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Best Famous Profound Poems

Here is a collection of the all-time best famous Profound poems. This is a select list of the best famous Profound poetry. Reading, writing, and enjoying famous Profound poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of profound poems.

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Written by Emily Dickinson | Create an image from this poem

This Consciousness that is aware

 This Consciousness that is aware
Of Neighbors and the Sun
Will be the one aware of Death
And that itself alone

Is traversing the interval
Experience between
And most profound experiment
Appointed unto Men --

How adequate unto itself
Its properties shall be
Itself unto itself and none
Shall make discovery.
Adventure most unto itself The Soul condemned to be -- Attended by a single Hound Its own identity.


Written by Maya Angelou | Create an image from this poem

Million Man March Poem

The night has been long,
The wound has been deep,
The pit has been dark,
And the walls have been steep.
Under a dead blue sky on a distant beach, I was dragged by my braids just beyond your reach.
Your hands were tied, your mouth was bound, You couldn't even call out my name.
You were helpless and so was I, But unfortunately throughout history You've worn a badge of shame.
I say, the night has been long, The wound has been deep, The pit has been dark And the walls have been steep.
But today, voices of old spirit sound Speak to us in words profound, Across the years, across the centuries, Across the oceans, and across the seas.
They say, draw near to one another, Save your race.
You have been paid for in a distant place, The old ones remind us that slavery's chains Have paid for our freedom again and again.
The night has been long, The pit has been deep, The night has been dark, And the walls have been steep.
The hells we have lived through and live through still, Have sharpened our senses and toughened our will.
The night has been long.
This morning I look through your anguish Right down to your soul.
I know that with each other we can make ourselves whole.
I look through the posture and past your disguise, And see your love for family in your big brown eyes.
I say, clap hands and let's come together in this meeting ground, I say, clap hands and let's deal with each other with love, I say, clap hands and let us get from the low road of indifference, Clap hands, let us come together and reveal our hearts, Let us come together and revise our spirits, Let us come together and cleanse our souls, Clap hands, let's leave the preening And stop impostering our own history.
Clap hands, call the spirits back from the ledge, Clap hands, let us invite joy into our conversation, Courtesy into our bedrooms, Gentleness into our kitchen, Care into our nursery.
The ancestors remind us, despite the history of pain We are a going-on people who will rise again.
And still we rise.
Poem read at the Million Man March
Written by Pablo Neruda | Create an image from this poem

Ode To Tomatoes

 The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December, unabated, the tomato invades the kitchen, it enters at lunchtime, takes its ease on countertops, among glasses, butter dishes, blue saltcellars.
It sheds its own light, benign majesty.
Unfortunately, we must murder it: the knife sinks into living flesh, red viscera a cool sun, profound, inexhaustible, populates the salads of Chile, happily, it is wed to the clear onion, and to celebrate the union we pour oil, essential child of the olive, onto its halved hemispheres, pepper adds its fragrance, salt, its magnetism; it is the wedding of the day, parsley hoists its flag, potatoes bubble vigorously, the aroma of the roast knocks at the door, it's time! come on! and, on the table, at the midpoint of summer, the tomato, star of earth, recurrent and fertile star, displays its convolutions, its canals, its remarkable amplitude and abundance, no pit, no husk, no leaves or thorns, the tomato offers its gift of fiery color and cool completeness.
Written by Henry Wadsworth Longfellow | Create an image from this poem

RAIN IN SUMMER

 How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!

How it clatters along the roofs,
Like the tramp of hoofs
How it gushes and struggles out
From the throat of the overflowing spout!

Across the window-pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!

