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Best Famous Modes Poems

Here is a collection of the all-time best famous Modes poems. This is a select list of the best famous Modes poetry. Reading, writing, and enjoying famous Modes poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of modes poems.

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Written by A R Ammons | Create an image from this poem

Identity

 1) An individual spider web
identifies a species:

an order of instinct prevails
 through all accidents of circumstance,
  though possibility is
high along the peripheries of
spider
   webs:
   you can go all
  around the fringing attachments

  and find
disorder ripe,
entropy rich, high levels of random,
 numerous occasions of accident:

2) the possible settings
of a web are infinite:

 how does
the spider keep
  identity
 while creating the web
 in a particular place?

 how and to what extent
  and by what modes of chemistry
  and control?

it is
wonderful
 how things work: I will tell you
   about it
   because

it is interesting
and because whatever is
moves in weeds
 and stars and spider webs
and known
   is loved:
  in that love,
  each of us knowing it,
  I love you,

for it moves within and beyond us,
  sizzles in
to winter grasses, darts and hangs with bumblebees
by summer windowsills:

   I will show you
the underlying that takes no image to itself,
 cannot be shown or said,
but weaves in and out of moons and bladderweeds,
   is all and
 beyond destruction
 because created fully in no
particular form:

   if the web were perfectly pre-set,
   the spider could
  never find
  a perfect place to set it in: and

   if the web were
perfectly adaptable,
if freedom and possibility were without limit,
   the web would
lose its special identity:

 the row-strung garden web
keeps order at the center
where space is freest (intersecting that the freest
  "medium" should
  accept the firmest order)

and that
order
   diminishes toward the
periphery
 allowing at the points of contact
  entropy equal to entropy.


Written by Alan Seeger | Create an image from this poem

The Rendezvous

 He faints with hope and fear.
It is the hour.
Distant, across the thundering organ-swell, In sweet discord from the cathedral-tower, Fall the faint chimes and the thrice-sequent bell.
Over the crowd his eye uneasy roves.
He sees a plume, a fur; his heart dilates -- Soars .
.
.
and then sinks again.
It is not hers he loves.
She will not come, the woman that he waits.
Braided with streams of silver incense rise The antique prayers and ponderous antiphones.
`Gloria Patri' echoes to the skies; `Nunc et in saecula' the choir intones.
He marks not the monotonous refrain, The priest that serves nor him that celebrates, But ever scans the aisle for his blonde head.
.
.
.
In vain! She will not come, the woman that he waits.
How like a flower seemed the perfumed place Where the sweet flesh lay loveliest to kiss; And her white hands in what delicious ways, With what unfeigned caresses, answered his! Each tender charm intolerable to lose, Each happy scene his fancy recreates.
And he calls out her name and spreads his arms .
.
.
No use! She will not come, the woman that he waits.
But the long vespers close.
The priest on high Raises the thing that Christ's own flesh enforms; And down the Gothic nave the crowd flows by And through the portal's carven entry swarms.
Maddened he peers upon each passing face Till the long drab procession terminates.
No princess passes out with proud majestic pace.
She has not come, the woman that he waits.
Back in the empty silent church alone He walks with aching heart.
A white-robed boy Puts out the altar-candles one by one, Even as by inches darkens all his joy.
He dreams of the sweet night their lips first met, And groans -- and turns to leave -- and hesitates .
.
.
Poor stricken heart, he will, he can not fancy yet She will not come, the woman that he waits.
But in an arch where deepest shadows fall He sits and studies the old, storied panes, And the calm crucifix that from the wall Looks on a world that quavers and complains.
Hopeless, abandoned, desolate, aghast, On modes of violent death he meditates.
And the tower-clock tolls five, and he admits at last, She will not come, the woman that he waits.
Through the stained rose the winter daylight dies, And all the tide of anguish unrepressed Swells in his throat and gathers in his eyes; He kneels and bows his head upon his breast, And feigns a prayer to hide his burning tears, While the satanic voice reiterates `Tonight, tomorrow, nay, nor all the impending years, She will not come,' the woman that he waits.
Fond, fervent heart of life's enamored spring, So true, so confident, so passing fair, That thought of Love as some sweet, tender thing, And not as war, red tooth and nail laid bare, How in that hour its innocence was slain, How from that hour our disillusion dates, When first we learned thy sense, ironical refrain, She will not come, the woman that he waits.
Written by Matthew Prior | Create an image from this poem

Jinny the Just

 Releas'd from the noise of the butcher and baker 
Who, my old friends be thanked, did seldom forsake her, 
And from the soft duns of my landlord the Quaker, 

From chiding the footmen and watching the lasses, 
From Nell that burn'd milk, and Tom that broke glasses 
(Sad mischiefs thro' which a good housekeeper passes!) 

