10 Best Famous Puffed Poems

Here is a collection of the top 10 all-time best famous Puffed poems. This is a select list of the best famous Puffed poetry. Reading, writing, and enjoying famous Puffed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of puffed poems.

• All Famous Puffed Poems

If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper. 
-Thich Nhat Hanh 

Before you became a cloud, you were an ocean, roiled and
murmuring like a mouth. You were the shadows of a cloud cross-
ing over a field of tulips. You were the tears of a man who cried
into a plaid handkerchief. You were the sky without a hat. Your
heart puffed and flowered like sheets drying on a line.


And when you were a tree, you listened to the trees and the tree
things trees told you. You were the wind in the wheels of a red
bicycle. You were the spidery Mariatattooed on the hairless arm
of a boy in dowtown Houston. You were the rain rolling off the
waxy leaves of a magnolia tree. A lock of straw-colored hair
wedged between the mottled pages of a Victor Hugo novel. A
crescent of soap. A spider the color of a fingernail. The black nets
beneath the sea of olive trees. A skein of blue wool. A tea saucer
wrapped in newspaper. An empty cracker tin. A bowl of blueber-
ries in heavy cream. White wine in a green-stemmed glass.


And when you opened your wings to wind, across the punched-
tin sky above a prison courtyard, those condemned to death and
those condemned to life watched how smooth and sweet a white
cloud glides. 

 I wish it were spring in the world.

Let it be spring!
Come, bubbling, surging tide of sap!
Come, rush of creation!
Come, life! surge through this mass of mortification!
Come, sweep away these exquisite, ghastly first-flowers,
which are rather last-flowers!
Come, thaw down their cool portentousness, dissolve them:
snowdrops, straight, death-veined exhalations of white and purple crocuses,
flowers of the penumbra, issue of corruption, nourished in mortification,
jets of exquisite finality;
Come, spring, make havoc of them!

I trample on the snowdrops, it gives me pleasure to tread down the jonquils,
to destroy the chill Lent lilies;
for I am sick of them, their faint-bloodedness,
slow-blooded, icy-fleshed, portentous.

I want the fine, kindling wine-sap of spring,
gold, and of inconceivably fine, quintessential brightness,
rare almost as beams, yet overwhelmingly potent,
strong like the greatest force of world-balancing.

This is the same that picks up the harvest of wheat
and rocks it, tons of grain, on the ripening wind;
the same that dangles the globe-shaped pleiads of fruit
temptingly in mid-air, between a playful thumb and finger; 
oh, and suddenly, from out of nowhere, whirls the pear-bloom,
upon us, and apple- and almond- and apricot- and quince-blossom,
storms and cumulus clouds of all imaginable blossom
about our bewildered faces,
though we do not worship.

I wish it were spring
cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire,
and kindling shapely little conflagrations
curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.

I wish that spring
would start the thundering traffic of feet
new feet on the earth, beating with impatience.

I wish it were spring, thundering
delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption
were not yet to come still more from the still-flickering discontent.

Oh, in the spring, the bluebell bows him down for very exuberance,
exulting with secret warm excess,
bowed down with his inner magnificence!

Oh, yes, the gush of spring is strong enough
to toss the globe of earth like a ball on a water-jet
dancing sportfully;
as you see a tiny celluloid ball tossing on a squirt of water
for men to shoot at, penny-a-time, in a booth at a fair.

The gush of spring is strong enough
to play with the globe of earth like a ball on a fountain;
At the same time it opens the tiny hands of the hazel
with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth
and heave it off among the stars, into the invisible;
the same sets the throstle at sunset on a bough
singing against the blackbird;
comes out in the hesitating tremor of the primrose,
and betrays its candour in the round white strawberry flower,
is dignified in the foxglove, like a Red-Indian brave.

Ah come, come quickly, spring!
come and lift us towards our culmination, we myriads;
we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer
we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy,
come and soften the willow buds till they are puffed and furred,
then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.

Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within,
burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable,
but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption,
no more narcissus perfume, lily harlots, the blades of sensation
piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business
of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike,
O soon, soon!
Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet,
incipient purpling towards summer in the world of the heart of man.

Are the violets already here!
Show me! I tremble so much to hear it, that even now
on the threshold of spring, I fear I shall die.
Show me the violets that are out.

