10 Best Famous Nineteenth Poems

Here is a collection of the top 10 all-time best famous Nineteenth poems. This is a select list of the best famous Nineteenth poetry. Reading, writing, and enjoying famous Nineteenth poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of nineteenth poems.

• All Famous Nineteenth Poems

 Her teacher's certainty it must be Mabel
Made Maple first take notice of her name.
She asked her father and he told her, "Maple—
Maple is right."
"But teacher told the school
There's no such name."
"Teachers don't know as much
As fathers about children, you tell teacher.
You tell her that it's M-A-P-L-E.
You ask her if she knows a maple tree.
Well, you were named after a maple tree.
Your mother named you. You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can't have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
'Maple.' I said it too: 'Yes, for her name.'
She nodded. So we're sure there's no mistake.
I don't know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree's for us to guess.
Or for a little girl to guess sometime.
Not now—at least I shouldn't try too hard now.
By and by I will tell you all I know
About the different trees, and something, too,
About your mother that perhaps may help."
Dangerous self-arousing words to sow.
Luckily all she wanted of her name then
Was to rebuke her teacher with it next day,
And give the teacher a scare as from her father.
Anything further had been wasted on her,
Or so he tried to think to avoid blame.
She would forget it. She all but forgot it.
What he sowed with her slept so long a sleep,
And came so near death in the dark of years,
That when it woke and came to life again
The flower was different from the parent seed.
It carne back vaguely at the glass one day,
As she stood saying her name over aloud,
Striking it gently across her lowered eyes
To make it go well with the way she looked.
What was it about her name? Its strangeness lay
In having too much meaning. Other names,
As Lesley, Carol, Irma, Marjorie,
Signified nothing. Rose could have a meaning,
But hadn't as it went. (She knew a Rose.)
This difference from other names it was
Made people notice it—and notice her.
(They either noticed it, or got it wrong.)
Her problem was to find out what it asked
In dress or manner of the girl who bore it.
If she could form some notion of her mother—
What she bad thought was lovely, and what good.
This was her mother's childhood home;
The house one story high in front, three stories
On the end it presented to the road.
(The arrangement made a pleasant sunny cellar.)
Her mother's bedroom was her father's still,
Where she could watch her mother's picture fading.
Once she found for a bookmark in the Bible
A maple leaf she thought must have been laid
In wait for her there. She read every word
Of the two pages it was pressed between,
As if it was her mother speaking to her.
But forgot to put the leaf back in closing
And lost the place never to read again.
She was sure, though, there had been nothing in it.

So she looked for herself, as everyone
Looks for himself, more or less outwardly.
And her self-seeking, fitful though it was,
May still have been what led her on to read,
And think a little, and get some city schooling.
She learned shorthand, whatever shorthand may
Have had to do with it--she sometimes wondered.
So, till she found herself in a strange place
For the name Maple to have brought her to,
Taking dictation on a paper pad
And, in the pauses when she raised her eyes,
Watching out of a nineteenth story window
An airship laboring with unshiplike motion
And a vague all-disturbing roar above the river
Beyond the highest city built with hands.
Someone was saying in such natural tones
She almost wrote the words down on her knee,
"Do you know you remind me of a tree--
A maple tree?"

 "Because my name is Maple?"
"Isn't it Mabel? I thought it was Mabel."

 "No doubt you've heard the office call me Mabel.
I have to let them call me what they like."

 They were both stirred that he should have divined
Without the name her personal mystery.
It made it seem as if there must be something
She must have missed herself. So they were married,
And took the fancy home with them to live by.

 They went on pilgrimage once to her father's
(The house one story high in front, three stories
On the side it presented to the road)
To see if there was not some special tree
She might have overlooked. They could find none,
Not so much as a single tree for shade,
Let alone grove of trees for sugar orchard.
She told him of the bookmark maple leaf
In the big Bible, and all she remembered
of the place marked with it—"Wave offering,
Something about wave offering, it said."

 "You've never asked your father outright, have you?"

 "I have, and been Put off sometime, I think."
(This was her faded memory of the way
Once long ago her father had put himself off.)
"Because no telling but it may have been
Something between your father and your mother
Not meant for us at all."
"Not meant for me?
Where would the fairness be in giving me
A name to carry for life and never know
The secret of?"
"And then it may have been
Something a father couldn't tell a daughter
As well as could a mother. And again
It may have been their one lapse into fancy
'Twould be too bad to make him sorry for
By bringing it up to him when be was too old.
Your father feels us round him with our questing,
And holds us off unnecessarily,
As if he didn't know what little thing
Might lead us on to a discovery.
It was as personal as be could be
About the way he saw it was with you
To say your mother, bad she lived, would be
As far again as from being born to bearing."

