10 Best Famous Models Poems

Here is a collection of the top 10 all-time best famous Models poems. This is a select list of the best famous Models poetry. Reading, writing, and enjoying famous Models poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of models poems.

• All Famous Models Poems

Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

 1
OF these years I sing, 
How they pass and have pass’d, through convuls’d pains as through parturitions; 
How America illustrates birth, muscular youth, the promise, the sure fulfillment, the
 Absolute
 Success, despite of people—Illustrates evil as well as good; 
How many hold despairingly yet to the models departed, caste, myths, obedience,
 compulsion, and
 to infidelity; 
How few see the arrived models, the Athletes, the Western States—or see freedom or
 spirituality—or hold any faith in results,
(But I see the Athletes—and I see the results of the war glorious and
 inevitable—and
 they again leading to other results;) 
How the great cities appear—How the Democratic masses, turbulent, wilful, as I love
 them; 
How the whirl, the contest, the wrestle of evil with good, the sounding and resounding,
 keep on
 and on; 
How society waits unform’d, and is for awhile between things ended and things begun; 
How America is the continent of glories, and of the triumph of freedom, and of the
 Democracies,
 and of the fruits of society, and of all that is begun;
And how The States are complete in themselves—And how all triumphs and glories are
 complete in themselves, to lead onward, 
And how these of mine, and of The States, will in their turn be convuls’d, and serve
 other
 parturitions and transitions, 
And how all people, sights, combinations, the Democratic masses, too, serve—and how
 every
 fact, and war itself, with all its horrors, serves, 
And how now, or at any time, each serves the exquisite transition of death. 

2
OF seeds dropping into the ground—of birth,
Of the steady concentration of America, inland, upward, to impregnable and swarming
 places, 
Of what Indiana, Kentucky, Ohio and the rest, are to be, 
Of what a few years will show there in Nebraska, Colorado, Nevada, and the rest; 
(Or afar, mounting the Northern Pacific to Sitka or Aliaska;) 
Of what the feuillage of America is the preparation for—and of what all sights,
 North,
 South, East and West, are;
Of This Union, soak’d, welded in blood—of the solemn price paid—of the
 unnamed
 lost, ever present in my mind; 
—Of the temporary use of materials, for identity’s sake, 
Of the present, passing, departing—of the growth of completer men than any yet, 
Of myself, soon, perhaps, closing up my songs by these shores, 
Of California, of Oregon—and of me journeying to live and sing there;
Of the Western Sea—of the spread inland between it and the spinal river, 
Of the great pastoral area, athletic and feminine, 
of all sloping down there where the fresh free giver, the mother, the Mississippi flows, 
Of future women there—of happiness in those high plateaus, ranging three thousand
 miles,
 warm and cold; 
Of mighty inland cities yet unsurvey’d and unsuspected, (as I am also, and as it must
 be;)
Of the new and good names—of the modern developments—of inalienable homesteads; 
Of a free and original life there—of simple diet and clean and sweet blood; 
Of litheness, majestic faces, clear eyes, and perfect physique there; 
Of immense spiritual results, future years, far west, each side of the Anahuacs; 
Of these leaves, well understood there, (being made for that area;)
Of the native scorn of grossness and gain there; 
(O it lurks in me night and day—What is gain, after all, to savageness and freedom?)

 First, London, for its myriads; for its height, 
Manhattan heaped in towering stalagmite; 
But Paris for the smoothness of the paths 
That lead the heart unto the heart's delight. . . . 


Fair loiterer on the threshold of those days 
When there's no lovelier prize the world displays 
Than, having beauty and your twenty years, 
You have the means to conquer and the ways, 


And coming where the crossroads separate 
And down each vista glories and wonders wait, 
Crowning each path with pinnacles so fair 
You know not which to choose, and hesitate -- 


Oh, go to Paris. . . . In the midday gloom 
Of some old quarter take a little room 
That looks off over Paris and its towers 
From Saint Gervais round to the Emperor's Tomb, -- 


So high that you can hear a mating dove 
Croon down the chimney from the roof above, 
See Notre Dame and know how sweet it is 
To wake between Our Lady and our love. 


And have a little balcony to bring 
Fair plants to fill with verdure and blossoming, 
That sparrows seek, to feed from pretty hands, 
And swallows circle over in the Spring. 


There of an evening you shall sit at ease 
In the sweet month of flowering chestnut-trees, 
There with your little darling in your arms, 
Your pretty dark-eyed Manon or Louise. 


