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Best Famous Offshore Poems

Here is a collection of the all-time best famous Offshore poems. This is a select list of the best famous Offshore poetry. Reading, writing, and enjoying famous Offshore poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of offshore poems.

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Written by Philip Levine | Create an image from this poem

The Negatives

 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville. Because of the subsequent 
confession of Dauville the other three were captured or shot. Dauville 
was given his freedom and returned to the land of his birth, the U.S.A.

AUGUST REIN: 
from a last camp near St. Remy

 I dig in the soft earth all 
 afternoon, spacing the holes 
 a foot or so from the wall. 
 Tonight we eat potatoes, 
 tomorrow rice and carrots. 
 The earth here is like the earth 
 nowhere, ancient with wood rot. 
 How can anything come forth, 

 I wonder; and the days are 
 all alike, if there is more 
 than one day. If there is more 
 of this I will not endure. 
 I have grown so used to being 
 watched I can no longer sleep 
 without my watcher. The thing 
 I fought against, the dark cape, 

 crimsoned with terror that 
 I so hated comforts me now. 
 Thomas is dead; insanity, 
 prison, cowardice, or slow 
 inner capitulation 
 has found us all, and all men 
 turn from us, knowing our pain 
 is not theirs or caused by them.

HENRI BRUETTE: 
from a hospital in Algiers

 Dear Suzanne: this letter will 
 not reach you because I can't 
 write it; I have no pencil, 
 no paper, only the blunt 
 end of my anger. My dear, 
 if I had words how could I 
 report the imperfect failure 
 for which I began to die? 

 I might begin by saying 
 that it was for clarity, 
 though I did not find it in 
 terror: dubiously 
 entered each act, unsure 
 of who I was and what I 
 did, touching my face for fear 
 I was another inside 

 my head I played back pictures 
 of my childhood, of my wife 
 even, for it was in her 
 I found myself beaten, safe, 
 and furthest from the present. 
 It is her face I see now 
 though all I say is meant 
 for you, her face in the slow 

 agony of sexual 
 release. I cannot see you. 
 The dark wall ribbed with spittle 
 on which I play my childhood 
 brings me to this bed, mastered 
 by what I was, betrayed by 
 those I trusted. The one word 
 my mouth must open to is why.

JACK DAUVILLE: 
from a hotel in Tampa, Florida

 From Orleansville we drove 
 south until we reached the hills, 
 then east until 
 the road stopped. I was nervous 
 and couldn't eat. Thomas took 
 over, told us when to think 
 and when to ****. 
 We turned north and reached Blida 
 by first dawn and the City 

 by morning, having dumped our 
 weapons beside an empty 
 road. We were free. 
 We parted, and to this hour 
 I haven't seen them, except 
 in photographs: the black hair 
 and torn features 
 of Thomas Delain captured 
 a moment before his death 

 on the pages of the world, 
 smeared in the act. I tortured 
 myself with their 
 betrayal: alone I hurled 
 them into freedom, inner 
 freedom which I can't find 
 nor ever will 
 until they are dead. In my mind 
 Delain stands against the wall 

 precise in detail, steadied 
 for the betrayal. "La France 
 C'Est Moi," he cried, 
 but the irony was lost. Since 
 I returned to the U.S. 
 nothing goes well. I stay up 
 too late, don't sleep, 
 and am losing weight. Thomas, 
 I say, is dead, but what use 

 telling myself what I won't 
 believe. The hotel quiets 
 early at night, 
 the aged brace themselves for 
 another sleep, and offshore 
 the sea quickens its pace. I 
 am suddenly 
 old, caught in a strange country 
 for which no man would die.

THOMAS DELAIN: 
from a journal found on his person

 At night wakened by the freight 
 trains boring through the suburbs 
 of Lyon, I watched first light 
 corrode the darkness, disturb 
 what little wildlife was left 
 in the alleys: birds moved from 
 branch to branch, and the dogs leapt 
 at the garbage. Winter numbed 
 even the hearts of the young 
 who had only their hearts. We 
 heard the war coming; the long 
 wait was over, and we moved 
 along the crowded roads south 
 not looking for what lost loves 
 fell by the roadsides. To flee 
 at all cost, that was my youth. 

 Here in the African night 
 wakened by what I do not 
 know and shivering in the heat, 
 listen as the men fight 
 with sleep. Loosed from their weapons 
 they cry out, frightened and young, 
 who have never been children. 
 Once merely to be strong, 
 to live, was moral. Within 
 these uniforms we accept 
 the evil we were chosen 
 to deliver, and no act 
 human or benign can free 
 us from ourselves. Wait, sleep, blind 
 soldiers of a blind will, and 
 listen for that old command 
 dreaming of authority.


Written by Allen Ginsberg | Create an image from this poem

Who Runs America?