 "Just one look more with what you say in mind,
And I give up"; which last look came to nothing.
But though they now gave up the search forever,
They clung to what one had seen in the other
By inspiration. It proved there was something.
They kept their thoughts away from when the maples
Stood uniform in buckets, and the steam
Of sap and snow rolled off the sugarhouse.
When they made her related to the maples,
It was the tree the autumn fire ran through
And swept of leathern leaves, but left the bark
Unscorched, unblackened, even, by any smoke.
They always took their holidays in autumn.
Once they came on a maple in a glade,
Standing alone with smooth arms lifted up,
And every leaf of foliage she'd worn
Laid scarlet and pale pink about her feet.
But its age kept them from considering this one.
Twenty-five years ago at Maple's naming
It hardly could have been a two-leaved seedling
The next cow might have licked up out at pasture.
Could it have been another maple like it?
They hovered for a moment near discovery,
Figurative enough to see the symbol,
But lacking faith in anything to mean
The same at different times to different people.
Perhaps a filial diffidence partly kept them
From thinking it could be a thing so bridal.
And anyway it came too late for Maple.
She used her hands to cover up her eyes.

 "We would not see the secret if we could now:
We are not looking for it any more."

 Thus had a name with meaning, given in death,
Made a girl's marriage, and ruled in her life.
No matter that the meaning was not clear.
A name with meaning could bring up a child,
Taking the child out of the parents' hands.
Better a meaningless name, I should say,
As leaving more to nature and happy chance.
Name children some names and see what you do.

 There are many that I miss
having sent my last one out a car window
sparking along the road one night, years ago.

The heralded one, of course:
after sex, the two glowing tips
now the lights of a single ship;
at the end of a long dinner
with more wine to come
and a smoke ring coasting into the chandelier;
or on a white beach,
holding one with fingers still wet from a swim.

How bittersweet these punctuations
of flame and gesture;
but the best were on those mornings
when I would have a little something going
in the typewriter,
the sun bright in the windows,
maybe some Berlioz on in the background.
I would go into the kitchen for coffee
and on the way back to the page,
curled in its roller,
I would light one up and feel
its dry rush mix with the dark taste of coffee.

Then I would be my own locomotive,
trailing behind me as I returned to work
little puffs of smoke,
indicators of progress,
signs of industry and thought,
the signal that told the nineteenth century
it was moving forward.
That was the best cigarette,
when I would steam into the study
full of vaporous hope
and stand there,
the big headlamp of my face
pointed down at all the words in parallel lines.

 His first infidelity was a mistake, but not as big
As her false pregnancy. Later, the boy found out

He was born three months earlier than the date
On his birth certificate, which had turned into
A marriage license in his hands. Had he been trapped
In a net, like a moth mistaken for a butterfly?
And why did she--what was in it for her?
It took him all this time to figure it out.
The barroom boast, "I never had to pay for it,"
Is bogus if marriage is a religious institution
On the operating model of a nineteenth-century factory.
On the other hand, women's lot was no worse then
Than it is now. The division of labor made sense
In theories developed by college boys in jeans
Who grasped the logic their fathers had used
To seduce women and deceive themselves.
The pattern repeats itself, the same events
In a different order obeying the conventions of
A popular genre. Winter on a desolate beach. Spring
While there's snow still on the balcony and,
In the window, a plane flies over the warehouse.

The panic is gone. But the pain remains. And the apple,
The knife, and the honey are months away.

 It's too nice a day to read a novel set in England.

We're within inches of the perfect distance from the sun,
the sky is blueberries and cream,
and the wind is as warm as air from a tire.
Even the headstones in the graveyard
 Seem to stand up and say "Hello! My name is..."

It's enough to be sitting here on my porch,
thinking about Kermit Roosevelt,
following the course of an ant,
or walking out into the yard with a cordless phone
 to find out she is going to be there tonight

On a day like today, what looks like bad news in the distance
turns out to be something on my contact, carports and white
courtesy phones are spontaneously reappreciated
 and random "okay"s ring through the backyards.