Oh, if it be true, and the living darkness of the blood of man is purpling with violets,
if the violets are coming out from under the rack of men, winter-rotten and fallen,
we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man
it will be spring in the world,
it will be spring in the world of the living;
wonderment organising itself, heralding itself with the violets,
stirring of new seasons.

Ah, do not let me die on the brink of such anticipation!
Worse, let me not deceive myself.

 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.

I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.

I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.

I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.

So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.

But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.

Naked, I wait thy Love's uplifted stroke. My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.

Such is. What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?

Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.

 All this was written on the next day's list.
On which the busyness unfurled its cursive roots,
pale but effective,
and the long stem of the necessary, the sum of events,
built-up its tiniest cathedral...
(Or is it the sum of what takes place? )
If I lean down, to whisper, to them,
down into their gravitational field, there where they head busily on
into the woods, laying the gifts out one by one, onto the path,
hoping to be on the air,
hoping to please the children -- 
(and some gifts overwrapped and some not wrapped at all) -- if
I stir the wintered ground-leaves
up from the paths, nimbly, into a sheet of sun,
into an escape-route-width of sun, mildly gelatinous where wet, though mostly
crisp,
fluffing them up a bit, and up, as if to choke the singularity of sun
with this jubilation of manyness, all through and round these passers-by -- 
just leaves, nothing that can vaporize into a thought,
no, a burning bush's worth of spidery, up-ratcheting, tender-cling leaves,
oh if -- the list gripped hard by the left hand of one,
the busyness buried so deep into the puffed-up greenish mind of one,
the hurried mind hovering over its rankings,
the heart -- there at the core of the drafting leaves -- wet and warm at the
zero of
the bright mock-stairwaying-up of the posthumous leaves -- the heart,
formulating its alleyways of discovery,
fussing about the integrity of the whole,
the heart trying to make time and place seem small,
sliding its slim tears into the deep wallet of each new event
on the list
then checking it off -- oh the satisfaction -- each check a small kiss,
an echo of the previous one, off off it goes the dry high-ceilinged
obligation,
checked-off by the fingertips, by the small gust called done that swipes
the unfinishable's gold hem aside, revealing
what might have been, peeling away what should . . .
There are flowerpots at their feet.
There is fortune-telling in the air they breathe.
It filters-in with its flashlight-beam, its holy-water-tinted air,
down into the open eyes, the lampblack open mouth.
Oh listen to these words I'm spitting out for you.
My distance from you makes them louder.
Are we all waiting for the phone to ring?
Who should it be? What fountain is expected to
thrash forth mysteries of morning joy? What quail-like giant tail of 
promises, pleiades, psalters, plane-trees,
what parapets petalling-forth the invisible
into the world of things,
turning the list into its spatial-form at last,
into its archival many-headed, many-legged colony . . .
Oh look at you.
What is it you hold back? What piece of time is it the list
won't cover? You down there, in the theater of
operations -- you, throat of the world -- so diacritical -- 
(are we all waiting for the phone to ring?) -- 
(what will you say? are you home? are you expected soon?) -- 
oh wanderer back from break, all your attention focused
 -- as if the thinking were an oar, this ship the last of some
original fleet, the captains gone but some of us
who saw the plan drawn-out
still here -- who saw the thinking clot-up in the bodies of the greater men,
who saw them sit in silence while the voices in the other room
lit-up with passion, itchings, dreams of landings,
while the solitary ones,
heads in their hands, so still,
the idea barely forming
at the base of that stillness,
the idea like a homesickness starting just to fold and pleat and knot-itself
out of the manyness -- the plan -- before it's thought,
before it's a done deal or the name-you're-known-by -- 
the men of x, the outcomes of y -- before -- 
the mind still gripped hard by the hands
that would hold the skull even stiller if they could,
that nothing distract, that nothing but the possible be let to filter
through,
the possible and then the finely filamented hope, the filigree,
without the distractions of wonder -- 
oh tiny golden spore just filtering-in to touch the good idea,
which taking-form begins to twist,
coursing for bottom-footing, palpating for edge-hold, limit,
now finally about to
rise, about to go into the other room -- and yet
not having done so yet, not yet -- the
intake -- before the credo, before the plan -- 
right at the homesickness -- before this list you hold 
in your exhausted hand. Oh put it down.

