Written by
Les Murray |
To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass,
to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches,
or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah -
If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass?
They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti;
archbishops and field marshals
at their ceremonies never wear shorts.
The very word
means underpants in North America.
Shorts can be Tat,
Land-Rovering bush-environmental tat,
socio-political ripped-and-metal-stapled tat,
solidarity-with-the-Third World tat tvam asi,
likewise track-and-field shorts worn to parties
and the further humid, modelling negligee
of the Kingdom of Flaunt,
that unchallenged aristocracy.
More plainly climatic, shorts
are farmers' rig, leathery with salt and bonemeal;
are sailors' and branch bankers' rig,
the crisp golfing style
of our youngest male National Costume.
Most loosely, they are Scunge,
ancient Bengal bloomers or moth-eaten hot pants
worn with a former shirt,
feet, beach sand, hair
and a paucity of signals.
Scunge, which is real negligee
housework in a swimsuit, pyjamas worn all day,
is holiday, is freedom from ambition.
Scunge makes you invisible
to the world and yourself.
The entropy of costume,
scunge can get you conquered by more vigorous cultures
and help you notice it less.
To be or to become
is a serious question posed by a work-shorts counter
with its pressed stack, bulk khaki and blue,
reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern,
the wish and the knack of self-forgetfulness
all fall within the scunge ambit
wearing board shorts of similar;
it is a kind of weightlessness.
Unlike public nakedness, which in Westerners
is deeply circumstantial, relaxed as exam time,
artless and equal as the corsetry of a hussar regiment,
shorts and their plain like
are an angelic nudity,
spirituality with pockets!
A double updraft as you drop from branch to pool!
Ideal for getting served last
in shops of the temperate zone
they are also ideal for going home, into space,
into time, to farm the mind's Sabine acres
for product and subsistence.
Now that everyone who yearned to wear long pants
has essentially achieved them,
long pants, which have themselves been underwear
repeatedly, and underground more than once,
it is time perhaps to cherish the culture of shorts,
to moderate grim vigour
with the knobble of bare knees,
to cool bareknuckle feet in inland water,
slapping flies with a book on solar wind
or a patient bare hand, beneath the cadjiput trees,
to be walking meditatively
among green timber, through the grassy forest
towards a calm sea
and looking across to more of that great island
and the further tropics.
|
Written by
Walt Whitman |
1
BROTHER of all, with generous hand,
Of thee, pondering on thee, as o’er thy tomb, I and my Soul,
A thought to launch in memory of thee,
A burial verse for thee.
What may we chant, O thou within this tomb?
What tablets, pictures, hang for thee, O millionaire?
—The life thou lived’st we know not,
But that thou walk’dst thy years in barter, ’mid the haunts of brokers;
Nor heroism thine, nor war, nor glory.
Yet lingering, yearning, joining soul with thine,
If not thy past we chant, we chant the future,
Select, adorn the future.
2
Lo, Soul, the graves of heroes!
The pride of lands—the gratitudes of men,
The statues of the manifold famous dead, Old World and New,
The kings, inventors, generals, poets, (stretch wide thy vision, Soul,)
The excellent rulers of the races, great discoverers, sailors,
Marble and brass select from them, with pictures, scenes,
(The histories of the lands, the races, bodied there,
In what they’ve built for, graced and graved,
Monuments to their heroes.
)
3
Silent, my Soul,
With drooping lids, as waiting, ponder’d,
Turning from all the samples, all the monuments of heroes.
While through the interior vistas,
Noiseless uprose, phantasmic (as, by night, Auroras of the North,)
Lambent tableaux, prophetic, bodiless scenes,
Spiritual projections.
In one, among the city streets, a laborer’s home appear’d,
After his day’s work done, cleanly, sweet-air’d, the gaslight burning,
The carpet swept, and a fire in the cheerful stove.
In one, the sacred parturition scene,
A happy, painless mother birth’d a perfect child.
In one, at a bounteous morning meal,
Sat peaceful parents, with contented sons.
In one, by twos and threes, young people,
Hundreds concentering, walk’d the paths and streets and roads,
Toward a tall-domed school.
In one a trio, beautiful,
Grandmother, loving daughter, loving daughter’s daughter, sat,
Chatting and sewing.
In one, along a suite of noble rooms,
’Mid plenteous books and journals, paintings on the walls, fine statuettes,
Were groups of friendly journeymen, mechanics, young and old,
Reading, conversing.