This morning I discovered the red tints in cola
 when I held a glass of it up to the light
and found an expensive flashlight in the pocket of a winter coat
 I was packing away for summer.

It all reminds me of that moment when you take off your sunglasses
after a long drive and realize it's earlier
and lighter out than you had accounted for.

You know what I'm talking about,

and that's the kind of fellowship that's taking place in town, out in
the public spaces. You won't overhear anyone using the words
"dramaturgy" or "state inspection today. We're too busy getting along.

It occurs to me that the laws are in the regions and the regions are
in the laws, and it feels good to say this, something that I'm almost
sure is true, outside under the sun.

Then to say it again, around friends, in the resonant voice of a
nineteenth-century senator, just for a lark.

There's a shy looking fellow on the courthouse steps, holding up a
placard that says "But, I kinda liked Reagan." His head turns slowly
as a beautiful girl walks by, holding a refrigerated bottle up against
her flushed cheek.

She smiles at me and I allow myself to imagine her walking into
town to buy lotion at a brick pharmacy.
When she gets home she'll apply it with great lingering care before
moving into her parlor to play 78 records and drink gin-and-tonics
beside her homemade altar to James Madison.

In a town of this size, it's certainly possible that I'll be invited over
one night.

In fact I'll bet you something.

Somewhere in the future I am remembering today. I'll bet you
I'm remembering how I walked into the park at five thirty,
my favorite time of day, and how I found two cold pitchers
of just poured beer, sitting there on the bench.

I am remembering how my friend Chip showed up
with a catcher's mask hanging from his belt and how I said

great to see you, sit down, have a beer, how are you,
and how he turned to me with the sunset reflecting off his contacts
and said, wonderful, how are you.

 Dawn’s my Mr Right, already

Cocks have crowed, birds flown from nests,

The neon lights of Leeds last night still

Sovereign in my sights, limousines and

Pink baloons, tee shirts with green stencilled

Dates of wedding days to come, the worn dance floor,

Jingling arcades where chrome fendered fruit machines

Rest on plush carpets like the ghosts of fifties Chevies,

Dreams for sale on boulevards where forget-me-nots

Are flowing through the hyaline summer air.

I stood with you in Kings Cross on Thursday night

Waiting for a bus we saw the lighthouse on top

Of a triangle of empty shops and seedy bedsits,

Some relic of a nineteenth century’s eccentric’s dream come true.

But posing now the question "What to do with a listed building

And the Channel Tunnel coming through?" Its welded slats,

Timber frame and listing broken windows blew our minds-

Like discovering a Tintoretto in a gallery of fakes.

Leeds takes away the steely glare of Sutton

Weighing down on me like breeze-blocks by the ton,

When all I want to do is run away and make a home

In Keighley, catch a bus to Haworth and walk and walk

Till human talk is silenced by the sun.

 Come on in and stay a while
I'll photograph you emerging from the revolving door
like Frank O'Hara dating the muse of modern art
Talking about the big Pollock show is better
than going to it on a dismal Saturday afternoon
when my luncheon partner is either the author or the subject
of The Education of Henry Adams at a hard-to-get-
a-table-at restaurant on Cornelia Street
just what is chaos theory anyway
I'm not sure but it helps explain "Autumn Rhythm"
the closest thing to chaos without crossing the border
I think you should write that book on Eakins and also the one
on nineteenth century hats the higher the hat the sweller the toff
and together we will come up with Mondrian in the grid of Manhattan
Gerald Murphy's "Still Life with Wasp" and the best Caravaggio in the country
in Kansas City well it's been swell, see you in Cleveland April 23
The reason time goes faster as you grow older is that each day
is a tinier proportion of the totality of days in your life

 Here, down between the dusty trees,
At this lank edge of haggard wood,
Women with labour-loosened knees,
With gaunt backs bowed by servitude,
Stop, shift their loads, and pray, and fare
Forth with souls easier for the prayer.

The suns have branded black, the rains
Striped grey this piteous God of theirs;
The face is full of prayers and pains,
To which they bring their pains and prayers;
Lean limbs that shew the labouring bones,
And ghastly mouth that gapes and groans.

God of this grievous people, wrought
After the likeness of their race,
By faces like thine own besought,
Thine own blind helpless eyeless face,
I too, that have nor tongue nor knee
For prayer, I have a word to thee.