And looking out over the domes and towers 
That chime the fleeting quarters and the hours, 
While the bright clouds banked eastward back of them 
Blush in the sunset, pink as hawthorn flowers, 


You cannot fail to think, as I have done, 
Some of life's ends attained, so you be one 
Who measures life's attainment by the hours 
That Joy has rescued from oblivion. 

II 


Come out into the evening streets. The green light lessens in the west. 
The city laughs and liveliest her fervid pulse of pleasure beats. 


The belfry on Saint Severin strikes eight across the smoking eaves: 
Come out under the lights and leaves 
to the Reine Blanche on Saint Germain. . . . 


Now crowded diners fill the floor of brasserie and restaurant. 
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport." 


Where rows of tables from the street are screened with shoots of box and bay, 
The ragged minstrels sing and play and gather sous from those that eat. 


And old men stand with menu-cards, inviting passers-by to dine 
On the bright terraces that line the Latin Quarter boulevards. . . . 


But, having drunk and eaten well, 'tis pleasant then to stroll along 
And mingle with the merry throng that promenades on Saint Michel. 


Here saunter types of every sort. The shoddy jostle with the chic: 
Turk and Roumanian and Greek; student and officer and sport; 


Slavs with their peasant, Christ-like heads, 
and courtezans like powdered moths, 
And peddlers from Algiers, with cloths 
bright-hued and stitched with golden threads; 


And painters with big, serious eyes go rapt in dreams, fantastic shapes 
In corduroys and Spanish capes and locks uncut and flowing ties; 


And lovers wander two by two, oblivious among the press, 
And making one of them no less, all lovers shall be dear to you: 


All laughing lips you move among, all happy hearts that, knowing what 
Makes life worth while, have wasted not the sweet reprieve of being young. 


"Comment ca va!" "Mon vieux!" "Mon cher!" 
Friends greet and banter as they pass. 
'Tis sweet to see among the mass comrades and lovers everywhere, 


A law that's sane, a Love that's free, and men of every birth and blood 
Allied in one great brotherhood of Art and Joy and Poverty. . . . 


The open cafe-windows frame loungers at their liqueurs and beer, 
And walking past them one can hear fragments of Tosca and Boheme. 


And in the brilliant-lighted door of cinemas the barker calls, 
And lurid posters paint the walls with scenes of Love and crime and war. 


But follow past the flaming lights, borne onward with the stream of feet, 
Where Bullier's further up the street is marvellous on Thursday nights. 


Here all Bohemia flocks apace; you could not often find elsewhere 
So many happy heads and fair assembled in one time and place. 


Under the glare and noise and heat the galaxy of dancing whirls, 
Smokers, with covered heads, and girls dressed in the costume of the street. 


From tables packed around the wall the crowds that drink and frolic there 
Spin serpentines into the air far out over the reeking hall, 


That, settling where the coils unroll, tangle with pink and green and blue 
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole". . . . 


Here Mimi ventures, at fifteen, to make her debut in romance, 
And join her sisters in the dance and see the life that they have seen. 


Her hair, a tight hat just allows to brush beneath the narrow brim, 
Docked, in the model's present whim, `frise' and banged above the brows. 


Uncorseted, her clinging dress with every step and turn betrays, 
In pretty and provoking ways her adolescent loveliness, 


As guiding Gaby or Lucile she dances, emulating them 
In each disturbing stratagem and each lascivious appeal. 


Each turn a challenge, every pose an invitation to compete, 
Along the maze of whirling feet the grave-eyed little wanton goes, 


And, flaunting all the hue that lies in childish cheeks and nubile waist, 
She passes, charmingly unchaste, illumining ignoble eyes. . . . 


But now the blood from every heart leaps madder through abounding veins 
As first the fascinating strains of "El Irresistible" start. 


Caught in the spell of pulsing sound, impatient elbows lift and yield 
The scented softnesses they shield to arms that catch and close them round, 


Surrender, swift to be possessed, the silken supple forms beneath 
To all the bliss the measures breathe and all the madness they suggest. 


Crowds congregate and make a ring. Four deep they stand and strain to see 
The tango in its ecstasy of glowing lives that clasp and cling. 


Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem 
To float upon the perfumed stream of some voluptuous Paradise, 


Or, rapt in some Arabian Night, to rock there, cradled and subdued, 
In a luxurious lassitude of rhythm and sensual delight. 