The sick man from his chamber looks
At the twisted brooks;
He can feel the cool
Breath of each little pool;
His fevered brain
Grows calm again,
And he breathes a blessing on the rain.
From the neighboring school Come the boys, With more than their wonted noise And commotion; And down the wet streets Sail their mimic fleets, Till the treacherous pool Ingulfs them in its whirling And turbulent ocean.
In the country, on every side, Where far and wide, Like a leopard's tawny and spotted hide, Stretches the plain, To the dry grass and the drier grain How welcome is the rain! In the furrowed land The toilsome and patient oxen stand; Lifting the yoke encumbered head, With their dilated nostrils spread, They silently inhale The clover-scented gale, And the vapors that arise From the well-watered and smoking soil.
For this rest in the furrow after toil Their large and lustrous eyes Seem to thank the Lord, More than man's spoken word.
Near at hand, From under the sheltering trees, The farmer sees His pastures, and his fields of grain, As they bend their tops To the numberless beating drops Of the incessant rain.
He counts it as no sin That he sees therein Only his own thrift and gain.
These, and far more than these, The Poet sees! He can behold Aquarius old Walking the fenceless fields of air; And from each ample fold Of the clouds about him rolled Scattering everywhere The showery rain, As the farmer scatters his grain.
He can behold Things manifold That have not yet been wholly told,-- Have not been wholly sung nor said.
For his thought, that never stops, Follows the water-drops Down to the graves of the dead, Down through chasms and gulfs profound, To the dreary fountain-head Of lakes and rivers under ground; And sees them, when the rain is done, On the bridge of colors seven Climbing up once more to heaven, Opposite the setting sun.
Thus the Seer, With vision clear, Sees forms appear and disappear, In the perpetual round of strange, Mysterious change From birth to death, from death to birth, From earth to heaven, from heaven to earth; Till glimpses more sublime Of things, unseen before, Unto his wondering eyes reveal The Universe, as an immeasurable wheel Turning forevermore In the rapid and rushing river of Time.
Written by José Martí | Create an image from this poem

A Sincere Man Am I

A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul's verses to bestow.
I'm a traveler to all parts, And a newcomer to none: I am art among the arts, With the mountains I am one.
I know how to name and class All the strange flowers that grow; I know every blade of grass, Fatal lie and sublime woe.
I have seen through dead of night Upon my head softly fall, Rays formed of the purest light From beauty celestial.
I have seen wings that were surging From beautiful women's shoulders, And seen butterflies emerging From the refuse heap that moulders.
I have known a man to live With a dagger at his side, And never once the name give Of she by whose hand he died.
Twice, for an instant, did I My soul's reflection espy: Twice: when my poor father died And when she bade me good-bye.
I trembled once, when I flung The vineyard gate, and to my dread, The wicked hornet had stung My little girl on the forehead.
I rejoiced once and felt lucky The day that my jailer came To read the death warrant to me That bore his tears and my name.
I hear a sigh across the earth, I hear a sigh over the deep: It is no sign reaching my hearth, But my son waking from sleep.
If they say I have obtained The pick of the jeweller's trove, A good friend is what I've gained And I have put aside love.
I have seen across the skies A wounded eagle still flying; I know the cubby where lies The snake of its venom dying.
I know that the world is weak And must soon fall to the ground, Then the gentle brook will speak Above the quiet profound.
While trembling with joy and dread, I have touched with hand so bold A once-bright star that fell dead From heaven at my threshold.
On my brave heart is engraved The sorrow hidden from all eyes: The son of a land enslaved, Lives for it, suffers and dies.
All is beautiful and right, All is as music and reason; And all, like diamonds, is light That was coal before its season.
I know when fools are laid to rest Honor and tears will abound, And that of all fruits, the best Is left to rot in holy ground.
Without a word, the pompous muse I've set aside, and understood: From a withered branch, I choose To hang my doctoral hood.