It was for this then, that thy speech
Was blown about the world in flame
And men's souls shot up out of reach
Of fear or lust or thwarting shame -
That thy faith over souls should pass
As sea-winds burning the grey grass?

It was for this, that prayers like these
Should spend themselves about thy feet,
And with hard overlaboured knees
Kneeling, these slaves of men should beat
Bosoms too lean to suckle sons
And fruitless as their orisons?

It was for this, that men should make
Thy name a fetter on men's necks,
Poor men's made poorer for thy sake,
And women's withered out of sex?
It was for this, that slaves should be,
Thy word was passed to set men free?

The nineteenth wave of the ages rolls
Now deathward since thy death and birth.
Hast thou fed full men's starved-out souls?
Hast thou brought freedom upon earth?
Or are there less oppressions done
In this wild world under the sun?

Nay, if indeed thou be not dead,
Before thy terrene shrine be shaken,
Look down, turn usward, bow thine head;
O thou that wast of God forsaken,
Look on thine household here, and see
These that have not forsaken thee.

Thy faith is fire upon their lips,
Thy kingdom golden in their hands;
They scourge us with thy words for whips,
They brand us with thy words for brands;
The thirst that made thy dry throat shrink
To their moist mouths commends the drink.

The toothed thorns that bit thy brows
Lighten the weight of gold on theirs;
Thy nakedness enrobes thy spouse
With the soft sanguine stuff she wears
Whose old limbs use for ointment yet
Thine agony and bloody sweat.

The blinding buffets on thine head
On their crowned heads confirm the crown;
Thy scourging dyes their raiment red,
And with thy bands they fasten down
For burial in the blood-bought field
The nations by thy stripes unhealed.

With iron for thy linen bands
And unclean cloths for winding-sheet
They bind the people's nail-pierced hands,
They hide the people's nail-pierced feet;
And what man or what angel known
Shall roll back the sepulchral stone?

But these have not the rich man's grave
To sleep in when their pain is done.
These were not fit for God to save.
As naked hell-fire is the sun
In their eyes living, and when dead
These have not where to lay their head.

They have no tomb to dig, and hide;
Earth is not theirs, that they should sleep.
On all these tombless crucified
No lovers' eyes have time to weep.
So still, for all man's tears and creeds,
The sacred body hangs and bleeds.

Through the left hand a nail is driven,
Faith, and another through the right,
Forged in the fires of hell and heaven,
Fear that puts out the eye of light:
And the feet soiled and scarred and pale
Are pierced with falsehood for a nail.

And priests against the mouth divine
Push their sponge full of poison yet
And bitter blood for myrrh and wine,
And on the same reed is it set
Wherewith before they buffeted
The people's disanointed head.

O sacred head, O desecrate,
O labour-wounded feet and hands,
O blood poured forth in pledge to fate
Of nameless lives in divers lands,
O slain and spent and sacrificed
People, the grey-grown speechless Christ!

Is there a gospel in the red
Old witness of thy wide-mouthed wounds?
From thy blind stricken tongueless head
What desolate evangel sounds
A hopeless note of hope deferred?
What word, if there be any word?

O son of man, beneath man's feet
Cast down, O common face of man
Whereon all blows and buffets meet,
O royal, O republican
Face of the people bruised and dumb
And longing till thy kingdom come!

The soldiers and the high priests part
Thy vesture: all thy days are priced,
And all the nights that eat thine heart.
And that one seamless coat of Christ,
The freedom of the natural soul,
They cast their lots for to keep whole.

No fragment of it save the name
They leave thee for a crown of scorns
Wherewith to mock thy naked shame
And forehead bitten through with thorns
And, marked with sanguine sweat and tears,
The stripes of eighteen hundred years

And we seek yet if God or man
Can loosen thee as Lazarus,
Bid thee rise up republican
And save thyself and all of us;
But no disciple's tongue can say
When thou shalt take our sins away.

And mouldering now and hoar with moss
Between us and the sunlight swings
The phantom of a Christless cross
Shadowing the sheltered heads of kings
And making with its moving shade
The souls of harmless men afraid.

It creaks and rocks to left and right
Consumed of rottenness and rust,
Worm-eaten of the worms of night,
Dead as their spirits who put trust,
Round its base muttering as they sit,
In the time-cankered name of it.