Oil brown smog over Denver 
Oil red dung colored smoke 
level to level across the horizon 

blue tainted sky above 
Oil car smog gasoline 
hazing red Denver's day 

December bare trees 

sticking up from housetop streets 

Plane lands rumbling, planes rise over 

radar wheels, black smoke 

drifts from tailfins 

Oil millions of cars speeding the cracked plains 
Oil from Texas, Bahrein, Venezuela Mexico 
Oil that turns General Motors 

revs up Ford 
lights up General Electric, oil that crackles 

thru International Business Machine computers, 

charges dynamos for ITT 
sparks Western 
Electric 

runs thru Amer Telephone & Telegraph wires 

Oil that flows thru Exxon New Jersey hoses, 
rings in Mobil gas tank cranks, rumbles 

Chrysler engines 

shoots thru Texaco pipelines 

blackens ocean from broken Gulf tankers 
spills onto Santa Barbara beaches from 

Standard of California derricks offshore. 

Written by Philip Levine | Create an image from this poem

The Mercy

 The ship that took my mother to Ellis Island 
Eighty-three years ago was named "The Mercy." 
She remembers trying to eat a banana 
without first peeling it and seeing her first orange
in the hands of a young Scot, a seaman 
who gave her a bite and wiped her mouth for her 
with a red bandana and taught her the word,
"orange," saying it patiently over and over. 
A long autumn voyage, the days darkening 
with the black waters calming as night came on, 
then nothing as far as her eyes could see and space
without limit rushing off to the corners 
of creation. She prayed in Russian and Yiddish 
to find her family in New York, prayers 
unheard or misunderstood or perhaps ignored 
by all the powers that swept the waves of darkness 
before she woke, that kept "The Mercy" afloat 
while smallpox raged among the passengers 
and crew until the dead were buried at sea 
with strange prayers in a tongue she could not fathom.
"The Mercy," I read on the yellowing pages of a book 
I located in a windowless room of the library 
on 42nd Street, sat thirty-one days 
offshore in quarantine before the passengers
disembarked. There a story ends. Other ships 
arrived, "Tancred" out of Glasgow, "The Neptune"
registered as Danish, "Umberto IV," 
the list goes on for pages, November gives 
way to winter, the sea pounds this alien shore. 
Italian miners from Piemonte dig 
under towns in western Pennsylvania 
only to rediscover the same nightmare 
they left at home. A nine-year-old girl travels 
all night by train with one suitcase and an orange. 
She learns that mercy is something you can eat 
again and again while the juice spills over 
your chin, you can wipe it away with the back 
of your hands and you can never get enough.
Written by Elizabeth Bishop | Create an image from this poem

The End Of March

 For John Malcolm Brinnin and Bill Read: Duxbury


It was cold and windy, scarcely the day 
to take a walk on that long beach 
Everything was withdrawn as far as possible, 
indrawn: the tide far out, the ocean shrunken, 
seabirds in ones or twos. 
The rackety, icy, offshore wind 
numbed our faces on one side; 
disrupted the formation 
of a lone flight of Canada geese; 
and blew back the low, inaudible rollers 
in upright, steely mist. 

The sky was darker than the water 
--it was the color of mutton-fat jade. 
Along the wet sand, in rubber boots, we followed 
a track of big dog-prints (so big 
they were more like lion-prints). Then we came on 
lengths and lengths, endless, of wet white string, 
looping up to the tide-line, down to the water, 
over and over. Finally, they did end: 
a thick white snarl, man-size, awash, 
rising on every wave, a sodden ghost, 
falling back, sodden, giving up the ghost... 
A kite string?--But no kite. 

I wanted to get as far as my proto-dream-house, 
my crypto-dream-house, that crooked box 
set up on pilings, shingled green, 
a sort of artichoke of a house, but greener 
(boiled with bicarbonate of soda?), 
protected from spring tides by a palisade 
of--are they railroad ties? 
(Many things about this place are dubious.) 
I'd like to retire there and do nothing, 
or nothing much, forever, in two bare rooms: 
look through binoculars, read boring books, 
old, long, long books, and write down useless notes, 
talk to myself, and, foggy days, 
watch the droplets slipping, heavy with light. 
At night, a grog a l'américaine. 
I'd blaze it with a kitchen match 
and lovely diaphanous blue flame 
would waver, doubled in the window. 
There must be a stove; there is a chimney, 
askew, but braced with wires, 
and electricity, possibly 
--at least, at the back another wire 
limply leashes the whole affair 
to something off behind the dunes. 
A light to read by--perfect! But--impossible. 
And that day the wind was much too cold 
even to get that far, 
and of course the house was boarded up. 

