by
Margaret Atwood
The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,
is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.
No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.
|
by
Edgar Bowers
Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found.
During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple,
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump
Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
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by
Wendell Berry
Planting trees early in spring,
we make a place for birds to sing
in time to come. How do we know?
They are singing here now.
There is no other guarantee
that singing will ever be.
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by
Countee Cullen
Some are teethed on a silver spoon,
With the stars strung for a rattle;
I cut my teeth as the black racoon--
For implements of battle.
Some are swaddled in silk and down,
And heralded by a star;
They swathed my limbs in a sackcloth gown
On a night that was black as tar.
For some, godfather and goddame
The opulent fairies be;
Dame Poverty gave me my name,
And Pain godfathered me.
For I was born on Saturday--
"Bad time for planting a seed,"
Was all my father had to say,
And, "One mouth more to feed."
Death cut the strings that gave me life,
And handed me to Sorrow,
The only kind of middle wife
My folks could beg or borrow.
|
by
William Cullen Bryant
COME let us plant the apple-tree.
Cleave the tough greensward with the spade;
Wide let its hollow bed be made;
There gently lay the roots and there
Sift the dark mould with kindly care 5
And press it o'er them tenderly
As round the sleeping infant's feet
We softly fold the cradle sheet;
So plant we the apple-tree.
What plant we in this apple-tree? 10
Buds which the breath of summer days
Shall lengthen into leafy sprays;
Boughs where the thrush with crimson breast
Shall haunt and sing and hide her nest;
We plant upon the sunny lea 15
A shadow for the noontide hour
A shelter from the summer shower
When we plant the apple-tree.
What plant we in this apple-tree?
Sweets for a hundred flowery springs 20
To load the May-wind's restless wings
When from the orchard row he pours
Its fragrance through our open doors;
A world of blossoms for the bee
Flowers for the sick girl's silent room 25
For the glad infant sprigs of bloom
We plant with the apple-tree.
What plant we in this apple-tree!
Fruits that shall swell in sunny June
And redden in the August noon 30
And drop when gentle airs come by
That fan the blue September sky
While children come with cries of glee
And seek them where the fragrant grass
Betrays their bed to those who pass 35
At the foot of the apple-tree.
And when above this apple-tree
The winter stars are quivering bright
And winds go howling through the night
Girls whose young eyes o'erflow with mirth 40
Shall peel its fruit by cottage-hearth
And guests in prouder homes shall see
Heaped with the grape of Cintra's vine
And golden orange of the line
The fruit of the apple-tree. 45
The fruitage of this apple-tree
Winds and our flag of stripe and star
Shall bear to coasts that lie afar
Where men shall wonder at the view
And ask in what fair groves they grew; 50
And sojourners beyond the sea
Shall think of childhood's careless day
And long long hours of summer play
In the shade of the apple-tree.
Each year shall give this apple-tree 55
A broader flush of roseate bloom
A deeper maze of verdurous gloom
And loosen when the frost-clouds lower
The crisp brown leaves in thicker shower;
The years shall come and pass but we 60
Shall hear no longer where we lie
The summer's songs the autumn's sigh
In the boughs of the apple-tree.
And time shall waste this apple-tree.
Oh when its aged branches throw 65
Thin shadows on the ground below
Shall fraud and force and iron will
Oppress the weak and helpless still?
What shall the tasks of mercy be
Amid the toils the strifes the tears 70
Of those who live when length of years
Is wasting this little apple-tree?
Who planted this old apple-tree?
The children of that distant day
Thus to some aged man shall say; 75
And gazing on its mossy stem
The gray-haired man shall answer them:
A poet of the land was he,
Born in the rude but good old times;
'T is said he made some quaint old rhymes 80
On planting the apple-tree.
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by
Marge Piercy
Under a sky the color of pea soup
she is looking at her work growing away there
actively, thickly like grapevines or pole beans
as things grow in the real world, slowly enough.
