Written by
Robert Browning |
Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!
Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was,
Ay, another and yet another, one crowd but with many a crest,
Raising my rampired walls of gold as transparent as glass,
Eager to do and die, yield each his place to the rest:
For higher still and higher (as a runner tips with fire,
When a great illumination surprises a festal night--
Outlining round and round Rome's dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth,
Nature in turn conceived, obeying an impulse as I;
And the emulous heaven yearned down, made effort to reach the earth,
As the earth had done her best, in my passion, to scale the sky:
Novel splendours burst forth, grew familiar and dwelt with mine,
Not a point nor peak but found and fixed its wandering star;
Meteor-moons, balls of blaze: and they did not pale nor pine,
For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow,
Presences plain in the place; or, fresh from the Protoplast,
Furnished for ages to come, when a kindlier wind should blow,
Lured now to begin and live, in a house to their liking at last;
Or else the wonderful Dead who have passed through the body and gone,
But were back once more to breathe in an old world worth their new:
What never had been, was now; what was, as it shall be anon;
And what is,--shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul,
All through my soul that praised as its wish flowed visibly forth,
All through music and me! For think, had I painted the whole,
Why, there it had stood, to see, nor the process so wonder-worth:
Had I written the same, made verse--still, effect proceeds from cause,
Ye know why the forms are fair, ye hear how the tale is told;
It is all triumphant art, but art in obedience to laws,
Painter and poet are proud in the artist-list enrolled:--
But here is the finger of God, a flash of the will that can,
Existent behind all laws, that made them and, lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought;
It is everywhere in the world--loud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And, there! Ye have heard and seen: consider and bow the head!
Well, it is gone at last, the palace of music I reared;
Gone! and the good tears start, the praises that come too slow;
For one is assured at first, one scarce can say that he feared,
That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind
As good, nay, better, perchance: is this your comfort to me?
To me, who must be saved because I cling with my mind
To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name?
Builder and maker, thou, of houses not made with hands!
What, have fear of change from thee who art ever the same?
Doubt that thy power can fill the heart that thy power expands?
There shall never be one lost good! What was, shall live as before;
The evil is null, is nought, is silence implying sound;
What was good shall be good, with, for evil, so much good more;
On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist;
Not its semblance, but itself; no beauty, nor good, nor power
Whose voice has gone forth, but each survives for the melodist
When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
Are music sent up to God by the lover and the bard;
Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence
For the fulness of the days? Have we withered or agonized?
Why else was the pause prolonged but that singing might issue thence?
Why rushed the discords in, but that harmony should be prized?
Sorrow is hard to bear, and doubt is slow to clear,
Each sufferer says his say, his scheme of the weal and woe:
But God has a few of us whom he whispers in the ear;
The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign:
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones till I sink to the minor,--yes,
And I blunt it into a ninth, and I stand on alien ground,
Surveying awhile the heights I rolled from into the deep;
Which, hark, I have dared and done, for my resting-place is found,
The C Major of this life: so, now I will try to sleep.
|
Written by
Thomas Moore |
Though dark are our sorrows, today we'll forget them,
And smile through our tears, like a sunbeam in showers:
There never were hearts, if our rulers would let them,
More form'd to be grateful and blest than ours.
But just when the chain,
Has ceased to pain,
And hope has enwreathed it round with flowers,
There comes a new link,
Our spirits to sink --
Oh! the joy that we taste, like the light of the poles,
Is a flash amid darkness, too brilliant to stay;
But, though 'twere the last little spark in our souls,
We must light it up now, on our Prince's Day.
Contempt on the minion who calls you disloyal!
Though fierce to your foe, to your friends you are true;
And the tribute most high to a head that is royal,
Is love from a heart that loves liberty too.
While cowards, who blight
Your fame, your right,
Would shrink from the blaze of the battle array,
The Standard of Green
In front would be seen --
Oh, my life on your faith! were you summon'd this minute,
You'd cast every bitter remembrance away,
And show what the arm of old Erin has in it,
When roused by the foe, on her Prince's Day.
He loves the Green Isle, and his love is recorded
In hearts which have suffer'd too much to forget;
And hope shall be crown'd, and attachment rewarded,
And Erin's gay jubileee shine out yet.
The gem may be broke
By many a stroke,
But nothing can cloud its native ray;
Each fragment will cast
A light to the last --
And thus, Erin, my country, though broken thou art,
There's lustre wiithin thee, that ne'er will decay;
A spirit which beams through each suffering part,
And now smiles at all pain on the Prince's Day.
|
Written by
Rudyard Kipling |
Jane Austen Beecher Stowe de Rouse
Was good beyond all earthly need;
But, on the other hand, her spouse
Was very, very bad indeed.
He smoked cigars, called churches slow,
And raced -- but this she did not know.
For Belial Machiavelli kept
The little fact a secret, and,
Though o'er his minor sins she wept,
Jane Austen did not understand
That Lilly -- thirteen-two and bay
Absorbed one-half her husband's pay.
She was so good, she made hime worse;
(Some women are like this, I think;)
He taught her parrot how to curse,
Her Assam monkey how to drink.
He vexed her righteous soul until
She went up, and he went down hill.
Then came the crisis, strange to say,
Which turned a good wife to a better.
A telegraphic peon, one day,
Brought her -- now, had it been a letter
For Belial Machiavelli, I
Know Jane would just have let it lie.
But 'twas a telegram instead,
Marked "urgent," and her duty plain
To open it. Jane Austen read:
"Your Lilly's got a cough again.
Can't understand why she is kept
At your expense." Jane Austen wept.
It was a misdirected wire.
Her husband was at Shaitanpore.
