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Best Famous Multitude Poems

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Written by Victor Hugo | Create an image from this poem

A Sunset

 I love the evenings, passionless and fair, I love the evens, 
Whether old manor-fronts their ray with golden fulgence leavens, 
In numerous leafage bosomed close; 
Whether the mist in reefs of fire extend its reaches sheer, 
Or a hundred sunbeams splinter in an azure atmosphere 
On cloudy archipelagos. 

Oh, gaze ye on the firmament! a hundred clouds in motion, 
Up-piled in the immense sublime beneath the winds' commotion, 
Their unimagined shapes accord: 
Under their waves at intervals flame a pale levin through, 
As if some giant of the air amid the vapors drew 
A sudden elemental sword. 

The sun at bay with splendid thrusts still keeps the sullen fold; 
And momently at distance sets, as a cupola of gold, 
The thatched roof of a cot a-glance; 
Or on the blurred horizon joins his battle with the haze; 
Or pools the blooming fields about with inter-isolate blaze, 
Great moveless meres of radiance. 

Then mark you how there hangs athwart the firmament's swept track, 
Yonder a mighty crocodile with vast irradiant back, 
A triple row of pointed teeth? 
Under its burnished belly slips a ray of eventide, 
The flickerings of a hundred glowing clouds in tenebrous side 
With scales of golden mail ensheathe. 

Then mounts a palace, then the air vibrates--the vision flees. 
Confounded to its base, the fearful cloudy edifice 
Ruins immense in mounded wrack; 
Afar the fragments strew the sky, and each envermeiled cone 
Hangeth, peak downward, overhead, like mountains overthrown 
When the earthquake heaves its hugy back. 

These vapors, with their leaden, golden, iron, bronzèd glows, 
Where the hurricane, the waterspout, thunder, and hell repose, 
Muttering hoarse dreams of destined harms,-- 
'Tis God who hangs their multitude amid the skiey deep, 
As a warrior that suspendeth from the roof-tree of his keep 
His dreadful and resounding arms! 

All vanishes! The Sun, from topmost heaven precipitated, 
Like a globe of iron which is tossed back fiery red 
Into the furnace stirred to fume, 
Shocking the cloudy surges, plashed from its impetuous ire, 
Even to the zenith spattereth in a flecking scud of fire 
The vaporous and inflamèd spaume. 

O contemplate the heavens! Whenas the vein-drawn day dies pale, 
In every season, every place, gaze through their every veil? 
With love that has not speech for need! 
Beneath their solemn beauty is a mystery infinite: 
If winter hue them like a pall, or if the summer night 
Fantasy them starre brede.


Written by Sylvia Plath | Create an image from this poem

Love Is A Parallax

 'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
 in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
 where wave pretends to drench real sky.' 

'Well then, if we agree, it is not odd
that one man's devil is another's god
 or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
 is our life's whole nemesis. 

So we could rave on, darling, you and I,
until the stars tick out a lullaby
 about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
 implacably from twelve to one. 

We raise our arguments like sitting ducks
to knock them down with logic or with luck
 and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
 who insists his playmates run. 

Now you, my intellectual leprechaun,
would have me swallow the entire sun
 like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
 should inflame the sleeping town. 

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
 caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
 playing his prodigal charades. 

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
 blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
 graves all carol in reply. 

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
 brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
 while footlights flare and houselights dim. 

Tell now, we taunq where black or white begins
and separate the flutes from violins:
 the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
 joins his enemies' recruits. 

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
 there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
 an insight like the flight of birds: 

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
 some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
 cycling phoenix never stops. 

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
 and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
 away our rationed days and weeks. 

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
 in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
 the simple sum of heart plus heart.
Written by Ernest Lawrence Thayer | Create an image from this poem

Casey At The Bat

The outlook wasn't brilliant for the Mudville nine that day, 
The score stood four to two, with but one inning more to play. 

And then when Cooney died at first, and Barrows did the same, 
A pall-like silence fell upon the patrons of the game. 

A straggling few got up to go in deep despair. 
The rest clung to that hope which springs eternal in the human breast. 
They thought, "if only Casey could but get a whack at that. 
We'd put up even money now, with Casey at the bat." 