If you tend them properly, if you mulch, if you water,
if you provide birds that eat insects a home and winter food,
if the sun shines and you pick off caterpillars,
if the praying mantis comes and the ladybugs and the bees,
then the plants flourish, but at their own internal clock.
Connections are made slowly, sometimes they grow underground.
You cannot tell always by looking what is happening.
More than half the tree is spread out in the soil under your feet.
Penetrate quietly as the earthworm that blows no trumpet.
Fight persistently as the creeper that brings down the tree.
Spread like the squash plant that overruns the garden.
Gnaw in the dark and use the sun to make sugar.
Weave real connections, create real nodes, build real houses.
Live a life you can endure: Make love that is loving.
Keep tangling and interweaving and taking more in,
a thicket and bramble wilderness to the outside but to us
interconnected with rabbit runs and burrows and lairs.
Live as if you liked yourself, and it may happen:
reach out, keep reaching out, keep bringing in.
This is how we are going to live for a long time: not always,
for every gardener knows that after the digging, after
the planting,
after the long season of tending and growth, the harvest comes.
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by
Thomas Hardy
"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"
"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.'"
"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.
"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog , who still lives near,
And much I hope my movements here
Have not disturbed your rest?"
"Ah yes! You dig upon my grave...
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"
"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place."
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by
Walt Whitman
1
NOW list to my morning’s romanza—I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before me.
A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.
And I stand before the young man face to face, and take his right hand in my left hand,
and his
left
hand in my right hand,
And I answer for his brother, and for men, and I answer for him that answers for all, and
send
these
signs.
2
Him all wait for—him all yield up to—his word is decisive and final,
Him they accept, in him lave, in him perceive themselves, as amid light,
Him they immerse, and he immerses them.
Beautiful women, the haughtiest nations, laws, the landscape, people, animals,
The profound earth and its attributes, and the unquiet ocean, (so tell I my morning’s
romanza;)
All enjoyments and properties, and money, and whatever money will buy,
The best farms—others toiling and planting, and he unavoidably reaps,
The noblest and costliest cities—others grading and building, and he domiciles there;
Nothing for any one, but what is for him—near and far are for him, the ships in the
offing,
The perpetual shows and marches on land, are for him, if they are for any body.
He puts things in their attitudes;
He puts to-day out of himself, with plasticity and love;
He places his own city, times, reminiscences, parents, brothers and sisters, associations,
employment, politics, so that the rest never shame them afterward, nor assume to command
them.
He is the answerer:
What can be answer’d he answers—and what cannot be answer’d, he shows how
it
cannot
be answer’d.
3
A man is a summons and challenge;
(It is vain to skulk—Do you hear that mocking and laughter? Do you hear the ironical
echoes?)
Books, friendships, philosophers, priests, action, pleasure, pride, beat up and down,
seeking
to
give satisfaction;
He indicates the satisfaction, and indicates them that beat up and down also.
Whichever the sex, whatever the season or place, he may go freshly and gently and safely,
by
day or
by night;
He has the pass-key of hearts—to him the response of the prying of hands on the
knobs.
His welcome is universal—the flow of beauty is not more welcome or universal than he
is;
The person he favors by day, or sleeps with at night, is blessed.
4
Every existence has its idiom—everything has an idiom and tongue;
He resolves all tongues into his own, and bestows it upon men, and any man translates, and
any
man
translates himself also;
One part does not counteract another part—he is the joiner—he sees how they
join.
He says indifferently and alike, How are you, friend? to the President at his
levee,
And he says, Good-day, my brother! to Cudge that hoes in the sugar-field,
And both understand him, and know that his speech is right.
He walks with perfect ease in the Capitol,
He walks among the Congress, and one Representative says to another, Here is our equal,
appearing
and new.
Then the mechanics take him for a mechanic,
And the soldiers suppose him to be a soldier, and the sailors that he has follow’d
the
sea,
And the authors take him for an author, and the artists for an artist,
And the laborers perceive he could labor with them and love them;
No matter what the work is, that he is the one to follow it, or has follow’d it,
No matter what the nation, that he might find his brothers and sisters there.