 It snowed in spring on earth so dry and warm
The flakes could find no landing place to form.
Hordes spent themselves to make it wet and cold,
And still they failed of any lasting hold.
They made no white impression on the black.
They disappeared as if earth sent them back.
Not till from separate flakes they changed at night
To almost strips and tapes of ragged white
Did grass and garden ground confess it snowed,
And all go back to winter but the road.
Next day the scene was piled and puffed and dead.
The grass lay flattened under one great tread.
Borne down until the end almost took root,
The rangey bough anticipated fruit
With snowball cupped in every opening bud.
The road alone maintained itself in mud,
Whatever its secret was of greater heat
From inward fires or brush of passing feet.

In spring more mortal singers than belong
To any one place cover us with song.
Thrush, bluebird, blackbird, sparrow, and robin throng;
Some to go further north to Hudson's Bay,
Some that have come too far north back away,
Really a very few to build and stay.
Now was seen how these liked belated snow.
the field had nowhere left for them to go;
They'd soon exhausted all there was in flying;
The trees they'd had enough of with once trying
And setting off their heavy powder load.
They could find nothing open but the road.
Sot there they let their lives be narrowed in
By thousands the bad weather made akin.
The road became a channel running flocks
Of glossy birds like ripples over rocks.
I drove them under foot in bits of flight
That kept the ground. almost disputing right
Of way with me from apathy of wing,
A talking twitter all they had to sing.
A few I must have driven to despair
Made quick asides, but having done in air
A whir among white branches great and small
As in some too much carven marble hall
Where one false wing beat would have brought down all,
Came tamely back in front of me, the Drover,
To suffer the same driven nightmare over.
One such storm in a lifetime couldn't teach them
That back behind pursuit it couldn't reach them;
None flew behind me to be left alone.

Well, something for a snowstorm to have shown
The country's singing strength thus brought together,
the thought repressed and moody with the weather
Was none the less there ready to be freed
And sing the wildflowers up from root and seed.

 Lone amid the cafe's cheer,
Sad of heart am I to-night;
Dolefully I drink my beer,
But no single line I write.
There's the wretched rent to pay,
Yet I glower at pen and ink:
Oh, inspire me, Muse, I pray,
It is later than you think!

Hello! there's a pregnant phrase.
Bravo! let me write it down;
Hold it with a hopeful gaze,
Gauge it with a fretful frown;
Tune it to my lyric lyre . . .
Ah! upon starvation's brink,
How the words are dark and dire:
It is later than you think.

Weigh them well. . . . Behold yon band,
Students drinking by the door,
Madly merry, bock in hand,
Saucers stacked to mark their score.
Get you gone, you jolly scamps;
Let your parting glasses clink;
Seek your long neglected lamps:
It is later than you think.

Look again: yon dainty blonde,
All allure and golden grace,
Oh so willing to respond
Should you turn a smiling face.
Play your part, poor pretty doll;
Feast and frolic, pose and prink;
There's the Morgue to end it all,
And it's later than you think.

Yon's a playwright -- mark his face,
Puffed and purple, tense and tired;
Pasha-like he holds his place,
Hated, envied and admired.
How you gobble life, my friend;
Wine, and woman soft and pink!
Well, each tether has its end:
Sir, it's later than you think.

See yon living scarecrow pass
With a wild and wolfish stare
At each empty absinthe glass,
As if he saw Heaven there.
Poor damned wretch, to end your pain
There is still the Greater Drink.
Yonder waits the sanguine Seine . . .
It is later than you think.

Lastly, you who read; aye, you
Who this very line may scan:
Think of all you planned to do . . .
Have you done the best you can?
See! the tavern lights are low;
Black's the night, and how you shrink!
God! and is it time to go?
Ah! the clock is always slow;
It is later than you think;
Sadly later than you think;
Far, far later than you think.

 Beyond the Rocking Bridge it lies, the burg of evil fame,
The huts where hive and swarm and thrive the sisterhood of shame.
Through all the night each cabin light goes out and then goes in,
A blood-red heliograph of lust, a semaphore of sin.
From Dawson Town, soft skulking down, each lewdster seeks his mate;
And glad and bad, kimono clad, the wanton women wait.
The Klondike gossips to the moon, and sinners o'er its bars;
Each silent hill is dark and chill, and chill the patient stars.
Yet hark! upon the Rocking Bridge a bacchanalian step;
A whispered: "Come," the skirl of some hell-raking demirep...