But Flynn preceded Casey, as did also Jimmy Blake; 
and the former was a hoodoo, while the latter was a cake. 

So upon that stricken multitude, grim melancholy sat; 
for there seemed but little chance of Casey getting to the bat. 

But Flynn let drive a single, to the wonderment of all. 
And Blake, the much despised, tore the cover off the ball. 

And when the dust had lifted, 
and men saw what had occurred, 
there was Jimmy safe at second and Flynn a-hugging third. 

Then from five thousand throats and more there rose a lusty yell; 
it rumbled through the valley, it rattled in the dell; 

it pounded through on the mountain and recoiled upon the flat; 
for Casey, mighty Casey, was advancing to the bat. 

There was ease in Casey's manner as he stepped into his place, 
there was pride in Casey's bearing and a smile lit Casey's face. 

And when, responding to the cheers, he lightly doffed his hat, 
no stranger in the crowd could doubt t'was Casey at the bat. 

Ten thousand eyes were on him as he rubbed his hands with dirt. 
Five thousand tongues applauded when he wiped them on his shirt. 

Then, while the writhing pitcher ground the ball into his hip, 
defiance flashed in Casey's eye, a sneer curled Casey's lip. 

And now the leather-covered sphere came hurtling through the air, 
and Casey stood a-watching it in haughty grandeur there. 

Close by the sturdy batsman the ball unheeded sped -- 
"That ain't my style," said Casey. 

"Strike one!" the umpire said. 
From the benches, black with people, there went up a muffled roar, 
like the beating of the storm waves on a stern and distant shore. 

"Kill him! Kill the umpire!" shouted someone on the stand, 
and it's likely they'd have killed him had not Casey raised his hand. 

With a smile of Christian charity, great Casey's visage shone, 
he stilled the rising tumult, he bade the game go on. 

He signaled to the pitcher, and once more the dun sphere flew, 
but Casey still ignored it, and the umpire said, "Strike two!" 

"Fraud!" cried the maddened thousands, and echo answered "Fraud!" 
But one scornful look from Casey and the audience was awed. 

They saw his face grow stern and cold, they saw his muscles strain, 
and they knew that Casey wouldn't let that ball go by again. 

The sneer has fled from Casey's lip, the teeth are clenched in hate. 
He pounds, with cruel violence, his bat upon the plate. 

And now the pitcher holds the ball, and now he lets it go, 
and now the air is shattered by the force of Casey's blow. 

Oh, somewhere in this favored land the sun is shining bright. 
The band is playing somewhere, and somewhere hearts are light. 
And, somewhere men are laughing, and little children shout, 

but there is no joy in Mudville 
mighty Casey has struck out. 
Written by William Butler Yeats | Create an image from this poem

Meditations In Time Of Civil War

 I. Ancestral Houses

Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.

Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.

Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.

O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?

What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?


 II. My House

An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;

A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.

Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.


 III. My Table

Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.


 IV. My Descendants

Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.

And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.

The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.


 V. The Road at My Door

An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.

A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.

I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.


 VI. The Stare's Nest by My Window

The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.

We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.

A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.

We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.


 VII. I see Phantoms of Hatred and of the Heart's
 Fullness and of the Coming Emptiness

I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.

'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.

Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.

The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.

I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
Written by Algernon Charles Swinburne | Create an image from this poem

A Ballad of Death

 Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve. 

O Love's lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,
Three singing mouths that mourn now underbreath,
Three lovers, each one evil spoken of;
O smitten lips wherethrough this voice of mine
Came softer with her praise;
Abide a little for our lady's love.
The kisses of her mouth were more than wine,
And more than peace the passage of her days. 

O Love, thou knowest if she were good to see.
O Time, thou shalt not find in any land
Till, cast out of thine hand,
The sunlight and the moonlight fail from thee,
Another woman fashioned like as this.
O Sin, thou knowest that all thy shame in her
Was made a goodly thing;
Yea, she caught Shame and shamed him with her kiss,
With her fair kiss, and lips much lovelier
Than lips of amorous roses in late spring. 