The English believe he comes of their English stock,
A Jew to the Jew he seems—a Russ to the Russ—usual and near, removed from none.
Whoever he looks at in the traveler’s coffee-house claims him,
The Italian or Frenchman is sure, and the German is sure, and the Spaniard is sure, and
the
island
Cuban is sure;
The engineer, the deck-hand on the great lakes, or on the Mississippi, or St. Lawrence, or
Sacramento, or Hudson, or Paumanok Sound, claims him.
The gentleman of perfect blood acknowledges his perfect blood;
The insulter, the prostitute, the angry person, the beggar, see themselves in the ways of
him—he strangely transmutes them,
They are not vile any more—they hardly know themselves, they are so grown.
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by
Robert Browning
That second time they hunted me
From hill to plain, from shore to sea,
And Austria, hounding far and wide
Her blood-hounds through the countryside,
Breathed hot and instant on my trace,—
I made six days a hiding-place
Of that dry green old aqueduct
Where I and Charles, when boys, have plucked
The fire-flies from the roof above,
Bright creeping throuoh the moss they love.
—How long it seems since Charles was lost!
Six days the soldiers crossed and crossed
The country in my very sight;
And when that peril ceased at night,
The sky broke out in red dismay
With signal-fires; well, there I lay
Close covered o'er in my recess,
Up to the neck in ferns and cress,
Thinking on Metternich our friend,
And Charles's miserable end,
And much beside, two days; the third,
Hunger o'ercame me when I heard
The peasants from the village go
To work among the maize; you know,
With us, in Lombardy, they bring
Provisions packed on mules, a string
With little bells that cheer their task,
And casks, and boughs on every cask
To keep the sun's heat from the wine;
These I let pass in jingling line,
And, close on them, dear noisy crew,
The peasants from the village too;
For at the very rear would troop
Their wives and sisters in a group
To help, I knew; when these had passed,
I threw my glove to strike the last,
Taking the chance: she did not start,
Much less cry out, but stooped apart
One instant, rapidly glanced round,
And saw me beckon from the ground;
A wild bush grows and hides my crypt,
She picked my glove up while she stripped
A branch off, then rejoined the rest
With that; my glove lay in her breast:
Then I drew breath: they disappeared;
It was for Italy I feared.
An hour, and she returned alone
Exactly where my glove was thrown.
Meanwhile come many thoughts; on me
Rested the hopes of Italy;
I had devised a certain tale
Which, when 'twas told her, could not fail
Persuade a peasant of its truth;
I meant to call a freak of youth
This hiding, and give hopes of pay,
And no temptation to betray.
But when I saw that woman's face,
Its calm simplicity of grace,
Our Italy's own attitude
In which she walked thus far, and stood,
Planting each naked foot so firm,
To crush the snake and spare the worm—
At first sight of her eyes, I said,
"I am that man upon whose head
They fix the price, because I hate
The Austrians over us: the State
Will give you gold—oh, gold so much,
If you betray me to their clutch!
And be your death, for aught I know,
If once they find you saved their foe.
Now, you must bring me food and drink,
And also paper, pen, and ink,
And carry safe what I shall write
To Padua, which you'll reach at night
Before the Duomo shuts; go in,
And wait till Tenebrae begin;
Walk to the Third Confessional,
Between the pillar and the wall,
And Kneeling whisper whence comes peace?
Say it a second time; then cease;
And if the voice inside returns,
From Christ and Freedom: what concerns
The cause of Peace?—for answer, slip
My letter where you placed your lip;
Then come back happy we have done
Our mother service—I, the son,
As you daughter of our land!"