Written by Kenneth Koch | Create an image from this poem

One Train May Hide Another

 (sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross The tracks, wait to do it for one moment at Least after the first train is gone.
And so when you read Wait until you have read the next line— Then it is safe to go on reading.
In a family one sister may conceal another, So, when you are courting, it's best to have them all in view Otherwise in coming to find one you may love another.
One father or one brother may hide the man, If you are a woman, whom you have been waiting to love.
So always standing in front of something the other As words stand in front of objects, feelings, and ideas.
One wish may hide another.
And one person's reputation may hide The reputation of another.
One dog may conceal another On a lawn, so if you escape the first one you're not necessarily safe; One lilac may hide another and then a lot of lilacs and on the Appia Antica one tomb May hide a number of other tombs.
In love, one reproach may hide another, One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another, One blaring red uniform another, and another, a whole column.
One bath may hide another bath As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple Hide Life is incredibly complex, as in the prose of Gertrude Stein One sentence hides another and is another as well.
And in the laboratory One invention may hide another invention, One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting By someone after Matisse.
One waits at the tracks until they pass, These hidden doubles or, sometimes, likenesses.
One identical twin May hide the other.
And there may be even more in there! The obstetrician Gazes at the Valley of the Var.
We used to live there, my wife and I, but One life hid another life.
And now she is gone and I am here.
A vivacious mother hides a gawky daughter.
The daughter hides Her own vivacious daughter in turn.
They are in A railway station and the daughter is holding a bag Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by the mother's And has to carry that one, too.
So one hitchhiker May deliberately hide another and one cup of coffee Another, too, until one is over-excited.
One love may hide another love or the same love As when "I love you" suddenly rings false and one discovers The better love lingering behind, as when "I'm full of doubts" Hides "I'm certain about something and it is that" And one dream may hide another as is well known, always, too.
In the Garden of Eden Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass So you can see what else is there.
At home, no matter where, Internal tracks pose dangers, too: one memory Certainly hides another, that being what memory is all about, The eternal reverse succession of contemplated entities.
Reading A Sentimental Journey look around When you have finished, for Tristram Shandy, to see If it is standing there, it should be, stronger And more profound and theretofore hidden as Santa Maria Maggiore May be hidden by similar churches inside Rome.
One sidewalk May hide another, as when you're asleep there, and One song hide another song; a pounding upstairs Hide the beating of drums.
One friend may hide another, you sit at the foot of a tree With one and when you get up to leave there is another Whom you'd have preferred to talk to all along.
One teacher, One doctor, one ecstasy, one illness, one woman, one man May hide another.
Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one.
It can be important To have waited at least a moment to see what was already there.
Written by Bliss Carman | Create an image from this poem