Thou, in the day that breaks thy prison,
People, though these men take thy name,
And hail and hymn thee rearisen,
Who made songs erewhile of thy shame,
Give thou not ear; for these are they
Whose good day was thine evil day.

Set not thine hand unto their cross.
Give not thy soul up sacrificed.
Change not the gold of faith for dross
Of Christian creeds that spit on Christ.
Let not thy tree of freedom be
Regrafted from that rotting tree.

This dead God here against my face
Hath help for no man; who hath seen
The good works of it, or such grace
As thy grace in it, Nazarene,
As that from thy live lips which ran
For man's sake, O thou son of man?

The tree of faith ingraffed by priests
Puts its foul foliage out above thee,
And round it feed man-eating beasts
Because of whom we dare not love thee;
Though hearts reach back and memories ache,
We cannot praise thee for their sake.

O hidden face of man, whereover
The years have woven a viewless veil,
If thou wast verily man's lover,
What did thy love or blood avail?
Thy blood the priests make poison of,
And in gold shekels coin thy love.

So when our souls look back to thee
They sicken, seeing against thy side,
Too foul to speak of or to see,
The leprous likeness of a bride,
Whose kissing lips through his lips grown
Leave their God rotten to the bone.

When we would see thee man, and know
What heart thou hadst toward men indeed,
Lo, thy blood-blackened altars; lo,
The lips of priests that pray and feed
While their own hell's worm curls and licks
The poison of the crucifix.

Thou bad'st let children come to thee;
What children now but curses come?
What manhood in that God can be
Who sees their worship, and is dumb?
No soul that lived, loved, wrought, and died,
Is this their carrion crucified.

Nay, if their God and thou be one,
If thou and this thing be the same,
Thou shouldst not look upon the sun;
The sun grows haggard at thy name.
Come down, be done with, cease, give o'er;
Hide thyself, strive not, be no more.

 A Story of Christmas Eve.

Strange that the termagant winds should scold
The Christmas Eve so bitterly!
But Wife, and Harry the four-year-old,
Big Charley, Nimblewits, and I,

Blithe as the wind was bitter, drew
More frontward of the mighty fire,
Where wise Newfoundland Fan foreknew
The heaven that Christian dogs desire --

Stretched o'er the rug, serene and grave,
Huge nose on heavy paws reclined,
With never a drowning boy to save,
And warmth of body and peace of mind.

And, as our happy circle sat,
The fire well capp'd the company:
In grave debate or careless chat,
A right good fellow, mingled he:

He seemed as one of us to sit,
And talked of things above, below,
With flames more winsome than our wit,
And coals that burned like love aglow.

While thus our rippling discourse rolled
Smooth down the channel of the night,
We spoke of Time: thereat, one told
A parable of the Seasons' flight.

"Time was a Shepherd with four sheep.
In a certain Field he long abode.
He stood by the bars, and his flock bade leap
One at a time to the Common Road.

"And first there leapt, like bird on wing,
A lissome Lamb that played in the air.
I heard the Shepherd call him `Spring':
Oh, large-eyed, fresh and snowy fair

"He skipped the flowering Highway fast,
Hurried the hedgerows green and white,
Set maids and men a-yearning, passed
The Bend, and gamboll'd out of sight.

"And next marched forth a matron Ewe
(While Time took down a bar for her),
Udder'd so large 'twas much ado
E'en then to clear the barrier.

"Full softly shone her silken fleece
What stately time she paced along:
Each heartsome hoof-stroke wrought increase
Of sunlight, substance, seedling, song,

"In flower, in fruit, in field, in bird,
Till the great globe, rich fleck'd and pied,
Like some large peach half pinkly furred,
Turned to the sun a glowing side

"And hung in the heavenly orchard, bright,
None-such, complete.
Then, while the Ewe
Slow passed the Bend, a blur of light,
The Shepherd's face in sadness grew:

"`Summer!' he said, as one would say
A sigh in syllables. So, in haste
(For shame of Summer's long delay,
Yet gazing still what way she paced),

"He summoned Autumn, slanting down
The second bar. Thereover strode
A Wether, fleeced in burning brown,
And largely loitered down the Road.

"Far as the farmers sight his shape
Majestic moving o'er the way,
All cry `To harvest,' crush the grape,
And haul the corn and house the hay,

"Till presently, no man can say,
(So brown the woods that line that end)
If yet the brown-fleeced Wether may,
Or not, have passed beyond the Bend.