Three mornings more, she took her stand
In the same place, with the same eyes:
I was no surer of sunrise
Than of her coming: we conferred
Of her own prospects, and I heard
She had a lover—stout and tall,
She said—then let her eyelids fall,
"He could do much"—as if some doubt
Entered her heart,—then, passing out,
"She could not speak for others—who
Had other thoughts; herself she knew:"
And so she brought me drink and food.
After four days, the scouts pursued
Another path: at last arrived
The help my Paduan friends contrived
To furnish me: she brought the news:
For the first time I could not choose
But kiss her hand and lay my own
Upon her head—"This faith was shown
To Italy, our mother;—she
Uses my hand and blesses thee!"
She followed down to the seashore;
I left and never saw her more.
How very long since I have thought
Concerning—much less wished for—aught
Beside the good of Italy,
For which I live and mean to die!
I never was in love; and since
Charles proved false, nothing could convince
My inmost heart I had a friend;
However, if I pleased to spend
Real wishes on myself—say, Three—
I know at least what one should be;
I would grasp Metternich until
I felt his red wet throat distil
In blood through these two hands; and next,
—Nor much for that am I perplexed—
Charles, perjured traitor, for his part,
Should die slow of a broken heart
Under his new employers; last
—Ah, there, what should I wish? For fast
Do I grow old and out of strength.—
If I resolved to seek at length
My father's house again, how scared
They all would look, and unprepared!
My brothers live in Austria's pay
—Disowned me long ago, men say;
And all my early mates who used
To praise me so—perhaps induced
More than one early step of mine—
Are turning wise; while some opine
"Freedom grows License," some suspect
"Haste breeds Delay," and recollect
They always said, such premature
Beginnings never could endure!
So, with a sullen "All's for best,"
The land seems settling to its rest.
I think, then, I should wish to stand
This evening in that dear, lost land,
Over the sea the thousand miles,
And know if yet that woman smiles
With the calm smile; some little farm
She lives in there, no doubt; what harm
If I sate on the door-side bench,
And, while her spindle made a trench
Fantastically in the dust,
Inquired of all her fortunes—just
Her children's ages and their names,
And what may be the husband's aims
For each of them—I'd talk this out,
And sit there, for and hour about,
Then kiss her hand once more, and lay
Mine on her head, and go my way.
So much for idle wishing—how
It steals the time! To business now.
|
by
Philip Levine
Hungry and cold, I stood in a doorway
on Delancey Street in 1946
as the rain came down. The worst part is this
is not from a bad movie. I'd read Dos Passos'
USA and thought, "Before the night ends
my life will change." A stranger would stop
to ask for my help, a single stranger
more needy than I, if such a woman
were possible. I still had cigarettes,
damp matches, and an inaccurate map
of Manhattan in my head, and the change
from the one $20 traveler's check
I'd cashed in a dairy restaurant where
the amazed owner actually proclaimed
to the busy heads, "They got Jews in Detroit!"
You can forgive the night. No one else was dumb
enough to be out. Sure, it was Easter.
Was I expecting crocus and lilac
to burst from the pavement and sweeten
the air the way they did in Michigan once
upon a time? This wouldn't be so bad
if you were only young once. Once would be fine.
You stand out in the rain once and get wet
expecting to enter fiction. You huddle
under the Williamsburg Bridge posing for Life.
You trek to the Owl Hotel to lie awake
in a room the size of a cat box and smell
the dawn as it leaks under the shade
with the damp welcome you deserve. Just the once
you earn your doctorate in mismanagement.
So I was eighteen, once, fifty years ago,
a kid from a small town with big ideas.
Gatsby said if Detroit is your idea
of a small town you need another idea,
and I needed several. I retied my shoes, washed
my face, brushed my teeth with a furry tongue,
counted out my $11.80
on the broken bed, and decided the time
had come to mature. How else can I explain
voting for Adlai Stevenson once and once
again, planting a lemon tree in hard pan,
loaning my Charlie Parker 78s
to an out-of-work actor, eating pork loin
barbecued on Passover, tangoing
perfectly without music even with you?
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