By night there stood over against my bed
Queen Venus with a hood striped gold and black,
Both sides drawn fully back
From brows wherein the sad blood failed of red,
And temples drained of purple and full of death.
Her curled hair had the wave of sea-water
And the sea's gold in it.
Her eyes were as a dove's that sickeneth.
Strewn dust of gold she had shed over her,
And pearl and purple and amber on her feet. 

Upon her raiment of dyed sendaline
Were painted all the secret ways of love
And covered things thereof,
That hold delight as grape-flowers hold their wine;
Red mouths of maidens and red feet of doves,
And brides that kept within the bride-chamber
Their garment of soft shame,
And weeping faces of the wearied loves
That swoon in sleep and awake wearier,
With heat of lips and hair shed out like flame. 

The tears that through her eyelids fell on me
Made mine own bitter where they ran between
As blood had fallen therein,
She saying; Arise, lift up thine eyes and see
If any glad thing be or any good
Now the best thing is taken forth of us;
Even she to whom all praise
Was as one flower in a great multitude,
One glorious flower of many and glorious,
One day found gracious among many days: 

Even she whose handmaiden was Love--to whom
At kissing times across her stateliest bed
Kings bowed themselves and shed
Pale wine, and honey with the honeycomb,
And spikenard bruised for a burnt-offering;
Even she between whose lips the kiss became
As fire and frankincense;
Whose hair was as gold raiment on a king,
Whose eyes were as the morning purged with flame,
Whose eyelids as sweet savour issuing thence. 

Then I beheld, and lo on the other side
My lady's likeness crowned and robed and dead.
Sweet still, but now not red,
Was the shut mouth whereby men lived and died.
And sweet, but emptied of the blood's blue shade,
The great curled eyelids that withheld her eyes.
And sweet, but like spoilt gold,
The weight of colour in her tresses weighed.
And sweet, but as a vesture with new dyes,
The body that was clothed with love of old. 

Ah! that my tears filled all her woven hair
And all the hollow bosom of her gown--
Ah! that my tears ran down
Even to the place where many kisses were,
Even where her parted breast-flowers have place,
Even where they are cloven apart--who knows not this?
Ah! the flowers cleave apart
And their sweet fills the tender interspace;
Ah! the leaves grown thereof were things to kiss
Ere their fine gold was tarnished at the heart. 

Ah! in the days when God did good to me,
Each part about her was a righteous thing;
Her mouth an almsgiving,
The glory of her garments charity,
The beauty of her bosom a good deed,
In the good days when God kept sight of us;
Love lay upon her eyes,
And on that hair whereof the world takes heed;
And all her body was more virtuous
Than souls of women fashioned otherwise. 

Now, ballad, gather poppies in thine hands
And sheaves of brier and many rusted sheaves
Rain-rotten in rank lands,
Waste marigold and late unhappy leaves
And grass that fades ere any of it be mown;
And when thy bosom is filled full thereof
Seek out Death's face ere the light altereth,
And say "My master that was thrall to Love
Is become thrall to Death."
Bow down before him, ballad, sigh and groan.
But make no sojourn in thy outgoing;
For haply it may be
That when thy feet return at evening
Death shall come in with thee.


Written by Robert Browning | Create an image from this poem

A Grammarians Funeral

 SHORTLY AFTER THE REVIVAL OF
LEARNING IN EUROPE.

Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! yonder sparkle is the citadel's
Circling its summit.
Thither our path lies; wind we up the heights:
Wait ye the warning?
Our low life was the level's and the night's;
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous calm and dead,
Borne on our shoulders.