On Love

 TO the assembled folk 
At great St.
Kavin’s spoke Young Brother Amiel on Christmas Eve; I give you joy, my friends, That as the round year ends, We meet once more for gladness by God’s leave.
On other festal days For penitence or praise Or prayer we meet, or fullness of thanksgiving; To-night we calendar The rising of that star Which lit the old world with new joy of living.
Ah, we disparage still The Tidings of Good Will, Discrediting Love’s gospel now as then! And with the verbal creed That God is love indeed, Who dares make Love his god before all men? Shall we not, therefore, friends, Resolve to make amends To that glad inspiration of the heart; To grudge not, to cast out Selfishness, malice, doubt, Anger and fear; and for the better part, To love so much, so well, The spirit cannot tell The range and sweep of her own boundary! There is no period Between the soul and God; Love is the tide, God the eternal sea.
… To-day we walk by love; To strive is not enough, Save against greed and ignorance and might.
We apprehend peace comes Not with the roll of drums, But in the still processions of the night.
And we perceive, not awe But love is the great law That binds the world together safe and whole.
The splendid planets run Their courses in the sun; Love is the gravitation of the soul.
In the profound unknown, Illumined, fair, and lone, Each star is set to shimmer in its place.
In the profound divine Each soul is set to shine, And its unique appointed orbit trace.
There is no near nor far, Where glorious Algebar Swings round his mighty circuit through the night, Yet where without a sound The winged seed comes to ground, And the red leaf seems hardly to alight.
One force, one lore, one need For satellite and seed, In the serene benignity for all.
Letting her time-glass run With star-dust, sun by sun, In Nature’s thought there is no great nor small.
There is no far nor near Within the spirit’s sphere.
The summer sunset’s scarlet-yellow wings Are tinged with the same dye That paints the tulip’s ply.
And what is colour but the soul of things? (The earth was without form; God moulded it with storm, Ice, flood, and tempest, gleaming tint and hue; Lest it should come to ill For lack of spirit still, He gave it colour,—let the love shine through.
)… Of old, men said, ‘Sin not; By every line and jot Ye shall abide; man’s heart is false and vile.
’ Christ said, ‘By love alone In man’s heart is God known; Obey the word no falsehood can defile.
’… And since that day we prove Only how great is love, Nor to this hour its greatness half believe.
For to what other power Will life give equal dower, Or chaos grant one moment of reprieve! Look down the ages’ line, Where slowly the divine Evinces energy, puts forth control; See mighty love alone Transmuting stock and stone, Infusing being, helping sense and soul.
And what is energy, In-working, which bids be The starry pageant and the life of earth? What is the genesis Of every joy and bliss, Each action dared, each beauty brought to birth? What hangs the sun on high? What swells the growing rye? What bids the loons cry on the Northern lake? What stirs in swamp and swale, When April winds prevail, And all the dwellers of the ground awake?… What lurks in the deep gaze Of the old wolf? Amaze, Hope, recognition, gladness, anger, fear.
But deeper than all these Love muses, yearns, and sees, And is the self that does not change nor veer.
Not love of self alone, Struggle for lair and bone, But self-denying love of mate and young, Love that is kind and wise, Knows trust and sacrifice, And croons the old dark universal tongue.
… And who has understood Our brothers of the wood, Save he who puts off guile and every guise Of violence,—made truce With panther, bear, and moose, As beings like ourselves whom love makes wise? For they, too, do love’s will, Our lesser clansmen still; The House of Many Mansions holds us all; Courageous, glad and hale, They go forth on the trail, Hearing the message, hearkening to the call.
… Open the door to-night Within your heart, and light The lantern of love there to shine afar.
On a tumultuous sea Some straining craft, maybe, With bearings lost, shall sight love’s silver star.
Written by Mary Darby Robinson | Create an image from this poem

