by
John Milton
VI
Giovane piano, e semplicetto amante
Poi che fuggir me stesso in dubbio sono,
Madonna a voi del mio cuor l'humil dono
Faro divoto; io certo a prove tante
L'hebbi fedele, intrepido, costante,
De pensieri leggiadro, accorto, e buono;
Quando rugge il gran mondo, e scocca il tuono,
S 'arma di se, e d' intero diamante,
Tanto del forse, e d' invidia sicuro,
Di timori, e speranze al popol use
Quanto d'ingegno, e d' alto valor vago,
E di cetra sonora, e delle muse:
Sol troverete in tal parte men duro
Ove amor mise l 'insanabil ago.
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by
Francesco Petrarch
SONNET XII. Mai non fu' in parte ove sì chiar' vedessi. VAUCLUSE. Nowhere before could I so well have seenHer whom my soul most craves since lost to view;Nowhere in so great freedom could have beenBreathing my amorous lays 'neath skies so blue;Never with depths of shade so calm and greenA valley found for lover's sigh more true;[Pg 245]Methinks a spot so lovely and sereneLove not in Cyprus nor in Gnidos knew.All breathes one spell, all prompts and prays that ILike them should love—the clear sky, the calm hour,Winds, waters, birds, the green bough, the gay flower—But thou, beloved, who call'st me from on high,By the sad memory of thine early fate,Pray that I hold the world and these sweet snares in hate. Macgregor. Never till now so clearly have I seenHer whom my eyes desire, my soul still views;Never enjoy'd a freedom thus serene;Ne'er thus to heaven breathed my enamour'd muse,As in this vale sequester'd, darkly green;Where my soothed heart its pensive thought pursues,And nought intrusively may intervene,And all my sweetly-tender sighs renews.To Love and meditation, faithful shade,Receive the breathings of my grateful breast!Love not in Cyprus found so sweet a nestAs this, by pine and arching laurel made!The birds, breeze, water, branches, whisper love;Herb, flower, and verdant path the lay symphonious move.
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by
William Strode
Where are yee now, Astrologers, that looke
For petty accidents in Heavens booke?
Two Twins, to whom one Influence gave breath,
Differ in more than Fortune, Life and Death.
While both were warme (for that was all they were
Unlesse some feeble cry sayd Life was there
By wavering change of health they seem'd to trie
Which of the two should live, for one must die.
As if one Soule, allotted to susteine
The lumpe, which afterwards was cutt in twain,
Now servde them both: whose limited restraynt
From double vertue made them both to faynt:
But when that common Soule away should flie,
Death killing one, expected both should die:
Shee hitt, and was deceivde: that other parte
Went to supply the weake survivers heart:
So Death, where shee was cruell, seemde most milde:
She aymed at two, and killde but halfe a childe.
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by
Francesco Petrarch
SESTINA VI. Anzi tre di creata era alma in parte. THE HISTORY OF HIS LOVE; AND PRAYER FOR HELP. Life's three first stages train'd my soul in partTo place its care on objects high and new,And to disparage what men often prize,But, left alone, and of her fatal courseAs yet uncertain, frolicsome, and free,She enter'd at spring-time a lovely wood. A tender flower there was, born in that woodThe day before, whose root was in a partHigh and impervious e'en to spirit free;For many snares were there of forms so new,And such desire impell'd my sanguine course,That to lose freedom were to gain a prize. Dear, sweet, yet perilous and painful prize!Which quickly drew me to that verdant wood,Doom'd to mislead me midway in life's course;The world I since have ransack'd part by part,For rhymes, or stones, or sap of simples new,Which yet might give me back the spirit, free. But ah! I feel my body must be freeFrom that hard knot which is its richest prize,[Pg 194]Ere medicine old or incantations newCan heal the wounds which pierced me in that wood,Thorny and troublous, where I play'd such part,Leaving it halt who enter'd with hot course. Yes! full of snares and sticks, a difficult courseHave I to run, where easy foot and sureWere rather needed, healthy in each part;Thou, Lord, who still of pity hast the prize,Stretch to me thy right hand in this wild wood,And let thy sun dispel my darkness new. Look on my state, amid temptations new,Which, interrupting my life's tranquil course,Have made me denizen of darkling wood;If good, restore me, fetterless and free,My wand'ring consort, and be thine the prizeIf yet with thee I find her in blest part. Lo! thus in part I put my questions new,If mine be any prize, or run its course,Be my soul free, or captived in close wood.
