Written by
Kahlil Gibran |
One hour devoted to the pursuit of Beauty
And Love is worth a full century of glory
Given by the frightened weak to the strong.
From that hour comes man's Truth; and
During that century Truth sleeps between
The restless arms of disturbing dreams.
In that hour the soul sees for herself
The Natural Law, and for that century she
Imprisons herself behind the law of man;
And she is shackled with irons of oppression.
That hour was the inspiration of the Songs
Of Solomon, an that century was the blind
Power which destroyed the temple of Baalbek.
That hour was the birth of the Sermon on the
Mount, and that century wrecked the castles of
Palmyra and the Tower of Babylon.
That hour was the Hegira of Mohammed and that
Century forgot Allah, Golgotha, and Sinai.
One hour devoted to mourning and lamenting the
Stolen equality of the weak is nobler than a
Century filled with greed and usurpation.
It is at that hour when the heart is
Purified by flaming sorrow and
Illuminated by the torch of Love.
And in that century, desires for Truth
Are buried in the bosom of the earth.
That hour is the root which must flourish.
That hour of meditation, the hour of
Prayer, and the hour of a new era of good.
And that century is a life of Nero spent
On self-investment taken solely from
Earthly substance.
This is life.
Portrayed on the stage for ages;
Recorded earthly for centuries;
Lived in strangeness for years;
Sung as a hymn for days;
Exalted but for an hour, but the
Hour is treasured by Eternity as a jewel.
|
Written by
Delmore Schwartz |
Nothing is given which is not taken.
Little or nothing is taken which is not freely desired,
freely, truly and fully.
"You would not seek me if you had not found me": this is
true of all that is supremely desired and admired.
.
.
"An enigma is an animal," said the hurried, harried
schoolboy:
And a horse divided against itself cannot stand;
And a moron is a man who believes in having too many
wives: what harm is there in that?
O the endless fecundity of poetry is equaled
By its endless inexhaustible freshness, as in the discovery
of America and of poetry.
Hence it is clear that the truth is not strait and narrow but infinite:
All roads lead to Rome and to poetry
and to poem, sweet poem
and from, away and towards are the same typography.
Hence the poet must be, in a way, stupid and naive and a
little child;
Unless ye be as a little child ye cannot enter the kingdom
of poetry.
Hence the poet must be able to become a tiger like Blake; a
carousel like Rilke.
Hence he must be all things to be free, for all impersonations
a doormat and a monument
to all situations possible or actual
The cuckold, the cuckoo, the conqueror, and the coxcomb.
It is to him in the zoo that the zoo cries out and the hyena:
"Hello, take off your hat, king of the beasts, and be seated,
Mr.
Bones.
"
And hence the poet must seek to be essentially anonymous.
He must die a little death each morning.
He must swallow his toad and study his vomit
as Baudelaire studied la charogne of Jeanne Duval.
The poet must be or become both Keats and Renoir and
Keats as Renoir.
Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned
out of her mind
drowning in the river called forever river and ever.
.
.
Keats as Mimi, Camille, and an aging gourmet.
He must also refuse the favors of the unattainable lady
(As Baudelaire refused Madame Sabatier when the fair
blonde summoned him,
For Jeanne Duval was enough and more than enough,
although she cuckolded him
With errand boys, servants, waiters; reality was Jeanne Duval.
Had he permitted Madame Sabatier to teach the poet a greater whiteness,
His devotion and conception of the divinity of Beauty
would have suffered an absolute diminution.
)
The poet must be both Casanova and St.
Anthony,
He must be Adonis, Nero, Hippolytus, Heathcliff, and
Phaedre,
Genghis Kahn, Genghis Cohen, and Gordon Martini
Dandy Ghandi and St.
Francis,
Professor Tenure, and Dizzy the dean and Disraeli of Death.
He would have worn the horns of existence upon his head,
He would have perceived them regarding the looking-glass,
He would have needed them the way a moose needs a hatrack;
Above his heavy head and in his loaded eyes, black and scorched,
He would have seen the meaning of the hat-rack, above the glass
Looking in the dark foyer.
For the poet must become nothing but poetry,
He must be nothing but a poem when he is writing
Until he is absent-minded as the dead are
Forgetful as the nymphs of Lethe and a lobotomy.
.
.
("the fat weed that rots on Lethe wharf").
|
Written by
Stephen Vincent Benet |
Eternally the choking steam goes up
From the black pools of seething oil.
.
.
.
How merry
Those little devils are! They've stolen the pitchfork
From Bel, there, as he slept .
.
.
Look! -- oh look, look!
They've got at Nero! Oh it isn't fair!