Ode to the Muse

 O, let me seize thy pen sublime
That paints, in melting dulcet rhyme, 
The glowing pow'r, the magic art, 
Th' extatic raptures of the Heart; 
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien; 
The sweet descriptive tale to trace; 
To picture Nature's winning grace;
To steal the tear from Pity's eye; 
To catch the sympathetic sigh; 
O teach me, with swift light'nings force
To watch wild passion's varying course; 
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings.
SWEET Nymph, enchanting Poetry! I dedicate my mind to Thee.
Oh! from thy bright Parnassian bow'rs Descend, to bless my sombre hours; Bend to the earth thy eagle wing, And on its glowing plumage bring Blithe FANCY, from whose burning eye The young ideas sparkling fly; O, come, and let us fondly stray, Where rosy Health shall lead the way, And soft FAVONIUS lightly spread A perfum'd carpet as we tread; Ah! let us from the world remove, The calm forgetfulness to prove, Which at the still of evening's close, Lulls the tir'd peasant to repose; Repose, whose balmy joys o'er-pay The sultry labours of the day.
And when the blue-ey'd dawn appears, Just peeping thro' her veil of tears; Or blushing opes her silver gate, And on its threshold, stands elate, And flings her rosy mantle far O'er every loit'ring dewy star; And calls the wanton breezes forth, And sprinkles diamonds o'er the earth; While in the green-wood's shade profound, The insect race, with buzzing sound Flit o'er the rill,­a glitt'ring train, Or swarm along the sultry plain.
Then in sweet converse let us rove, Where in the thyme-embroider'd grove, The musky air its fragrance pours Upon the silv'ry scatter'd show'rs; To hail soft Zephyr, as she goes To fan the dew-drop from the rose; To shelter from the scorching beam, And muse beside the rippling stream.
Or when, at twilight's placid hour, We stroll to some sequester'd bow'r; And watch the haughty Sun retire Beneath his canopy of fire; While slow the dusky clouds enfold Day's crimson curtains fring'd with gold; And o'er the meadows faintly fly Pale shadows of the purpling sky: While softly o'er the pearl-deck'd plain, Cold Dian leads the sylvan train; In mazy dance and sportive glee, SWEET MUSE, I'll fondly turn to thee; And thou shalt deck my couch with flow'rs, And wing with joy my silent hours.
When Sleep, with downy hand, shall spread A wreath of poppies round my head; Then, FANCY, on her wing sublime, Shall waft me to the sacred clime Where my enlighten'd sense shall view, Thro' ether realms of azure hue, That flame, where SHAKESPEARE us'd to fill, With matchless fire, his "golden quill.
" While, from its point bright Genius caught The wit supreme, the glowing thought, The magic tone, that sweetly hung About the music of his tongue.
Then will I skim the floating air, On a light couch of gossamer, While with my wonder-aching eye, I contemplate the spangled sky, And hear the vaulted roof repeat The song of Inspiration sweet; While round the winged cherub train, Shall iterate the aëry strain: Swift, thro' my quiv'ring nerves shall float The tremours of each thrilling note; And every eager sense confess Extatic transport's wild excess: 'Till, waking from the glorious dream, I hail the morn's refulgent beam.
DEAR Maid! of ever-varying mien, Exulting, pensive, gay, serene, Now, in transcendent pathos drest, Now, gentle as the turtle's breast; Where'er thy feath'ry steps shall lead, To side-long hill, or flow'ry mead; To sorrow's coldest, darkest cell, Or where, by Cynthia's glimm'ring ray, The dapper fairies frisk and play About some cowslip's golden bell; And, in their wanton frolic mirth, Pluck the young daisies from the earth, To canopy their tiny heads, And decorate their verdant beds; While to the grass-hopper's shrill tune, They quaff libations to the moon, From acorn goblets, amply fill'd With dew, from op'ning flow'rs distill'd.
Or when the lurid tempest pours, From its dark urn, impetuous show'rs, Or from its brow's terrific frown, Hurls the pale murd'rous lightnings down; To thy enchanting breast I'll spring, And shield me with thy golden wing.
Or when amidst ethereal fire, Thou strik'st thy DELLA CRUSCAN lyre, While round, to catch the heavenly song, Myriads of wond'ring seraphs throng: Whether thy harp's empassioned strain Pours forth an OVID's tender pain; Or in PINDARIC flights sublime, Re-echoes thro' the starry clime; Thee I'll adore; transcendent guest, And woe thee to my burning breast.
But, if thy magic pow'rs impart One soft sensation to the heart, If thy warm precepts can dispense One thrilling transport o'er my sense; Oh! keep thy gifts, and let me fly, In APATHY's cold arms to die.
Written by Ralph Waldo Emerson | Create an image from this poem