"Now turn I towards the Shepherd: lo,
An aged Ram, flapp'd, gnarly-horn'd,
With bones that crackle o'er the snow,
Rheum'd, wind-gall'd, rag-fleec'd, burr'd and thorn'd.

"Time takes the third bar off for him,
He totters down the windy lane.
'Tis Winter, still: the Bend lies dim.
O Lamb, would thou wouldst leap again!"

Those seasons out, we talked of these:
And I (with inward purpose sly
To shield my purse from Christmas trees
And stockings and wild robbery

When Hal and Nimblewits invade
My cash in Santa Claus's name)
In full the hard, hard times surveyed;
Denounced all waste as crime and shame;

Hinted that "waste" might be a term
Including skates, velocipedes,
Kites, marbles, soldiers, towers infirm,
Bows, arrows, cannon, Indian reeds,

Cap-pistols, drums, mechanic toys,
And all th' infernal host of horns
Whereby to strenuous hells of noise
Are turned the blessed Christmas morns;

Thus, roused -- those horns! -- to sacred rage,
I rose, forefinger high in air,
When Harry cried (SOME war to wage),
"Papa, is hard times ev'ywhere?

"Maybe in Santa Claus's land
It isn't hard times none at all!"
Now, blessed Vision! to my hand
Most pat, a marvel strange did fall.

Scarce had my Harry ceased, when "Look!"
He cried, leapt up in wild alarm,
Ran to my Comrade, shelter took
Beneath the startled mother's arm.

And so was still: what time we saw
A foot hang down the fireplace! Then,
With painful scrambling scratched and raw,
Two hands that seemed like hands of men

Eased down two legs and a body through
The blazing fire, and forth there came
Before our wide and wondering view
A figure shrinking half with shame,

And half with weakness. "Sir," I said,
-- But with a mien of dignity
The seedy stranger raised his head:
"My friends, I'm Santa Claus," said he.

But oh, how changed! That rotund face
The new moon rivall'd, pale and thin;
Where once was cheek, now empty space;
Whate'er stood out, did now stand in.

His piteous legs scarce propped him up:
His arms mere sickles seemed to be:
But most o'erflowed our sorrow's cup
When that we saw -- or did not see --

His belly: we remembered how
It shook like a bowl of jelly fine:
An earthquake could not shake it now;
He HAD no belly -- not a sign.

"Yes, yes, old friends, you well may stare:
I HAVE seen better days," he said:
"But now, with shrinkage, loss and care,
Your Santa Claus scarce owns his head.

"We've had such hard, hard times this year
For goblins! Never knew the like.
All Elfland's mortgaged! And we fear
The gnomes are just about to strike.

"I once was rich, and round, and hale.
The whole world called me jolly brick;
But listen to a piteous tale.
Young Harry, -- Santa Claus is sick!

"'Twas thus: a smooth-tongued railroad man
Comes to my house and talks to me:
`I've got,' says he, `a little plan
That suits this nineteenth century.

"`Instead of driving, as you do,
Six reindeer slow from house to house,
Let's build a Grand Trunk Railway through
From here to earth's last terminus.

"`We'll touch at every chimney-top
(An Elevated Track, of course),
Then, as we whisk you by, you'll drop
Each package down: just think, the force

"`You'll save, the time! -- Besides, we'll make
Our millions: look you, soon we will
Compete for freights -- and then we'll take
Dame Fortune's bales of good and ill

"`(Why, she's the biggest shipper, sir,
That e'er did business in this world!):
Then Death, that ceaseless Traveller,
Shall on his rounds by us be whirled.

"`When ghosts return to walk with men,
We'll bring 'em cheap by steam, and fast:
We'll run a Branch to heaven! and then
We'll riot, man; for then, at last

"`We'll make with heaven a contract fair
To call, each hour, from town to town,
And carry the dead folks' souls up there,
And bring the unborn babies down!'

"The plan seemed fair: I gave him cash,
Nay, every penny I could raise.
My wife e'er cried, `'Tis rash, 'tis rash:'
How could I know the stock-thief's ways?

"But soon I learned full well, poor fool!
My woes began, that wretched day.
The President plied me like a tool.
In lawyer's fees, and rights of way,

"Injunctions, leases, charters, I
Was meshed as in a mighty maze.
The stock ran low, the talk ran high:
Then quickly flamed the final blaze.

