libertad.
9
Were the children straying westward so long? so wide the tramping?
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
reasons?
They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
travel toward you thence;
They shall now also march obediently eastward, for your sake, Libertad.
|
Written by
Elizabeth Barrett Browning |
God, God!
With a child’s voice I cry,
Weak, sad, confidingly—
God, God!
Thou knowest, eyelids, raised not always up
Unto Thy love (as none of ours are), droop
As ours, o’er many a tear!
Thou knowest, though Thy universe is broad,
Two little tears suffice to cover all:
Thou knowest, Thou, who art so prodigal
Of beauty, we are oft but stricken deer
Expiring in the woods—that care for none
Of those delightsome flowers they die upon.
O blissful Mouth which breathed the mournful breath
We name our souls, self-spoilt!—by that strong passion
Which paled Thee once with sighs,—by that strong death
Which made Thee once unbreathing—from the wrack
Themselves have called around them, call them back,
Back to Thee in continuous aspiration!
For here, O Lord,
For here they travel vainly,—vainly pass
From city-pavement to untrodden sward,
Where the lark finds her deep nest in the grass
Cold with the earth’s last dew.
Yea, very vain
The greatest speed of all these souls of men
Unless they travel upward to the throne
Where sittest THOU, the satisfying ONE,
With help for sins and holy perfectings
For all requirements—while the archangel, raising
Unto Thy face his full ecstatic gazing,
Forgets the rush and rapture of his wings.
|
Written by
Staceyann Chin |
If only out of vanity
I have wondered what kind of woman I will be
when I am well past the summer of my raging youth
Will I still be raising revolutionary flags
and making impassioned speeches
that stir up anger in the hearts of pseudo-liberals
dressed in navy-blue conservative wear
In those years when I am grateful
I still have a good sturdy bladder
that does not leak undigested prune juice
onto diapers—no longer adorable
will I be more grateful for that
than for any forward movement in any current political cause
and will it have been worth it then
Will it have been worth the long hours
of not sleeping
that produced little more than reams
of badly written verses that catapulted me into literary spasms
but did not even whet the appetite
of the three O’ clock crowd
in the least respected of the New York poetry cafes
Will I wish then that I had taken that job working at the bank
or the one to watch that old lady drool
all over her soft boiled eggs
as she tells me how she was a raving beauty in the sixties
how she could have had any man she wanted
but she chose the one least likely to succeed
and that’s why when the son of a ***** died
she had to move into this place
because it was government subsidized
Will I tell my young attendant
how slender I was then
and paint for her pictures
of the young me more beautiful than I ever was
if only to make her forget the shriveled paper skin
the stained but even dental plates
and the faint smell of urine that tends to linger
in places built especially for revolutionaries
whose causes have been won
or forgotten
Will I still be lesbian then
or will the church or family finally convince me
to marry some man with a smaller dick
than the one my woman uses to afford me
violent and multiple orgasms
Will the staff smile at me
humor my eccentricities to my face
but laugh at me in their private resting rooms
saying she must have been something in her day
Most days I don’t know what I will be like then
but everyday—I know what I want to be now
I want to be that voice that makes Guilani
so scared he hires two (butch) black bodyguards
I want to write the poem
that The New York Times cannot print
because it might start some kind of black or lesbian
or even a white revolution
I want to go to secret meetings and under the guise
of female friendship I want to bed the women
of those young and eager revolutionaries
with too much zeal for their cause
and too little passion for the women
who follow them from city to city
all the while waiting in separate rooms
I want to be forty years old
and weigh three hundred pounds
and ride a motorcycle in the wintertime
with four hell raising children
and a one hundred ten pound female lover
who writes poetry about my life
and my children and loves me
like no one has ever loved me before
I want to be the girl your parents will use
as a bad example of a lady
I want to be the dyke who likes to **** men
I want to be the politician who never lies
I want to be the girl who never cries
I want to go down in history
in a chapter marked miscellaneous
because the writers could find
no other way to categorize me
In this world where classification is key
I want to erase the straight lines
So I can be me
|
Written by
Marriott Edgar |
There's a famous seaside place called Blackpool,
That's noted for fresh air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.
A grand little lad was young Albert,
All dressed in his best; quite a swell
With a stick with an 'orse's 'ead 'andle,
The finest that Woolworth's could sell.
They didn't think much of the Ocean:
The waves, they were fiddlin' and small,
There was no wrecks and nobody drownded,
Fact, nothing to laugh at at all.
So, seeking for further amusement,
They paid and went into the Zoo,
Where they'd Lions and Tigers and Camels,
And old ale and sandwiches too.
There were one great big Lion called Wallace;
His nose were all covered with scars -
He lay in a somnolent posture,
With the side of his face on the bars.
Now Albert had heard about Lions,
How they was ferocious and wild -
To see Wallace lying so peaceful,
Well, it didn't seem right to the child.
So straightway the brave little feller,
Not showing a morsel of fear,
Took his stick with its 'orse's 'ead 'andle
And pushed it in Wallace's ear.
You could see that the Lion didn't like it,
For giving a kind of a roll,
He pulled Albert inside the cage with 'im,
And swallowed the little lad 'ole.
Then Pa, who had seen the occurrence,
And didn't know what to do next,
Said 'Mother! Yon Lion's 'et Albert',
And Mother said 'Well, I am vexed!'
Then Mr and Mrs Ramsbottom -
Quite rightly, when all's said and done -
Complained to the Animal Keeper,
That the Lion had eaten their son.
The keeper was quite nice about it;
He said 'What a nasty mishap.
Are you sure that it's your boy he's eaten?'
Pa said "Am I sure? There's his cap!'
The manager had to be sent for.
He came and he said 'What's to do?'
Pa said 'Yon Lion's 'et Albert,
'And 'im in his Sunday clothes, too.
'
Then Mother said, 'Right's right, young feller;
I think it's a shame and a sin,
For a lion to go and eat Albert,
And after we've paid to come in.
'
The manager wanted no trouble,
He took out his purse right away,
Saying 'How much to settle the matter?'
And Pa said "What do you usually pay?'
But Mother had turned a bit awkward
When she thought where her Albert had gone.
She said 'No! someone's got to be summonsed' -
So that was decided upon.
Then off they went to the P'lice Station,
In front of the Magistrate chap;
They told 'im what happened to Albert,
And proved it by showing his cap.
The Magistrate gave his opinion
That no one was really to blame
And he said that he hoped the Ramsbottoms
Would have further sons to their name.
At that Mother got proper blazing,
'And thank you, sir, kindly,' said she.
'What waste all our lives raising children
To feed ruddy Lions? Not me!'
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