Written by
Robert Burns |
Wee, sleekit, cow'rin, tim'rous beastie,
O, what a panic's in thy breastie!
Thou need na start awa sae hasty,
Wi' bickering brattle!
I wad be laith to rin an' chase thee,
Wi' murd'ring pattle!
I'm truly sorry man's dominion
Has broken Nature's social union,
An' justifies that ill opinion
Which makes thee startle
At me, thy poor, earth-born companion,
An' fellow mortal!
I doubt na, whiles, but thou may thieve;
What then? poor beastie, thou maun live!
A daimen icker in a thrave
'S a sma' request;
I'll get a blessin wi' the lave,
An' never miss't!
Thy wee bit housie, too, in ruin!
Its silly wa's the win's are strewin!
An' naething, now, to big a new ane,
O' foggage green!
An' bleak December's win's ensuin,
Baith snell an' keen!
Thou saw the fields laid bare an waste,
An' weary winter comin fast,
An' cozie here, beneath the blast,
Thou thought to dwell,
Till crash! the cruel coulter past
Out thro' thy cell.
That wee bit heap o' leaves an' stibble
Has cost thee mony a weary nibble!
Now thou's turned out, for a' thy trouble,
But house or hald,
To thole the winter's sleety dribble,
An' cranreuch cauld!
But Mousie, thou art no thy lane,
In proving foresight may be vain:
The best-laid schemes o' mice an' men
Gang aft a-gley,
An' lea'e us nought but grief an' pain
For promised joy!
Still thou art blest, compared wi' me!
The present only toucheth thee:
But och! I backward cast my e'e
On prospects drear!
An' forward, tho I canna see,
I guess an' fear!
|
Written by
John Betjeman |
Here among long-discarded cassocks,
Damp stools, and half-split open hassocks,
Here where the vicar never looks
I nibble through old service books.
Lean and alone I spend my days
Behind this Church of England baize.
I share my dark forgotten room
With two oil-lamps and half a broom.
The cleaner never bothers me,
So here I eat my frugal tea.
My bread is sawdust mixed with straw;
My jam is polish for the floor.
Christmas and Easter may be feasts
For congregations and for priests,
And so may Whitsun. All the same,
They do not fill my meagre frame.
For me the only feast at all
Is Autumn's Harvest Festival,
When I can satisfy my want
With ears of corn around the font.
I climb the eagle's brazen head
To burrow through a loaf of bread.
I scramble up the pulpit stair
And gnaw the marrows hanging there.
It is enjoyable to taste
These items ere they go to waste,
But how annoying when one finds
That other mice with pagan minds
Come into church my food to share
Who have no proper business there.
Two field mice who have no desire
To be baptized, invade the choir.
A large and most unfriendly rat
Comes in to see what we are at.
He says he thinks there is no God
And yet he comes ... it's rather odd.
This year he stole a sheaf of wheat
(It screened our special preacher's seat),
And prosperous mice from fields away
Come in to hear our organ play,
And under cover of its notes
Ate through the altar's sheaf of oats.
A Low Church mouse, who thinks that I
Am too papistical, and High,
Yet somehow doesn't think it wrong
To munch through Harvest Evensong,
While I, who starve the whole year through,
Must share my food with rodents who
Except at this time of the year
Not once inside the church appear.
Within the human world I know
Such goings-on could not be so,
For human beings only do
What their religion tells them to.
They read the Bible every day
And always, night and morning, pray,
And just like me, the good church mouse,
Worship each week in God's own house,
But all the same it's strange to me
How very full the church can be
With people I don't see at all
Except at Harvest Festival.
|
Written by
Russell Edson |
You haven't finished your ape, said mother to father,
who had monkey hair and blood on his whiskers.
I've had enough monkey, cried father.
You didn't eat the hands, and I went to all the
trouble to make onion rings for its fingers, said mother.
I'll just nibble on its forehead, and then I've had enough,
said father.
I stuffed its nose with garlic, just like you like it, said
mother.