All, all the shows of laboring life,
City and country, women’s, men’s and children’s,
Their wants provided for, hued in the sun, and tinged for once with joy,
Marriage, the street, the factory, farm, the house-room, lodging-room,
Labor and toil, the bath, gymnasium, play-ground, library, college,
The student, boy or girl, led forward to be taught;
The sick cared for, the shoeless shod—the orphan father’d and mother’d,
The hungry fed, the houseless housed;
(The intentions perfect and divine,
The workings, details, haply human.
)
4
O thou within this tomb,
From thee, such scenes—thou stintless, lavish Giver,
Tallying the gifts of Earth—large as the Earth,
Thy name an Earth, with mountains, fields and rivers.
Nor by your streams alone, you rivers,
By you, your banks, Connecticut,
By you, and all your teeming life, Old Thames,
By you, Potomac, laving the ground Washington trod—by you Patapsco,
You, Hudson—you, endless Mississippi—not by you alone,
But to the high seas launch, my thought, his memory.
5
Lo, Soul, by this tomb’s lambency,
The darkness of the arrogant standards of the world,
With all its flaunting aims, ambitions, pleasures.
(Old, commonplace, and rusty saws,
The rich, the gay, the supercilious, smiled at long,
Now, piercing to the marrow in my bones,
Fused with each drop my heart’s blood jets,
Swim in ineffable meaning.
)
Lo, Soul, the sphere requireth, portioneth,
To each his share, his measure,
The moderate to the moderate, the ample to the ample.
Lo, Soul, see’st thou not, plain as the sun,
The only real wealth of wealth in generosity,
The only life of life in goodness?
|
Written by
Edna St Vincent Millay |
Read by the poet at The Public Ceremonial of The Naional Institute
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.
Great Muse, that from this hall absent for long
Hast never been,
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style—
Words obsolete, words obsolescent,
It is that for a little while
The heart must, oh indeed must from this angry and out-rageous present
Itself withdraw
Into some past in which most crooked Evil,
Although quite certainly conceived and born, was not as yet the Law.
Archaic, or obsolescent at the least,
Be thy grave speaking and the careful words of thy clear song,
For the time wrongs us, and the words most common to our speech today
Salute and welcome to the feast
Conspicuous Evil— or against him all day long
Cry out, telling of ugly deeds and most uncommon wrong.
Be thou tonight with all beneath these rafters—be with me
But oh, be more with those who are not free.
Who, herded into prison camps all shame must suffer and all outrage see.
Where music is not played nor sung,
Though the great voice be there, no sound from the dry throat across the thickened tongue
Comes forth; nor has he heart for it.
Beauty in all things—no, we cannot hope for that; but some place set apart for it.
Here it may dwell;
And with your aid, Melpomene
And all thy sister-muses (for ye are, I think, daughters of Memory)
Within the tortured mind as well.
Reaped are those fields with dragon's-teeth so lately sown;
Many the heaped men dying there - so close, hip touches thigh; yet each man dies alone.
Music, what overtone
For the soft ultimate sigh or the unheeded groan
Hast thou—to make death decent, where men slip
Down blood to death, no service of grieved heart or ritual lip
Transferring what was recently a man and still is warm—
Transferring his obedient limbs into the shallow grave where not again a friend shall greet him,
Nor hatred do him harm .
.
.
Nor true love run to meet him?
In the last hours of him who lies untended
On a cold field at night, and sees the hard bright stars
Above his upturned face, and says aloud "How strange .
.
.
my life is ended.
"—
If in the past he loved great music much, and knew it well,
Let not his lapsing mind be teased by well-beloved but ill- remembered bars —
Let the full symphony across the blood-soaked field
By him be heard, most pure in every part,
The lonely horror of whose painful death is thus repealed,
Who dies with quiet tears upon his upturned face, making to glow with softness the hard stars.
And bring to those who knew great poetry well
Page after page that they have loved but have not learned by heart!
We who in comfort to well-lighted shelves
Can turn for all the poets ever wrote,
Beseech you: Bear to those
Who love high art no less than we ourselves,
Those who lie wounded, those who in prison cast
Strive to recall, to ease them, some great ode, and every stanza save the last.
Recall—oh, in the dark, restore them
The unremembered lines; make bright the page before them!
Page after page present to these,
In prison concentrated, watched by barbs of bayonet and wire,
Give ye to them their hearts' intense desire—
The words of Shelley, Virgil, Sophocles.
And thou, O lovely and not sad,
Euterpe, be thou in this hall tonight!
Bid us remember all we ever had
Of sweet and gay delight—
We who are free,
But cannot quite be glad,
Thinking of huge, abrupt disaster brought
Upon so many of our kind
Who treasure as do we the vivid look on the unfrightened face,
The careless happy stride from place to place,
And the unbounded regions of untrammelled thought
Open as interstellar space
To the exploring and excited mind.