From some real care but more fancied vexation, 
From a life parti-colour'd half reason half passion, 
Here lies after all the best wench in the nation.
From the Rhine to the Po, from the Thames to the Rhone, Joanna or Janneton, Jinny or Joan, 'Twas all one to her by what name she was known.
For the idiom of words very little she heeded, Provided the matter she drove at succeeded, She took and gave languages just as she needed.
So for kitchen and market, for bargain and sale, She paid English or Dutch or French down on the nail, But in telling a story she sometimes did fail; Then begging excuse as she happen'd to stammer, With respect to her betters but none to her grammar, Her blush helped her out and her jargon became her.
Her habit and mien she endeavor'd to frame To the different gout of the place where she came; Her outside still chang'd, but her inside the same: At the Hague in her slippers and hair as the mode is, At Paris all falbalow'd fine as a goddess, And at censuring London in smock sleeves and bodice.
She order'd affairs that few people could tell In what part about her that mixture did dwell Of Frow, or Mistress, or Mademoiselle.
For her surname and race let the herald's e'en answer; Her own proper worth was enough to advance her, And he who liked her, little value her grandsire.
But from what house so ever her lineage may come I wish my own Jinny but out of her tomb, Tho' all her relations were there in her room.
Of such terrible beauty she never could boast As with absolute sway o'er all hearts rules the roast When J___ bawls out to the chair for a toast; But of good household features her person was made, Nor by faction cried up nor of censure afraid, And her beauty was rather for use than parade.
Her blood so well mix't and flesh so well pasted That, tho' her youth faded, her comeliness lasted; The blue was wore off, but the plum was well tasted.
Less smooth than her skin and less white than her breast Was this polished stone beneath which she lies pressed: Stop, reader, and sigh while thou thinkst on the rest.
With a just trim of virtue her soul was endued, Not affectedly pious nor secretly lewd She cut even between the coquette and the prude.
Her will with her duty so equally stood That, seldom oppos'd, she was commonly good, And did pretty well, doing just what she would.
Declining all power she found means to persuade, Was then most regarded when most she obey'd, The mistress in truth when she seem'd but the maid.
Such care of her own proper actions she took That on other folk's lives she had not time to look, So censure and praise were struck out of her book.
Her thought still confin'd to its own little sphere, She minded not who did excel or did err But just as the matter related to her.
Then too when her private tribunal was rear'd Her mercy so mix'd with her judgment appear'd That her foes were condemn'd and her friends always clear'd.
Her religion so well with her learning did suit That in practice sincere, and in controverse mute, She showed she knew better to live than dispute.
Some parts of the Bible by heart she recited, And much in historical chapters delighted, But in points about Faith she was something short sighted; So notions and modes she refer'd to the schools, And in matters of conscience adher'd to two rules, To advise with no bigots, and jest with no fools.
And scrupling but little, enough she believ'd, By charity ample small sins she retriev'd, And when she had new clothes she always receiv'd.
Thus still whilst her morning unseen fled away In ord'ring the linen and making the tea That scarce could have time for the psalms of the day; And while after dinner the night came so soon That half she propos'd very seldom was done; With twenty God bless me's, how this day is gone! -- While she read and accounted and paid and abated, Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated, As answer'd the end of her being created: In the midst of her age came a cruel disease Which neither her juleps nor receipts could appease; So down dropp'd her clay -- may her Soul be at peace! Retire from this sepulchre all the profane, You that love for debauch, or that marry for gain, Retire lest ye trouble the Manes of J___.
But thou that know'st love above int'rest or lust, Strew the myrle and rose on this once belov'd dust, And shed one pious tear upon Jinny the Just.
Tread soft on her grave, and do right to her honor, Let neither rude hand nor ill tongue light upon her, Do all the small favors that now can be done her.
And when what thou lik'd shall return to her clay, For so I'm persuaded she must do one day -- Whatever fantastic John Asgill may say -- When as I have done now, thou shalt set up a stone For something however distinguished or known, May some pious friend the misfortune bemoan, And make thy concern by reflexion his own.
Written by Thomas Hardy | Create an image from this poem