Why don't you have the butcher cut these apes up? You lay
the whole thing on the table every night; the same fractured
skull, the same singed fur; like someone who died horribly. These
aren't dinners, these are post-mortem dissections.
Try a piece of its gum, I've stuffed its mouth with bread,
said mother.
Ugh, it looks like a mouth full of vomit. How can I bite into
its cheek with bread spilling out of its mouth? cried father.
Break one of the ears off, they're so crispy, said mother.
I wish to hell you'd put underpants on these apes; even a
jockstrap, screamed father.
Father, how dare you insinuate that I see the ape as anything
more thn simple meat, screamed mother.
Well what's with this ribbon tied in a bow on its privates?
screamed father.
Are you saying that I am in love with this vicious creature?
That I would submit my female opening to this brute? That after
we had love on the kitchen floor I would put him in the oven, after
breaking his head with a frying pan; and then serve him to my husband,
that my husband might eat the evidence of my infidelity . . . ?
I'm just saying that I'm damn sick of ape every night,
cried father.
|
Written by
Robert Graves |
Under this loop of honeysuckle,
A creeping, coloured caterpillar,
I gnaw the fresh green hawthorn spray,
I nibble it leaf by leaf away.
Down beneath grow dandelions,
Daisies, old-man’s-looking-glasses;
Rooks flap croaking across the lane.
I eat and swallow and eat again.
Here come raindrops helter-skelter;
I munch and nibble unregarding:
Hawthorn leaves are juicy and firm.
I’ll mind my business: I’m a good worm.
When I’m old, tired, melancholy,
I’ll build a leaf-green mausoleum
Close by, here on this lovely spray,
And die and dream the ages away.
Some say worms win resurrection,
With white wings beating flitter-flutter,
But wings or a sound sleep, why should I care?
Either way I’ll miss my share.
Under this loop of honeysuckle,
A hungry, hairy caterpillar,
I crawl on my high and swinging seat,
And eat, eat, eat—as one ought to eat.
|
Written by
Joyce Kilmer |
There's a brook on the side of Greylock that used
to be full of trout,
But there's nothing there now but minnows; they say it is all fished
out.
I fished there many a Summer day some twenty years ago,
And I never quit without getting a mess of a dozen or so.
There was a man, Dave Lilly, who lived on the North
Adams road,
And he spent all his time fishing, while his neighbors reaped and
sowed.
He was the luckiest fisherman in the Berkshire hills, I think.
And when he didn't go fishing he'd sit in the tavern and drink.
Well, Dave is dead and buried and nobody cares
very much;
They have no use in Greylock for drunkards and loafers and such.
But I always liked Dave Lilly, he was pleasant as you could wish;
He was shiftless and good-for-nothing, but he certainly could fish.
The other night I was walking up the hill from
Williamstown
And I came to the brook I mentioned,
and I stopped on the bridge and sat down.
I looked at the blackened water with its little flecks of white
And I heard it ripple and whisper in the still of the Summer night.
And after I'd been there a minute it seemed to
me I could feel
The presence of someone near me, and I heard the hum of a reel.
And the water was churned and broken, and something was brought
to land
By a twist and flirt of a shadowy rod in a deft and shadowy hand.
I scrambled down to the brookside and hunted all
about;
There wasn't a sign of a fisherman; there wasn't a sign of a trout.
But I heard somebody chuckle behind the hollow oak
And I got a whiff of tobacco like Lilly used to smoke.
It's fifteen years, they tell me, since anyone
fished that brook;
And there's nothing in it but minnows that nibble the bait off your
hook.
But before the sun has risen and after the moon has set
I know that it's full of ghostly trout for Lilly's ghost to get.
I guess I'll go to the tavern and get a bottle
of rye
And leave it down by the hollow oak, where Lilly's ghost went by.
I meant to go up on the hillside and try to find his grave
And put some flowers on it -- but this will be better for Dave.
|
Written by
Edgar Lee Masters |
If a man could bite the giant hand
That catchs and destroys him,
As I was bitten by a rat
While demonstrating my patent trap,
In my hardware store that day.
