10 Best Famous Partially Poems

Here is a collection of the top 10 all-time best famous Partially poems. This is a select list of the best famous Partially poetry. Reading, writing, and enjoying famous Partially poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of partially poems.

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Hiawathas Photographing

by Lewis Carroll
 From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing; 

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid. 

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process. 

All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions. 

First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests. 

Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it. 

Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely. 

Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure. 

Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.' 

Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils. 

Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject. 

Nor in this was he mistaken,
As the picture failed completely. 

So in turn the other sisters. 

Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded. 

Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness. 

Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus. 

But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.

Hiawathas photographing ( Part V )

by Lewis Carroll
 Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.


Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it,
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.


Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions--
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.

The Battle of Sheriffmuir

by William Topaz McGonagall
 'Twas in the year 1715, and on the 10th of November,
Which the people of Scotland have cause to remember;
On that day the Earl of Mar left Perth bound for Sheriffmuir,
At the same time leaving behind a garrison under Colonel Balfour. 

Besides leaving a force of about three thousand men quartered in different parts of Fife,
To protect the people's property, and quell party strife,
The army along with him amounted to three thousand foot and twelve hundred cavalry,
All in the best of order, a most pleasant sight to see. 

The two armies bivouacked near Sheriffmuir during the night,
And around their camp-fires they talked concerning the coming fight.
The Duke of Argyle's English army numbered eight thousand strong,
Besides four hundred horse, posted in the rear all along. 

And the centre of the first line was composed of ten battalions of foot,
Consisting of about four thousand, under the command of Clanranald and Glengarry to boot;
And at the head of these battalions Sir John Maclean and Brigadier Ogilvie,
And the two brothers of Sir Donald Macdonald of Sleat, all in high glee. 

The Marquis of Huntly's squadron of horse was also there;
Likewise the Stirling squadron, carrying the Chevalier's standard, I do declare;
And the Perthshire squadron formed the left wing,
And with their boisterous shouts they made the welkin ring. 

The centre of the second line consisted of eight battalions of infantry,
And three of the Earl of Seaforth's foot, famous for their bravery;
There were also two battalions of the Marquis of Huntly,
Besides the Earl of Panmure's battalion, all men of high degree. 

And those of the Marquis of Tullibardine, commanded by the Viscount of Strathallan,
And of Logie Almond, and likewise Robertson of Strowan;
Besides two squadrons of horse under the Earl Marischal,
And the Angus squadron was on the left: these include them all. 

During this formation, the Duke of Argyle was watching all the time,
But owing to the ground occupied by them he couldn't see their line,
Which was unfortunately obstructed by the brow of a hill,
At the thought thereof the Duke's heart with fear did fill. 

The hill was occupied by a party of Earl Mar's troops looking towards Dunblane,
Which the Earl of Mar no doubt resolved to maintain;
Then the Duke returned to the army, and ordered the drums to beat,
But an hour elapsed before his army were ready Mar's to meet. 

As soon as the Earl of Mar perceived Argyle's line was partially formed,
He gave orders that Argyle's army should be instantly stormed.
Then Mar placed himself at the head of the clans, and led forward his men,
As a noble hero would do, which no one can condemn. 

Then he pulled off his hat, which he waved in his right hand,
And when he arrived within pistol-shot the Highlanders made·a bold stand,
And they poured in a volley upon the English infantry,
And to the dismay of the Highlanders the English returned fire instantly. 

And to the horror of the Highlanders Alan Muidartach was wounded mortally,
Then he was carried off the field, a most pitiful sight to see;
And as his men clustered around him they stood aghast,
And before he died he told them to hold their posts fast. 

While lamenting the death of the Captain of Clanranald most pitifully,
Glengarry at this juncture sprang forward right manfully,
And throwing his bonnet into the air, he cried, heroically,
Revenge! revenge! revenge to-day ! and mourning to-morrow ye shall see! 

No sooner had he pronounced these words than the Highlanders rushed forward, sword in hand,
Upon the royal battalions with the utmost fury, which they could not withstand,
And with their broadswords among the enemy they spread death and dismay,
Until the three battalions of Argyle's left wing instantly gave way. 

Then a complete rout ensued, and the Earl of Mar pursued them half-a-mile;
Then he ordered his men to halt and rest a while,
Until he should put them into order right speedily,
Then follow the enemy at the double-march and complete the victory. 

Then the Highlanders chased them and poured in a volley,
Besides they hewed them down with their broadswords mercilessly;
But somehow both armies got mixed together, and a general rout ensued,
While the Highlanders eagerly the English army hotly pursued. 

The success on either side is doubtful to this day,
And all that can be said is, both armies ran away;
And on whichsoever side success lay it was toward the Government,
And to allay all doubts about which party won, we must feel content.

The Innocence

by Robert Creeley
 Looking to the sea, it is a line
of unbroken mountains.

It is the sky.
It is the ground. There
we live it, on it.

It is a mist
now tangent to another
quiet. Here the leaves
come, there
is the rock in evidence

or evidence.
What I come to do
is partial, partially kept.

There was an Old Man who supposed

by Edward Lear
There was an Old Man who supposedThat the street door was partially closed;But some very large Rats ate his coats and his hats,While that futile Old Gentleman dozed. 

Vigil Strange I Kept on the Field

by Walt Whitman
 VIGIL strange I kept on the field one night: 
When you, my son and my comrade, dropt at my side that day, 
One look I but gave, which your dear eyes return’d, with a look I shall never forget;

One touch of your hand to mine, O boy, reach’d up as you lay on the ground; 
Then onward I sped in the battle, the even-contested battle;
Till late in the night reliev’d, to the place at last again I made my way; 
Found you in death so cold, dear comrade—found your body, son of responding kisses,
 (never
 again on earth responding;) 
Bared your face in the starlight—curious the scene—cool blew the moderate
 night-wind;

Long there and then in vigil I stood, dimly around me the battlefield spreading; 
Vigil wondrous and vigil sweet, there in the fragrant silent night;
But not a tear fell, not even a long-drawn sigh—Long, long I gazed; 
Then on the earth partially reclining, sat by your side, leaning my chin in my hands; 
Passing sweet hours, immortal and mystic hours with you, dearest comrade—Not a tear,
 not a
 word; 
Vigil of silence, love and death—vigil for you my son and my soldier, 
As onward silently stars aloft, eastward new ones upward stole;
Vigil final for you, brave boy, (I could not save you, swift was your death, 
I faithfully loved you and cared for you living—I think we shall surely meet again;) 
Till at latest lingering of the night, indeed just as the dawn appear’d, 
My comrade I wrapt in his blanket, envelop’d well his form, 
Folded the blanket well, tucking it carefully over head, and carefully under feet;
And there and then, and bathed by the rising sun, my son in his grave, in his rude-dug
 grave I
 deposited; 
Ending my vigil strange with that—vigil of night and battlefield dim; 
Vigil for boy of responding kisses, (never again on earth responding;) 
Vigil for comrade swiftly slain—vigil I never forget, how as day brighten’d, 
I rose from the chill ground, and folded my soldier well in his blanket,
And buried him where he fell.

Runner The

by Walt Whitman
 ON a flat road runs the well-train’d runner; 
He is lean and sinewy, with muscular legs; 
He is thinly clothed—he leans forward as he runs, 
With lightly closed fists, and arms partially rais’d.
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