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by
Francesco Petrarch
CANZONE XV. In quella parte dov' Amor mi sprona. HE FINDS HER IMAGE EVERYWHERE. When Love, fond Love, commands the strain,The coyest muse must sure obey;Love bids my wounded breast complain,And whispers the melodious lay:Yet when such griefs restrain the muse's wing,How shall she dare to soar, or how attempt to sing? Oh! could my heart express its woe,How poor, how wretched should I seem!But as the plaintive accents flow,Soft comfort spreads her golden gleam;And each gay scene, that Nature holds to view,Bids Laura's absent charms to memory bloom anew. Though Fate's severe decrees removeHer gladsome beauties from my sight,[Pg 122]Yet, urged by pity, friendly LoveBids fond reflection yield delight;If lavish spring with flowerets strews the mead,Her lavish beauties all to fancy are displayed! When to this globe the solar beamsTheir full meridian blaze impart,It pictures Laura, that inflamesWith passion's fires each human heart:And when the sun completes his daily race,I see her riper age complete each growing grace. When milder planets, warmer skiesO'er winter's frozen reign prevail;When groves are tinged with vernal dyes,And violets scent the wanton gale;Those flowers, the verdure, then recall that day,In which my Laura stole this heedless heart away. The blush of health, that crimson'd o'erHer youthful cheek; her modest mien;The gay-green garment that she wore,Have ever dear to memory been;More dear they grow as time the more inflamesThis tender breast o'ercome by passion's wild extremes! The sun, whose cheering lustre warmsThe bosom of yon snow-clad hill,Seems a just emblem of the charms,Whose power controls my vanquish'd will;When near, they gild with joy this frozen heart,Where ceaseless winter reigns, whene'er those charms depart. Yon sun, too, paints the locks of gold,That play around her face so fair—Her face which, oft as I behold,Prompts the soft sigh of amorous care!While Laura smiles, all-conscious of that loveWhich from this faithful breast no time can e'er remove. If to the transient storm of nightSucceeds a star-bespangled sky,And the clear rain-drops catch the light,Glittering on all the foliage nigh;[Pg 123]Methinks her eyes I view, as on that dayWhen through the envious veil they shot their magic ray. With brightness making heaven more bright,As then they did, I see them now;I see them, when the morning lightPurples the misty mountain's brow:When day declines, and darkness spreads the pole;Methinks 'tis Laura flies, and sadness wraps my soul. In stately jars of burnish'd goldShould lilies spread their silvery pride,With fresh-blown roses that unfoldTheir leaves, in heaven's own crimson dyed;Then Laura's bloom I see, and sunny hairFlowing adown her neck than ivory whiter far. The flowerets brush'd by zephyr's wing,Waving their heads in frolic play,Oft to my fond remembrance bringThe happy spot, the happier day,In which, disporting with the gale, I view'dThose sweet unbraided locks, that all my heart subdued. Oh! could I count those orbs that shineNightly o'er yon ethereal plain,Or in some scanty vase confineEach drop that ocean's bounds contain,Then might I hope to fly from beauty's rays,Laura o'er flaming worlds can spread bright beauty's blaze. Should I all heaven, all earth explore,I still should lovely Laura find;Laura, whose beauties I adore,Is ever present to my mind:She's seen in all that strikes these partial eyes,And her dear name still dwells in all my tender sighs. But soft, my song,—not thine the powerTo paint that never-dying flame,Which gilds through life the gloomy hour,Which nurtures this love-wasted frame;For since with Laura dwells my wander'd heart,Cheer'd by that fostering flame, I brave Death's ebon dart.
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by
Lewis Carroll
I have a horse - a ryghte good horse -
Ne doe Y envye those
Who scoure ye playne yn headye course
Tyll soddayne on theyre nose
They lyghte wyth unexpected force
Yt ys - a horse of clothes.
I have a saddel - "Say'st thou soe?
Wyth styrruppes, Knyghte, to boote?"
I sayde not that - I answere "Noe" -
Yt lacketh such, I woote:
Yt ys a mutton-saddel, loe!
Parte of ye fleecye brute.
I have a bytte - a ryghte good bytte -
As shall bee seene yn tyme.
Ye jawe of horse yt wyll not fytte;
Yts use ys more sublyme.
Fayre Syr, how deemest thou of yt?
Yt ys - thys bytte of rhyme.
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by
Francesco Petrarch
[Pg 153] SONNET CXXVI. In qual parte del cielo, in quale idea. HE EXTOLS THE BEAUTY AND VIRTUE OF LAURA. Say from what part of heaven 'twas Nature drew,From what idea, that so perfect mouldTo form such features, bidding us behold,In charms below, what she above could do?What fountain-nymph, what dryad-maid e'er threwUpon the wind such tresses of pure gold?What heart such numerous virtues can unfold?Although the chiefest all my fond hopes slew.He for celestial charms may look in vain,Who has not seen my fair one's radiant eyes,And felt their glances pleasingly beguile.How Love can heal his wounds, then wound again,He only knows, who knows how sweet her sighs,How sweet her converse, and how sweet her smile. Nott. In what celestial sphere—what realm of thought,Dwelt the bright model from which Nature drewThat fair and beauteous face, in which we viewHer utmost power, on earth, divinely wrought?What sylvan queen—what nymph by fountain sought,Upon the breeze such golden tresses threw?When did such virtues one sole breast imbue?Though with my death her chief perfection's fraught.For heavenly beauty he in vain inquires,Who ne'er beheld her eyes' celestial stain,Where'er she turns around their brilliant fires:He knows not how Love wounds, and heals again,Who knows not how she sweetly smiles, respiresThe sweetest sighs, and speaks in sweetest strain!