And only when the measures cease and terminate the flowing dance 
They waken from their magic trance and join the cries that clamor "Bis!" . . . 


Midnight adjourns the festival. The couples climb the crowded stair, 
And out into the warm night air go singing fragments of the ball. 


Close-folded in desire they pass, or stop to drink and talk awhile 
In the cafes along the mile from Bullier's back to Montparnasse: 


The "Closerie" or "La Rotonde", where smoking, under lamplit trees, 
Sit Art's enamored devotees, chatting across their `brune' and `blonde'. . . . 


Make one of them and come to know sweet Paris -- not as many do, 
Seeing but the folly of the few, the froth, the tinsel, and the show -- 


But taking some white proffered hand that from Earth's barren every day 
Can lead you by the shortest way into Love's florid fairyland. 


And that divine enchanted life that lurks under Life's common guise -- 
That city of romance that lies within the City's toil and strife -- 


Shall, knocking, open to your hands, for Love is all its golden key, 
And one's name murmured tenderly the only magic it demands. 


And when all else is gray and void in the vast gulf of memory, 
Green islands of delight shall be all blessed moments so enjoyed: 


When vaulted with the city skies, on its cathedral floors you stood, 
And, priest of a bright brotherhood, performed the mystic sacrifice, 


At Love's high altar fit to stand, with fire and incense aureoled, 
The celebrant in cloth of gold with Spring and Youth on either hand. 

III 


Choral Song 


Have ye gazed on its grandeur 
Or stood where it stands 
With opal and amber 
Adorning the lands, 
And orcharded domes 
Of the hue of all flowers? 
Sweet melody roams 
Through its blossoming bowers, 
Sweet bells usher in from its belfries the train of the honey-sweet hour. 


A city resplendent, 
Fulfilled of good things, 
On its ramparts are pendent 
The bucklers of kings. 
Broad banners unfurled 
Are afloat in its air. 
The lords of the world 
Look for harborage there. 
None finds save he comes as a bridegroom, having roses and vine in his hair. 


'Tis the city of Lovers, 
There many paths meet. 
Blessed he above others, 
With faltering feet, 
Who past its proud spires 
Intends not nor hears 
The noise of its lyres 
Grow faint in his ears! 
Men reach it through portals of triumph, but leave through a postern of tears. 


It was thither, ambitious, 
We came for Youth's right, 
When our lips yearned for kisses 
As moths for the light, 
When our souls cried for Love 
As for life-giving rain 
Wan leaves of the grove, 
Withered grass of the plain, 
And our flesh ached for Love-flesh beside it with bitter, intolerable pain. 


Under arbor and trellis, 
Full of flutes, full of flowers, 
What mad fortunes befell us, 
What glad orgies were ours! 
In the days of our youth, 
In our festal attire, 
When the sweet flesh was smooth, 
When the swift blood was fire, 
And all Earth paid in orange and purple to pavilion the bed of Desire!

 I was a 20 year old unemployed receptionist with
dyed orange dreadlocks sprouting out of my skull. I needed a job, but first,
I needed a haircut.

So I head for this beauty salon on Avenue B.
I'm gonna get a hairdo.
I'm gonna look just like those hot Spanish haircut models, become brown
and bodacious, grow some 7 inch fingernails painted ***** red and rake
them down the chalkboard of the job market's soul.

So I go in the beauty salon.

This beautiful Puerto Rican girl in tight white spandex and a push-up bra
sits me down and starts chopping my hair:
"Girlfriend," she says, "what the hell you got growing outta
your head there, what is that, hair implants? Yuck, you want me to touch
that ****, whadya got in there, sandwiches?"

I just go: "I'm sorry."

She starts snipping my carefully cultivated Johnny Lydon post-Pistols hairdo.
My foul little dreadlocks are flying around all over the place but I'm
not looking in the mirror cause I just don't want to know.

"So what's your name anyway?" My stylist demands then.
"Uh, Maggie."
"Maggie? Well, that's an okay name, but my name is Suzy."
"Yeah, so?"
"Yeah so it ain't just Suzy S.U.Z.Y, I spell it S.U.Z.E.E, the extra
"e" is for extra Suzee."

I nod emphatically.

Suzee tells me when she's not busy chopping hair, she works as an exotic
dancer at night to support her boyfriend named Rocco. Suzee loves Rocco,
she loves him so much she's got her eyes closed as she describes him:
"6 foot 2, 193 pounds and, girlfriend, his arms so big and long they
wrap around me twice like I'm a little Suzee sandwich."