Sleep, crop and herd! sleep, darkling thorpe and croft,
Safe from the weather!
He, whom we convoy to his grave aloft,
Singing together,
He was a man born with thy face and throat,
Lyric Apollo!
Long he lived nameless: how should spring take note
Winter would follow?
Till lo, the little touch, and youth was gone!
Cramped and diminished,
Moaned he, ``New measures, other feet anon!
``My dance is finished?''
No, that's the world's way: (keep the mountain-side,
Make for the city!)
He knew the signal, and stepped on with pride
Over men's pity;
Left play for work, and grappled with the world
Bent on escaping:
``What's in the scroll,'' quoth he, ``thou keepest furled?
``Show me their shaping,
``Theirs who most studied man, the bard and sage,---
``Give!''---So, he gowned him,
Straight got by heart that hook to its last page:
Learned, we found him.
Yea, but we found him bald too, eyes like lead,
Accents uncertain:
``Time to taste life,'' another would have said,
``Up with the curtain!''
This man said rather, ``Actual life comes next?
``Patience a moment!
``Grant I have mastered learning's crabbed text,
``Still there's the comment.
``Let me know all! Prate not of most or least,
``Painful or easy!
``Even to the crumbs I'd fain eat up the feast,
``Ay, nor feel queasy.''
Oh, such a life as he resolved to live,
When he had learned it,
When he had gathered all books had to give!
Sooner, he spurned it.
Image the whole, then execute the parts---
Fancy the fabric
Quite, ere you build, ere steel strike fire from quartz,
Ere mortar dab brick!

(Here's the town-gate reached: there's the market-place
Gaping before us.)
Yea, this in him was the peculiar grace
(Hearten our chorus!)
That before living he'd learn how to live---
No end to learning:
Earn the means first---God surely will contrive
Use for our earning.
Others mistrust and say, ``But time escapes:
``Live now or never!''
He said, ``What's time? Leave Now for dogs and apes!
``Man has Forever.''
Back to his book then: deeper drooped his head
_Calculus_ racked him:
Leaden before, his eyes grew dross of lead:
_Tussis_ attacked him.
``Now, master, take a little rest!''---not he!
(Caution redoubled,
Step two abreast, the way winds narrowly!)
Not a whit troubled
Back to his studies, fresher than at first,
Fierce as a dragon
He (soul-hydroptic with a sacred thirst)
Sucked at the flagon.

Oh, if we draw a circle premature,
Heedless of far gain,
Greedy for quick returns of profit, sure
Bad is our bargain!
Was it not great? did not he throw on God,
(He loves the burthen)---
God's task to make the heavenly period
Perfect the earthen?
Did not he magnify the mind, show clear
Just what it all meant?
He would not discount life, as fools do here,
Paid by instalment.
He ventured neck or nothing---heaven's success
Found, or earth's failure:
``Wilt thou trust death or not?'' He answered ``Yes:
``Hence with life's pale lure!''
That low man seeks a little thing to do,
Sees it and does it:
This high man, with a great thing to pursue,
Dies ere he knows it.
That low man goes on adding nine to one,
His hundred's soon hit:
This high man, aiming at a million,
Misses an unit.
That, has the world here---should he need the next,
Let the world mind him!
This, throws himself on God, and unperplexed
Seeking shall find him.
So, with the throttling hands of death at strife,
Ground he at grammar;
Still, thro' the rattle, parts of speech were rife:
While he could stammer
He settled _Hoti's_ business---let it be!---
Properly based _Oun_---
Gave us the doctrine of the enclitic _De_,
Dead from the waist down.
Well, here's the platform, here's the proper place:
Hail to your purlieus,
All ye highfliers of the feathered race,
Swallows and curlews!
Here's the top-peak; the multitude below
Live, for they can, there:
This man decided not to Live but Know---
Bury this man there?
Here---here's his place, where meteors shoot, clouds form,
Lightnings are loosened,
Stars come and go! Let joy break with the storm,
Peace let the dew send!
Lofty designs must close in like effects
Loftily lying,
Leave him---still loftier than the world suspects,
Living and dying.
Written by Ralph Waldo Emerson | Create an image from this poem

Dæmonic Love

 Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright,
All were foreign in their light.
It was ever the self-same tale,
The old experience will not fail,—
Only two in the garden walked,
And with snake and seraph talked.

But God said;
I will have a purer gift,
There is smoke in the flame;
New flowerets bring, new prayers uplift,
And love without a name.
Fond children, ye desire
To please each other well;
Another round, a higher,
Ye shall climb on the heavenly stair,
And selfish preference forbear;
And in right deserving,
And without a swerving
Each from your proper state,
Weave roses for your mate.

