Written by
Edwin Arlington Robinson |
“Be calm? And was I frantic?
You’ll have me laughing soon.
I’m calm as this Atlantic,
And quiet as the moon;
I may have spoken faster
Than once, in other days;
For I’ve no more a master,
And now—‘Be calm,’ he says.
“Fear not, fear no commotion,—
I’ll be as rocks and sand;
The moon and stars and ocean
Will envy my command;
No creature could be stiller
In any kind of place
Than I … No, I’ll not kill her;
Her death is in her face.
“Be happy while she has it,
For she’ll not have it long;
A year, and then you’ll pass it,
Preparing a new song.
And I’m a fool for prating
Of what a year may bring,
When more like her are waiting
For more like you to sing.
“You mock me with denial,
You mean to call me hard?
You see no room for trial
When all my doors are barred?
You say, and you’d say dying,
That I dream what I know;
And sighing, and denying,
You’d hold my hand and go.
“You scowl—and I don’t wonder;
I spoke too fast again;
But you’ll forgive one blunder,
For you are like most men:
You are,—or so you’ve told me,
So many mortal times,
That heaven ought not to hold me
Accountable for crimes.
“Be calm? Was I unpleasant?
Then I’ll be more discreet,
And grant you, for the present,
The balm of my defeat:
What she, with all her striving,
Could not have brought about,
You’ve done. Your own contriving
Has put the last light out.
“If she were the whole story,
If worse were not behind,
I’d creep with you to glory,
Believing I was blind;
I’d creep, and go on seeming
To be what I despise.
You laugh, and say I’m dreaming,
And all your laughs are lies.
“Are women mad? A few are,
And if it’s true you say—
If most men are as you are—
We’ll all be mad some day.
Be calm—and let me finish;
There’s more for you to know.
I’ll talk while you diminish,
And listen while you grow.
“There was a man who married
Because he couldn’t see;
And all his days he carried
The mark of his degree.
But you—you came clear-sighted,
And found truth in my eyes;
And all my wrongs you’ve righted
With lies, and lies, and lies.
“You’ve killed the last assurance
That once would have me strive
To rouse an old endurance
That is no more alive.
It makes two people chilly
To say what we have said,
But you—you’ll not be silly
And wrangle for the dead.
“You don’t? You never wrangle?
Why scold then,—or complain?
More words will only mangle
What you’ve already slain.
Your pride you can’t surrender?
My name—for that you fear?
Since when were men so tender,
And honor so severe?
“No more—I’ll never bear it.
I’m going. I’m like ice.
My burden? You would share it?
Forbid the sacrifice!
Forget so quaint a notion,
And let no more be told;
For moon and stars and ocean
And you and I are cold.”
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Written by
Henrik Ibsen |
"GOOD Heavens, man, what a freak of taste!
What blindness to form and feature!
The girl's no beauty, and might be placed
As a hoydenish kind of creature."
No doubt it were more in the current tone
And the tide today we move in,
If I could but choose me to make my own
A type of our average woman.
Like winter blossoms they all unfold
Their primly maturing glory;
Like pot-grown plants in the tepid mould
Of a window conservatory.
They sleep by rule and by rule they wake,
Each tendril is taught its duties;
Were I worldly-wise, yes, my choice I'd make
From our stock of average beauties.
For worldly wisdom what do I care?
I am sick of its prating mummers;
She breathes of the field and the open air,
And the fragrance of sixteen summers.
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Written by
John Trumbull |
Bred in distant woods, the clown
Brings all his country airs to town;
The odd address, with awkward grace,
That bows with half-averted face;
The half-heard compliments, whose note
Is swallow'd in the trembling throat;
The stiffen'd gait, the drawling tone,
By which his native place is known;
The blush, that looks by vast degrees,
Too much like modesty to please;
The proud displays of awkward dress,
That all the country fop express:
The suit right gay, though much belated,
Whose fashion's superannuated;
The watch, depending far in state,
Whose iron chain might form a grate;
The silver buckle, dread to view,
O'ershadowing all the clumsy shoe;
The white-gloved hand, that tries to peep
From ruffle, full five inches deep;
With fifty odd affairs beside,
The foppishness of country pride.
Poor Dick! though first thy airs provoke
The obstreperous laugh and scornful joke
Doom'd all the ridicule to stand,
While each gay dunce shall lend a hand;
Yet let not scorn dismay thy hope
To shine a witling and a fop.
Blest impudence the prize shall gain,
And bid thee sigh no more in vain.
Thy varied dress shall quickly show
At once the spendthrift and the beau.
With pert address and noisy tongue,
That scorns the fear of prating wrong
'Mongst listening coxcombs shalt thou shine,
And every voice shall echo thine.
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Written by
John Dryden |
(Comus.) Your hay it is mow'd, and your corn is reap'd;
Your barns will be full, and your hovels heap'd:
Come, my boys, come;
Come, my boys, come;
And merrily roar out Harvest Home.
(Chorus.) Come, my boys, come;
Come, my boys, come;
And merrily roar out Harvest Home.
(Man.) We ha' cheated the parson, we'll cheat him agen,
For why should a blockhead ha' one in ten?
One in ten,
One in ten,
For why should a blockhead ha' one in ten?
For prating so long like a book-learn'd sot,
Till pudding and dumplin burn to pot,
Burn to pot,
Burn to pot,
Till pudding and dumplin burn to pot.
(Chorus.)Burn to pot,
Burn to pot,
Till pudding and dumplin burn to pot.
We'll toss off our ale till we canno' stand,
And Hoigh for the honour of Old England:
Old England,
Old England,
And Hoigh for the honour of Old England.
(Chorus.) Old England,
Old England,
And Hoigh for the honour of Old England.
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Written by
Eugene Field |
It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.
There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.
We have always thought 'em lazy;
Now we adjudge 'em crazy!
Why, Horace was a daisy
That was very much alive!
And the wisest of us know him
As his Lydia verses show him,--
Go, read that virile poem,--
It is No. 25.
He was a very owl, sir,
And starting out to prowl, sir,
You bet he made Rome howl, sir,
Until he filled his date;
With a massic-laden ditty
And a classic maiden pretty
He painted up the city,
And Maecenas paid the freight!
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