Dæmonic Love

 Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright, All were foreign in their light.
It was ever the self-same tale, The old experience will not fail,— Only two in the garden walked, And with snake and seraph talked.
But God said; I will have a purer gift, There is smoke in the flame; New flowerets bring, new prayers uplift, And love without a name.
Fond children, ye desire To please each other well; Another round, a higher, Ye shall climb on the heavenly stair, And selfish preference forbear; And in right deserving, And without a swerving Each from your proper state, Weave roses for your mate.
Deep, deep are loving eyes, Flowed with naphtha fiery sweet, And the point is Paradise Where their glances meet: Their reach shall yet be more profound, And a vision without bound: The axis of those eyes sun-clear Be the axis of the sphere; Then shall the lights ye pour amain Go without check or intervals, Through from the empyrean walls, Unto the same again.
Close, close to men, Like undulating layer of air, Right above their heads, The potent plain of Dæmons spreads.
Stands to each human soul its own, For watch, and ward, and furtherance In the snares of nature's dance; And the lustre and the grace Which fascinate each human heart, Beaming from another part, Translucent through the mortal covers, Is the Dæmon's form and face.
To and fro the Genius hies, A gleam which plays and hovers Over the maiden's head, And dips sometimes as low as to her eyes.
Unknown, — albeit lying near, — To men the path to the Dæmon sphere, And they that swiftly come and go, Leave no track on the heavenly snow.
Sometimes the airy synod bends, And the mighty choir descends, And the brains of men thenceforth, In crowded and in still resorts, Teem with unwonted thoughts.
As when a shower of meteors Cross the orbit of the earth, And, lit by fringent air, Blaze near and far.
Mortals deem the planets bright Have slipped their sacred bars, And the lone seaman all the night Sails astonished amid stars.
Beauty of a richer vein, Graces of a subtler strain, Unto men these moon-men lend, And our shrinking sky extend.
So is man's narrow path By strength and terror skirted, Also (from the song the wrath Of the Genii be averted! The Muse the truth uncolored speaking), The Dæmons are self-seeking; Their fierce and limitary will Draws men to their likeness still.
The erring painter made Love blind, Highest Love who shines on all; Him radiant, sharpest-sighted god None can bewilder; Whose eyes pierce The Universe, Path-finder, road-builder, Mediator, royal giver, Rightly-seeing, rightly-seen, Of joyful and transparent mien.
'Tis a sparkle passing From each to each, from me to thee, Perpetually, Sharing all, daring all, Levelling, misplacing Each obstruction, it unites Equals remote, and seeming opposites.
And ever and forever Love Delights to build a road; Unheeded Danger near him strides, Love laughs, and on a lion rides.
But Cupid wears another face Born into Dæmons less divine, His roses bleach apace, His nectar smacks of wine.
The Dæmon ever builds a wall, Himself incloses and includes, Solitude in solitudes: In like sort his love doth fall.
He is an oligarch, He prizes wonder, fame, and mark, He loveth crowns, He scorneth drones; He doth elect The beautiful and fortunate, And the sons of intellect, And the souls of ample fate, Who the Future's gates unbar, Minions of the Morning Star.
In his prowess he exults, And the multitude insults.
His impatient looks devour Oft the humble and the poor, And, seeing his eye glare, They drop their few pale flowers Gathered with hope to please Along the mountain towers, Lose courage, and despair.
He will never be gainsaid, Pitiless, will not be stayed.
His hot tyranny Burns up every other tie; Therefore comes an hour from Jove Which his ruthless will defies, And the dogs of Fate unties.
Shiver the palaces of glass, Shrivel the rainbow-colored walls Where in bright art each god and sibyl dwelt Secure as in the Zodiack's belt; And the galleries and halls Wherein every Siren sung, Like a meteor pass.
For this fortune wanted root In the core of God's abysm, Was a weed of self and schism: And ever the Dæmonic Love Is the ancestor of wars, And the parent of remorse.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Naming Of Cats

 The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily, Such as Peter, Augustus, Alonzo or James, Such as Victor or Jonathan, George or Bill Bailey-- All of them sensible everyday names.
There are fancier names if you think they sound sweeter, Some for the gentlemen, some for the dames: Such as Plato, Admetus, Electra, Demeter-- But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular, A name that's peculiar, and more dignified, Else how can he keep up his tail perpendicular, Or spread out his whiskers, or cherish his pride? Of names of this kind, I can give you a quorum, Such as Munkustrap, Quaxo, or Coricopat, Such as Bombalurina, or else Jellylorum- Names that never belong to more than one cat.
But above and beyond there's still one name left over, And that is the name that you never will guess; The name that no human research can discover-- But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation, The reason, I tell you, is always the same: His mind is engaged in a rapt contemplation Of the thought, of the thought, of the thought of his name: His ineffable effable Effanineffable Deep and inscrutable singular Name.

Book: Shattered Sighs