Lord, how he squeals! Stop it .
.
.
it's, well -- indecent!
But funny! .
.
.
See, Bel's waked.
They'll catch it now!
.
.
.
Eternally that stifling reek arises,
Blotting the dome with smoky, terrible towers,
Black, strangling trees, whispering obscene things
Amongst their branches, clutching with maimed hands,
Or oozing slowly, like blind tentacles
Up to the gates; higher than that heaped brick
Man piled to smite the sun.
And all around
Are devils.
One can laugh .
.
.
but that hunched shape
The face one stone, like those Assyrian kings!
One sees in carvings, watching men flayed red
Horribly laughable in leaps and writhes;
That face -- utterly evil, clouded round
With evil like a smoke -- it turns smiles sour!
.
.
.
And Nero there, the flabby cheeks astrain
And sweating agony .
.
.
long agony .
.
.
Imperishable, unappeasable
For ever .
.
.
well .
.
.
it droops the mouth.
Till I
Look up.
There's one blue patch no smoke dares touch.
Sky, clear, ineffable, alive with light,
Always the same .
.
.
Before, I never knew
Rest and green peace.
She stands there in the sun.
.
.
.
It seems so quaint she should have long gold wings.
I never have got used -- folded across
Her breast, or fluttering with fierce, pure light,
Like shaken steel.
Her crown too.
Well, it's *****!
And then she never cared much for the harp
On earth.
Here, though .
.
.
She is all peace, all quiet,
All passionate desires, the eloquent thunder
Of new, glad suns, shouting aloud for joy,
Over fresh worlds and clean, trampling the air
Like stooping hawks, to the long wind of horns,
Flung from the bastions of Eternity .
.
.
And she is the low lake, drowsy and gentle,
And good words spoken from the tongues of friends,
And calmness in the evening, and deep thoughts,
Falling like dreams from the stars' solemn mouths.
All these.
They said she was unfaithful once.
Or I remembered it -- and so, for that,
I lie here, I suppose.
Yes, so they said.
You see she is so troubled, looking down,
Sorrowing deeply for my torments.
I
Of course, feel nothing while I see her -- save
That sometimes when I think the matter out,
And what earth-people said of us, of her,
It seems as if I must be, here, in heaven,
And she --
.
.
.
Then I grow proud; and suddenly
There comes a splatter of oil against my skin,
Hurting this time.
And I forget my pride:
And my face writhes.
Some day the little ladder
Of white words that I build up, up, to her
May fetch me out.
Meanwhile it isn't bad.
.
.
.
But what a sense of humor God must have!
|
Written by
Victor Hugo |
("Amis! ennui nous tue.")
{Bk. IV. xv., March, 1825.}
Aweary unto death, my friends, a mood by wise abhorred,
Come to the novel feast I spread, thrice-consul, Nero, lord,
The Caesar, master of the world, and eke of harmony,
Who plays the harp of many strings, a chief of minstrelsy.
My joyful call should instantly bring all who love me most,—
For ne'er were seen such arch delights from Greek or Roman host;
Nor at the free, control-less jousts, where, spite of cynic vaunts,
Austere but lenient Seneca no "Ercles" bumper daunts;
Nor where upon the Tiber floats Aglae in galley gay,
'Neath Asian tent of brilliant stripes, in gorgeous array;
Nor when to lutes and tambourines the wealthy prefect flings
A score of slaves, their fetters wreathed, to feed grim, greedy
things.
I vow to show ye Rome aflame, the whole town in a mass;
Upon this tower we'll take our stand to watch the 'wildered pass;
How paltry fights of men and beasts! here be my combatants,—
The Seven Hills my circus form, and fiends shall lead the dance.
This is more meet for him who rules to drive away his stress—
He, being god, should lightnings hurl and make a wilderness—
But, haste! for night is darkling—soon, the festival it brings;
Already see the hydra show its tongues and sombre wings,
And mark upon a shrinking prey the rush of kindling breaths;
They tap and sap the threatened walls, and bear uncounted deaths;
And 'neath caresses scorching hot the palaces decay—
Oh, that I, too, could thus caress, and burn, and blight, and slay!
Hark to the hubbub! scent the fumes! Are those real men or ghosts?
The stillness spreads of Death abroad—down come the temple posts,
Their molten bronze is coursing fast and joins with silver waves
To leap with hiss of thousand snakes where Tiber writhes and raves.
All's lost! in jasper, marble, gold, the statues totter—crash!
Spite of the names divine engraved, they are but dust and ash.
The victor-scourge sweeps swollen on, whilst north winds sound the horn
To goad the flies of fire yet beyond the flight forlorn.