"With never an inch of track -- 'tis true!
The debts were large . . . the oft-told tale.
The President rolled in splendor new
-- He bought my silver at the sale.

"Yes, sold me out: we've moved away.
I've had to give up everything.
My reindeer, even, whom I . . . pray,
Excuse me" . . . here, o'er-sorrowing,

Poor Santa Claus burst into tears,
Then calmed again: "my reindeer fleet,
I gave them up: on foot, my dears,
I now must plod through snow and sleet.

"Retrenchment rules in Elfland, now;
Yes, every luxury is cut off.
-- Which, by the way, reminds me how
I caught this dreadful hacking cough:

"I cut off the tail of my Ulster furred
To make young Kris a coat of state.
That very night the storm occurred!
Thus we became the sport of Fate.

"For I was out till after one,
Surveying chimney-tops and roofs,
And planning how it could be done
Without my reindeers' bouncing hoofs.

"`My dear,' says Mrs. Claus, that night
(A most superior woman she!)
`It never, never can be right
That you, deep-sunk in poverty,

"`This year should leave your poor old bed,
And trot about, bent down with toys,
(There's Kris a-crying now for bread!)
To give to other people's boys.

"`Since you've been out, the news arrives
The Elfs' Insurance Company's gone.
Ah, Claus, those premiums! Now, our lives
Depend on yours: thus griefs go on.

"`And even while you're thus harassed,
I do believe, if out you went,
You'd go, in spite of all that's passed,
To the children of that President!'

"Oh, Charley, Harry, Nimblewits,
These eyes, that night, ne'er slept a wink.
My path seemed honeycombed with pits.
Naught could I do but think and think.

"But, with the day, my courage rose.
Ne'er shall my boys, MY boys (I cried),
When Christmas morns their eyes unclose,
Find empty stockings gaping wide!

"Then hewed and whacked and whittled I;
The wife, the girls and Kris took fire;
They spun, sewed, cut, -- till by and by
We made, at home, my pack entire!"

(He handed me a bundle, here.)
"Now, hoist me up: there, gently: quick!
Dear boys, DON'T look for much this year:
Remember, Santa Claus is sick!"

 Written at the Request of the Mantuans for the Nineteenth Centenary of 
Virgil's Death


Roman Virgil, thou that singest
Ilion's lofty temples robed in fire,
Ilion falling, Rome arising,
wars, and filial faith, and Dido's pyre;

Landscape-lover, lord of language
more than he that sang the Works and Days,
All the chosen coin of fancy
flashing out from many a golden phrase;

Thou that singest wheat and woodland,
tilth and vineyard, hive and horse and herd;
All the charm of all the Muses
often flowering in a lonely word;

Poet of the happy Tityrus
piping underneath his beechen bowers;
Poet of the poet-satyr
whom the laughing shepherd bound with flowers;

Chanter of the Pollio, glorying
in the blissful years again to be,
Summers of the snakeless meadow,
unlaborious earth and oarless sea;

Thou that seest Universal
Nature moved by Universal Mind;
Thou majestic in thy sadness
at the doubtful doom of human kind;

Light among the vanished ages;
star that gildest yet this phantom shore;
Golden branch amid the shadows,
kings and realms that pass to rise no more;

Now thy Forum roars no longer,
fallen every purple Caesar's dome - 
Tho' thine ocean-roll of rhythm
sound for ever of Imperial Rome - 

Now the Rome of slaves hath perished,
and the Rome of freemen holds her place,
I, from out the Northern Island
sundered once from all the human race,

I salute thee, Mantovano,
I that loved thee since my day began,
Wielder of the stateliest measure
ever moulded by the lips of man.

 "OLD Norbert with the flat blue cap--
A German said to be--
Why let your pipe die on your lap,
Your eyes blink absently?"--

--"Ah!... Well, I had thought till my cheek was wet
Of my mother--her voice and mien
When she used to sing and pirouette,
And touse the tambourine

"To the march that yon street-fiddler plies;
She told me 'twas the same
She'd heard from the trumpets, when the Allies
Her city overcame.

"My father was one of the German Hussars,
My mother of Leipzig; but he,
Long quartered here, fetched her at close of the wars,
And a Wessex lad reared me.

"And as I grew up, again and again
She'd tell, after trilling that air,
Of her youth, and the battles on Leipzig plain
And of all that was suffered there!...