 * * * * * * * * * * *

They gave a dance in Lousetown, and the Tenderloin was there,
The girls were fresh and frolicsome, and nearly all were fair.
They flaunted on their back the spoil of half-a-dozen towns;
And some they blazed in gems of price, and some wore Paris gowns.
The voting was divided as to who might be the belle;
But all opined, the winsomest was Touch-the-Button Nell.

Among the merry mob of men was one who did not dance,
But watched the "light fantastic" with a sour sullen glance.
They saw his white teeth gleam, they saw his thick lips twitch;
They knew him for the giant Slav, one Riley Dooleyvitch.

"Oh Riley Dooleyvitch, come forth," quoth Touch-the-Button Nell,
"And dance a step or two with me - the music's simply swell,"
He crushed her in his mighty arms, a meek, beguiling witch,
"With you, oh Nell, I'd dance to hell," said Riley Dooleyvitch.

He waltzed her up, he waltzed her down, he waltzed her round the hall;
His heart was putty in her hands, his very soul was thrall.
As Antony of old succumbed to Cleopatra's spell,
So Riley Dooleyvitch bowed down to Touch-the-Button Nell.

"And do you love me true?" she cried. "I love you as my life."
"How can you prove your love?" she sighed. "I beg you be my wife.
I stake big pay up Hunker way; some day I be so rich;
I make you shine in satins fine," said Riley Dooleyvitch.

"Some day you'll be so rich," she mocked; "that old pipe-dream don't go.
Who gets an option on this kid must have some coin to show.
You work your ground. When Spring comes round, our wedding bells will ring.
I'm on the square, and I'll take care of all the gold you bring."

So Riley Dooleyvitch went back and worked upon his claim;
He ditched and drifted, sunk and stoped, with one unswerving aim;
And when his poke of raw moose-hide with dust began to swell,
He bought and laid it at the feet of Touch-the-Button Nell.

 * * * * * * * * * * *

Now like all others of her ilk, the lady had a friend,
And what she made my way of trade, she gave to him to spend;
To stake him in a poker game, or pay his bar-room score;
He was a pimp from Paris. and his name was Lew Lamore.

And so as Dooleyvitch went forth and worked as he was bid,
And wrested from the frozen muck the yellow stuff it hid,
And brought it to his Lady Nell, she gave him love galore -
But handed over all her gains to festive Lew Lamore.

 * * * * * * * * * * *

A year had gone, a weary year of strain and bloody sweat;
Of pain and hurt in dark and dirt, of fear that she forget.
He sought once more her cabin door: "I've laboured like a beast;
But now, dear one, the time has come to go before the priest.

"I've brought you gold - a hundred fold I'll bring you bye and bye;
But oh I want you, want you bad; I want you till I die.
Come, quit this life with evil rife - we'll joy while yet we can..."
"I may not wed with you," she said; "I love another man.

"I love him and I hate him so. He holds me in a spell.
He beats me - see my bruisèd brest; he makes my life a hell.
He bleeds me, as by sin and shame I earn my daily bread:
Oh cruel Fate, I cannot mate till Lew Lamore is dead!"

 * * * * * * * * * * *

The long lean flume streaked down the hill, five hundred feet of fall;
The waters in the dam above chafed at their prison wall;
They surged and swept, they churned and leapt, with savage glee and strife;
With spray and spume the dizzy flume thrilled like a thing of life.

"We must be free," the waters cried, and scurried down the slope;
"No power can hold us back," they roared, and hurried in their hope.
Into a mighty pipe they plunged, like maddened steers they ran,
And crashed out through a shard of steel - to serve the will of Man.

And there, by hydraulicking his ground beside a bedrock ditch,
With eye aflame and savage aim was Riley Dooleyvitch.
In long hip-boots and overalls, and dingy denim shirt,
Behind a giant monitor he pounded at the dirt.

A steely shaft of water shot, and smote the face of clay;
It burrowed in the frozen muck, and scooped the dirt away;
It gored the gravel from its bed, it bellowed like a bull;
It hurled the heavy rock aloft like heaps of fleecy wool.