The Lacking Sense Scene.--A sad-coloured landscape Waddon Vale

 I 

"O Time, whence comes the Mother's moody look amid her labours, 
 As of one who all unwittingly has wounded where she loves? 
 Why weaves she not her world-webs to according lutes and tabors, 
With nevermore this too remorseful air upon her face, 
 As of angel fallen from grace?" 

II 

- "Her look is but her story: construe not its symbols keenly: 
 In her wonderworks yea surely has she wounded where she loves.
The sense of ills misdealt for blisses blanks the mien most queenly, Self-smitings kill self-joys; and everywhere beneath the sun Such deeds her hands have done.
" III - "And how explains thy Ancient Mind her crimes upon her creatures, These fallings from her fair beginnings, woundings where she loves, Into her would-be perfect motions, modes, effects, and features Admitting cramps, black humours, wan decay, and baleful blights, Distress into delights?" IV - "Ah! know'st thou not her secret yet, her vainly veiled deficience, Whence it comes that all unwittingly she wounds the lives she loves? That sightless are those orbs of hers?--which bar to her omniscience Brings those fearful unfulfilments, that red ravage through her zones Whereat all creation groans.
V "She whispers it in each pathetic strenuous slow endeavour, When in mothering she unwittingly sets wounds on what she loves; Yet her primal doom pursues her, faultful, fatal is she ever; Though so deft and nigh to vision is her facile finger-touch That the seers marvel much.
VI "Deal, then, her groping skill no scorn, no note of malediction; Not long on thee will press the hand that hurts the lives it loves; And while she dares dead-reckoning on, in darkness of affliction, Assist her where thy creaturely dependence can or may, For thou art of her clay.
"
Written by Thomas Hardy | Create an image from this poem

Then And Now

 When battles were fought 
With a chivalrous sense of should and ought, 
In spirit men said, 
"End we quick or dead, 
Honour is some reward! 
Let us fight fair -- for our own best or worst; 
So, Gentlemen of the Guard, 
Fire first!" 

In the open they stood, 
Man to man in his knightlihood: 
They would not deign 
To profit by a stain 
On the honourable rules, 
Knowing that practise perfidy no man durst 
Who in the heroic schools 
Was nurst.
But now, behold, what Is war with those where honour is not! Rama laments Its dead innocents; Herod howls: "Sly slaughter Rules now! Let us, by modes once called accurst, Overhead, under water, Stab first.
"


Written by Francesco Petrarch | Create an image from this poem

CANZONE XXI

CANZONE XXI.

I' vo pensando, e nel pensier m' assale.

SELF-CONFLICT.