Proud capital! farewell for e'er! these flames nought can subdue—
The Aqueduct of Sylla gleams, a bridge o'er hellish brew.
'Tis Nero's whim! how good to see Rome brought the lowest down;
Yet, Queen of all the earth, give thanks for such a splendrous crown!
When I was young, the Sybils pledged eternal rule to thee;
That Time himself would lay his bones before thy unbent knee.
Ha! ha! how brief indeed the space ere this "immortal star"
Shall be consumed in its own glow, and vanished—oh, how far!
How lovely conflagrations look when night is utter dark!
The youth who fired Ephesus' fane falls low beneath my mark.
The pangs of people—when I sport, what matters?—See them whirl
About, as salamanders frisk and in the brazier curl.
Take from my brow this poor rose-crown—the flames have made it pine;
If blood rains on your festive gowns, wash off with Cretan wine!
I like not overmuch that red—good taste says "gild a crime?"
"To stifle shrieks by drinking-songs" is—thanks! a hint sublime!
I punish Rome, I am avenged; did she not offer prayers
Erst unto Jove, late unto Christ?—to e'en a Jew, she dares!
Now, in thy terror, own my right to rule above them all;
Alone I rest—except this pile, I leave no single hall.
Yet I destroy to build anew, and Rome shall fairer shine—
But out, my guards, and slay the dolts who thought me not divine.
The stiffnecks, haste! annihilate! make ruin all complete—
And, slaves, bring in fresh roses—what odor is more sweet?
H.L. WILLIAMS
|
Written by
Robert William Service |
One day the Great Designer sought
His Clerk of Birth and Death.
Said he: "Two souls are in my thought,
to whom I gave life-breath.
I deemed my work was fitly done,
But yester-eve I saw
That in the finished brain of one
There was a tiny flaw.
"It worried me, and I would know,
Since I am all to blame,
What happened to them down below,
Of honour or of shame;
For if the later did befall,
My sorrow will be grave .
.
.
"
Then numbers astronomical
unto the Clerk he gave.
The Keeper of the Rolls replied:
"Of them I've little trace;
But one he was a Prince of pride
And one of lowly race.
One was a Holy Saint proclaimed;
For one no hell sufficed .
.
.
.
Let's see - the last was Nero named,
The other .
.
.
Jesus Christ.
"
|
Written by
Carl Sandburg |
IF I should pass the tomb of Jonah
I would stop there and sit for awhile;
Because I was swallowed one time deep in the dark
And came out alive after all.
If I pass the burial spot of Nero
I shall say to the wind, “Well, well!”—
I who have fiddled in a world on fire,
I who have done so many stunts not worth doing.
I am looking for the grave of Sinbad too.
I want to shake his ghost-hand and say,
“Neither of us died very early, did we?”
And the last sleeping-place of Nebuchadnezzar—
When I arrive there I shall tell the wind:
“You ate grass; I have eaten crow—
Who is better off now or next year?”
Jack Cade, John Brown, Jesse James,
There too I could sit down and stop for awhile.
I think I could tell their headstones:
“God, let me remember all good losers.
”
I could ask people to throw ashes on their heads
In the name of that sergeant at Belleau Woods,
Walking into the drumfires, calling his men,
“Come on, you … Do you want to live forever?”
|
Written by
Constantine P Cavafy |
On an ebony bed decorated
with coral eagles, sound asleep lies
Nero -- unconscious, quiet, and blissful;
thriving in the vigor of flesh,
and in the splendid power of youth.
But in the alabaster hall that encloses
the ancient shrine of the Aenobarbi
how restive are his Lares.
The little household gods tremble,
and try to hide their insignificant bodies.
For they heard a horrible clamor,
a deathly clamor ascending the stairs,
iron footsteps rattling the stairs.
And now in a faint the miserable Lares,
burrow in the depth of the shrine,
one tumbles and stumbles upon the other,
one little god falls over the other
for they understand what sort of clamor this is,
they are already feeling the footsteps of the Furies.
|
Written by
Paul Laurence Dunbar |
To-day my skies are bare and ashen,
And bend on me without a beam.
Since love is held the master-passion,
Its loss must be the pain supreme—
And grinning Fate has wrecked my dream.
But pardon, dear departed Guest,
I will not rant, I will not rail;
For good the grain must feel the flail;
There are whom love has never blessed.
I had and have a younger brother,
One whom I loved and love to-day
As never fond and doting mother
Adored the babe who found its way
From heavenly scenes into her day.
Oh, he was full of youth's new wine,—
A man on life's ascending slope,
Flushed with ambition, full of hope;
And every wish of his was mine.