Little Suzee Sandwich is rapt, she blindly snips and clips at my poor punk
head. She snips and clips and snips and clips, she pauses, I look in the
mirror: "Holy ****, I'm bald."

"Holy ****, baby, you're bald." Suzee says, finally opening her
eyes and then gasping. 

All I've got left is little post-nuke clumps of orange fuzz. And I'll never
get a receptionist job now.

But Suzy waves her manicured finger in my face: "Don't you worry,
baby, I'm gonna get you a job at the dancing club."

"What?"

"Baby, let me tell you, the boys are gonna like a bald go go dancer."

That said, she whips out some clippers, shaves my head smooth and insists
I'm gonna love getting naked for a living.

None of this sounds like my idea of a good time, but I'm broke and I'm
bald so I go home and get my best panties. Suzee lends me some 6 inch pumps,
paints my lips bright red, and gives me 7 shots of Jack Daniels to relax
me. 

8pm that night I take the stage.

I'm bald, 
I'm drunk,
and by god,
I'm naked.


HOLY **** I'M NAKED IN A ROOM FULL OF STRANGERS THIS IS NOT ONE OF THOSE
RECURRING NIGHTMARES WE ALL HAVE ABOUT BEING BUTT NAKED IN PUBLIC, I AM
NAKED, I DON'T KNOW THESE PEOPLE, THIS REALLY SUCKS.

A few guys feel sorry for me and risk getting their hands bitten off by
sticking dollars in my garter belt. My disheveled pubic hairs stand at
full attention, ready to poke the guys' eyes out if they get too close.

Then I notice this bald guy in the audience, I've got a new empathy for
bald people, I figure maybe it works both ways, maybe this guy will stick
10 bucks in my garter.

I saunter over.

I'm teetering around unrhythmically, I'm the surliest, unsexiest dancer
that ever go-go across this hemisphere. The bald guy looks down into his
beer, he'd much rather look at that than at my pubic mound which has now
formed into one vicious spike so it looks like I've got a unicorn in my
crotch.

I stand there weaving through the air.

The strobe light is illuminating my pubic unicorn. Madonna's song Borderline
is pumping through the club's speaker system for the 5th time tonight:
"BORDERLINE BORDERLINE BORDERLINE/LOVE ME TIL I JUST CAN'T SEE."
And suddenly, I start to wonder: What does that mean anyway? 

"LOVE ME TIL I JUST CAN'T SEE"

What?

Screw me so much my eyes pop out, I go blind, end up walking down 2nd Avenue
crazy, horny, naked and blind? What?

There's a glitch in the tape and it starts to skip.

"Borderl...ooop.....Borderl....ooop...Borderlin.....ooop"

I stumble and twist my ankle. My g-string rides between my buttcheeks making
me twitch with pain. My head starts spinning, my knees wobble, I go down
on all fours and puke all over the bald guy's lap.

So there I am. Butt naked on all fours. But before I have time to regain
my composure, the strip club manager comes over, points his smarmy strip
club manager finger at me and goes: 
"You're bald, you're drunk, you can't dance and you're fired."

I stand up.

"Oh yeah, well you stink like a sneaker, pal." I peel off one
of my pumps and throw it in the direction of his fat head then I get the
hell out of there.

A few days later I run into Suzee on Avenue A. Turns out she got fired
for getting me a job there in the first place. But she was completely undaunted,
she dragged me up to this wig store on 14th Street, bought me a mouse brown
shag wig, then got us both telemarketing jobs on Wall Street.

And I never went to a beauty salon again.

 Another armored animal--scale
 lapping scale with spruce-cone regularity until they
form the uninterrupted central
 tail-row! This near artichoke with head and legs and grit-equipped
 gizzard,
the night miniature artist engineer is,
 yes, Leonardo da Vinci's replica--
 impressive animal and toiler of whom we seldom hear.
 Armor seems extra. But for him,
 the closing ear-ridge--
 or bare ear lacking even this small
 eminence and similarly safe

contracting nose and eye apertures
 impenetrably closable, are not; a true ant-eater,
not cockroach eater, who endures
 exhausting solitary trips through unfamiliar ground at night,
 returning before sunrise, stepping in the moonlight,
 on the moonlight peculiarly, that the outside
 edges of his hands may bear the weight and save the claws
 for digging. Serpentined about
 the tree, he draws
 away from danger unpugnaciously,
 with no sound but a harmless hiss; keeping

the fragile grace of the Thomas-
 of-Leighton Buzzard Westminster Abbey wrought-iron vine, or
rolls himself into a ball that has
 power to defy all effort to unroll it; strongly intailed, neat
 head for core, on neck not breaking off, with curled-in-feet.
 Nevertheless he has sting-proof scales; and nest
 of rocks closed with earth from inside, which can thus
 darken.
 Sun and moon and day and night and man and beast
 each with a splendor
 which man in all his vileness cannot
 set aside; each with an excellence!