Ceaseless I think, and in each wasting thought
So strong a pity for myself appears,
[Pg 227]That often it has brought
My harass'd heart to new yet natural tears;
Seeing each day my end of life draw nigh,
Instant in prayer, I ask of God the wings
With which the spirit springs,
Freed from its mortal coil, to bliss on high;
But nothing, to this hour, prayer, tear, or sigh,
Whatever man could do, my hopes sustain:
And so indeed in justice should it be;
Able to stay, who went and fell, that he
Should prostrate, in his own despite, remain.
But, lo! the tender arms
In which I trust are open to me still,
Though fears my bosom fill
Of others' fate, and my own heart alarms,
Which worldly feelings spur, haply, to utmost ill.
One thought thus parleys with my troubled mind—
"What still do you desire, whence succour wait?
Ah! wherefore to this great,
This guilty loss of time so madly blind?
Take up at length, wisely take up your part:
Tear every root of pleasure from your heart,
Which ne'er can make it blest,
Nor lets it freely play, nor calmly rest.
If long ago with tedium and disgust
You view'd the false and fugitive delights
With which its tools a treacherous world requites,
Why longer then repose in it your trust,
Whence peace and firmness are in exile thrust?
While life and vigour stay,
The bridle of your thoughts is in your power:
Grasp, guide it while you may:
So clogg'd with doubt, so dangerous is delay,
The best for wise reform is still the present hour.
"Well known to you what rapture still has been
Shed on your eyes by the dear sight of her
Whom, for your peace it were
Better if she the light had never seen;
And you remember well (as well you ought)
[Pg 228]Her image, when, as with one conquering bound,
Your heart in prey she caught,
Where flame from other light no entrance found.
She fired it, and if that fallacious heat
Lasted long years, expecting still one day,
Which for our safety came not, to repay,
It lifts you now to hope more blest and sweet,
Uplooking to that heaven around your head
Immortal, glorious spread;
If but a glance, a brief word, an old song,
Had here such power to charm
Your eager passion, glad of its own harm,
How far 'twill then exceed if now the joy so strong.
"
Another thought the while, severe and sweet,
Laborious, yet delectable in scope,
Takes in my heart its seat,
Filling with glory, feeding it with hope;
Till, bent alone on bright and deathless fame,
It feels not when I freeze, or burn in flame,
When I am pale or ill,
And if I crush it rises stronger still.
This, from my helpless cradle, day by day,
Has strengthen'd with my strength, grown with my growth,
Till haply now one tomb must cover both:
When from the flesh the soul has pass'd away,
No more this passion comrades it as here;
For fame—if, after death,
Learning speak aught of me—is but a breath:
Wherefore, because I fear
Hopes to indulge which the next hour may chase,
I would old error leave, and the one truth embrace.
But the third wish which fills and fires my heart
O'ershadows all the rest which near it spring:
Time, too, dispels a part,
While, but for her, self-reckless grown, I sing.
And then the rare light of those beauteous eyes,
Sweetly before whose gentle heat I melt,
As a fine curb is felt,
To combat which avails not wit or force;
[Pg 229]What boots it, trammell'd by such adverse ties,
If still between the rocks must lie her course,
To trim my little bark to new emprize?
Ah! wilt Thou never, Lord, who yet dost keep
Me safe and free from common chains, which bind,
In different modes, mankind,
Deign also from my brow this shame to sweep?
For, as one sunk in sleep,
Methinks death ever present to my sight,
Yet when I would resist I have no arms to fight.
Full well I see my state, in nought deceived
By truth ill known, but rather forced by Love,
Who leaves not him to move
In honour, who too much his grace believed:
For o'er my heart from time to time I feel
A subtle scorn, a lively anguish, steal,
Whence every hidden thought,
Where all may see, upon my brow is writ.
For with such faith on mortal things to dote,
As unto God alone is just and fit,
Disgraces worst the prize who covets most:
Should reason, amid things of sense, be lost.
This loudly calls her to the proper track:
But, when she would obey
And home return, ill habits keep her back,
And to my view portray
Her who was only born my death to be,
Too lovely in herself, too loved, alas! by me.
I neither know, to me what term of life
Heaven destined when on earth I came at first
To suffer this sharp strife,
'Gainst my own peace which I myself have nursed,
Nor can I, for the veil my body throws,
Yet see the time when my sad life may close.
I feel my frame begin
To fail, and vary each desire within:
And now that I believe my parting day
Is near at hand, or else not distant lies,
Like one whom losses wary make and wise,
I travel back in thought, where first the way,
[Pg 230]The right-hand way, I left, to peace which led.
While through me shame and grief,
Recalling the vain past on this side spread,
On that brings no relief,
Passion, whose strength I now from habit, feel,
So great that it would dare with death itself to deal.
Song! I am here, my heart the while more cold
With fear than frozen snow,
Feels in its certain core death's coming blow;
For thus, in weak self-communing, has roll'd
Of my vain life the better portion by:
Worse burden surely ne'er
Tried mortal man than that which now I bear;
Though death be seated nigh,
For future life still seeking councils new,
I know and love the good, yet, ah! the worse pursue.
Macgregor.

Book: Shattered Sighs