A kingly youth; the way before him
[Pg 36]Was thronged with victories to be won;
So joyous, too, the heavens o'er him
Were bright with an unchanging sun,—
His days with rhyme were overrun.
Toil had not taught him Nature's prose,
Tears had not dimmed his brilliant eyes,
And sorrow had not made him wise;
His life was in the budding rose.
I know not how I came to waken,
Some instinct pricked my soul to sight;
My heart by some vague thrill was shaken,—
A thrill so true and yet so slight,
I hardly deemed I read aright.
As when a sleeper, ign'rant why,
Not knowing what mysterious hand
Has called him out of slumberland,
Starts up to find some danger nigh.
Love is a guest that comes, unbidden,
But, having come, asserts his right;
He will not be repressed nor hidden.
And so my brother's dawning plight
Became uncovered to my sight.
Some sound-mote in his passing tone
Caught in the meshes of my ear;
Some little glance, a shade too dear,
Betrayed the love he bore Ione.
What could I do? He was my brother,
And young, and full of hope and trust;
I could not, dared not try to smother
His flame, and turn his heart to dust.
I knew how oft life gives a crust
To starving men who cry for bread;
But he was young, so few his days,
He had not learned the great world's ways,
Nor Disappointment's volumes read.
However fair and rich the booty,
I could not make his loss my gain.
For love is dear, but dearer duty,
[Pg 37]And here my way was clear and plain.
I saw how I could save him pain.
And so, with all my day grown dim,
That this loved brother's sun might shine,
I joined his suit, gave over mine,
And sought Ione, to plead for him.
I found her in an eastern bower,
Where all day long the am'rous sun
Lay by to woo a timid flower.
This day his course was well-nigh run,
But still with lingering art he spun
Gold fancies on the shadowed wall.
The vines waved soft and green above,
And there where one might tell his love,
I told my griefs—I told her all!
I told her all, and as she hearkened,
A tear-drop fell upon her dress.
With grief her flushing brow was darkened;
One sob that she could not repress
Betrayed the depths of her distress.
Upon her grief my sorrow fed,
And I was bowed with unlived years,
My heart swelled with a sea of tears,
The tears my manhood could not shed.
The world is Rome, and Fate is Nero,
Disporting in the hour of doom.
God made us men; times make the hero—
But in that awful space of gloom
I gave no thought but sorrow's room.
All—all was dim within that bower,
What time the sun divorced the day;
And all the shadows, glooming gray,
Proclaimed the sadness of the hour.
She could not speak—no word was needed;
Her look, half strength and half despair,
Told me I had not vainly pleaded,
That she would not ignore my prayer.
And so she turned and left me there,
And as she went, so passed my bliss;
[Pg 38]She loved me, I could not mistake—
But for her own and my love's sake,
Her womanhood could rise to this!
My wounded heart fled swift to cover,
And life at times seemed very drear.
My brother proved an ardent lover—
What had so young a man to fear?
He wed Ione within the year.
No shadow clouds her tranquil brow,
Men speak her husband's name with pride,
While she sits honored at his side—
She is—she must be happy now!
I doubt the course I took no longer,
Since those I love seem satisfied.
The bond between them will grow stronger
As they go forward side by side;
Then will my pains be jusfied.
Their joy is mine, and that is best—
I am not totally bereft;
For I have still the mem'ry left—
Love stopped with me—a Royal Guest!
|
Written by
Matthew Prior |
As after noon, one summer's day,
Venus stood bathing in a river;
Cupid a-shooting went that way,
New strung his bow, new fill'd his quiver.
With skill he chose his sharpest dart:
With all his might his bow he drew:
Swift to his beauteous parent's heart
The too well-guided arrow flew.
I faint! I die! the Goddess cry'd:
O cruel, could'st thou find none other,
To wreck thy spleen on? Parricide!
Like Nero, thou hast slain thy mother.
Poor Cupid sobbing scarce could speak;
Indeed, Mamma, I did not know ye:
Alas! how easy my mistake?
I took you for your likeness, Cloe.
|
Written by
Constantine P Cavafy |
Nero was not worried when he heard
the prophecy of the Delphic Oracle.
"Let him fear the seventy three years.
"
He still had ample time to enjoy himself.
He is thirty.
More than sufficient
is the term the god allots him
to prepare for future perils.
Now he will return to Rome slightly tired,
but delightfully tired from this journey,
full of days of enjoyment --
at the theaters, the gardens, the gymnasia.
.
.
evenings at cities of Achaia.
.
.
Ah the delight of nude bodies, above all.
.
.
Thus fared Nero.
And in Spain Galba
secretly assembles and drills his army,
the old man of seventy three.
|