"Fearfull yet to be feared," the armored
 ant-eater met by the driver-ant does not turn back, but
engulfs what he can, the flattened sword-
 edged leafpoints on the tail and artichoke set leg- and body-plates
 quivering violently when it retaliates
 and swarms on him. Compact like the furled fringed frill
 on the hat-brim of Gargallo's hollow iron head of a
 matador, he will drop and will
 then walk away
 unhurt, although if unintruded on,
 he cautiously works down the tree, helped

by his tail. The giant-pangolin-
 tail, graceful tool, as a prop or hand or broom or ax, tipped like
an elephant's trunkwith special skin,
 is not lost on this ant- and stone-swallowing uninjurable
 artichoke which simpletons thought a living fable
 whom the stones had nourished, whereas ants had done
 so. Pangolins are not aggressive animals; between
 dusk and day they have not unchain-like machine-like
 form and frictionless creep of a thing
 made graceful by adversities, con-

versities. To explain grace requires
 a curious hand. If that which is at all were not forever,
why would those who graced the spires
 with animals and gathered there to rest, on cold luxurious
 low stone seats--a monk and monk and monk--between the thus
 ingenious roof supports, have slaved to confuse
 grace with a kindly manner, time in which to pay a debt,
 the cure for sins, a graceful use
 of what are yet
 approved stone mullions branching out across
 the perpendiculars? A sailboat

was the first machine. Pangolins, made
 for moving quietly also, are models of exactness,
on four legs; on hind feet plantigrade,
 with certain postures of a man. Beneath sun and moon, man slaving
 to make his life more sweet, leaves half the flowers worth having,
 needing to choose wisely how to use his strength;
 a paper-maker like the wasp; a tractor of foodstuffs,
 like the ant; spidering a length
 of web from bluffs
 above a stream; in fighting, mechanicked
 like the pangolin; capsizing in

disheartenment. Bedizened or stark
 naked, man, the self, the being we call human, writing-
masters to this world, griffons a dark
 "Like does not like like that is abnoxious"; and writes error with four
 r's. Among animals, one has sense of humor.
 Humor saves a few steps, it saves years. Unignorant,
 modest and unemotional, and all emotion,
 he has everlasting vigor,
 power to grow,
 though there are few creatures who can make one
 breathe faster and make one erecter.
 Not afraid of anything is he,
 and then goes cowering forth, tread paced to meet an obstacle
at every step. Consistent with the
 formula--warm blood, no gills, two pairs of hands and a few hairs--
 that
 is a mammal; there he sits on his own habitat,
 serge-clad, strong-shod. The prey of fear, he, always
 curtailed, extinguished, thwarted by the dusk, work partly
 done,
 says to the alternating blaze,
 "Again the sun!
 anew each day; and new and new and new,
 that comes into and steadies my soul."

 I.

Dear, had the world in its caprice
Deigned to proclaim ``I know you both,
``Have recognized your plighted troth,
Am sponsor for you: live in peace!''---
How many precious months and years
Of youth had passed, that speed so fast,
Before we found it out at last,
The world, and what it fears?

II.

How much of priceless life were spent
With men that every virtue decks,
And women models of their sex,
Society's true ornament,---
Ere we dared wander, nights like this,
Thro' wind and rain, and watch the Seine,
And feel the Boulevart break again
To warmth and light and bliss?

III.

I know! the world proscribes not love;
Allows my finger to caress
Your lips' contour and downiness,
Provided it supply a glove.
The world's good word!---the Institute!
Guizot receives Montalembert!
Eh? Down the court three lampions flare:
Put forward your best foot!

 1 It once might have been, once only:
2 We lodged in a street together,
3 You, a sparrow on the housetop lonely,
4 I, a lone she-bird of his feather.

5 Your trade was with sticks and clay,
6 You thumbed, thrust, patted and polished,
7 Then laughed 'They will see some day
8 Smith made, and Gibson demolished.'