She spread her anger, hot as fire,
Through six thin foreign sheets or more.
Sent off that letter, wrote another
To her solicitor -- and mother.
Then Belial Machiavelli saw
Her error and, I trust, his own,
Wired to the minion of the Law,
And traveled wifeward -- not alone.
For Lilly -- thirteen-two and bay --
Came in a horse-box all the way.
There was a scene -- a weep or two --
With many kisses. Austen Jane
Rode Lilly all the season through,
And never opened wires again.
She races now with Belial. This
Is very sad, but so it is.
|
Written by
Robert Browning |
ANCIEN REGIME
I
Now that I, tying thy glass mask tightly,
May gaze through these faint smokes curling whitely,
As thou pliest thy trade in this devil's-smithy—
Which is the poison to poison her, prithee?
II
He is with her; and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.
III
Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus, and observe thy strange things,
Than go where men wait me and dance at the King's.
IV
That in the mortar—you call it a gum?
Ah, the brave tree whence such gold oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly,—is that poison too?
V
Had I but all of them, thee and thy treasures,
What a wild crowd of invisible pleasures!
To carry pure death in an earring, a casket,
A signet, a fan-mount, a filigree-basket!
VI
Soon, at the King's, a mere lozenge to give,
And Pauline should have just thirty minutes to live!
But to light a pastille, and Elise, with her head,
And her breast, and her arms, and her hands, should drop dead!
VII
Quick—is it finished? The colour's too grim!
Why not soft like the phial's, enticing and dim?
Let it brighten her drink, let her turn it and stir,
And try it and taste, ere she fix and prefer!
VIII
What a drop! She's not little, no minion like me—
That's why she ensnared him: this never will free
The soul from those strong, great eyes,—say, "No!"
To that pulse's magnificent come-and-go.
IX
For only last night, as they whispered, I brought
My own eyes to bear on her so, that I thought
Could I keep them one-half minute fixed, she would fall,
Shrivelled; she fell not; yet this does it all!
X
Not that I bid you spare her the pain!
Let death be felt and the proof remain;
Brand, burn up, bite into its grace—
He is sure to remember her dying face!
XI
Is it done? Take my mask off! Nay, be not morose,
It kills her, and this prevents seeing it close:
The delicate droplet, my whole fortune's fee—
If it hurts her, beside, can it ever hurt me?
XII
Now, take all my jewels, gorge gold to your fill,
You may kiss me, old man, on my mouth if you will!
But brush this dust off me, lest horror it brings
Ere I know it—next moment I dance at the King's!
|
Written by
Gerard Manley Hopkins |
I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird,--the achieve of; the mastery of the thing!
Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.
|
Written by
Robert William Service |
I just think that dreams are best,
Just to sit and fancy things;
Give your gold no acid test,
Try not how your silver rings;
Fancy women pure and good,
Fancy men upright and true:
Fortressed in your solitude,
Let Life be a dream to you.
For I think that Thought is all;
Truth's a minion of the mind;
Love's ideal comes at call;
As ye seek so shall ye find.
But ye must not seek too far;
Things are never what they seem:
Let a star be just a star,
And a woman -- just a dream.
O you Dreamers, proud and pure,
You have gleaned the sweet of life!
Golden truths that shall endure
Over pain and doubt and strife.
I would rather be a fool
Living in my Paradise,
Than the leader of a school,
Sadly sane and weary wise.
O you Cynics with your sneers,
Fallen brains and hearts of brass,
Tweak me by my foolish ears,
Write me down a simple ass!
I'll believe the real "you"
Is the "you" without a taint;
I'll believe each woman too,
But a slightly damaged saint.
Yes, I'll smoke my cigarette,
Vestured in my garb of dreams,
And I'll borrow no regret;
All is gold that golden gleams.
So I'll charm my solitude
With the faith that Life is blest,
Brave and noble, bright and good, . . .
Oh, I think that dreams are best!
|
Written by
William Shakespeare |
O thou, my lovely boy, who in thy power
Dost hold Time's fickle glass his fickle hour;
Who hast by waning grown, and therein show'st
Thy lovers withering, as thy sweet self grow'st.
If Nature, sovereign mistress over wrack,
As thou goest onwards, still will pluck thee back,
She keeps thee to this purpose, that her skill
May Time disgrace, and wretched minutes kill.
Yet fear her, O thou minion of her pleasure!
She may detain, but not still keep her treasure.
Her audit, though delayed, answered must be,
And her quietus is to render thee.
|
Written by
John Keats |
What though, for showing truth to flattered state,
Kind Hunt was shut in prison, yet has he,
In his immortal spirit, been as free
As the sky-searching lark, and as elate.
Minion of grandeur! think you he did wait?
Think you he nought but prison-walls did see,
Till, so unwilling, thou unturnedst the key?
Ah, no! far happier, nobler was his fate!
In Spenser's halls he strayed, and bowers fair,
Culling enchanted flowers; and he flew
With daring Milton through the fields of air:
To regions of his own his genius true
Took happy flights. Who shall his fame impair
When thou art dead, and all thy wretched crew?
|
Written by
William Shakespeare |
O thou, my lovely boy, who in thy power
Dost hold Time's fickle glass, his sickle, hour;
Who hast by waning grown, and therein show'st
Thy lovers withering as thy sweet self grow'st;
If Nature, sovereign mistress over wrack,
As thou goest onwards, still will pluck thee back,
She keeps thee to this purpose, that her skill
May time disgrace and wretched minutes kill.
Yet fear her, O thou minion of her pleasure!
She may detain, but not still keep, her treasure:
Her audit, though delay'd, answer'd must be,
And her quietus is to render thee.
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