O Muses, O immortal Nine!—
Or do ye languish? Can ye die?
Must all go under?—
How shall we heal without your help a world
By these wild horses torn asunder?
How shall we build anew? — How start again?
How cure, how even moderate this pain
Without you, and you strong?
And if ye sleep, then waken!
And if ye sicken and do plan to die,
Do not that now!
Hear us, in what sharp need we cry!
For we have help nowhere
If not in you!
Pity can much, and so a mighty mind, but cannot all things do!—
By you forsaken,
We shall be scattered, we shall be overtaken!
Oh, come! Renew in us the ancient wonder,
The grace of life, its courage, and its joy!
Weave us those garlands nothing can destroy!
Come! with your radiant eyes! — with your throats of thunder!
|
Written by
Robert Frost |
Having a wheel and four legs of its own
Has never availed the cumbersome grindstone
To get it anywhere that I can see.
These hands have helped it go, and even race;
Not all the motion, though, they ever lent,
Not all tke miles it may have thought it went,
Have got it one step from the starting place.
It stands beside the same old apple tree.
The shadow of the apple tree is thin
Upon it now its feet as fast in snow.
All other farm machinery's gone in,
And some of it on no more legs and wheel
Than the grindstone can boast to stand or go.
(I'm thinking chiefly of the wheelbarrow.
)
For months it hasn't known the taste of steel
Washed down with rusty water in a tin.
.
But standing outdoors hungry, in the cold,
Except in towns at night is not a sin.
And> anyway, it's standing in the yard
Under a ruinous live apple tree
Has nothing any more to do with me,
Except that I remember how of old
One summer day, all day I drove it hard,
And someone mounted on it rode it hard
And he and I between us ground a blade.
I gave it the preliminary spin
And poured on water (tears it might have been);
And when it almost gaily jumped and flowed,
A Father-Time-like man got on and rode,
Armed with a scythe and spectacles that glowed.
He turned on will-power to increase the load
And slow me down -- and I abruptly slowed,
Like coming to a sudden railroad station.
I changed from hand to hand in desperation.
I wondered what machine of ages gone
This represented an improvement on.
For all I knew it may have sharpened spears
And arrowheads itself.
Much use.
for years
Had gradually worn it an oblate
Spheroid that kicked and struggled in its gait,
Appearing to return me hate for hate;
(But I forgive it now as easily
As any other boyhood enemy
Whose pride has failed to get him anywhere).
I wondered who it was the man thought ground
-The one who held the wheel back or the one
Who gave his life to keep it going round?
· I wondered if he really thought it fair
For him to have the say when we were done.
Such were the bitter thoughts to which I turned.
Not for myself was I so much concerned
Oh no --Although, of course, I could have found
A better way to pass the afternoon
Than grinding discord out of a grindstone,
And beating insects at their gritty tune.
Nor was I for the man so much concerned.
Once when the grindstone almost jumped its bearing
It looked as if he might be badly thrown
And wounded on his blade.
So far from caring,
I laughed inside, and only cranked the faster
(It ran as if it wasn't greased but glued);
I'd welcome any moderate disaster
That might be calculated to postpone
What evidently nothing could conclude.
The thing that made me more and more afraid
Was that we'd ground it sharp and hadn't known,
And now were only wasting precious blade.
And when he raised it dripping once and tried
The creepy edge of it with wary touch
And viewed it over his glasses funny-eyed,
Only disinterestedly to decide
It needed a turn more, I could have cried
Wasn't there a danger of a turn too much?
Mightn't we make it worse instead of better?
I was for leaving something to the whettot.
What if it wasn't all it should be? I'd
Be satisfied if he'd be satisfied.
|
Written by
Robert Burns |
KILMARNOCK wabsters, fidge an’ claw,
An’ pour your creeshie nations;
An’ ye wha leather rax an’ draw,
Of a’ denominations;
Swith to the Ligh Kirk, ane an’ a’
An’ there tak up your stations;
Then aff to Begbie’s in a raw,
An’ pour divine libations
For joy this day.
Curst Common-sense, that imp o’ hell,
Cam in wi’ Maggie Lauder; 1
But Oliphant 2 aft made her yell,
An’ Russell 3 sair misca’d her:
This day Mackinlay 4 taks the flail,
An’ he’s the boy will blaud her!
He’ll clap a shangan on her tail,
An’ set the bairns to daud her
Wi’ dirt this day.