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by
Francesco Petrarch
SONNET XXXIV. Levommi il mio pensier in parte ov' era. SOARING IN IMAGINATION TO HEAVEN, HE MEETS LAURA, AND IS HAPPY. Fond fancy raised me to the spot, where straysShe, whom I seek but find on earth no more:There, fairer still and humbler than before,I saw her, in the third heaven's blessèd maze.She took me by the hand, and "Thou shalt trace,If hope not errs," she said, "this happy shore:I, I am she, thy breast with slights who tore,And ere its evening closed my day's brief space.What human heart conceives, my joys exceed;Thee only I expect, and (what remainBelow) the charms, once objects of thy love."Why ceased she? Ah! my captive hand why freed?Such of her soft and hallow'd tones the chain,From that delightful heaven my soul could scarcely move. Wrangham. [Pg 262] Thither my ecstatic thought had rapt me, whereShe dwells, whom still on earth I seek in vain;And there, with those whom the third heavens contain,I saw her, much more kind, and much more fair.My hand she took, and said: "Within this sphere,If hope deceive me not, thou shalt againWith me reside: who caused thy mortal painAm I, and even in summer closed my year.My bliss no human thought can understand:Thee only I await; and, that erewhileYou held so dear, the veil I left behind."—She ceased—ah why? Why did she loose my hand?For oh! her hallow'd words, her roseate smileIn heaven had well nigh fix'd my ravish'd mind!
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by
John Milton
V
Per certo i bei vostr'occhi Donna mia
Esser non puo che non fian lo mio sole
Si mi percuoton forte, come ci suole
Per l'arene di Libia chi s'invia,
Mentre un caldo vapor (ne senti pria)
Da quel lato si spinge ove mi duole,
Che forsi amanti nelle lor parole
Chiaman sospir; io non so che si sia:
Parte rinchiusa, e turbida si cela
Scosso mi il petto, e poi n'uscendo poco
Quivi d' attorno o s'agghiaccia, o s'ingiela;
Ma quanto a gli occhi giunge a trovar loco
Tutte le notti a me suol far piovose
Finche mia Alba rivien colma di rose.
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by
William Strode
Is Death so cunning now that all her blowe
Aymes at the heade? Doth now her wary Bowe
Make surer worke than heertofore? The steele
Slew warlike heroes onely in the heele.
New found out slights, when men themselves begin
To be theyr proper Fates by new found sinne.
Tis cowardize to make a wound so sure;
No Art in killing where no Art can cure.
Was it for hate of learning that she smote
This upper shoppe where all the Muses wrought?
Learning shall crosse her drift, and duly trie
All wayes and meanes of immortalitie.
Because her heade was crusht, doth shee desire
Our equall shame? In vayne she doth aspire.
No: noe: Wee know where ere shee make a breach
Her poysened Sting onely the Heele can reach.
Looke on the Soule of man, the very Heart;
The Head itselfe is but a lower parte:
Yet hath shee straynde her utmost tyranny,
And done her worst in that she came so high.
Had she reservde this stroke for haughty men,
For politique Contrivers; justly then
The Punishment were matcht with the offence:
But when Humility and Innocence
So indiscreetly in the Heade are hitt,
Death hath done Murther, and shall die for itt:
Thinke it no Favour showne because the Braine
Is voyde of sence, and therefore free from payne.
Thinke it noe kindness when so stealingly
He rather seemde to jest away than die,
And like that Innocent, the Widdows childe
Cryde out, My head, my head: and so it dyde.
Thinke it was rather double cruelty,
Slaughter intended on his Name, that Hee
Whose thoughts were nothing taynted, nothing vayne,
Might seeme to hide Corruption in his brayne.
How easy might this Blott bee wipte away
If any Pen his worth could open lay?
For which those Harlott-prayses, which wee reare
In common dust, as much too slender are
As great for others. Boasting Elegies
Must here bee dumbe. Desert that overweighs
All our Reward stoppes all our Prayse: lest wee
Might seeme to give alike to Them and Thee:
Wherfore an humble Verse, and such a strayne
As mine will hide the truth while others fayne.
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