On the way back our faces froze on the other side. 
The sun came out for just a minute. 
For just a minute, set in their bezels of sand, 
the drab, damp, scattered stones 
were multi-colored, 
and all those high enough threw out long shadows, 
individual shadows, then pulled them in again. 
They could have been teasing the lion sun, 
except that now he was behind them 
--a sun who'd walked the beach the last low tide, 
making those big, majestic paw-prints, 
who perhaps had batted a kite out of the sky to play with.
Written by James Wright | Create an image from this poem

Rip

 It can't be the passing of time that casts
That white shadow across the waters
Just offshore.
I shiver a little, with the evening.
I turn down the steep path to find
What's left of the river gold.
I whistle a dog lazily, and lazily
A bird whistles me.
Close by a big river, I am alive in my own country,
I am home again.
Yes: I lived here, and here, and my name,
That I carved young, with a girl's, is healed over, now,
And lies sleeping beneath the inward sky
Of a tree's skin, close to the quick.
It's best to keep still.
But:
There goes that bird that whistled me down here
To the river a moment ago.
Who is he? A little white barn owl from Hudson's Bay,
Flown out of his range here, and, if he wants to,
He can be the body that casts
That white shadow across the waters
Just offshore.


Written by Rudyard Kipling | Create an image from this poem

The Destroyers

 The strength of twice three thousand horse
 That seeks the single goal;
The line that holds the rending course,
 The hate that swings the whole;
The stripped hulls, slinking through the gloom,
 At gaze and gone again --
The Brides of Death that wait the groom --
 The Choosers of the Slain!

Offshore where sea and skyline blend
 In rain, the daylight dies;
The sullen, shouldering sweels attend
 Night and our sacrifice.
Adown the stricken capes no flare --
 No mark on spit or bar, --
Birdled and desperate we dare
 The blindfold game of war.

Nearer the up-flung beams that spell
 The council of our foes;
Clearer the barking guns that tell
 Their scattered flank to close.
Sheer to the trap they crowd their way
 From ports for this unbarred.
Quiet, and count our laden prey,
 The convoy and her guard!

On shoal with carce a foot below,
 Where rock and islet throng,
Hidden and hushed we watch them throw
 Their anxious lights along.
Not here, not here your danger lies --
 (Stare hard, O hooded eyne!)
Save were the dazed rock-pigeons rise
 The lit cliffs give no sign.

Therefore -- to break the rest ye seek,
 The Narrow Seas to clear --
Hark to the siren's whimpering shriek --
 The driven death is here!
Look to your van a league away, --
 What midnight terror stays
The bulk that checks against the spray
 Her crackling tops ablaze?

Hit, and hard hit! The blow went home,
 The muffled, knocking stroke --
The steam that overruns the foam --
 The foam that thins to smoke --
The smoke that clokes the deep aboil --
 The deep that chokes her throes
Till, streaked with ash and sleeked with oil,
 The lukewarm whirlpools close!

A shadow down the sickened wave
 Long since her slayer fled:
But hear their chattering quick-fires rave
 Astern, abeam, ahead!
Panic that shells the drifting spar --
 Loud waste with none to check --
Mad fear that rakes a scornful star
 Or sweeps a consort's deck.

Now, while their silly smoke hangs thick,
 Now ere their wits they find,
Lay in and lance them to the quick --
 Our gallied whales are blind!
Good luck to those that see end end,
 Good-bye to those that drown --
For each his chance as chance shall send --
 And God for all! Shut down!

The strength of twice three thousand horse
 That serve the one command;
The hand that heaves the headlong force,
 The hate that backs the hand:
The doom-bolt in the darkness freed,
 The mine that splits the main;
The white-hot wake, the 'wildering speed --
 The Choosers of the Slain!
Written by Alan Seeger | Create an image from this poem

El Extraviado

 Over the radiant ridges borne out on the offshore wind, 
I have sailed as a butterfly sails whose priming wings unfurled 
Leave the familiar gardens and visited fields behind 
To follow a cloud in the east rose-flushed on the rim of the world. 


I have strayed from the trodden highway for walking with upturned eyes 
On the way of the wind in the treetops, and the drift of the tinted rack. 
For the will to be losing no wonder of sunny or starlit skies 
I have chosen the sod for my pillow and a threadbare coat for my back. 


Evening of ample horizons, opaline, delicate, pure, 
Shadow of clouds on green valleys, trailed over meadows and trees, 
Cities of ardent adventure where the harvests of Joy mature, 
Forests whose murmuring voices are amorous prophecies, 


World of romance and profusion, still round my journey spread 
The glamours, the glints, the enthralments, the nurture of one whose feet 
From hours unblessed by beauty nor lighted by love have fled 
As the shade of the tomb on his pathway and the scent of the winding-sheet. 


I never could rest from roving nor put from my heart this need 
To be seeing how lovably Nature in flower and face hath wrought, -- 
In flower and meadow and mountain and heaven where the white clouds breed 
And the cunning of silken meshes where the heart's desire lies caught. 


Over the azure expanses, on the offshore breezes borne, 
I have sailed as a butterfly sails, nor recked where the impulse led, 
Sufficed with the sunshine and freedom, the warmth and the summer morn, 
The infinite glory surrounding, the infinite blue ahead

Book: Radiant Verses: A Journey Through Inspiring Poetry