10 Best Famous Point The Finger Poems

Here is a collection of the top 10 all-time best famous Point The Finger poems. This is a select list of the best famous Point The Finger poetry. Reading, writing, and enjoying famous Point The Finger poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of point the finger poems.

See Also:
Written by Victor Hugo | Create an image from this poem

To Some Birds Flown Away

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 





Written by William Blake | Create an image from this poem

French Revolution The (excerpt)

 84 Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
85 From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
86 And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
87 Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
88 The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
89 A bright cloud of infant souls; his words fall like purple autumn on the sheaves:
90 "Shall this marble built heaven become a clay cottage, this earth an oak stool and these mowers
91 From the Atlantic mountains mow down all this great starry harvest of six thousand years?
92 And shall Necker, the hind of Geneva, stretch out his crook'd sickle o'er fertile France
93 Till our purple and crimson is faded to russet, and the kingdoms of earth bound in sheaves,
94 And the ancient forests of chivalry hewn, and the joys of the combat burnt for fuel;
95 Till the power and dominion is rent from the pole, sword and sceptre from sun and moon,
96 The law and gospel from fire and air, and eternal reason and science
97 From the deep and the solid, and man lay his faded head down on the rock
98 Of eternity, where the eternal lion and eagle remain to devour?
99 This to prevent--urg'd by cries in day, and prophetic dreams hovering in night,
100 To enrich the lean earth that craves, furrow'd with plows, whose seed is departing from her--
101 Thy nobles have gather'd thy starry hosts round this rebellious city,
102 To rouze up the ancient forests of Europe, with clarions of cloud breathing war,
103 To hear the horse neigh to the drum and trumpet, and the trumpet and war shout reply.
104 Stretch the hand that beckons the eagles of heaven; they cry over Paris, and wait
105 Till Fayette point his finger to Versailles; the eagles of heaven must have their prey!"
106 He ceas'd, and burn'd silent; red clouds roll round Necker; a weeping is heard o'er the palace.
107 Like a dark cloud Necker paus'd, and like thunder on the just man's burial day he paus'd;
108 Silent sit the winds, silent the meadows, while the husbandman and woman of weakness
109 And bright children look after him into the grave, and water his clay with love,
110 Then turn towards pensive fields; so Necker paus'd, and his visage was covered with clouds.

111 The King lean'd on his mountains, then lifted his head and look'd on his armies, that shone
112 Through heaven, tinging morning with beams of blood; then turning to Burgundy, troubled:
113 "Burgundy, thou wast born a lion! My soul is o'ergrown with distress.
114 For the nobles of France, and dark mists roll round me and blot the writing of God
115 Written in my bosom. Necker rise! leave the kingdom, thy life is surrounded with snares.
116 We have call'd an Assembly, but not to destroy; we have given gifts, not to the weak;
117 I hear rushing of muskets, and bright'ning of swords, and visages redd'ning with war,
118 Frowning and looking up from brooding villages and every dark'ning city.
119 Ancient wonders frown over the kingdom, and cries of women and babes are heard,
120 And tempests of doubt roll around me, and fierce sorrows, because of the nobles of France.
121 Depart! answer not! for the tempest must fall, as in years that are passed away."
Written by William Blake | Create an image from this poem

The French Revolution (excerpt)

 Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
A bright cloud of infant souls; his words fall like purple autumn on the sheaves:
'Shall this marble built heaven become a clay cottage, this earth an oak stool and these mowers
From the Atlantic mountains mow down all this great starry harvest of six thousand years?
92 And shall Necker, the hind of Geneva, stretch out his crook'd sickle o'er fertile France
93 Till our purple and crimson is faded to russet, and the kingdoms of earth bound in sheaves,
94 And the ancient forests of chivalry hewn, and the joys of the combat burnt for fuel;
95 Till the power and dominion is rent from the pole, sword and sceptre from sun and moon,
96 The law and gospel from fire and air, and eternal reason and science
97 From the deep and the solid, and man lay his faded head down on the rock
98 Of eternity, where the eternal lion and eagle remain to devour?
99 This to prevent--urg'd by cries in day, and prophetic dreams hovering in night,
100 To enrich the lean earth that craves, furrow'd with plows, whose seed is departing from her--
101 Thy nobles have gather'd thy starry hosts round this rebellious city,
102 To rouze up the ancient forests of Europe, with clarions of cloud breathing war,
103 To hear the horse neigh to the drum and trumpet, and the trumpet and war shout reply.
104 Stretch the hand that beckons the eagles of heaven; they cry over Paris, and wait
105 Till Fayette point his finger to Versailles; the eagles of heaven must have their prey!'
106 He ceas'd, and burn'd silent; red clouds roll round Necker; a weeping is heard o'er the palace.
107 Like a dark cloud Necker paus'd, and like thunder on the just man's burial day he paus'd;
108 Silent sit the winds, silent the meadows, while the husbandman and woman of weakness
109 And bright children look after him into the grave, and water his clay with love,
110 Then turn towards pensive fields; so Necker paus'd, and his visage was covered with clouds.

111 The King lean'd on his mountains, then lifted his head and look'd on his armies, that shone
112 Through heaven, tinging morning with beams of blood; then turning to Burgundy, troubled:
113 'Burgundy, thou wast born a lion! My soul is o'ergrown with distress.
114 For the nobles of France, and dark mists roll round me and blot the writing of God
115 Written in my bosom. Necker rise! leave the kingdom, thy life is surrounded with snares.
116 We have call'd an Assembly, but not to destroy; we have given gifts, not to the weak;
117 I hear rushing of muskets, and bright'ning of swords, and visages redd'ning with war,
118 Frowning and looking up from brooding villages and every dark'ning city.
119 Ancient wonders frown over the kingdom, and cries of women and babes are heard,
120 And tempests of doubt roll around me, and fierce sorrows, because of the nobles of France.
121 Depart! answer not! for the tempest must fall, as in years that are passed away.'
Get a Premium Membership
Get more exposure for your poetry and more features with a Premium Membership.
Book: Radiant Verses: A Journey Through Inspiring Poetry

Member Area

My Admin
Profile and Settings
Edit My Poems
Edit My Quotes
Edit My Short Stories
Edit My Articles
My Comments Inboxes
My Comments Outboxes
Soup Mail
Poetry Contests
Contest Results/Status
Followers
Poems of Poets I Follow
Friend Builder

Soup Social

Poetry Forum
New/Upcoming Features
The Wall
Soup Facebook Page
Who is Online
Link to Us

Member Poems

Poems - Top 100 New
Poems - Top 100 All-Time
Poems - Best
Poems - by Topic
Poems - New (All)
Poems - New (PM)
Poems - New by Poet
Poems - Read
Poems - Unread

Member Poets

Poets - Best New
Poets - New
Poets - Top 100 Most Poems
Poets - Top 100 Most Poems Recent
Poets - Top 100 Community
Poets - Top 100 Contest

Famous Poems

Famous Poems - African American
Famous Poems - Best
Famous Poems - Classical
Famous Poems - English
Famous Poems - Haiku
Famous Poems - Love
Famous Poems - Short
Famous Poems - Top 100

Famous Poets

Famous Poets - Living
Famous Poets - Most Popular
Famous Poets - Top 100
Famous Poets - Best
Famous Poets - Women
Famous Poets - African American
Famous Poets - Beat
Famous Poets - Cinquain
Famous Poets - Classical
Famous Poets - English
Famous Poets - Haiku
Famous Poets - Hindi
Famous Poets - Jewish
Famous Poets - Love
Famous Poets - Metaphysical
Famous Poets - Modern
Famous Poets - Punjabi
Famous Poets - Romantic
Famous Poets - Spanish
Famous Poets - Suicidal
Famous Poets - Urdu
Famous Poets - War

Poetry Resources

Anagrams
Bible
Book Store
Character Counter
Cliché Finder
Poetry Clichés
Common Words
Copyright Information
Grammar
Grammar Checker
Homonym
Homophones
How to Write a Poem
Lyrics
Love Poem Generator
New Poetic Forms
Plagiarism Checker
Poetry Art
Publishing
Random Word Generator
Spell Checker
What is Good Poetry?
Word Counter