But a man can never avenge himself
On the monstrous ogre Life.
You enter the room—that's being born;
And then you must live—work out your soul,
Aha! the bait that you crave is in view:
A woman with money you want to marry,
Presitge, place, or power in the world.
But there's work to do and things to conquer—
Oh, yes! the wires that screen the bait.
At last you get in—but you hear a step:
The ogre, Life, comes into the room,
(He was waiting and heard the clang of the spring)
To watch you nibble the wondrous cheese,
And stare with his burning eyes at you,
And scowl and laugh, and mock and curse you,
Running up and down in the trap,
Until your misery bores him.
|
Written by
Carl Sandburg |
THE LAWYERS, Bob, know too much.
They are chums of the books of old John Marshall.
They know it all, what a dead hand wrote,
A stiff dead hand and its knuckles crumbling,
The bones of the fingers a thin white ash.
The lawyers know
a dead man’s thoughts too well.
In the heels of the higgling lawyers, Bob,
Too many slippery ifs and buts and howevers,
Too much hereinbefore provided whereas,
Too many doors to go in and out of.
When the lawyers are through
What is there left, Bob?
Can a mouse nibble at it
And find enough to fasten a tooth in?
Why is there always a secret singing
When a lawyer cashes in?
Why does a hearse horse snicker
Hauling a lawyer away?
The work of a bricklayer goes to the blue.
The knack of a mason outlasts a moon.
The hands of a plasterer hold a room together.
The land of a farmer wishes him back again.
Singers of songs and dreamers of plays
Build a house no wind blows over.
The lawyers—tell me why a hearse horse snickers hauling a lawyer’s bones.
|
Written by
Emily Dickinson |
Papa above!
Regard a Mouse
O'erpowered by the Cat!
Reserve within thy kingdom
A "Mansion" for the Rat!
Snug in seraphic Cupboards
To nibble all the day
While unsuspecting Cycles
Wheel solemnly away!
|
Written by
Paul Laurence Dunbar |
When summer time has come, and all
The world is in the magic thrall
Of perfumed airs that lull each sense
To fits of drowsy indolence;
When skies are deepest blue above,
And flow'rs aflush,—then most I love
To start, while early dews are damp,
And wend my way in woodland tramp
Where forests rustle, tree on tree,
And sing their silent songs to me;
Where pathways meet and path ways part,—
To walk with Nature heart by heart,
Till wearied out at last I lie
Where some sweet stream steals singing by
A mossy bank; where violets vie
In color with the summer sky,—
Or take my rod and line and hook,
And wander to some darkling brook,
Where all day long the willows dream,
And idly droop to kiss the stream,
And there to loll from morn till night—
Unheeding nibble, run, or bite—
Just for the joy of being there
And drinking in the summer air,
The summer sounds, and summer sights,
That set a restless mind to rights
When grief and pain and raging doubt
Of men and creeds have worn it out;
The birds' song and the water's drone,
The humming bees' low monotone,
The murmur of the passing breeze,
And all the sounds akin to these,
That make a man in summer time[Pg 281]
Feel only fit for rest and rhyme.
Joy springs all radiant in my breast;
Though pauper poor, than king more blest,
The tide beats in my soul so strong
That happiness breaks forth in song,
And rings aloud the welkin blue
With all the songs I ever knew.
O time of rapture! time of song!
How swiftly glide thy days along
Adown the current of the years,
Above the rocks of grief and tears!
'Tis wealth enough of joy for me
In summer time to simply be.
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Written by
Rg Gregory |
fog owns the town
in its palm
lawyers nibble each other's fingers
the churches take their cut
at the fat lunch
the men of business
carve themselves prayers and praises
the fog comes to my window
and lisping in says
i've drained the town of you
and you of the town
come outside
and let me smother you
to the border
no person calls
and only the headless
watch and watch in the street
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