9 My business was song, song, song;
10 I chirped, cheeped, trilled and twittered,
11 'Kate Brown's on the boards ere long,
12 And Grisi's existence embittered!'

13 I earned no more by a warble
14 Than you by a sketch in plaster;
15 You wanted a piece of marble,
16 I needed a music-master.

17 We studied hard in our styles,
18 Chipped each at a crust like Hindoos,
19 For air looked out on the tiles,
20 For fun watched each other's windows.

21 You lounged, like a boy of the South,
22 Cap and blouse--nay, a bit of beard too;
23 Or you got it, rubbing your mouth
24 With fingers the clay adhered to.

25 And I--soon managed to find
26 Weak points in the flower-fence facing,
27 Was forced to put up a blind
28 And be safe in my corset-lacing.

29 No harm! It was not my fault
30 If you never turned your eye's tail up
31 As I shook upon E in alt,
32 Or ran the chromatic scale up:

33 For spring bade the sparrows pair,
34 And the boys and girls gave guesses,
35 And stalls in our street looked rare
36 With bulrush and watercresses.

37 Why did not you pinch a flower
38 In a pellet of clay and fling it?
39 Why did not I put a power
40 Of thanks in a look, or sing it?

41 I did look, sharp as a lynx,
42 (And yet the memory rankles,)
43 When models arrived, some minx
44 Tripped up-stairs, she and her ankles.

45 But I think I gave you as good!
46 'That foreign fellow,--who can know
47 How she pays, in a playful mood,
48 For his tuning her that piano?'

49 Could you say so, and never say
50 'Suppose we join hands and fortunes,
51 And I fetch her from over the way,
52 Her, piano, and long tunes and short tunes?'

53 No, no: you would not be rash,
54 Nor I rasher and something over:
55 You've to settle yet Gibson's hash,
56 And Grisi yet lives in clover.

57 But you meet the Prince at the Board,
58 I'm queen myself at bals-par?,
59 I've married a rich old lord,
60 And you're dubbed knight and an R.A.

61 Each life unfulfilled, you see;
62 It hangs still, patchy and scrappy:
63 We have not sighed deep, laughed free,
64 Starved, feasted, despaired,--been happy.

65 And nobody calls you a dunce,
66 And people suppose me clever:
67 This could but have happened once,
68 And we missed it, lost it for ever.

I haled me a woman from the street, 
Shameless, but, oh, so fair! 
I bade her sit in the model's seat 
And I painted her sitting there. 

I hid all trace of her heart unclean; 
I painted a babe at her breast; 
I painted her as she might have been 
If the Worst had been the Best. 

She laughed at my picture and went away. 
Then came, with a knowing nod, 
A connoisseur, and I heard him say; 
"'Tis Mary, the Mother of God." 

So I painted a halo round her hair, 
And I sold her and took my fee, 
And she hangs in the church of Saint Hillaire, 
Where you and all may see. 

 This is a place on the way after the distances
 can no longer be kept straight here in this dark corner
of the barn a mound of wheels has convened along
 raveling courses to stop in a single moment
and lie down as still as the chariots of the Pharaohs
 some in pairs that rolled as one over the same roads
to the end and never touched each other until they
 arrived here some that broke by themselves and were left
until they could be repaired some that went only
 to occasions before my time and some that have spun
across other countries through uncounted summers
 now they go all the way back together the tall
cobweb-hung models of galaxies in their rings
 of rust leaning against the stone hail from Rene's
manure cart the year he wanted to store them here
 because there was nobody left who could make them like that
in case he should need them and there are the carriage wheels
 that Merot said would be worth a lot some day
and the rim of the spare from bald Bleret's green Samson
 that rose like Borobudur out of the high grass
behind the old house by the river where he stuffed
 mattresses in the morning sunlight and the hens
scavenged around his shoes in the days when the black
 top-hat sedan still towered outside Sandeau's cow barn
with velvet upholstery and sconces for flowers and room
 for two calves instead of the back seat when their time came

 The trees in time
have something else to do
besides their treeing. What is it.
I'm a starving to death
man myself, and thirsty, thirsty
by their fountains but I cannot drink
their mud and sunlight to be whole.
I do not understand these presences
that drink for months
in the dirt, eat light,
and then fast dry in the cold.
They stand it out somehow,
and how, the Botanists will tell me.
It is the "something else" that bothers
me, so I often go back to the forests.