Mak haste an’ turn King David owre,
And lilt wi’ holy clangor;
O’ double verse come gie us four,
An’ skirl up the Bangor:
This day the kirk kicks up a stoure;
Nae mair the knaves shall wrang her,
For Heresy is in her pow’r,
And gloriously she’ll whang her
Wi’ pith this day.
Come, let a proper text be read,
An’ touch it aff wi’ vigour,
How graceless Ham 5 leugh at his dad,
Which made Canaan a ******;
Or Phineas 6 drove the murdering blade,
Wi’ whore-abhorring rigour;
Or Zipporah, 7 the scauldin jad,
Was like a bluidy tiger
I’ th’ inn that day.
There, try his mettle on the creed,
An’ bind him down wi’ caution,
That stipend is a carnal weed
He taks by for the fashion;
And gie him o’er the flock, to feed,
And punish each transgression;
Especial, rams that cross the breed,
Gie them sufficient threshin;
Spare them nae day.
Now, auld Kilmarnock, cock thy tail,
An’ toss thy horns fu’ canty;
Nae mair thou’lt rowt out-owre the dale,
Because thy pasture’s scanty;
For lapfu’s large o’ gospel kail
Shall fill thy crib in plenty,
An’ runts o’ grace the pick an’ wale,
No gi’en by way o’ dainty,
But ilka day.
Nae mair by Babel’s streams we’ll weep,
To think upon our Zion;
And hing our fiddles up to sleep,
Like baby-clouts a-dryin!
Come, screw the pegs wi’ tunefu’ cheep,
And o’er the thairms be tryin;
Oh, rare to see our elbucks wheep,
And a’ like lamb-tails flyin
Fu’ fast this day.
Lang, Patronage, with rod o’ airn,
Has shor’d the Kirk’s undoin;
As lately Fenwick, sair forfairn,
Has proven to its ruin: 8
Our patron, honest man! Glencairn,
He saw mischief was brewin;
An’ like a godly, elect bairn,
He’s waled us out a true ane,
And sound, this day.
Now Robertson 9 harangue nae mair,
But steek your gab for ever;
Or try the wicked town of Ayr,
For there they’ll think you clever;
Or, nae reflection on your lear,
Ye may commence a shaver;
Or to the Netherton 10 repair,
An’ turn a carpet weaver
Aff-hand this day.
Mu’trie 11 and you were just a match,
We never had sic twa drones;
Auld Hornie did the Laigh Kirk watch,
Just like a winkin baudrons,
And aye he catch’d the tither wretch,
To fry them in his caudrons;
But now his Honour maun detach,
Wi’ a’ his brimstone squadrons,
Fast, fast this day.
See, see auld Orthodoxy’s faes
She’s swingein thro’ the city!
Hark, how the nine-tail’d cat she plays!
I vow it’s unco pretty:
There, Learning, with his Greekish face,
Grunts out some Latin ditty;
And Common-sense is gaun, she says,
To mak to Jamie Beattie
Her plaint this day.
But there’s Morality himsel’,
Embracing all opinions;
Hear, how he gies the tither yell,
Between his twa companions!
See, how she peels the skin an’ fell,
As ane were peelin onions!
Now there, they’re packed aff to hell,
An’ banish’d our dominions,
Henceforth this day.
O happy day! rejoice, rejoice!
Come bouse about the porter!
Morality’s demure decoys
Shall here nae mair find quarter:
Mackinlay, Russell, are the boys
That heresy can torture;
They’ll gie her on a rape a hoyse,
And cowe her measure shorter
By th’ head some day.
Come, bring the tither mutchkin in,
And here’s—for a conclusion—
To ev’ry New Light 12 mother’s son,
From this time forth, Confusion!
If mair they deave us wi’ their din,
Or Patronage intrusion,
We’ll light a *****, and ev’ry skin,
We’ll rin them aff in fusion
Like oil, some day.
Note 1.
Alluding to a scoffing ballad which was made on the admission of the late reverend and worthy Mr.
Lihdsay to the “Laigh Kirk.
”—R.
B.
[back]
Note 2.
Rev.
James Oliphant, minister of Chapel of Ease, Kilmarnock.
[back]
Note 3.
Rev.
John Russell of Kilmarnock.
[back]
Note 4.
Rev.
James Mackinlay.
[back]
Note 5.
Genesis ix.
22.
—R.
B.
[back]
Note 6.
Numbers xxv.
8.
—R.
B.
[back]
Note 7.
Exodus iv.
52.
—R.
B.
[back]
Note 8.
Rev.
Wm.
Boyd, pastor of Fenwick.
[back]
Note 9.