Strength of a hundred men was there, resistess might and skill,
And only Riley Dooleyvitch to swing it at his will.
He played it up, he played it down, nigh deafened by its roar,
'Til suddenly he raised his eyes, and there stood Lew Lamore.

Pig-eyed and heavy jowled he stood and puffed a big cigar;
As cool as though he ruled the roost in some Montmartre bar.
He seemed to say, "I've got a cinch, a double diamond hitch:
I'll skin this Muscovitish oaf, this Riley Dooleyvitch.

He shouted: "Stop ze water gun; it stun me... Sacré damn!
I like to make one beezness deal; you know ze man I am.
Zat leetle girl, she loves me so - I tell you what I do:
You geeve to me zees claim... Jeecrize! I geeve zat girl to you."

"I'll see you damned," says Dooleyvitch; but e'er he checked his tongue,
(It may have been an accident) the little Giant swung;
Swift as a lightning flash it swung, until it plumply bore
And met with an obstruction in the shape of Lew lamore.

It caught him up, and spun him round, and tossed him like a ball;
It played and pawed him in the air, before it let him fall.
Then just to show what it could do, with savage rend and thud,
It ripped the entrails from his spine, and dropped him in the mud.

They gathered up the broken bones, and sadly in a sack,
They bore to town the last remains of Lew Lamore, the macque.
And would you hear the full details of how it all befell,
Ask Missis Riley Dooleyvitch (late Touch-the-Button Nell).

 He lay within a warm, soft world 
Of motion. Colors bloomed and fled, 
Maroon and turquoise, saffron, red, 
Wave upon wave that broke and whirled 
To vanish in the grey-green gloom, 
Perspectiveless and shadowy. 
A bulging world that had no walls, 
A flowing world, most like the sea, 
Compassing all infinity 
Within a shapeless, ebbing room, 
An endless tide that swells and falls . . . 
He slept and woke and slept again. 
As a veil drops Time dropped away; 
Space grew a toy for children's play, 
Sleep bolted fast the gates of Sense -- 
He lay in naked impotence; 
Like a drenched moth that creeps and crawls 
Heavily up brown, light-baked walls, 
To fall in wreck, her task undone, 
Yet somehow striving toward the sun. 
So, as he slept, his hands clenched tighter, 
Shut in the old way of the fighter, 
His feet curled up to grip the ground, 
His muscles tautened for a bound; 
And though he felt, and felt alone, 
Strange brightness stirred him to the bone, 
Cravings to rise -- till deeper sleep 
Buried the hope, the call, the leap; 
A wind puffed out his mind's faint spark. 
He was absorbed into the dark. 
He woke again and felt a surge 
Within him, a mysterious urge 
That grew one hungry flame of passion; 
The whole world altered shape and fashion. 
Deceived, befooled, bereft and torn, 
He scourged the heavens with his scorn, 
Lifting a bitter voice to cry 
Against the eternal treachery -- 
Till, suddenly, he found the breast, 
And ceased, and all things were at rest, 
The earth grew one warm languid sea 
And he a wave. Joy, tingling, crept 
Throughout him. He was quenched and slept. 

So, while the moon made broad her ring, 
He slept and cried and was a king. 
So, worthily, he acted o'er 
The endless miracle once more. 
Facing immense adventures daily, 
He strove still onward, weeping, gaily, 
Conquered or fled from them, but grew 
As soil-starved, rough pine-saplings do. 
Till, one day, crawling seemed suspect. 
He gripped the air and stood erect 
And splendid. With immortal rage 
He entered on man's heritage!

 Her scarf a la Bardot, 
In suede flats for the walk, 
She came with me one evening
For air and friendly talk.
We crossed the quiet river, 
Took the embankment walk.

Traffic holding its breath, 
Sky a tense diaphragm: 
Dusk hung like a backcloth
That shook where a swan swam, 
Tremulous as a hawk
Hanging deadly, calm.

A vacuum of need
Collapsed each hunting heart
But tremulously we held
As hawk and prey apart, 
Preserved classic decorum, 
Deployed our talk with art.

Our Juvenilia
Had taught us both to wait, 
Not to publish feeling
And regret it all too late -
Mushroom loves already
Had puffed and burst in hate.

So, chary and excited, 
As a thrush linked on a hawk, 
We thrilled to the March twilight
With nervous childish talk: 
Still waters running deep
Along the embankment walk.