Deep, deep are loving eyes,
Flowed with naphtha fiery sweet,
And the point is Paradise
Where their glances meet:
Their reach shall yet be more profound,
And a vision without bound:
The axis of those eyes sun-clear
Be the axis of the sphere;
Then shall the lights ye pour amain
Go without check or intervals,
Through from the empyrean walls,
Unto the same again.

Close, close to men,
Like undulating layer of air,
Right above their heads,
The potent plain of Dæmons spreads.
Stands to each human soul its own,
For watch, and ward, and furtherance
In the snares of nature's dance;
And the lustre and the grace
Which fascinate each human heart,
Beaming from another part,
Translucent through the mortal covers,
Is the Dæmon's form and face.
To and fro the Genius hies,
A gleam which plays and hovers
Over the maiden's head,
And dips sometimes as low as to her eyes.

Unknown, — albeit lying near, —
To men the path to the Dæmon sphere,
And they that swiftly come and go,
Leave no track on the heavenly snow.
Sometimes the airy synod bends,
And the mighty choir descends,
And the brains of men thenceforth,
In crowded and in still resorts,
Teem with unwonted thoughts.
As when a shower of meteors
Cross the orbit of the earth,
And, lit by fringent air,
Blaze near and far.
Mortals deem the planets bright
Have slipped their sacred bars,
And the lone seaman all the night
Sails astonished amid stars.

Beauty of a richer vein,
Graces of a subtler strain,
Unto men these moon-men lend,
And our shrinking sky extend.
So is man's narrow path
By strength and terror skirted,
Also (from the song the wrath
Of the Genii be averted!
The Muse the truth uncolored speaking),
The Dæmons are self-seeking;
Their fierce and limitary will
Draws men to their likeness still.

The erring painter made Love blind,
Highest Love who shines on all;
Him radiant, sharpest-sighted god
None can bewilder;
Whose eyes pierce
The Universe,
Path-finder, road-builder,
Mediator, royal giver,
Rightly-seeing, rightly-seen,
Of joyful and transparent mien.
'Tis a sparkle passing
From each to each, from me to thee,
Perpetually,
Sharing all, daring all,
Levelling, misplacing
Each obstruction, it unites
Equals remote, and seeming opposites.
And ever and forever Love
Delights to build a road;
Unheeded Danger near him strides,
Love laughs, and on a lion rides.
But Cupid wears another face
Born into Dæmons less divine,
His roses bleach apace,
His nectar smacks of wine.
The Dæmon ever builds a wall,
Himself incloses and includes,
Solitude in solitudes:
In like sort his love doth fall.
He is an oligarch,
He prizes wonder, fame, and mark,
He loveth crowns,
He scorneth drones;
He doth elect
The beautiful and fortunate,
And the sons of intellect,
And the souls of ample fate,
Who the Future's gates unbar,
Minions of the Morning Star.
In his prowess he exults,
And the multitude insults.
His impatient looks devour
Oft the humble and the poor,
And, seeing his eye glare,
They drop their few pale flowers
Gathered with hope to please
Along the mountain towers,
Lose courage, and despair.
He will never be gainsaid,
Pitiless, will not be stayed.
His hot tyranny
Burns up every other tie;
Therefore comes an hour from Jove
Which his ruthless will defies,
And the dogs of Fate unties.
Shiver the palaces of glass,
Shrivel the rainbow-colored walls
Where in bright art each god and sibyl dwelt
Secure as in the Zodiack's belt;
And the galleries and halls
Wherein every Siren sung,
Like a meteor pass.
For this fortune wanted root
In the core of God's abysm,
Was a weed of self and schism:
And ever the Dæmonic Love
Is the ancestor of wars,
And the parent of remorse.
Written by George Eliot | Create an image from this poem