Rev.
John Robertson.
[back]
Note 10.
A district of Kilmarnock.
[back]
Note 11.
The Rev.
John Multrie, a “Moderate,” whom Mackinlay succeeded.
[back]
Note 12.
“New Light” is a cant phrase in the west of Scotland for those religious opinions which Dr.
Taylor of Norwich has so strenuously defended.
—R.
B.
[back]
|
Written by
Lewis Carroll |
The Landing
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true.
"
The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of is was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
His intimate friends called him "Candle-ends",
And his enemies "Toasted-cheese"
"His form is ungainly--his intellect small--"
(So the Bellman would often remark)--
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark.
"
He would joke with hyaenas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said.
He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had.
The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark",
The good Bellman engaged him at once.
He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only kill Beavers.
The Bellman looked scared,
And was almost too frightened to speak:
But at length he explained, in a tremulous tone,
There was only one Beaver on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored.
The Beaver, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise!
It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip:
Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well.
The Beaver's best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the baker advised it--and next, to insure
Its life in some Office of note:
This the Baker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire
And one Against Damage From Hail.
Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The Beaver kept looking the opposite way,
And appeared unaccountably shy.
|
Written by
Emily Dickinson |
A Drunkard cannot meet a Cork
Without a Revery --
And so encountering a Fly
This January Day
Jamaicas of Remembrance stir
That send me reeling in --
The moderate drinker of Delight
Does not deserve the spring --
Of juleps, part are the Jug
And more are in the joy --
Your connoisseur in Liquours
Consults the Bumble Bee --
|
Written by
Robinson Jeffers |
While this America settles in the mould of its vulgarity, heavily thickening
to empire
And protest, only a bubble in the molten mass, pops and sighs out, and the
mass hardens,
I sadly smiling remember that the flower fades to make fruit, the fruit rots
to make earth.
Out of the mother; and through the spring exultances, ripeness and deca-
dence; and home to the mother.
You making haste haste on decay: not blameworthy; life is good, be it stub-
bornly long or suddenly
A mortal splendor: meteors are not needed less than mountains:
shine, perishing republic.
But for my children, I would have them keep their distance from the thick-
ening center; corruption
Never has been compulsory, when the cities lie at the monster's feet there
are left the mountains.
And boys, be in nothing so moderate as in love of man, a clever servant,
insufferable master.
There is the trap that catches noblest spirits, that caught--they say--
God, when he walked on earth.
|
Written by
Victor Hugo |
Boaz, overcome with weariness, by torchlight
made his pallet on the threshing floor
where all day he had worked, and now he slept
among the bushels of threshed wheat.
The old man owned wheatfields and barley,
and though he was rich, he was still fair-minded.
No filth soured the sweetness of his well.
No hot iron of torture whitened in his forge.
His beard was silver as a brook in April.
He bound sheaves without the strain of hate
or envy.
He saw gleaners pass, and said,
Let handfuls of the fat ears fall to them.
The man's mind, clear of untoward feeling,
clothed itself in candor.
He wore clean robes.
His heaped granaries spilled over always
toward the poor, no less than public fountains.
Boaz did well by his workers and by kinsmen.
He was generous, and moderate.
Women held him
worthier than younger men, for youth is handsome,
but to him in his old age came greatness.
An old man, nearing his first source, may find
the timelessness beyond times of trouble.
And though fire burned in young men's eyes,
to Ruth the eyes of Boaz shone clear light.
|
Written by
T S (Thomas Stearns) Eliot |
Jellicle Cats come out tonight,
Jellicle Cats come one come all:
The Jellicle Moon is shining bright--
Jellicles come to the Jellicle Ball.
Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.
Jellicle Cats develop slowly,
Jellicle Cats are not too big;
Jellicle Cats are roly-poly,
They know how to dance a gavotte and a jig.
Until the Jellicle Moon appears
They make their toilette and take their repose:
Jellicles wash behind their ears,
Jellicles dry between their toes.
Jellicle Cats are white and black,
Jellicle Cats are of moderate size;
Jellicles jump like a jumping-jack,
Jellicle Cats have moonlit eyes.
They're quiet enough in the morning hours,
They're quiet enough in the afternoon,
Reserving their terpsichorean powers
To dance by the light of the Jellicle Moon.
Jellicle Cats are black and white,
Jellicle Cats (as I said) are small;
If it happens to be a stormy night
They will practise a caper or two in the hall.
If it happens the sun is shining bright
You would say they had nothing to do at all:
They are resting and saving themselves to be right
For the Jellicle Moon and the Jellicle Ball.
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