"--'Twas a time of alarms. Three Chiefs-at-arms
Combined them to crush One,
And by numbers' might, for in equal fight
He stood the matched of none.

"Carl Schwartzenburg was of the plot,
And Bl?cher, prompt and prow,
And Jean the Crown-Prince Bernadotte:
Buonaparte was the foe.

"City and plain had felt his reign
From the North to the Middle Sea,
And he'd now sat down in the noble town
Of the King of Saxony.

"October's deep dew its wet gossamer threw
Upon Leipzig's lawns, leaf-strewn,
Where lately each fair avenue
Wrought shade for summer noon.

"To westward two dull rivers crept
Through miles of marsh and slough,
Whereover a streak of whiteness swept--
The Bridge of Lindenau.

"Hard by, in the City, the One, care-crossed,
Gloomed over his shrunken power;
And without the walls the hemming host
Waxed denser every hour.

"He had speech that night on the morrow's designs
With his chiefs by the bivouac fire,
While the belt of flames from the enemy's lines
Flared nigher him yet and nigher.

"Three sky-lights then from the girdling trine
Told, 'Ready!' As they rose
Their flashes seemed his Judgment-Sign
For bleeding Europe's woes.

"'Twas seen how the French watch-fires that night
Glowed still and steadily;
And the Three rejoiced, for they read in the sight
That the One disdained to flee....

"--Five hundred guns began the affray
On next day morn at nine;
Such mad and mangling cannon-play
Had never torn human line.

"Around the town three battle beat,
Contracting like a gin;
As nearer marched the million feet
Of columns closing in.

"The first battle nighed on the low Southern side;
The second by the Western way;
The nearing of the third on the North was heard;
--The French held all at bay.

"Against the first band did the Emperor stand;
Against the second stood Ney;
Marmont against the third gave the order-word:
--Thus raged it throughout the day.

"Fifty thousand sturdy souls on those trampled plains and knolls,
Who met the dawn hopefully,
And were lotted their shares in a quarrel not theirs,
Dropt then in their agony.

"'O,' the old folks said, 'ye Preachers stern!
O so-called Christian time!
When will men's swords to ploughshares turn?
When come the promised prime?'...

"--The clash of horse and man which that day began,
Closed not as evening wore;
And the morrow's armies, rear and van,
Still mustered more and more.

"From the City towers the Confederate Powers
Were eyed in glittering lines,
And up from the vast a murmuring passed
As from a wood of pines.

"''Tis well to cover a feeble skill
By numbers!' scoff?d He;
'But give me a third of their strength, I'd fill
Half Hell with their soldiery!'

"All that day raged the war they waged,
And again dumb night held reign,
Save that ever upspread from the dark death-bed
A miles-wide pant of pain.

"Hard had striven brave Ney, the true Bertrand,
Victor, and Augereau,
Bold Poniatowski, and Lauriston,
To stay their overthrow;

"But, as in the dream of one sick to death
There comes a narrowing room
That pens him, body and limbs and breath,
To wait a hideous doom,

"So to Napoleon, in the hush
That held the town and towers
Through these dire nights, a creeping crush
Seemed inborne with the hours.

"One road to the rearward, and but one,
Did fitful Chance allow;
'Twas where the Pleiss' and Elster run--
The Bridge of Lindenau.

"The nineteenth dawned. Down street and Platz
The wasted French sank back,
Stretching long lines across the Flats
And on the bridge-way track;

"When there surged on the sky on earthen wave,
And stones, and men, as though
Some rebel churchyard crew updrave
Their sepulchres from below.

"To Heaven is blown Bridge Lindenau;
Wrecked regiments reel therefrom;
And rank and file in masses plough
The sullen Elster-Strom.

"A gulf was Lindenau; and dead
Were fifties, hundreds, tens;
And every current rippled red
With Marshal's blood and men's.

"The smart Macdonald swam therein,
And barely won the verge;
Bold Poniatowski plunged him in
Never to re-emerge.

"Then stayed the strife. The remnants wound
Their Rhineward way pell-mell;
And thus did Leipzig City sound
An Empire's passing bell;

"While in cavalcade, with band and blade,
Came Marshals, Princes, Kings;
And the town was theirs.... Ay, as simple maid,
My mother saw these things!

"And whenever those notes in the street begin,
I recall her, and that far scene,
And her acting of how the Allies marched in,
And her touse of the tambourine!"