The Choir Invisible

 Oh, may I join the choir invisible 
Of those immortal dead who live again 
In minds made better by their presence; live 
In pulses stirred to generosity, 
In deeds of daring rectitude, in scorn 
For miserable aims that end with self, 
In thoughts sublime that pierce the night like stars, 
And with their mild persistence urge men's search 
To vaster issues. So to live is heaven: 
To make undying music in the world, 
Breathing a beauteous order that controls 
With growing sway the growing life of man. 
So we inherit that sweet purity 
For which we struggled, failed, and agonized 
With widening retrospect that bred despair. 
Rebellious flesh that would not be subdued, 
A vicious parent shaming still its child, 
Poor anxious penitence, is quick dissolved; 
Its discords, quenched by meeting harmonies, 
Die in the large and charitable air, 
And all our rarer, better, truer self 
That sobbed religiously in yearning song, 
That watched to ease the burden of the world, 
Laboriously tracing what must be, 
And what may yet be better, -- saw within 
A worthier image for the sanctuary, 
And shaped it forth before the multitude, 
Divinely human, raising worship so 
To higher reverence more mixed with love, -- 
That better self shall live till human Time 
Shall fold its eyelids, and the human sky 
Be gathered like a scroll within the tomb 
Unread forever. This is life to come, -- 
Which martyred men have made more glorious 
For us who strive to follow. May I reach 
That purest heaven, -- be to other souls 
The cup of strength in some great agony, 
Enkindle generous ardor, feed pure love, 
Beget the smiles that have no cruelty, 
Be the sweet presence of a good diffused, 
And in diffusion ever more intense! 
So shall I join the choir invisible 
Whose music is the gladness of the world.
Written by George (Lord) Byron | Create an image from this poem

Darkness

 I had a dream, which was not all a dream.
The bright sun was extinguished, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chilled into a selfish prayer for light;
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consumed,
And men were gathered round their blazing homes
To look once more into each other's face;
Happy were those which dwelt within the eye
Of the volcanoes, and their mountain-torch;
A fearful hope was all the world contained;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguished with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them: some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed
Their funeral piles with fuel, and looked up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnashed their teeth and howled; the wild birds shrieked,
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawled
And twined themselves among the multitude,
Hissing, but stingless—they were slain for food;
And War, which for a moment was no more,
Did glut himself again;—a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devoured,
Even dogs assailed their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famished men at bay,
Till hunger clung them, or the drooping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answered not with a caress—he died.
The crowd was famished by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heaped a mass of holy things
For an unholy usage: they raked up,
And shivering scraped with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shrieked, and died— 
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless— 
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirred within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal; as they dropped
They slept on the abyss without a surge— 
The waves were dead; the tides were in their grave,
The Moon, their mistress, had expired before;
The winds were withered in the stagnant air,
And the clouds perished! Darkness had no need
Of aid from them—She was the Universe!
Written by Robert Herrick | Create an image from this poem

His Meditation Upon Death

 BE those few hours, which I have yet to spend, 
Blest with the meditation of my end; 
Though they be few in number, I'm content; 
If otherwise, I stand indifferent, 
Nor makes it matter, Nestor's years to tell, 
If man lives long, and if he live not well. 
A multitude of days still heaped on 
Seldom brings order, but confusion. 
Might I make choice, long life should be with-stood;
Nor would I care how short it were, if good; 
Which to effect, let ev'ry passing bell 
Possess my thoughts, next comes my doleful knell; 
And when the night persuades me to my bed, 
I'll think I'm going to be buried; 
So shall the blankets which come over me 
Present those turfs, which once must cover me;
And with as firm behaviour I will meet 
The sheet I sleep in, as my winding-sheet. 
When Sleep shall bathe his body in mine eyes, 
I will believe, that then my body dies; 
And if I chance to wake, and rise thereon, 
I'll have in mind my resurrection, 
Which must produce me to that Gen'ral Doom,
To which the peasant, so the prince must come, 
To hear the Judge give sentence on the Throne, 
Without the least hope of affection. 
Tears, at that day, shall make but weak defense, 
When Hell and horror fright the conscience. 
Let me, though late, yet at the last, begin 
To shun the least temptation to a sin; 
Though to be tempted be no sin, until 
Man to th'alluring object gives his will. 
Such let my life assure me, when my breath 
Goes thieving from me, I am safe in death; 
Which is the height of comfort, when I fall, 
I rise triumphant in my funeral.

Book: Reflection on the Important Things