 It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer,
Who took her through the angry ice, the last boat of the year;
Who patched her cracks with gunny sacks and wound her pipes with wire,
And cut the spruce upon the banks to feed her boiler fire;
Who headed her into the stream and bucked its mighty flow,
And nosed her up the little creeks where no one else would go;
Who bragged she had so small a draft, if dew were on the grass,
With gallant heart and half a start his little boat would pass.
Aye, ships might come and ships might go, but steady every year
The Alice May would chug away with Skipper Silas Geer.

Now though Cap geer had ne'er a fear the devil he could bilk,
He owned a gastric ulcer and his grub was mostly milk.
He also owned a Jersey cow to furnish him the same,
So soft and sleek and mild and meek, and Kathleen was her name.
And so his source of nourishment he got to love her so
That everywhere the captain went the cow would also go;
And though his sleeping quarters were ridiculously small,
He roped a section of them off to make Kathleen a stall.
So every morn she'd wake him up with mellifluous moo,
And he would pat her on the nose and go to wake the crew.
Then when he'd done his daily run and hitched on to the bank,
She'd breath above his pillow till to soothing sleep he sank.
So up and down the river seeded sourdoughs would allow,
They made a touching tableau, Captain Silas and his cow.

Now as the Captain puffed his pipe and Kathleen chewed her cud,
There came to him a poetess, a Miss Belinda Budd.
"An epic I would write," said she, "about this mighty stream,
And from your gallant bark 'twould be romantic as a dream."
Somewhat amazed the Captain gazed at her and shook his head;
"I'm sorry, Miss, but we don't take she passengers," he said.
"My boat's a freighter, we have no accommodation space
For women-folk - my cabin is the only private palce.
It's eight foot small from wall to wall, and I have, anyhow,
No room to spare, for half I share with Kathleen, That's my cow."
The lady sighed, then soft replied: "I love your Yukon scene,
And for its sake your room I'll take, and put up with Kathleen."

Well, she was so dead set to go the Captain said: "By heck!
I like your *****; you take my bunk and I'll camp on the deck."
So days went by then with a sigh she sought him so anew:
"Oh, Captain Geer, Kathleen's a dear, but does she have to moo?
In early morn like motor horn she bellows overhead,
While all the night without respite she snores above my bed.
I know it's true she dotes on you, your smile she seems to miss;
She leans so near I live in fear my brow she'll try to kiss.
Her fond regard makes it so hard my Pegasus to spur...
Oh, please be kind and try to find another place for her."

Bereft of cheer was captain Geer; his face was glazed with gloom:
He scratched his head: "There ain't," he said, "another inch of room.
With freight we're packed; it's stowed and stacked - why even on the deck.
There's seven salted sourdoughs and they're sleeping neck and neck.
I'm sorry, Miss, that Kathleen's kiss has put your muse to flight;
I realize her amber eyes abstract you when you write.
I used to love them orbs above a-shining down on me,
And when she'd chew my whickers you can't calculate my glee.
I ain't at all poetical, but gosh! I guess your plight,
So I will try to plan what I can fix up for to-night."

Thus while upon her berth the wan and weary Author Budd
Bewailed her fate, Kathleen sedate above her chewed her cud;
And as he sought with brain distraught a steady course to steer,
Yet find a plan, a worried man was Captain Silas Geer.
Then suddenly alert was he, he hollerred to his mate;
"Hi, Patsy, press our poetess to climb on deck and wait.
Hip-hip-hooray! Bid her be gay and never more despair;
My search is crowned - by heck, I've found an answer to her prayer."

To Patsy's yell like glad gazelle came bounding Bardess Budd;
No more forlorn, with hope new-born she faced the foaming flood;
While down the stair with eager air was seen to disappear,
Like one inspired (by genius fired) exultant Captain Geer.
Then up he came with eye aflame and honest face aglow,
And oh, how loud he laughed, as proud he led her down below.
"Now you may write by day or night upon our Yukon scene,
For I," he cried, "have clarified the problem of Kathleen.
I thought a lot, then like a shot the remedy I found:
I jest unhitched her rope and switched the loving creature round.
No more her moo will trouble you, you'll sleep right restful now.
Look, Lady, look! - I'm giving you... the tail end of the cow."